Allan's Paperweights

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New Additions - Paperweights for Sale


This page displays new additions and also price changes with the newest items at the top.  For the first four weeks (and sometimes longer), these new additions are available only on this website.  That gives my website customers first choice.  After four weeks, they are also listed on eBay. 

There is no shopping cart on this website. 
If you would like to purchase any of these paperweights or need more information, please send an email to Allan Port: aport@paperweights.com

Comment about these paperweights and their condition:  Most of the paperweights offered for sale on this website are pre-owned and come from collections that I purchased from other collectors or estates.  In a few cases I purchased the paperweights directly from the artists or factories or retired dealer stocks.  Every paperweight is inspected carefully under bright light and magnification.  I try to describe any flaws in detail.  If I miss something please contact me and I will make it right.  All descriptions, identifications, and your satisfaction are guaranteed. 
 



4493 Jim Karg Blue Iridescent Paperweight.  circa 1993 to 2003.  This paperweight has an iridescent blue frit surface with five large bubbles, four on the side and one on top.  The effect looks like five blue daisies.  It is signed "JIM KARG" on the side near the base.  A nice decorative paperweight.

James Lee Karg (born Columbus, Ohio 1942, died Springville, Pennsylvania 2018) had a successful 30-year career with the telephone company, retiring from Southern Bell in 1991.  In 1993, Jim founded the Karg Glass Works, art glass studio, in Douglasville, Georgia, where he and other artists created beautifully designed blown glass pieces & sculptures which he sold at art shows and galleries around the country.  His son, James D. Karg, worked with him at the Karg Glass Works in Douglasville.  It appears that James Lee Karg retired from glass work in 2003 when he and his wife Suzanne moved to Springville, PA.  James Lee Karg's brother Rollin Karg is also a glass artist and paperweight maker.  Rollin Karg's glass studio and gallery Karg Art Glass is still operating in Kechi, Kansas today (2022). 

Size:  2 3/4" diameter by 2 3/4" high.  The base is ground flat.
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.
Signature:  Engraved "JIM KARG" on the side near the base. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
Profile
Signature
Base
$49 postage paid in the US.                                                         Added 8/31/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Jim Karg Blue Iridescent Paperweight
5688 Large Tom Mosser Train Scene with Flagman Paperweight.   circa 1970.  This classic decorative plaque paperweight was made by Thomas Mosser at his Variety Glass Company in Cambridge Ohio.  The white enamel plaque is decorated with a printed decal image (ceramic transfer) of an old locomotive with cars behind, a building and tree in the background, a picket fence in the foreground, and an engineer in the cab.  A flagman is signalling the engineer to proceed through a crossing.  There are chickens on the other side of the rails.  Look at those big headlights on the engine.  It is signed with an "M" in the lower right edge of the scene.  The plaque rests on a multi-colored frit ground with a second frit ground below.  A great example from this Cambridge Ohio maker.

Note:  I've always assumed Mosser used stock images based on Currier and Ives prints or those of another illustrator.  I've been unable to identify the original artist.  That said, it is obvious that this is not a hand painted scene.  You can see the grain from the original transfer.

Thomas Mosser (born 1927) learned to work with glass at the Cambridge Glass Company where his father Orie Mosser was the plant manager.  When Cambridge Glass closed in 1954, Tom decided to continue in the glass business and formed Variety Glass with the support of several experienced glass workers from Cambridge.  The first couple of locations failed due to fires, but eventually a stable operation emerged and produced a variety of products, including glassware for the pharmaceutical industry, medical supplies, and also collectible molded items such as novelty salts, jam dishes, toothpick holders, ashtrays, and miniature boot and shoes.  Tom also made paperweights to order as well as fixed designs for Shrine and Masonic lodges.  Many of his paperweights used ceramic transfers of well known paintings by other artists.  For more information, you can read about the Tom Mosser in the book American Glass Paperweights and Their Makers by Jean Melvin (revised 1970).  The Mosser family continues to operate a glass business in Cambridge Ohio.

Large size:  2 13/16" diameter by 2 3/8" high.  The base is polished flat.  It weighs just over 16 ounces and will be two pounds when packaged for mailing.
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.
Signature: Signed "M" for Mosser in the design.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile
Side view
Base
$59 postage paid in the US.                                             Added 8/30/2022

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Tom Mosser Train Scene with Flagman Paperweight
4469 Magnum Maude and Bob St. Clair Sulphide Turtle Paperweight.  dated 1976.  A wonderful example of a St. Clair turtle sulphide paperweight.   The painted turtle is on top of a multi-colored hill of frit or shards of colored glass.  There are six valleys or pleats in the hill, each with a carefully placed bubble at the base.  The signature "MAUDE AND BOB ST. CLAIR 1976" is hot stamped on the base.  A colorful addition to any collection of St. Clair paperweights.

Note on the date:  The date on this paperweight might look like 1970, but I've concluded that it is 1976 until told otherwise.  The six is slightly deformed.  Bob and Maude didn't start to build their factory until Joe St. Clair retired the first time in 1971. 

Sulphides Paperweights are those that contain cast objects (animals, flowers, people) made of a ceramic material that has properties similar to the surrounding glass.  They are normally white, but are also sometimes colored or even painted.  The objects are cast in a mold that copied or made directly from a medallion, coin or sculpture.  Often the object is surrounded by a millefiori or lampwork garland, but it may also appear alone.  The finest sulphides are cast in a mold made by a skilled artist.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York.  Joe retired for the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Joe St. Clair died in 1987. 

Very large size:  Just over 3 1/2" diameter by 3 1/16" high.  The base is ground flat.  It weighs 30 ounces.
Condition:  Excellent condition with no chips or cracks.  No scratches found on inspection. 
Signature:  Hot stamped signature on the base "MAUDE AND BOB ST. CLAIR 1976". 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Another closeup
Third closeup of turtle
Another view
Back of the turtle
Hot stamped signature on base
Another view of the signature
Base
SOLD.                            Added 8/28/2022

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Maude and Bob St. Clair Sulphide Turtle Paperweight
3051 Antique New England Glass Company (NEGC) Concentric Millefiori Paperweight on Spiral Latticino Ground.  circa 1860 - 1888.  This is an antique New England Glass Company (NEGC) concentric millefiori paperweight on a spiral latticinio ground.  There are two rings of complex canes around a larger complex millefiori center cane.  The inner ring consists of nine identical white and green canes.  The outer ring consists of eight blue, red, and white complex canes.  The spiral latticinio ground is almost perfect, no very few bubbles and no messes.  The canes float nicely above the ground and they are nicely spaced, although not perfectly.  The paperweight appears to have been restored leaving some wear on the base.  Great color.  An excellent example of a NEGC concentric millefiori paperweight.

Note on execution:  It is rare to find a NEGC millefiori design with a perfect execution.  Often there are tipped canes, missing canes, uneven spacing, or worse.  The spiral latticinio grounds often have bubbles and are twisted or have other flaws.  The paperweight shown here is relatively free of major flaws.     

Note:  The type of ground in this paperweight has been given different names by different authors, including double latticinio, spiral latticinio, and spiral filigree.  Some authors insist that despite the extensive usage, there is no such word as latticinio and revert to latticino or filigree.  The literature is full of variations, including authors who choose to distinguish between thick and thin latticinio.  I have wavered in my choice between the first two choices, double latticinio and spiral latticinio.  More importantly, in 1986, paperweight collector Jerry Gard observed that spiral latticinio made in 19th century American factories contain 32 rods while those made in 19th century French factories contain 36 rods. 

New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888.  You can read about paperweights from the New England Glass Company in the book by Hawley, The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies

Large Size:  2 9/16” diameter by 1 7/16" high.  The bottom is ground concave.  The profile is relatively flat.
Signature:  This paperweight is not signed, but I guarantee it to be an authentic antique New England Glass Company paperweight. 
Condition:  Very good condition.  The paperweight may have been restored.  There are no chips, cracks or scratches on the dome, but some scratches remain on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Back view
Side view
Base
$345 postage paid in the US.                             Added 8/27/2022

For more information about antique paperweights, see my Antique Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique New England Glass Company (NEGC) Concentric Millefiori Paperweight on Spiral Latticino Ground
4507 Miniature Steven Maslach Cuneo Furnace Marble Type Heart Paperweight.  undated.  This wonderful heart shaped paperweight reveals its inner twist with a delightful pattern of an assortment of red and white twisted ribbons.  An early creation by the talented glass artist Steven Maslach, who got his start making marbles.  This paperweight is unsigned, but I guarantee that it is the work of Maslach's Cuneo Furnace.

Note:  There is no front and back side to this heart paperweight.  I picked one side to be the front, but also show the back.

Steven Maslach (born San Francisco, CA 1950) was one of the earliest of the modern / contemporary marble makers.  He has since moved on to wine glasses and now focuses on larger scale cast glass art.  Steven studied glassblowing at California College of Arts and Crafts under Marvin Lipofsky, Ruth Tamura, and Sam Herman (1968 – 1970).  He has taught glassblowing and participated in many conferences and special programs on glass art.  He founded his studio Cuneo Furnace sometime in the 1970s and also works under the name Maslach Art Glass in Seattle, Washington.  In 2008 Steve closed his production studio, Cuneo Furnace, in order to spend his time working on larger, more intricate, one of a kind sculptural works.  His work can be found in many top collections including the Corning Museum of Glass (New York), American Craft Museum (New York), Chrysler Museum (Virginia), High Museum of Art (Georgia), and the Smithsonian Institute (Washington, DC).  He has won many awards and has been in many exhibitions.

Miniature size:  Just over 1 13/16" wide by diameter by 2 5/16" high by 1 " thick.
Signature:  Unsigned, but I guarantee that it is the work of Maslach's Cuneo Furnace.  
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side View
Back side
$58 postage paid in the US.                                                          Added 8/28/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature Steven Maslach Cuneo Furnace Marble Type Heart Paperweight
5597 Perthshire PP46 Heart Pattern Closepack Millefiori Paperweight.  circa 1981-1995.  This Perthshire millefiori paperweight has a closepack design in the shape of a heart in the center with a heart shaped border of identical amber and white canes.  The design is set on a translucent ruby red ground with a garland of purple and white canes on the outside.  It is signed on the base with Perthshire's complex "P" signature cane.  It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  The paperweight has one large top facet.  Every collector should have one of these.

The PP46 was made with a heart design from 1981 to 1999.  It was also made as a Spade (1981-1985), Diamond (1981-86), and Club (1981-85).  Although the heart was made until 1999, this version was produced until 1995 and then the design was changed for 1996 and again for 1997-1999. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  2 9/16" diameter by 1 11/16" high. The base is ground concave.  There is one large top facet. 
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.  The label is worn. 
Signature:  It is signed on the base with Perthshire's "P" signature cane.   It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane
Label on base 
Side view
Profile
Base
Another view of base
$185 postage paid in the US.                Added 8/25/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire PP46 Heart Pattern Closepack Millefiori Paperweight
5915 Vasart Miniature Concentric Paperweight.  circa 1950-1963.  Miniature concentric paperweight with three rings of white, blue, and red/orange millefiori around a central white millefiori cane.  The outer ring of canes alternates between orange and red.  The ground is an opaque yellow color.  A neat miniature - very small. 

Note:  This miniature was among the smaller sizes produced at Vasart.  It is about the same sized used for the barware handles made by Vasart and incorporated into the Lassman corkscrews, bottle openers, and other barware.  They did make some as small as 1 1/2". 

Note on attribution:  With a concentric design it is often difficult to distinguish between a Vasart concentric and a later Strathearn concentric.  One feature that helps is whether the canes are even with the ground or stand above the ground (also called stand proud).  Vasart did not have reheat furnaces (glory holes) and thus most of their paperweights have the canes well above the ground.  Strathearn had newer equipment and were able to use some as reheat furnaces.  That gave them the ability to rework the glass and smooth out the tops of the canes.  Another distinguishing feature was the use of (mostly) colored twist canes at Vasart and the use of (mostly) white canes at Strathearn.  Colors also helped but that was more subjective. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955.  The company name was later changed to Vasart Glass.  Stuart Drysdale was hired manage the business side of the enterprise in 1960.  The company evolved into a new company Strathearn owned by Teachers Whiskey.  In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965).  The article inspired him to try to produce weights comparable to the French antiques.  With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Miniature size:  Just over 1 5/8" diameter by 1 1/4" high.  The base is fire finished. 
Condition:  Excellent condition with no scratches, chips or cracks. 
Signature:  Unsigned but I guarantee that it is an early Scottish paperweight, most likely made at Vasart.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile
Side view
Another side view
Base
$35 postage paid in the US.                Added 8/25/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Vasart Miniature Concentric Paperweight
4075 Small Fratelli Toso Murano Scramble Paperweight.   circa  1950-1970.  This fun scramble paperweight is filled with light blue and pink twist canes.  There is an illegible silver foil label, but I guarantee this is a genuine Fratelli Toso paperweight.

Note:  This paperweight started off with a legible Fratelli Toso silver foil label which had a conjoined "ft" and "MADE IN ITALY MURANO GLASS", but the ink came off when I cleaned the paperweight.  The label is now illegible and I am selling it for a reduced price.  If you look hard, you can see the imprint of the conjoined "ft" on the left side. 

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Fratelli Toso was started in 1854 by six brothers - Angelo Toso, Giovanni Toso, Ferdinando Toso, Carlo Toso, Gregorio Toso and Liberato Toso.  They were joined by Ermanno Toso in 1924 who became artistic director.  The Fratelli Toso company is well known for its use of colorful murrines and millefiori, particularly during the 1950's and earlier.  In 1979, the company suffered a harsh economic crisis, forcing the owners to divide it into Antica Vetreria Fratelli Toso and Fratelli Toso International.  In 1981, Fratelli Toso International filed for bankruptcy and closed its doors for good.  Antica Vetreria Fratelli Toso, led by Arnoldo Toso, continued to operate.

Small size:   Just under 2 1/4" diameter by 2" high.  The base is polished flat. 
Condition:   Excellent condition although the label is worn and illegible.
Signature:  This paperweight started off with a legible Fratelli Toso silver foil label which had a conjoined "ft" and "MADE IN ITALY MURANO GLASS", but the ink came off when I cleaned the paperweight.  The label is now illegible and I am selling it for a reduced price.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Top view
Base
Closeup of illegible silver foil label
$39 postage paid in the US.                                             Added 8/24/2022   

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Small Fratelli Toso Murano Scramble Paperweight
4861 Super Magnum 1996 Baccarat Limited Edition Starfish Paperweight with Box.  dated 1996.  This very large paperweights features a red starfish, lilac colored sea anemone, and green and white striped sea grass in a marine setting.  The design is set on a translucent blue sandy ground.  There is a complex signature / date cane "B 1996" in the design next to the starfish.  The base has an acid etched Baccarat logo plus it is engraved with the year (1996) and the edition number and edition size (69 / 100).  It is also engraved low on the side near the base with "Baccarat" in script.  It comes with its original red rigid Baccarat box.  A hard to find paperweight that is magnificent.

Very large size: Just under 3 11/16" diameter by 2 5/16" high.  The box is 5 3/16" by 5 3/16" by 4 1/8" high.  The base is polished flat.  It weighs just under two pounds, 43 ounces with its box. 
Condition: Excellent condition with no cracks or chips or scratches.  It is in perfect original condition.  The box is slightly worn.
Signature:  Made by Baccarat in France in 1996.  There is a complex signature / date cane "B 1996" in the design next to the starfish.  The base has an acid etched Baccarat logo plus it is engraved with the year (1996) and the edition number and edition size (69 / 100).  It is also engraved low on the side near the base with "Baccarat" in script. 

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production. 

  • 1845-1860 - Classic period 
  • 1900-1934 - Dupont period 
  • 1953 - on - Modern period
This classification is definitely an over simplification as it is likely that Baccarat made some paperweights on and off through most of 19th century.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).  Pansy weights and rock weights continued in production until much later.  Some paperweights are identified as Dupont period and were made at the end of the 19th Century or early in the 20th century. 

You can read more about the Baccarat paperweights in the book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Paperweight in box
Side view 
Signature cane
Signature on base
Baccarat engraved on side near base
Profile
Box
Closeup 
Base
$1,200 Postage paid in the US.                                          US Sales only, no international shipping.  Delivery will require a signature.                  Added 8/24/2022

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Super Magnum 1996 Baccarat Limited Edition Starfish Paperweight with Box
5332 Dramatic Magnum FM Marcolin Art Crystal (Sweden) Sommerso Twist Paperweight.  circa 1983-1991.  This dramatic twist paperweight uses a Murano sommerso technique with a dark green iridescent core that sparkles and is covered by a transparent blue layer and then a clear crystal outer layer.  It is signed on the base "FM Ronneby Sweden M383" indicating that this is style 383 designed by Josef Marcolin when the company was in Ronneby Sweden.  The company name at the time was "FM Konstglas, Ronneby".  It also has a foil label "FM ART CRYSTAL STUDIO LINE GENUINE HANDMADE SWEDEN".  A fantastic example.

FM Marcolin Art Crystal or FM Marcolin Konstglas was founded Sweden in 1961 by two Italian brothers, Josef and Benito Marcolin.  They learned their glass making skills on the island of Murano, Venice, and later worked at Reijmyre before starting their own company.  FM stands for Färe-Marcolin.  The company went through several name changes as they moved from one location to another, including "FM Konstglas, Eneryda""FM Konstglas, Ronneby", and then "FM Konstglas / Marcolin".  "Konstglas" is Swedish for "Art Glass".  The company changed its name to FM Marcolin Art Crystal in 1983, and in 1988-89 changed again to Marcolin Art Crystal.  The Swedish factory closed in 1991, and production was moved to Sardinia, Italy.  The Marcolin brothers left and went their separate ways, Benito moved back to Sweden, while Josef moved to Austria and continued production under the name Marcolin Art Crystal, which is still operating today.

Marcolin pieces are often signed, including a pattern number, on the base, which consists of the initial of the designer, and model number of the item, sometimes followed by the size of the item in millimeters.  Designer codes include: M - Josef Marcolin, B - Benito Marcolin, and F - Inga-Lill Färe.  Production was mainly glass figurines, with a unique blended style of Swedish and Murano. They use traditional Murano techniques such as millefiori, sommerso, zanfirico, and sfumato. 

Very large size:  Just under 3 1/4" diameter by just over 4 1/2" high.  The base is polished flat.     
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection. 
Signature:  Signed on the base "FM Ronneby Sweden M383".  It also has a foil label "FM ART CRYSTAL STUDIO LINE GENUINE HANDMADE SWEDEN".  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Back
Side view
Signature on base
Label
Top view
Base
$95 postage paid in the US.                                                   Added 8/23/2022

For more paperweights from other countries, see my  Other Countries Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Dramatic Magnum FM Marcolin Art Crystal (Sweden) Sommerso Twist Paperweight
4475 Large Joe St. Clair Sulphide Paperweight of Little Red Riding Hood and the Wolf.   circa 1970-1987.  This large Joe St. Clair has a painted sulphide of Little Red Riding Hood and her encounter with the Wolf in the woods.  Little Red Riding Hood is carrying a basket of goodies.  There is a green tree in the background.  The sulphide is placed on a pleated transparent green ground.  The signature "JOE ST CLAIR" is hot stamped on the base.  A wonderful example.

Sulphides Paperweights are those that contain cast objects (animals, flowers, people) made of a ceramic material that has properties similar to the surrounding glass.  They are normally white, but are also sometimes colored or even painted.  The objects are cast in a mold that copied or made directly from a medallion, coin or sculpture.  Often the object is surrounded by a millefiori or lampwork garland, but it may also appear alone.  The finest sulphides are cast in a mold made by a skilled artist.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York.  Joe retired for the first time in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Joe St. Clair died in 1987. 

Large size:   3 1/8" diameter by 2 5/16" high.  The base is fire finished and signed with a Joe St. Clair hot stamp signature. 
Condition:  Excellent condition with no chips, chips, or cracks found on inspection.  There are, however, some tiny bits of debris and some small bubbles in the glass.
Signature:  Hot stamped "JOE ST CLAIR" on the bottom.  This dates from the 1970-1980s.  Joe St. Clair died in 1987.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Side view
Hot stamped signature on base
Base
$145 postage paid in the US.                             Added 8/23/2022

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Joe St. Clair Sulphide Paperweight of Little Red Riding Hood and the Wolf
5618 Perthshire Annual Collection 1983A Limited Edition Millefiori Flower Paperweight.  dated 1983.  This medium sized paperweight features a yellow lampwork flower with two leaves and a stem.  The flower is set on a translucent green ground and is surrounded by a square of twists, then a ring of complex millefiori canes, and then another ring of twists and millefiori.  There is also a complex cane in the center of the flower.  It is signed on the base with a complex "P 1983" signature cane.  It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base and comes with its original stained and wrinkled certificate stating this is edition number 21 of a 1983 limited edition of 300 paperweights (241 were actually made).  A remarkable paperweight with great color and a complex design. 

Perthshire made this paperweight as one of their Annual Collection designs for 1983.  This means the design was made only that one year and never again.  There were seven Annual Collection designs in 1983, designated A through G.  This design is designated 1983A.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  Just over 2 1/2" diameter by 1 7/8" high.  The base is ground concave.
Signature:  This paperweight is signed with a complex "P 1983" signature cane in the center of the base.  It also has its original (worn) Perthshire label and comes with its original stained and wrinkled certificate.
Condition:  Excellent condition. No cracks, chips, or scratches found on inspection.  The label is worn and the certificate is stained and wrinkled.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane
Worn label
Side view
Certificate (stained and wrinkled)
Profile
Base
$275 postage paid in the US.                                               Added 8/23/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1983A Limited Edition Millefiori Flower Paperweight
5378 Antique New England Glass Company (NEGC) Seal with Millefiori Nosegay Handle.  circa 1860-1888Interesting NEGC seal with millefiori nosegay handle.  The nosegay has three marvelous complex millefiori.  The base has a grid cut and is not customized for the owner.  Fair to good condition, with many small chips on the edges and corners.  The handle has a six sided top facet plus two rows of six facets each.  The stem and base are six sided.  Rare item.

The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888You can read about paperweights from the New England Glass Company in the book by John Hawley.  The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC.

Size:  The six-sided handle is 1 5/16" wide at its widest.  2 5/8" long.  The base is 7/8" width at its widest.  Heavily faceted. 
Condition:  Fair to good condition, with many small chips on the edges and corners.      
Signature:  Unsigned, but I guarantee that this is an antique New England Glass Company seal.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Another view
Top view
Worst of the chips
Base
Side view
And side another
$1,100 postage paid in the US.                     US Sales only, no international shipping.   Delivery will require a signature.              Added 8/22/2021

For more information about Antique Paperweights, see my Antique Paperweights Web Page. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique New England Glass Company (NEGC) Seal with Millefiori Nosegay Handle
1537 Magnum Chinese Blue Pedestal Rose Paperweight.  circa 1980-2000.  This is a modern Chinese blue pedestal rose paperweight with 30 blue colored petals and five green leaves.  The petals are arranged in six rings in a 6+6+6+5+4+3 pattern.  The design is set on a pedestal stem with three knops and a white and green frit base.  A large example of a modern Chinese lampwork rose.  

Unlike the 1930s copies of Millville crimp roses, this example thin petals and appears to be a lampwork assembly.  Lampwork flowers are assembled at a hot torch (lamp) before being encased in glass.  Crimp roses are made by a more difficult process that creates the rose in a single step using a metal crimp.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.   Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.  Chinese paperweights continued to be made throughout the 20th century and now into the 21st century with greatly improved quality.

Very large size:  3 9/16” diameter by 5 1/8” high.  The base is 3 1/4" diameter.  The base is ground flat.  It weighs 46 ounces (2 pounds, 14 ounces).
Signature: Unsigned, but I guarantee that this is made in China circa 1980-2000. 
Condition:  Excellent condition with no cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Side view
Another picture
Frit base

$79 postage paid in the US.                                        Added 8/21/2022

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Chinese Blue Pedestal Rose Paperweight
5891 Magnum Daniel Salazar Lundberg Studios 2009 Pink Sweet Pea on Green Paperweight.  dated 2009.  This wonderful paperweight features a single pink sweet pea flower and two opening buds over a dark green ground.  There are variegated green leaves and winding green stems.  This is a very three dimensional compound design, with lampwork at multiple levels and stems that wrap through each level down to the ground.  It is signed and dated on the edge near the base "Daniel Salazar Lundberg Studios 2009 100504".  The paperweight also has a lampwork "D.S." signature on the underside of the ground.  It also comes with its original certificate from Lundberg Studios.  A great three dimensional design that is one of Daniel Salazar's signature designs.

Note:  Please ignore the white areas in the pictures caused by the light.  The dark green ground made it difficult to eliminate all the reflections.

Daniel Salazar is one of the lead gaffers at Lundberg Studios in Davenport, California and is their primary paperweight designer and maker.  He joined Lundberg in 1975.   The studio was founded by James Lundberg in the early 1970s.  Steven Lundberg joined shortly later.  The first paperweights were made in 1972.  In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California.  James died in an accident in 1991.  Steven left Lundberg Studios in 1997 and set up his own studio.  He died from ALS in 2008.   Each paperweight produced at Lundberg Studios is signed and dated by the studio and signed by the artist. 

Very large size:  3 11/16" diameter by 2 13/16" high.  The base is ground concave.  It weighs just over 2 pounds.
Signature:  Signed on the side near the base "Daniel Salazar Lundberg Studios 2009  100504".  The paperweight also has a lampwork "D.S." signature on the underside of the ground.  It also comes with its original certificate from Lundberg Studios.
Condition:  Very good condition.  One faint (3/16") bruise found low on the side.  No other cracks cracks, chips or scratches found in inspection.  There is a tiny extra bit of white glass near the surface of the base, maybe left over from when the D.S. signature was added.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature
Certificate
Closeup
Side View
Profile
3/16" bruise low on side
Base
$375 postage paid in the US.                                                          Added 8/20/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Daniel Salazar Lundberg Studios 2009 Pink Sweet Pea on Green Paperweight
4509 Chatham Glass 1998 Egg Shaped Triple Swirl Paperweight by James Holmes & Deborah Doane.  dated 1998.  This is a multi-colored egg shaped triple swirl paperweight by the award winning artists Jim Holmes and Deborah Doane at Chatham Glass.  The outer swirl consists of three strands, red, blue, and green with white borders on each.  Inside that is another swirl and an even tinier inner swirl.  The paperweight is signed on the base "Chatham Glass Co 1998".  A colorful complex design.

Chatham Glass Company was founded in 1987 by James Holmes (born 1952) and his then wife Deborah Doane (born 1952).  The company was located in Chatham, Massachusetts (on Cape Cod).  James studied art at a small college in Vermont before receiving his MFA from Temple University’s Tyler School of Art.  He held various glass-related jobs, including an artist residency at the Royal College of Art in England.  Deborah worked with both ceramics and glass before opening the Chatham Glass Company.  They designed the works together, inspired by organic forms and their coastal environment.  Holmes continues to create glass pieces to this day.  Doane now focuses ceramic pieces of her own and resides in California.  Examples of their work can be found in the Smithsonian American Art Museum in Washington, DC.

Size:  Just under 1 11/16" diameter by 2 3/16" high.  The base is polished flat.     
Signature:  Signed on the base "Chatham Glass Co 1998".
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There are a couple of stray bubbles in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature
Side view
Another view
Top view 
Another side view
Base
$69 postage paid in the US.                      Added 8/20/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chatham Glass 1998 Egg Shaped Triple Swirl Paperweight by James Holmes & Deborah Doane
4494 Marilyn Kimble Holt Brilliantly Colored 1996 Art Glass Swirl Paperweight.  dated 1996.  This four sided ovoid shaped paperweight has a brilliantly colored swirl design.  It has a large cylindrical "capsule shaped" bubble in clear glass above a series of swirling lines in a rainbow of translucent colors.  There are also streams of tiny controlled bubbles.  The paperweight was made by West Virginia glass artist Marilyn Kimble Holt and is signed "Marilyn '96" in the center of the base.  It also has a personalized inscription on the base - see below.  A wonderful colorful design from this skilled artist.

Please note:  The pictures do not capture the beauty of this paperweight. 

Note on personalized inscription:  This paperweight has a personalized inscription including a biblical reference on the base.  The inscription reads: "Jeremiah 29:11  Thanks for everything.  Love, Laura".

Note on color:  There is no colored glass at the top of the paperweight.  What you see in some of the pictures is a reflection from the lower portion.

Marilyn Kimble Holt (born 1949) has a background in fine arts as a water-colorist.  In 1989 she was introduced to glassblowing and the focus of her work continues to be the play of color and light.  Marilyn can be found in the directory of artists at the Museum of American Glass in Weston, West Virginia.  The museum has a picture of her blowing glass.  She was one of 25 glass artists who signed a first day cover the USA Free-Blown Glass stamp, postmarked "TAMARACK / AMERICAN GLASS STATION / JULY 3, 1999 / BECKLEY, WV 25801.  She continues her art in her studio Glass by Marilyn in Elkview, West Virginia. 

Size:  3" diameter by 3 5/16" high.  The base is polished flat.     
Signature:  Signed in the center of the base "Marilyn '96".  This was also given as a gift and has a personalized inscription including a biblical reference on the base.
Condition:  Very good condition.  There are a couple of faint scratches on the body and the base has noticeable scratches in addition to the inscription and signature.  No chips or cracks.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature and inscription
Side view
Another view
Closeup 
Another view
Base
Another view of signature and inscription
$69 postage paid in the US.                      Added 8/18/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Marilyn Kimble Holt Brilliantly Colored 1996 Art Glass Swirl Paperweight
5686 Whitefriars Experimental Millefiori Rectangular Slab Paperweight - with damage.  dated 1972.  This unusual paperweight is rectangular in shape with about a eighteen millefiori canes running vertically from the top to the bottom of the paperweight.  The exception is that there are also two Whitefriars 1972 signature date canes which are only short segments.  Most of the canes in the block are clear stringers with a white enamel coating.  It has the typical heavy Whitefriars lead crystal.  The paperweight is signed with two Whitefriars signature canes with a white monk and the date 1972 and also has a paper label that was used 1963 to 1979.  With its unusual shape and rarity, this is a great addition to any collection of  millefiori paperweights.

According to the Whitefriars Paperweights Collectors Guide by Brian Slingsby and Judy Taylor, this was an experimental item that was never launched as a catalog item due to the high production cost and the amount of flattening and hand polishing required.  The number that were made is unknown.

Note on condition:  The condition of this paperweight is fair to good.  It has a number of small chips and internal fractures on the edges and corners, but still displays nicely retaining its entertainment value.  Please examine the pictures carefully.

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.  Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile. 

Size:  2 1/2" by 1 1/16" by just under 1 1/4" high.  All surfaces are polished flat.
Condition:  The condition of this paperweight is fair to good.  It has a number of small chips and internal fractures on the edges and corners, but still displays nicely retaining its entertainment value.  Please examine the pictures carefully.
Signature:  It has two Whitefriars 1972 signature canes with a white monk and the date 1972 and also has a Whitefriars paper label.

For extra pictures, click on the picture at the right and the following links:  

Large picture
Top view
Signature cane (one of two)
Label
Side view
Base
Largest chip on base
Internal fracture on corner
On hold.                                           Added 8/17/2022

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Whitefriars Experimental Millefiori Rectangular Slab Paperweight
5689 Large Colorful Murano Millefiori Paperweight with Seven Large Flower Canes - Probably Seguso.   circa 1960-1980.  Colorful millefiori paperweight with a closepacked design consisting of seven identical large flower canes.   There is a clear ground.  Unsigned, but Seguso signed examples of this design exist.  An interesting design.

Although there are examples of this paperweight design with labels from the Archimede Seguso company in Murano "ARCHIMEDE SEGUSO MURANO MADE IN ITALY" and also from their showroom in Milan -  "SEGUSO C. SORDA VITTORIA, 40, TEL. 799648, MILANO", this example is unsigned.

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Archimede Seguso (1909-1999) was an Italian glass artist known for his intricate glass vases, necklaces, and sculptures.  Spanning a wide range of forms and colors, his subject matter included animals and abstract shapes.  He was part of an illustrious legacy of Italian glassmakers, their ancestry spanning over six centuries to the 14th century.  Seguso notably led a revival of ancient Venetian glass-making techniques, specifically filigrana, which produced lattice-like patterns. Seguso ran the family business Seguso Vetri d'Arte, from 1937 to 1942.  After 1942 he devoted his time to research and innovation and continued to produce many artistic breakthroughs.  The Seguso company continues to produce glass today.  Seguso works are included in many private and museum collections.  

Large size:  Just under 3 1/8" diameter by just under 1 7/8" high. The bottom is polished flat. 
Condition:   Good to very good condition. I found a couple of scratches including some rub scratches on the side at the widest point.  No chips or cracks. 
Signature:  Unsigned but I guarantee that this was made on the island of Murano.  Given the existence of labeled examples, I believe it is from the Seguso factory.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
Rub mark on side
Side view
$69 postage paid in the US.                            Added 8/17/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Colorful Murano Millefiori Paperweight with Seven Large Flower Canes - Probably Seguso
4473 Large Joe St. Clair Multi-Color Ribbon Crimp Turtle Paperweight.  circa 1970-1987.  This is a large Joe St. Clair figural turtle with a multi-colored ribbon crimp flower in the center.  There are eight pleats or crimps with carefully placed bubbles between each.  The turtle has a round shell, four legs, a head, and a tail all of clear glass.  The signature "JOE ST CLAIR" is hot stamped on the base.  A great example.

Note on condition:  This paperweight has a 1/8" flaw shown in the pictures.  This may be an internal fracture or it may just be some striations in the glass.  No other flaws found on inspection.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York.  Joe retired for the first time in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Joe St. Clair died in 1987. 

Large Size:   The turtle is approximately 7" long by 4" wide by about 1 1/2" high.  The base is hot stamped with the Joe St. Clair hot stamp signature. 
Condition:  Very good to excellent condition with no chips or cracks.  There is one small 1/8" flaw shown in the pictures.  This may be an internal fracture or it may just be some striations in the glass.  No other flaws found on inspection.
Signature:  Hot stamped "JOE ST CLAIR" on the bottom.  This dates from the 1970-1980s.  Joe St. Clair died in 1987.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Side view
Hot stamped signature on base
Another view
Bottom view
Tiny flaw or fracture
SOLD.                             Added 8/11/2022

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Joe St. Clair Multi-Color Crimp Turtle Paperweight
4486 Antique Pairpoint Bubble Paperweight Doorknob on Marble Stand.  Circa 1890-1930.  This is an antique Pairpoint bubble doorknob mounted on a marble veneered stand.  It has the brass mounting hardware and setscrew.  The bubble pattern is made up of carefully placed concentric rings of controlled bubbles with a slight spiral in the arrangement.  There is a single bubble in the center, nine bubbles in the first ring, 18 bubbles in the next ring, and increasing numbers in each subsequent ring until the pattern reverses.  The doorknob is firmly fastened to the stand and won't come off, even if the setscrew is removed.  The base of the stand is covered with felt.  This type of doorknob was once a common fixture in New England homes built up until about 1930.  There were other variations offered, including plain glass knobs.  

Note on marble veneered stand:  The marble stand is heavy, but it is not solid marble.  It appears to be a veneer and you can see this by the way the faces come together at the edges.

Note on provenance:  This doorknob came from an old Boston family collection that also had many other pieces of Pairpoint glass.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The last New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970.  It continues to operate at that location today (2022) although under new owners. 

Size:  2 1/8" diameter by 4 3/16" high including the stand.  The stand is 3" by 3" by 1 1/4".  The bottom of the stand is covered with felt.  It weighs 30 ounces.
Condition:  The doorknob is in excellent condition with no cracks, chips, or noticeable scratches.  The brass hardware has signs of aging, but no damage.  The marble stand has a small but noticeable chip on one corner and tiny chips in the other three corners.  It also has a larger chip at the base next to the felt (see pictures).  As mentioned above the stand is a marble veneer, not solid marble.  The felt on the base is worn.    
Signature:  Unsigned, but I believe this was made at Pairpoint in New Bedford, Massachusetts.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Side view
Another view
And another
Chipped corner on base
Felt covered base
$65 postage paid in the US.                                            Added 8/10/2022

For more information about antique paperweights see my Antique Paperweights Web Page.       (dl-ant-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique Pairpoint Bubble Paperweight Doorknob on Marble Stand
5266 Large Whitefriars P8 Cylinder Six Ring Green and White Concentric Millefiori Paperweight.  dated 1973.  This cylinder shaped paperweight has six concentric rings of light green and white millefiori canes around a center cane that has a five petal blue flower in the center.  The ground is clear crystal.  Typical heavy Whitefriars lead crystal.  The paperweight is faceted a fancy faceting described as finger cut with top and bottom edge fluting.  There is one large facet on top, eight long finger flutes, eight oval facets at the top, and eight oval facets at the bottom of the cylinder.  It has a Whitefriars signature cane with a white monk and the date 1973 in the third ring from the outer edge.  This is an unusual addition to any collection of  millefiori paperweights.    

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.  Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile. 

Large size:  2 13/16" diameter by just under 2 1/2" high.  The base is ground concave.  The faceting pattern is described as finger cut with top and bottom edge fluting.  There is one large facet on top, eight long finger flutes, eight oval facets at the top, and eight oval facets at the bottom of the cylinder. 
Condition:  Excellent condition.  There are some scratches on the base.  No other chips, cracks or scratches found on inspection.
Signature:  It has a Whitefriars signature cane with a white monk and the date 1973 in the third ring from the outer edge.

For extra pictures, click on the picture at the right and the following links:  

Large picture
Closeup
Signature cane
Signature cane viewed from base
Top view
Side view
Another side view
Base
View through the base
$295 postage paid in the US.                                           Added 8/9/2022

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Whitefriars P8 Cylinder Six Ring Green and White Concentric Millefiori Paperweight
5268 Paul Ysart Signed Five Flower Bouquet Paperweight with Buds and Ribbon - Original Ysart Jokelson Box.  circa 1972-1979.  This large Paul Ysart paperweight features a lampwork bouquet of a large red flower and four smaller pink, light blue, and dark blue flowers with two buds, green stems and leaves.  The stems are tied with a dark blue ribbon.  The design is placed on a dark blue transparent ground.  It is signed with a "PY" signature cane below the red flower.  There is also a Paul Ysart "PY Made in Scotland" paper label on the base.  This paperweight comes with its original worn box imprinted "PAUL YSART LIMITED P.J." reflecting the Harland period when Paul Jokelson was the exclusive US distributor of Paul Ysart paperweights.  A wonderful example of Paul Ysart's art from the Harland Period.

Note:  This was a difficult paperweight to photograph with its dark blue ground.  Every bubble, piece of fuzz, my hands, the camera, etc. showed up as reflections.  Please ignore the bright white spot from the light and other reflections.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland from Spain in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922.  He worked on the production of Monart Art Glass.  Paperweights were primarily an after hours activity.  Paul made his first paperweight in the early 1930s.  Production was interrupted by World War II and the Monart line was not restarted until 1946.  In 1946 Salvadore and his sons Augustine and Vincent left Moncrieff and founded Ysart Brothers Glass.  They produced glass wares under the Vasart label.  Salvador Ysart died in 1955.  Paul stayed at Moncrieff from until 1962, when he joined Caithness as a Training Officer.  While at Caithness, he trained Peter Holmes, Colin Terris, and William Manson, among others.  After he retired from Caithness in 1972, he continued to make paperweights initially under the Harland label and then the Highland Paperweights label until 1979.   You can read more about Paul Ysart in the book by Colin Mahoney Masterpieces:  The Paperweights of Paul Ysart.

Large size:  Just under 2 7/8" diameter by just over 2" high.  The base is polished flat. 
Condition:  Excellent condition with no damage.  Slight wear on the base.  The original box is worn.      
Signature:  Signed with a "PY" signature cane in the design and also with a Paul Ysart "PY Made in Scotland" paper label on the base.  The box is imprinted "PAUL YSART LIMITED P.J." reflecting the Harland period when Paul Jokelson was the exclusive US distributor of Paul Ysart paperweights.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Label on base
Closeup
Another closeup
Paperweight in box
Profile
Base
Side view
Paul Jokelson Box
$675 postage paid in the US.                                                             Added 8/8/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Paul Ysart Signed Five Flower Bouquet Paperweight with Buds and Ribbon - Original Ysart Jokelson Box
2496 Rare Chinese Copy of a NEGC Faceted Millefiori Nosegay Paperweight.  circa 1930.  This is an almost antique Chinese copy of a New England Glass Company (NEGC) Posy Paperweight made circa 1860.  It has the fancy NEGC quatrefoil faceting and setup.  The millefiori nosegay consists of three red, white, and yellow complex millefiori canes with four green leaves and a stem.  All this surrounded by two garlands of complex millefiori, one made up pink and blue flowers, the other made pink and white flowers with green centers.  This great setup is on top of a latticinio swirl ground.  There are twelve side facets (four large and eight smaller) plus the four part top facet with a notch between each.  This is a fantastic addition to any collection of antique paperweights.  In some ways, the execution of this example is better than the original NEGC, since NEGC examples usual have tipped or cracked canes and the posy is often smudged. 

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.

Large Size:   Just under 3" diameter by 2" high. The bottom is ground concave. 
Signature:   Unsigned but I guarantee that this is from China and dates from about 1930. 
Condition:  Very good condition.  There are some minor surface scratches and pinpricks and also some tiny pinpricks on the facets plus one 1/8" chip on a facet (see picture).  There is some debris or dirt in the glass as shown in the pictures.  As with all Chinese paperweights from this period, this paperweight has a light weight glass mixture that is high in soda and has a greenish tinge. The glass has a soft almost oily feel. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Picture of chip
New Price $125 (was $225)  postage paid in the US.                                            Repriced 8/7/2022

For more information about paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
5965 St. Louis 1977 Limited Edition Five Flower Bouquet Paperweight with Red and White Double Overlay.  dated 1977.  This 1977 St. Louis paperweight features a lampwork bouquet of five red, white, and blue clematis flowers with green stems and leaves.  The design is placed on a clear ground and encased in a brilliant red and white double overlay.  It is finished with a large top facet and twelve side facets in two rows, plus a star cut base.  The paperweight is is signed in the center of white flower with a complex "SL 1977" signature / date cane, although the signature cane is put in upside down.  This limited edition design was offered by St. Louis in a limited edition of 450 paperweights of which 200 were reserved for the American market.  It also has its original foil label "CRISTAL SAINT LOUIS FRANCE" and comes with its original certificate of authenticity assigning this as edition number 269 of the 1150 limited edition paperweights made for the American market in 1977.  It also comes with its original very worn and stained box.  See note below about manufacturing flaws.  A brilliant design.  A great addition to any collection of modern French paperweights.

Note about manufacturing flaws:  The double overlay has several manufacturing flaws which are shown in the pictures.  The most significant is a line on the side where there is a lighter red color.  There are also two tiny tool marks, one near the top facet and another near the base.  The latter may be a tiny nick or scratch and there is also a nearby scratch on the clear base.  All of these marks and scratches are very small but showed up in the pictures.

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.

Large Size:  3 1/8" diameter by 2 1/4" high.  The base has a star cut.  Finished with a red and white double overlay and faceted with a large top facet and twelve side facets.
Signature:  Signed in the center of the white flower with an upside down Saint Louis "SL 1977" signature / date cane.  It also has its original foil label "CRISTAL SAINT LOUIS FRANCE" and comes with its original certificate of authenticity assigning this as edition number 269 of the 1150 limited edition paperweights made in 1977. 
Condition:  Very good condition with several small manufacturing flaws noted.  No other scratches, chips or cracks found on inspection.  The double overlay has several manufacturing flaws which are shown in the pictures.  The most significant is a line on the side where there is a lighter red color.  There are also two tiny tool marks, one near the top facet and another near the base.  The latter may be a tiny nick or scratch and there is also a nearby scratch on the clear base.  The original box is stained and worn and has blue ink pen marks on the white lining. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile
Signature cane
Label
Certificate
Side view
Base with star cut
Box with certificate and paperweight
Color flaw on side - plus two tool marks or scratches
Another tool mark near top facet
Stained box
Stains inside box
Base
$375 postage paid in the US.                                        Added 8/2/2022

For more information about paperweights made by the St. Louis glass factory in France, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
St. Louis 1977 Limited Edition Five Flower Bouquet Paperweight with Red and White Double Overlay
5363 Large Strathearn Spaced Millefiori on Lace Paperweight.  1963 - 1980.  This Strathearn spaced millefiori on lace paperweight features twelve colorful millefiori canes in a randomly spaced pattern.  The design is placed on a white lace (or upset muslin) ground.  This paperweight has a Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base.  A great addition to any collection of Scottish glass. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The factory was taken over by Stuart Glass in 1980 and renamed Stuart Strathearn Ltd.  After 1980, this factory ceased production of paperweights and stopped all production in 1992.  Stuart Crystal ceased all operations in 2001. 

Size:   Just over 3” diameter by 2 1/8" high.  The base is polished flat.
Condition:  Excellent condition.  Minor wear on the base, but no other  scratches found on inspection.  No cracks or chips.
Signature:  Signed  with a Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Label
Closeup
Side view
Profile
Base
$175 postage paid in the US.                                                 Added 8/1/2022    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Strathearn Spaced Millefiori on Lace Paperweight
5377 Charles Kaziun Jr. Miniature Tilted Pedestal Lilac Spider Lily Paperweight with Aventurine Ground.  circa 1960-1980.  This is a miniature pedestal paperweight with a lilac spider lily and four green leaves on an opaque light turquoise aventurine ground.  The flower has a six variegated red to lilac petals and the center is a complex millefiori cane made up of seven star shaped millefiori canes (six yellow and an orange center).  Each leaf is a double leaf - two leaves with a clear layer joining them so a bit of the ground shows through.  This makes it look like each leaf has an aventurine stripe down the center.  The ground is an opaque light turquoise layer with sparkly copper aventurine sprinkled on top.  The paperweight is tilted at a 45 degree angle so it displays beautifully.  Signed on the underside of the ground with a gold K.

This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1.

Note on aventurine color:  My pictures don't accurately capture the color of the aventurine and show silver rather than the actual copper color.  Rest assured that the correct color is more copper than silver.

Note on condition:  This paperweight has some light scratches on the dome.  I couldn't capture them in the pictures, but am reducing the price significantly.

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Miniature Size:  Just under 1 5/16" diameter by just over 2" high.  The pedestal base has a diameter of  1 9/16".  The pedestal base is polished concave.
Signature:  Signed on the underside of the aventurine ground with Kaziun's gold K. 
Condition:  Very good condition, with a few light scratches on the dome.  It displays beautifully.  No chips or cracks. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side View
Gold foil K signature on underside of ground taken from the side
Base
Another view of gold foil signature taken through the base
SOLD.                               Added 7/31/2022

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Miniature Tilted Pedestal Lilac Spider Lily Paperweight with Aventurine Ground
5367 Antique Baccarat Rock or Sand Dune Paperweight.  circa 1880. This paperweight consists of a sandy ground with two large hills flecked with green glass particles and mica.  An inexpensive way to get an antique Baccarat paperweight.

According to Sibylle Jargstorf (Paperweights), Baccarat started making this type of weight in 1880.  She advances the theory that Baccarat issued these weights in response to the reptile weights shown by Pantin at the 1878 Paris Exhibition. Some Baccarat rock weights contain reptiles or flowers, but almost all contain just rock motifs.  Often these weights have incompatibility cracks throughout the weight, causing a glittery appearance which is part of the appeal. 

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

Medium size:  Just under 2 9/16" diameter by 1 5/16" high.  The bottom is ground concave. 
Condition:  Good condition for its age.  As shown in the pictures, this paperweight has some scratches and wear on the surface.  There is a strange wear ring on top as if someone liked to spin the paperweight on its top.  Also, one small (1/16") chip and a small (1/8") impact ring.  While most rock weights have major fractures on the base, the base on this example is free of noticeable fractures.
Signature:  Unsigned, but I guarantee this to be an authentic Baccarat antique paperweight. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
View of the base
Side view
Profile
Another view
Still another view
Wear ring on top and 1/16" chip
1/8" impact mark on side
Another view of the base

$95 postage paid in the US.                                            Added 7/30/2022

For more information about antique paperweights see my Antique Paperweights Web Page.   (dl-ant-bacc)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique Baccarat Rock or Sand Dune Paperweight
3905 Perthshire Annual Collection 1979A Limited Edition Sunflower Paperweight.  dated 1979.  This paperweight features a gold lampwork sunflower with a garland of green leaves and an outer ring of alternating spaced complex millefiori canes.  Perthshire calls the opaque ground burnt umber.  There is also a complex cane in the center of the flower.  It is signed with a complex "P 1979" signature cane in the center of the base.  It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  This design was made in a 1979 limited edition of 350 paperweights of which 303 were actually made.  A stunning paperweight bound to brighten your day. 

Perthshire made this paperweight as one of their Annual Collection designs for 1979.  This means the design was made only that one year and never again.  There were seven Annual Collection designs in 1979, designated A through G.  This design is designated 1979A.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Extra large size:  3 3/16" diameter by just under 2 7/16" high.  The base is ground concave.  It weighs 22 ounces.
Signature:  This paperweight is signed with a complex "P 1979" signature cane in the center of the base.  It also has its original (worn) Perthshire label.
Condition:  Excellent condition. No cracks, chips, or scratches found on inspection.  The label is worn.  There are some striations (sugaring) and a few small bubbles in the glass from when it was made.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane
Label
Side view
Profile
Another closeup
Base
$295 postage paid in the US.                                               Added 7/30/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1979A Limited Edition Sunflower Paperweight
2426 Spectacular Peter McDougall (PMcD) Magnum Closepack Millefiori Paperweight with Complex Canes.  circa 2007.  Wonderful extra large paperweight with a closepack design featuring many large complex millefiori canes over a pink and light blue frit ground.  It is signed in the design with a complex cane made from four separate letter canes forming the signature PMcD.  It also has a paper label "PMcD Glass Studio LTD, Hand Made in Crieff Scotland" on the base.  One of Peter McDougall's best millefiori designs.  

This style was also made in three smaller sizes, small, medium, and large size weights.  The picture does not do justice to this paperweight.  Ignore the white areas, they are reflections and glare from the lights. 

Peter McDougall started his glass making career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s.  When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker.   Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale.  Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012.  The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future.

Very large size:  Just under 3 3/8" diameter by just over 2 1/4" high.  The base is ground concave.  The paperweight weighs 22 ounces.
Condition:  Perfect original condition.  This paperweight has been in my inventory storage since 2007.  No scratches, chips or cracks.   
Signature:  Signed with a complex cane in the design and it also has a paper label "PMcD Glass Studio LTD, Hand Made in Crieff Scotland" on the base.  

For extra pictures, click on the picture at the right and the following links:

Large picture
Signature cane
Side view
Closeup
Profile
Label on base
Base
$795 postage paid in the US.                                                   Added 7/29/2022

For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Spectacular Peter McDougall (PMcD) Magnum Closepack Millefiori Paperweight with Complex Canes
5582 Large Perthshire PP1 Paneled Millefiori Paperweight with 12 Panels on a Light Green Ground.  circa 1978-1981.  A large patterned millefiori paperweight with 12 sections of floral millefiori canes.  The design is placed on an opaque light green ground.  The panels are separated by green and white twists.  Each panel has a 1-1-1-2-2 millefiori pattern.  The central design consists of two rings around a central signature cane.  This paperweight dates from 1978 - 1981 when the Perthshire PP1 pattern had 12 or more sections, each with a 1-1-2-2 or a 1-1-1-2-2 pattern of canes.  It is signed in the center with Perthshire's "P' signature cane.  This example does not have a paper label.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  2 15/16" in diameter by just under 2 1/8" high.  The base is ground concave. 
Signature:  It is signed in the center of the design with Perthshire's "P' signature cane.  This example does not have a paper label.
Condition:  Excellent condition with no cracks, chips, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature cane
Base
SOLD.                                    Added 7/28/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Perthshire PP1 Paneled Millefiori Paperweight with 12 Panels on a Light Green Ground
4459 1930s Chinese Footed Orange-Red Crimp Rose Paperweight.  circa 1930.  This paperweight is a well executed almost antique 1930s Chinese copy of a Millville Crimp Rose.  It has 11 orange-red colored petals and four green leaves.  The petals are arranged in a 4+4+3 pattern.  There is a double foot at the base.  As is typical of Chinese paperweights from this period, the glass has a greenish tinge and there are many tiny bubbles in the glass. 

The South Jersey Crimp Rose is one of the most famous American paperweights.  The best makers were Emil Larson of Vineland, New Jersey and Ralph Barber of Millville, New Jersey.  There were also other makers.  Newell's Old Glass Paperweights of Southern New Jersey shows examples of both the South Jersey weight and the 1930s Chinese copy.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.

Size:  3 1/8" diameter by 3 7/16" high.  The base is just over 2 7/16" diameter and has a double foot.  The center is ground concave.
Signature:  Unsigned, but I guarantee that this is a Chinese paperweight from about 1930.
Condition:  Very good condition with one faint 1/8" circular impact mark on the side (see picture).  No other cracks or chips.  No noticeable scratches found on inspection.  Some wear on the base.  As stated above, the glass has a greenish tinge and there are many tiny bubbles in the glass.  It is a well executed example.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Another view
Side view
Base
Faint circular impact mark on side (1/8")
Profile
$145 postage paid in the US.                                                Added 7/27/2022

For more information about paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.
Click on the picture to see a larger image
1930s Chinese Footed Orange-Red Crimp Rose Paperweight
1770 Antique German Paperweight with Picture of Student in Fraternity Uniform.  circa 1870-1915.  This is an antique paperweight with a photograph or painting of a young man in a military type uniform.  The image is on a white enamel plaque and is either a painting or a hand colored photograph.  The enamel plaque is placed in the center of a spatter or frit ground.  An interesting and rare type of paperweight. The paperweight was most likely made in Germany or Silesia.  A great addition to any collection of antique European paperweights. 

Note:  There is a fracture surrounding the image that is caused by incompatibilities between the plaque and the surrounding glass.  This type of fracture is, unfortunately, fairly common in plaque weights of that period. 

After considerable research, I have concluded that the uniform is probably one used by a German or Austrian university student fraternity or student association.  Members of these student associations surrounded themselves with the symbols of their fraternities.  The uniforms are quite commonly depicted on German steins and other "studentica" of the period.   For more information, see http://stein-collectors.org/library/articles/Student/studentica.html

Size:  2 1/2” diameter by 1 3/4” high.  The bottom is fire finished with remnants of the pontil mark. 
Signature:  This paperweight is not signed, but I guarantee it to be an antique paperweight originating in Germany or one of the nearby countries. 
Condition:  Excellent condition.  I could not find any significant damage on this paperweight.  However, as noted above, there is a incompatibility fracture surrounding the center plaque. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
New Price $185 (was $265)  postage paid in the US.                                            Repriced 7/27/2022

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
5635 Webb Corbett Purple Flash Overlay Paperweight with Certificate.  1969-1986.  This Webb Corbett paperweight was produced during the period that Webb Corbett was owned by Royal Doulton.  It has a clear interior with no inner design and a transparent purple (or amethyst) flash overlay.  It is finished with one top facet, five side facets, and a star cut base.  It has its original foil label "FINEST ENGLISH FULL LEAD CRYSTAL ROYAL DOULTON MADE IN ENGLAND".  It also comes with its original Webb Corbett certificate declaring "Webb Corbett Fine English Hand Made Crystal PURPLE MULTI HOLLOW PAPERWEIGHT" and giving a history of the company.

Webb Corbett is one of the great names in English lead-crystal glass. It was set up in 1897 by two grandsons of Thomas Webb I, Herbert Webb and Thomas Webb III, together with George Harry Corbett.  The original company name was Thomas Webb and Corbett Limited.  It was a separate operation from Thomas Webb and Sons.  Thomas Webb and Corbett Ltd changed their name to Webb Corbett Ltd in the 1930's.  In 1969 the company was taken over by Royal Doulton and in 1986 they stopped using the Webb Corbett name.  Glass from the former Webb Corbett glassworks was then produced under the name Royal Doulton Crystal until this glassworks closed down.  After several mergers and reorganizations, Royal Doulton Crystal is now owned by the Finnish company Fiskars Corporation, along with Waterford Crystal, Wedgwood, and Iittala.  David Smith was the chief designer at Webb Corbett from 1965 until he left in 1982. He introduced a magnificent range of cameo glass designs using clear crystal with an overlay of colored glass.  The design was produced by sand blasting the glass to remove part of the colored layer.

Size:  2 15/16" diameter by just over 1 3/4" high.  The base is concave and finished with a star cut.  Faceted with one top facet and five side facets. 
Condition:  Very good condition.  There are some bubbles in the overlay and interior glass.  No chips, cracks or scratches found on inspection.  The certificate is slightly wrinkled and has some stains.
Signature:  It has its original foil label "FINEST ENGLISH FULL LEAD CRYSTAL ROYAL DOULTON MADE IN ENGLAND".  It also comes with its original Webb Corbett certificate declaring "Webb Corbett Fine English Hand Made Crystal PURPLE MULTI HOLLOW PAPERWEIGHT". 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Certificate
Profile
Top view
Base
$49 postage paid in the US.                              Added 7/23/2022

For more information about Whitefriars and other paperweights from England, see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Webb Corbett Purple Flash Overlay Paperweight with Certificate
5364 Ray Banford Three Roses Paperweight on Indigo Aventurine Ground.  circa  1980.  This paperweight has three wonderful many petaled variegated pink roses with dark green leaves and stems.  It is signed near the stem with Ray Banford's signature cane having a red "B" on a white background.  The design is set on a dark indigo aventurine ground.  A wonderful three dimensional design from this skilled artist.

Note on lighting:  This paperweight is best displayed in bright lighting to so the dark green leaves and stem will contrast with the ground.

Ray Banford worked in Southampton, NJ.  He started making paperweights in 1971 along with his son, Bob Banford.  He continued to make paperweights until his death in 2003.  Bob and Ray did not date their paperweights.  Both father and son started using signature canes in 1975.  According to Andrew Dohan's Dictionary of Paperweight Signature Canes, "In the early years, Ray Banford used many different color combinations of a “B” signature cane."  The signature cane in this paperweight, a black “B” in a white background, was used from about 1980 until he died in 2003.  

Size:  Just over 2 7/16" diameter by 2 1/16" high.  The base is polished concave.     
Signature:  Signed near the stem with a Ray Banford signature cane having a red "B" on a white background.
Condition:  Excellent condition.  No chips, cracks, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Side view
Another side view
Closeup 
Profile
Base
$375 postage paid in the US.                      Added 7/21/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Ray Banford Three Roses Paperweight on Indigo Aventurine Ground
5695 Whitefriars 1976 Bicentennial Liberty Bell Limited Edition Millefiori Paperweight with Certificate.  circa 1976.  This Whitefriars paperweight has a central picture cane depicting the Liberty Bell.  It is surrounded by thirteen white stars each with a blue background.  There is a special Whitefriars signature cane with a white monk and the years 1776 and 1976.  It also has its original paper label with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  The colors are red, white, and blue to celebrate the 200th anniversary of the signing of the American Declaration of Independence on July 4, 1776.  This weight is numbered 416 on the base.  The paperweight also comes with its original certificate which states that it is number 416 in a limited edition of 750 paperweights.  The paperweight is made using full lead crystal which gives it a brilliant finish.  It is faceted with a top facet and five side facets.

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs.  The limited edition paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.

Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business.  After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for a while.

For a long time, collectors believed that English paperweights and inkwells dated 1848 and similar undated items were made by Whitefriars.  The dates, however, are false dates and have been traced to production at Arculus and Walsh-Walsh in the 1920s and 1930s.  Most paperweights referred to as old Whitefriars or antique Whitefriars were, in fact, made by other factories such as Richardson, Arculus, Walsh-Walsh, or one of the unidentified Old English factories.  When the maker can not be identified, it is best to call them Old English paperweights and not associate them with Whitefriars.

Size:  3 1/8" diameter by 1 3/4" high.  The base is ground concave. Faceted with one top facet and five side facets. 
Condition:  Excellent condition.  No chips, cracks or scratches found on inspection.  The certificate is slightly wrinkled.
Signature:  Signed in the design with a special Whitefriars signature cane.  The signature cane has a white monk and the dates 1776 and 1976 cane.  It also has its original paper label with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  Numbered on the base with the number 416 and comes with its original certificate. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane
Side view
Certificate
Label
Engraved edition number on base (416)
Top view
Base
$265 postage paid in the US.                              Added 7/20/2022

For more information about Whitefriars and other paperweights from England, see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Whitefriars 1976 Bicentennial Liberty Bell Limited Edition Millefiori Paperweight with Certificate
5619 Perthshire Annual Collection 1984D Limited Edition Pink Floral Spray Paperweight.  issued 1984.  This is a large light pink lampwork flower with five pink buds on a white double spiral latticinio cushion ground.  The flower has a yellow complex millefiori center.  The flower and buds have individual stems.  It is signed with Perthshire's complex "P" signature cane on the base.  This design was issued with blue flowers and with pink flowers in a limited edition of 400 paperweights, of which only 271 were made.  Great color and execution.

Note on color:  The actual color of the flower is a lighter pink than is shown in the pictures. 

Perthshire made this paperweight as one of their Annual Collection designs for 1984.  This means the design was made only that one year and never again.  There were seven Annual Collection designs in 1984, designated A through G.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

Large size:  2 15/16" diameter by 2 3/16" high.  The base is ground concave.
Signature: Signed with a Perthshire "P" complex signature on the base.  This paperweight does not have a label.
Condition:  Excellent condition with no chips or cracks or scratches. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
View of back.
Closeup
Signature cane on base
Profile
Side view
Base
$395 postage paid in the US.                                                              Added 7/20/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1984D Limited Edition Pink Floral Spray Paperweight
5641 Large Fratelli Toso Basket of Flowers Millefiori Paperweight.  circa 1970-1980.  Colorful Fratelli Toso (Murano) paperweight with a great assortment of colorful millefiori flower canes set in a latticework basket ground.  The glass has a slight bluish tint as shown in the pictures.  A colorful addition to any collection of millefiori paperweights.

Note on condition:  On close inspection, I found a couple of short scratches each about 1/16" long.  No other damage was found.  The paperweight displays beautifully.

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Fratelli Toso was started in 1854 by six brothers - Angelo Toso, Giovanni Toso, Ferdinando Toso, Carlo Toso, Gregorio Toso and Liberato Toso.  They were joined by Ermanno Toso in 1924 who became artistic director.  The Fratelli Toso company is well known for its use of colorful murrines and millefiori, particularly during the 1950's and earlier.  In 1979, the company suffered a harsh economic crisis, forcing the owners to divide it into Antica Vetreria Fratelli Toso and Fratelli Toso International.  In 1981, Fratelli Toso International filed for bankruptcy and closed its doors for good.  Antica Vetreria Fratelli Toso, led by Arnoldo Toso, continued to operate.

Large size:  3 1/16" diameter by 2 3/4" high.  The base is polished flat.
Condition:   Very good to excellent condition.  On close inspection, I found a couple of short scratches each about 1/16" long.  No other damage was found.  The paperweight displays beautifully.    
Signature:  This paperweight is unsigned.  I guarantee that this paperweight was made by Fratelli Toso on the island of Murano in Venice, Italy. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Another view
Still another view
Base
SOLD.                                         Added 7/19/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Fratelli Toso Basket of Flowers Millefiori Paperweight
5584 Large Perthshire PP1 Paneled Millefiori Paperweight with 15 Panels on a Pink Ground.  circa 1978-1981.  A large patterned millefiori paperweight with 15 sections of floral millefiori canes over an opaque  pink ground.  The central design consists of two rings around a central signature cane.  This paperweight dates from 1978 - 1981 when the Perthshire PP1 pattern had 12 or more sections, each with a 1-1-2-2 or a 1-1-1-2-2 pattern of canes.  It is signed in the center with Perthshire's "P' signature cane and also has a worn paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND".  A stunning paperweight with soft colors.

Note:  This paperweight has 15 panels each with a 1-1-2-2 millefiori pattern.  The large number of panels is relatively rare.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  Just over 3" in diameter by just under 2 1/8" high.  The bottom is ground concave. 
Signature:  It is signed in the center of the design with Perthshire's "P' signature cane and also has a paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND". 
Condition:  Excellent condition with no cracks, chips, or scratches.   The label is very worn and has writing on it.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature cane
Worn label on base
Base
$195 postage paid in the US.                                    Added 7/17/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Perthshire PP1 Paneled Millefiori Paperweight with 15 Panels on a Pink Ground
5567 Caithness Colin Terris Ballerina Limited Edition Flash Overlay Paperweight.   issued 1993.  This stunningly beautiful paperweight uses a pink swirl of lacy bubbles to depict a twirling ballerina.  The design is placed at the center of a transparent cobalt blue flash overlay.  This design was created by Colin Terris in 1993 and issued in a very limited edition of only 50 paperweights, of which this is number 42.  It is faceted with one large top facet and twelve smaller side facets in two rows.  The paperweight is engraved on the edge of the base "Ballerina Caithness Scotland 42/50".  It also has Selman auction label.  A beautiful design.

The BALLERINA design is listed and designated CT-931 on page 140 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1993 by Colin Terris and released in a limited edition of only 50 paperweights.  The original issue price in the US was $595 and the Charlton Catalog lists the 2004 current value as $350.

Note about provenance:  The previous owner acquired this paperweight at the Selman Auction 44 (Fall  2009) Lot 298.  The auction estimate was $180-$250.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.  Caithness is still operating in Crieff and making paperweights today (in 2022).

Large size:  Just under 3 1/8" diameter by just under 2 7/16" high.  The base is polished flat.  It is faceted with one large top facet and twelve smaller side facets in two rows.
Condition:  Excellent condition.  Other than a few scratches on the base, no chips, cracks, or scratches found on inspection. 
Signature:  This paperweight engraved on the edge of the base "Ballerina Caithness Scotland 42/50".

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
Profile
Signature on base
Top view
Base
$175 postage paid in the US.                                     Added 7/16/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Caithness Colin Terris Ballerina Limited Edition Flash Overlay Paperweight
5547 Small Murano Latticinio and Twist Crown Paperweight.   circa 1970.  Wonderful example of a Murano crown paperweight formed from 24 colorful twists alternating in color.  Every other twist is a white latticinio twist.  Alternating colors are blue, dark blue, green, and pink.  A fun paperweight with good color.

Technically a crown weight should have a crown millefiori or group of millefiori on top.  This weight does not.  Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  Pedestal crowns are the most desirable.

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Small size:  Just under 2 1/4" diameter by just under 1 9/16" high.  The base is polished flat. 
Condition:  Excellent condition.  No scratches, chips, or cracks found on inspection. 
Signature:  Unsigned, but I guarantee this is from the island of Murano circa 1970.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Side view
Upside down view
Another side view
Base
$39 postage paid in the US.                                    Added 7/16/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Small Murano Latticinio and Twist Crown Paperweight
4542 Antique New England Glass Company (NEGC) Mixed Fruit Paperweight.  circa 1869.  This is an antique New England Glass Company (NEGC) mixed fruit paperweight, consisting of five apples (or pears), four radishes (or cherries), four large leaves and four smaller leaves over a nearly perfect double swirl latticinio ground.  The fruit have bright vivid colors and the leaves show good definition.  The cruciform design is beautifully composed.  Unfortunately there are of striations (sugaring) in the glass that are exaggerated in the pictures.  The paperweight is in great condition and appears to have been restored in the past.  It displays beautifully.  

Many authors call the fruit pears and cherries.  I feel that they look more like apples and radishes.

The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888You can read about paperweights from the New England Glass Company in the book by John Hawley.  The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC. 

Size:  2 9/16" diameter by 1 13/16" high.  The base is ground concave.
Condition:  Excellent condition.  No chips, cracks, or scratches.  This paperweight has been professionally restored in the past.  The glass contains many striations (sugaring) as shown in the pictures.  This happened when the paperweight was made.  It is not damage. 
Signature:  Unsigned, but I guarantee this to be an authentic NEGC antique paperweight.   

For extra pictures, click on the picture at the right and the following links:

Large picture
View from the back
Closeup
Profile
Base
Side
Another side view
$395 postage paid in the US.                                                                      Added 7/15/2022

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique New England Glass Company (NEGC) Mixed Fruit Paperweight
5352 Magnum Victor Trabucco Yellow Morning Glory Paperweight with buds.  circa 1988.  This paperweight consists of a large yellow morning glory flower with two yellow buds and leaves and stems on a transparent blue ground.  It is signed with Victor Trabucco's "VT" signature cane on the underside of a leaf.  There is also a very faint scratched signature on the base "Trabucco 1988".  A magnificent paperweight.

Victor Trabucco's original career was as a steelworker.  He began working with glass in 1974 after seeing a flameworker make a sculpture. He knew this was what he wanted to do for his life's work. Trabucco says that “Glass is the ultimate challenge; it has properties of no other material and offers the artist possibilities that are inspiring for the creative process. His work is often inspired by nature, capturing the beauty and motion of the subject and freezing a moment in time. His work is in the collection of many major museums.  Victor set up his first studio in the basement of his house and learned by experimentation.  He now works with his sons Jon and David in a large studio in Clarence, NY.   

Very Large Size:   3 1/4" diameter by 2 3/4" high.  The base is ground slightly concave. 
Signature:  Signed  with Victor Trabucco's "VT" signature cane on the underside of a leaf.  There is also a very faint scratched signature on the base "Trabucco 1988".
Condition:  Outstanding condition with no scratches, chips or cracks.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Side view
Signature cane
Another view of signature cane
Base
Faint scratched signature on base
$750 postage paid in the US.                                                                Added 7/15/2022   

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Victor Trabucco Yellow Morning Glory Paperweight with buds
5960 Perthshire Annual Collection 1982H Limited Edition Double Overlay Floral Bouquet Paperweight.  issued 1982.  This is a special floral design featuring a bouquet of flowers within a blue and white double overlay cut deeply to show alternating blue and white sides.  The bouquet has three lampwork flowers and two opening buds with leaves and stems on on clear ground.  The flowers have complex millefiori centers.  There is a flat top facet, fancy cut side facets, and a star cut base.  The effect of the cutting is to make the overlay resemble blue and white petals.  There is a complex "P" signature cane next to the stem.  This paperweight is #37 of a limited edition of 300 weights, of which only 205 were made.  It comes with its original Perthshire certificate and box.  Great color and execution. 

Perthshire made this paperweight as one of their Annual Collection designs for 1982.  This means the design was made only that one year and never again.  There were eight Annual Collection designs in 1982, designated A through H.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

Size:  Just under 2 5/8" diameter by 1 3/4" high.  There is a fancy star cut on the base.
Signature: Signed with a Perthshire "P" complex signature cane near the stem.  This paperweight does not have a label.  This paperweight comes with the original certificate and box. 
Condition:  Excellent condition with no chips or cracks or scratches.  There is some faint wear to the bottom of the overlay.  The box has some residue on it where I removed tape and labels. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Box with paperweight and certificate
Base with fancy cutting 
Closeup
Signature cane
Profile
Side view
Certificate
Box
$395 postage paid in the US.                                                              Added 7/14/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1982H Limited Edition Double Overlay Floral Bouquet Paperweight
5663 Caithness Colin Terris Moonflower (First Variation) Paperweight with Certificate.   First issued 1970.  This paperweight was the first abstract Caithness design.  It portrays the artist's impression of an extra terrestrial plant form.  The colors are a deep cobalt blue sculpture set on a purplish-red ground.  There are four larger large bubbles arranged around a central twist, plus many smaller bubbles carefully placed in the design.  This paperweight is etched on the base "Caithness MOONFLOWER Scotland" and engraved with the sequence number "C44921".  It comes with its original certificate.  A beautiful design.

The MOONFLOWER design is listed and designated CT-2 on page 3 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1972 by Colin Terris and released in an unlimited edition.  There are many color variations.  Similar designs were issued in specific colors and also for Queen Elizabeth's Silver Jubilee.  The version listed here is the original Moonflower design. 

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.  Caithness is still operating in Crieff and making paperweights today (in 2022).

Large size:  Just over 3 1/16" diameter by just under 2 13/16" high.  The base is polished flat.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection. 
Signature:  This paperweight etched on the base "Caithness MOONFLOWER Scotland" and engraved with the sequence number "C44921".  It comes with its original certificate.

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
Etched signature and engraved sequence number on base
Certificate
Top view
Another view
Base
$44 postage paid in the US.                                     Added 7/14/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Caithness Colin Terris Moonflower (First Variation) Paperweight with Certificate
4555 Francis Whittemore Pink Crimp Rose Upright Pedestal Paperweight.  1962-1970.  This upright pedestal paperweight features a magnificent pink crimp rose with fifteen pink petals and four upturned green sepals.  The petals are arranged in Whittemore's 4+4+4+3 crimp pattern.  It is signed on the underside of the rose with Whittemore's earliest signature cane.  The cane has a black "W" on a white background.  The design is set on a clear ground and supported by a pedestal base.  There are some bubbles in the glass.  There is also a slight yellow tint to the glass, which is exaggerated in the pictures.  A wonderful early Whittemore to add to your collection of glass paperweights.

Note on condition:  There are a few faint scratches and one pinprick on the side of the paperweight.  They do not affect its display, but I have reduced the price rather than have them polished out.  One picture shows the worst of the scratches.  There is also a rough area on the base from when it was made.

Note on color:  There is a slight yellow tint to the glass, which is exaggerated in the pictures.  It is possible that this is the result of the lighting I am using.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, originally as a scientific glass maker and instructor in South Jersey.  He did not start making paperweights until 1962 when he set up a studio in Lansdale, Pennsylvania.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was his earliest signature cane and predates the one with the yellow background.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  Just under 2 3/16" diameter by 2 7/8" high.  The base of the pedestal has a 2 1/4" diameter.  The bottom is ground concave.
Signature:  Signed on the underside of the rose with Whittemore's earliest signature cane.  The cane has a black "W" on a white background. 
Condition:  Very good condition.  There are a few faint scratches and one pinprick on the side of the paperweight.  No other damage found on inspection.  There is also a rough area on the base from when it was made.      

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Signature cane viewed through base
Another view
Another view of signature cane
Scratches on side
Base
SOLD                                            Added 7/9/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Pink Crimp Rose Upright Pedestal Paperweight
4587 Perthshire Annual Collection 1981F Limited Edition Magnum Crown and Basket Paperweight.  dated 1981.  This is an absolutely fantastic crown paperweight.  It features a six petal amber flower with a complex millefiori center and  six green leaves (sepals) on top.  The flower is set on a wonderful spiral latticinio cushion.  The crown staves are made of alternating blue-green and white twist canes, thirty in all.  There is a further encasement in glass that gives this the impression of a paperweight within a paperweight.  It is signed on the base with a "P 1981" Perthshire signature / date cane.  It also has a slightly worn paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  This paperweight is one of a limited edition of 200 weights, of which 193 were made.  The paperweight has large facet on top, which allows a full view of the inner sphere.  A beautiful paperweight with perfect execution. 

Perthshire made this paperweight as one of their Annual Collection designs for 1981.  This means the design was made only that one year and never again.  There were eight Annual Collection designs in 1981, designated A through H.  This design is designated 1981F.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights.  They stopped production in January 2002 after more than 30 years of production.  Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955.  The company name was later changed to Vasart Glass.  Stuart Drysdale was hired manage the business side of the enterprise in 1960.  The company evolved into a new company Strathearn owned by Teachers Whiskey.  In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965).  This inspired him to try to produce weights comparable to the French antiques.  With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Very large size:  Just under 3 1/4" diameter by 2 5/16" high.  It has one large facet on the top.
Signature: Signed with a Perthshire "P 1981" signature / date cane on the base.  It also has a slightly worn paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.
Condition: Outstanding condition with no chips, cracks, or scratches.  The label is slightly worn.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Top view
Side view
Base
Signature Cane and label
Another view 
$645 postage paid in the US.                                                  Added 7/9/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1981F Limited Edition Magnum Crown and Basket Paperweight
4043 Unusual Swirl Paperweight - signed Ashby Galactic.  dated 2007.  This is an interesting swirl paperweight with black and white with some copper color (aventurine) mixed in.  It is signed on the base "Ashby Galactic" or something similar.  The date appears to be 2007.  The signature is semi-legible but I have not been able to identify this maker.  A mystery for future study or a bargain if you know the maker.

The maker of this paperweight is unknown.  Although it is signed, I have been unable to identify the maker or the country of origin.

Large size:  Just under 2 15/16" diameter by just over 2 3/8" high.  The base is fire finished.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.
Signature:  Signed and dated but I do not recognize the name.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature on base
Another view of the signature
Another view
Base
$39 postage paid in the US.                                       Added 7/8/2022 

For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Unusual Swirl Paperweight - signed Ashby Galactic
5640 Large Murano Crown Hollow Blown Paperweight - Probably Fratelli Toso.   circa 1950-1970.  Colorful Murano crown crown paperweight.  The weight is formed from 16 alternating strands of pink , red, and lavender twists.  This crown paperweight is unusual in that it is hollow blown with a large bubble in the center in the style of antique crown paperweights. Most modern crown paperweights are solid in the center.  A great example for any collector of paperweights or Murano glass.  Probably made by Fratelli Toso. 

Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  Hollow blown crown weights are even more difficult to make and are hard to find. 

A similar hollow crown paperweight appears on page 51 of the book Paperweights by Sibylle Jargstorf and is attributed to Fratelli Toso.

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Fratelli Toso was started in 1854 by six brothers - Angelo Toso, Giovanni Toso, Ferdinando Toso, Carlo Toso, Gregorio Toso and Liberato Toso.  They were joined by Ermanno Toso in 1924 who became artistic director.  The Fratelli Toso company is well known for its use of colorful murrines and millefiori, particularly during the 1950's and earlier.  In 1979, the company suffered a harsh economic crisis, forcing the owners to divide it into Antica Vetreria Fratelli Toso and Fratelli Toso International.  In 1981, Fratelli Toso International filed for bankruptcy and closed its doors for good.  Antica Vetreria Fratelli Toso, led by Arnoldo Toso, continued to operate.

Large Size:   Just under 2 15/16" diameter by 2 3/8" high.  The bottom is polished flat. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection. 
Signature:  Unsigned, but I guarantee that this is a paperweight from the island of Murano in Venice, Italy.  It was probably made by Fratelli Toso.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Closeup
Side view
Base
$135 postage paid in the US.                                 Added 7/7/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Murano Crown Hollow Blown Paperweight - Probably Fratelli Toso
5558 Large Antique Baccarat Dupont Period Type III Pansy Paperweight with Star Cut Base.   circa 1900-1920.  Baccarat Pansy paperweight with leaves and stem.  The base is finished with a Baccarat star cut.  This paperweight is from Baccarat's Dupont period.  This style of pansy is called a type III pansy.  It consists of two large velvet purple petals above over three lower petals.  The lower petals are amber yellow over a white base.  Each lower petal has a purple tip and three dark lines radiating from the central cane consisting of star canes with a red whorl center.  A large paperweight in great shape.

Note:  This paperweight has been restored in the past and has a relatively flat profile.  There is plenty of glass and it could be reshaped to give it a proper profile.

Note about provenance:  The previous owner acquired this paperweight at the Selman Auction 37 (Fall  2006) Lot 41 and paid $460 including the bidders premium for the paperweight.

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.  You can read more about the Baccarat paperweights in the book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Large size:  3 1/8" diameter by 2" high.  The bottom is polished flat and finished with a Baccarat star cut base.  It has a relatively flat profile as shown in the pictures.
Condition: Excellent condition.  This paperweight has been restored in the past.  There are no chips, cracks, or scratches other than a few faint scratches on the base. 
Signature:  Made by Baccarat in France.  Unsigned, but I guarantee that this is an antique Baccarat paperweight from the Dupont period. 

For extra pictures, click on the picture at the right and the following links:

Large picture
View from the back
Closeup
Side view
Profile
Base

$295 postage paid in the US.                                                                              Added 7/7/2022

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page.      (dl-bac-ant)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Antique Baccarat Dupont Period Type III Pansy Paperweight with Star Cut Base
4063 Caithness 2007 Helen MacDonald Casino Paperweightissued in 2007.  This paperweight represents a whirling roulette table with three colored balls.  It makes quite a dramatic statement perhaps reflecting the state of the Scottish glass industry in 2007.  It was designed by Helen MacDonald and issued in an unlimited edition in 2007.  This paperweight is unsigned and does not have the usual Caithness acid etched markings.  It may be a factory second, but I see no reason for that.  A fun design.

The Casino design is not in the Charlton Standard Catalog of Caithness Paperweights since that book was published in 2004.  The paperweight appears in the Caithness 2007 Paperweights and Gifts Catalogue Autumn/Winter.

Special thanks to a UK collector who identified this paperweight and pointed me to a description on the Scotlands Glass website.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.  Caithness is still operating in Crieff and making paperweights today (in 2022).

Large size:  3 3/16" diameter by 2 7/8" high.  The base is polished flat.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.
Signature:  This paperweight is unsigned but has been identified as the Caithness Casino design issued in 2007.  Since it has no etched markings, it is possible that it is a factory second. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Another view
Closeup
Side view
Top view
Base
$75 postage paid in the US.                                     Added 7/6/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Caithness 2007 Helen MacDonald Casino Paperweight
5665 Early Large Caithness Paul Ysart Designed Harlequin Single Paperweight.  circa 1976 or later.  This large paperweight features a brilliantly colored ground with bits of millefiori canes.  The ground is punctured with a large central bubble and eight outside bubbles.  Each bubble has an elongated stem extending to a hollow in the ground.  The underside of the ground is a transparent dark purple.  Paul Ysart made similar paperweights during his post war  Moncrieff period and is credited with designing this paperweight at Caithness.  The paperweight has brilliant colors and the glass is clear with a slight tint of grey.  It is etched on the base "Caithness HARLEQUIN SINGLE Scotland" and has a registration number "C102281".  There is also a "CG" signature cane in the design.  A beautiful paperweight.

The HARLEQUIN SINGLE design is listed and designated CT-10 on page 5 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed by Paul Ysart in 1972.  Early copies were made (1972-1975) by Peter Holmes and signed with a "PH" signature cane.  Copies made later were signed with a Caithness Glass "CG" signature cane.  It is possible the switch to "CG" was the result of Holmes planning to depart Caithness which happened in 1977.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.  Caithness is still operating in Crieff and making paperweights today (in 2022).

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland from Spain in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922.  He worked on the production of Monart Art Glass.  Paperweights were primarily an after hours activity.  Paul made his first paperweight in the early 1930s.  Production was interrupted by World War II and the Monart line was not restarted until 1946.  In 1946 Salvadore and his sons Augustine and Vincent left Moncrieff and founded Ysart Brothers Glass.  They produced glass wares under the Vasart label.  Salvador Ysart died in 1955.  Paul stayed at Moncrieff from until 1962, when he joined Caithness as a Training Officer.  While at Caithness, he trained Peter Holmes, Colin Terris, and William Manson, among others.  After he retired from Caithness in 1972, he continued to make paperweights initially under the Harland label and then the Highland Paperweights label until 1979.   You can read more about Paul Ysart in the book by Colin Mahoney Masterpieces:  The Paperweights of Paul Ysart.

Peter Holmes started his glass working career at Caithness Glass (Scotland) in 1963 as an apprentice to Paul Ysart.  He continued at Caithness until 1977, when he and Ron Hutchinson left Caithness to start Selkirk Glass.  Peter left Selkirk in 2002 to start Scottish Borders Art Glass with his son, Andrew, at Galalaw, Hawick. 

Size:  3 1/8" diameter by 2 5/8" high.  The base is ground flat. 
Condition:  Excellent condition.  Minor wear on the base, but no other scratches found on inspection.  And no chips or cracks.
Signature:  It is signed with an acid etch on the base "Caithness HARLEQUIN SINGLE Scotland" and has a registration number "C102281".  There is also a "CG" signature cane in the design.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Signature and registration number on base
Signature cane
Profile
Base
$125 postage paid in the US.                                     Added 7/5/2022   

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Large Caithness Paul Ysart Designed Harlequin Single Paperweight
4064 Orient & Flume Iridescent Figural Pear Paperweight.  circa 2003.  Wonderful hand crafted Orient & Flume pear paperweight having a stem and leaf.  The surface is has a light green iridescent sheen.  Signed on the base "Orient & Flume GQT3".  A wonderful example. 

Orient & Flume was started in 1972 in Chico, California by Douglas Boyd and David Hopper.  It studio took its name from its initial location which was at the corner of Orient & Flume.  Their early weights adopted a style that has become known as the California style of  iridescent paperweights with surface torchworked art nouveau motifs on the outside surface of the weight.  Later work involved interior lampworked designs.  Every Orient & Flume piece has a registration number which usually includes a date code.  In this case, I believe the "G" is for 2003. 

Size:  2 9/16" diameter by just over 4 7/16" high including the stem.  The bottom has been ground flat. 
Signature:    Signed in script on the bottom "Orient & Flume GQT3". 
Condition:  Excellent condition.  No chips or cracks or scratches found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Back view
Signature on base
Another view
Base
$75 postage paid in the US.                               Added 7/4/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Orient & Flume Iridescent Figural Pear Paperweight
5585 Large Perthshire PP1 Paneled Millefiori Paperweight with Red Ground.  circa 1982-2002A large patterned millefiori paperweight with 10 sections of floral millefiori canes over an opaque  red ground.  The central design consists of two rings around a central signature cane.  This paperweight dates from 1982 or later when Perthshire changed the PP1 pattern to have 10 sections, each with a 1-1-2-3 pattern of canes.  The paneled sections are surrounded by an outer ring of twists and then an outer ring of canes.  It is signed in the center with Perthshire's "P' signature cane and also has a paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND".  A stunning paperweight with great color and crisp execution. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  Just under 3 1/8" in diameter by just under 2 1/8" high.  The bottom is ground concave. 
Signature:  It is signed in the center of the design with Perthshire's "P' signature cane and also has a paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND". 
Condition:  Excellent condition with no cracks, chips, or scratches.  Some minor wear on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature cane
Label on base
Base
SOLD.                                    Added 7/4/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Perthshire PP1 Paneled Millefiori Paperweight with Red Ground
4062 Large Caithness 1993 Margot Thomson Gold Congratulations (Style Two) Abstract Paperweight.   issued in 1993.  This abstract Caithness paperweight depicts a woven gold "cap" with four descending tassels.  There are carefully placed bubbles at the corners of the cap and at the tip of each tassel.  All of this is surrounded by a mist of transparent  white glass.  The paperweight is signed on the base "Caithness CONGRATULATIONS Scotland" along with a registration number "T89628".  Designed by Margot Thomson. 

This design is listed and designated CT-985 on page 147 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1993 by Margot Thomson as part of the Weight - Spherical series.  The paperweight is recorded as coming in three colors (Gold, Ruby, and Silver).  

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.  Caithness is still operating in Crieff and making paperweights today (in 2022).

Large size:  3 1/8" diameter by just under 2 7/8" high.  The base is polished flat. 
Condition:  Very good to excellent condition.  There are scratches on the base but no other chips or cracks or scratches found on inspection. 
Signature:  It is signed on the base "Caithness CONGRATULATIONS Scotland" along with a registration number "T89628" (registration number not shown in pictures). 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Signature on base (registration number not shown)
Top view
Closeup
Base
$45 postage paid in the US.                                  7/4/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Caithness 1993 Margot Thomson Gold Congratulations (Style Two) Abstract Paperweight
5685 Rare Whitefriars 1976 Bicentennial Millefiori Flag Limited Edition Paperweight - damaged.  circa 1976.  This is a hard to find Whitefriars Bicentennial Paperweight featuring a millefiori mosaic of the American Flag.  There are thirteen blue and white canes for stars and four red and three white canes for the stripes.  A gold cane makes provides a staff .  In the background there is a white and gold carpet ground of millefiori canes and also a millefiori garland of blue and white canes on the outside.  This weight is numbered 135 on the base.  There is a special Whitefriars signature cane with a white monk and the years 1776 and 1976.  It also has its original paper label with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  The paperweight also comes with its original (wrinkled) certificate which states that it is number 135 in a limited edition of 150 paperweights.  The paperweight is made using full lead crystal which gives it a brilliant finish.  It is faceted with a top facet and five side facets. 

This is an especially rare Whitefriars paperweight.  Although the edition size was planned for 1,000 paperweights, very few were made due to the complexity of the design made setup and pickup very difficult.  The certificate states that only 150 were actually made.  It was made for sale in the US only.

Note on condition:  This paperweight has a 1/4" chip on the edge of the base (as shown in the pictures) and some light scratches near the chip.  In spite of this it displays beautifully. 

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs.  The limited edition paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.

Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business.  After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for a while.

For a long time, collectors believed that English paperweights and inkwells dated 1848 and similar undated items were made by Whitefriars.  The dates, however, are false dates and have been traced to production at Arculus and Walsh-Walsh in the 1920s and 1930s.  Most paperweights referred to as old Whitefriars or antique Whitefriars were, in fact, made by other factories such as Richardson, Arculus, Walsh-Walsh, or one of the unidentified Old English factories.  When the maker can not be identified, it is best to call them Old English paperweights and not associate them with Whitefriars.

Size:  3 1/16 diameter by 1 3/4" high.  The base is ground concave. Faceted with one top facet and five side facets. 
Condition:  Good condition.  There is one 1/4" chip on the edge of the base and some light scratches near the chip.  No other chips, cracks or scratches.  The certificate is wrinkled.
Signature:  Signed in the design with a special Whitefriars signature cane.  The signature cane has a white monk and the dates 1776 and 1976 cane.  It also has its original paper label with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  Numbered on the base with the number 135 and comes with its original certificate. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Side view with label
Certificate
Closeup
Chip on edge of base
Bottom view with engraved edition number (135)
Profile
Base
$235 postage paid in the US.                              Added 6/18/2022

For more information about Whitefriars and other paperweights from England, see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Whitefriars 1976 Bicentennial Millefiori Flag Limited Edition Paperweight - damaged
5690 Great Early Robert Eickholt Translucent Double Hearts Paperweight. Circa 1981.  This surface decorated  paperweight consists of a hearts and vines design with two hearts on the surface of a translucent gold colored paperweight.  This is an early Robert Eickholt paperweight and is signed on the bottom "R. Eickholt 1981".  Eickholt called this design "Double Hearts."

Robert Eickholt has been making glass paperweights since 1978 when he founded Eickholt Glass in Columbus, Ohio.  His designs often make use of precious metals such as gold and silver, and rare oxides such as cobalt and copper.  This is an early example of the use of gold color.  In later paperweights by Eickholt the design moved to the interior and veiling techniques began to appear.  He retired in 2013.

Large Size:  3 1/8" diameter by 2 15/16" high.  The base is polished flat. 
Signature: Signed "R. Eickholt 1981" on the base. 
Condition:  Excellent condition with no cracks or chips.  The surface shows some variation in color, which I believe was deliberate.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature on base
Profile
Back
Side view
Closeup
Base
$125 postage paid in the US.                      Added 6/18/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Great Early Robert Eickholt Translucent Double Hearts Paperweight
5566 Large Colorful Strathearn Paneled Millefiori Paperweight.  circa 1963-1968.  This very attractive paperweight consists of a paneled millefiori pattern with nine panels of 1 (blue) + 2 (red) + 2 (orange and white) millefiori patterns each separated by a white latticinio twist cane.  There is a central ring of seven dark blue  millefiori canes and then a center orange and white millefiori cane.  The canes are early Scottish millefiori canes on an opaque black ground.  This paperweight has its original Strathearn paper label "STRATHEARN HAND MADE IN SCOTLAND" on the base.  It also has a sticker from an early Selman auction.  This is a great addition to any collection of Scottish paperweights.  Great color.

This paperweight has a sticker on the base from an early Selman Online Auction (Auction 7 Lot 68).  This is online auction is different from the auctions that had print catalogs.  The previous owner paid $200 for this paperweight.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The company is no longer in existence.

Large size:   Just under 3” diameter by 2 1/4” high.  The base is fire polished. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection other than minor wear on the base. 
Signature:  This paperweight has its original Strathearn paper label "STRATHEARN HAND MADE IN SCOTLAND" on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Label and auction sticker on base
Closeup
Profile
Base
Side view
$125 postage paid in the US.                                                 Added 6/17/2022    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Colorful Strathearn Paneled Millefiori Paperweight
5622 Large St. Louis 1983 Heart Garland with Six Flower Bouquet Limited Edition Paperweight.  dated 1983.  This paperweight features a wonderful multi-colored six flower bouquet with green stems and leaves surrounded by a heart shaped garland of identical complex white canes.  There is a larger ten petal red double poinsettia in the center surrounded by five slightly smaller five petal flowers (two white, two blue, and one pink).  Each flower has a complex millefiori center.  The design is placed on a mauve ground.  It is signed in the center of the base with a St. Louis "SL 1983" complex signature / date cane.  It also has its original "CRISTAL SAINT LOUIS FRANCE" foil label.  This paperweight was issued in 1983 in a limited edition of 400 paperweights.  An especially nice paperweight with great color and execution.

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.  In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. 

Large size :  Just under 2 15/16" diameter by just under 2" high.  The bottom is ground concave.
Signature : Signed in the center of the base with a St. Louis "SL 1983" complex signature / date cane.  It also has its original "CRISTAL SAINT LOUIS FRANCE" foil label.    
Condition :  Excellent condition with no cracks, chips, or scratches.  Very slight wear on the base.

For extra pictures, click on the picture at the right and the following links:

Large picture
St. Louis Signature / Date Cane
Label
Closeup
Profile
Side view
Base
$645 postage paid in the US.                                           Added 6/17/2022

For more information about paperweights made by the St. Louis factory, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large St. Louis 1983 Heart Garland with Six Flower Bouquet Limited Edition Paperweight
4642 Baccarat Rare 1972 Experimental Design Blue and White Flower with Buds Paperweight.  dated 1972.  This modern lampwork paperweight features a blue and white five petal flower with two buds, leaves, and stems.  There is a nice complex millefiori cane in the center of the flower.  The design is placed over an opaque white ground.  This was one of the experimental paperweights Baccarat created in the 1970-1973 period.  These designs were often one of a kind or very small editions.  It is signed with a Baccarat's complex "B 1972" signature / date cane near the base of the flower.  This paperweight is also signed on the base with an acid etched Baccarat mark along with the engraved year (1972) and sequence number (8).  There is also a second acid etched Baccarat mark on the base.  A fantastic paperweight.

Note:  After extensive research in the Baccarat archives, Paul Dunlop concluded that from 1970 to 1973 Baccarat made over 50 experimental designs.  All were made as one-offs or very small numbers.  Technically they are not limited editions since they were never listed as production items.  This paperweight is similar to one of the 1971 experimental paperweights illustrated in Dunlop's book (see page 179).  The book shows a design with two different colored flowers, buds, leaves and stems on a yellow ground.

Note on pictures:  The white base and high dome made this paperweight difficult to photograph and resulted in shadows inside the paperweight.  In proper light it displays beautifully.  

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.
  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again.  In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide.  Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s.  Baccarat stopped making this type of fine glass paperweights in 2002.  You can read more about the Baccarat paperweights in the book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Large size:  Just under 3 3/16" diameter by 2 1/4" high.  The base is polished flat.
Signature:  The paperweight is signed with Baccarat's complex signature cane "B 1972" signature / date cane near the base of the flower.  This paperweight is also signed on the base with an acid etched Baccarat mark along with the engraved year (1972) and sequence number (8).  There is also a second acid etched Baccarat mark on the base. 
Condition:   Excellent condition.  With the exception of light wear on the base, no cracks, chips, or scratches were found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane "B 1972"
Baccarat logo, date, and sequence number on base
Closeup
Profile
Side view
View of base showing both Baccarat marks
Base
$395 postage paid in the US.                                                         Added 6/17/2022

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat Rare 1972 Experimental Design Blue and White Flower with Buds Paperweight
5687 Tom Philabaum Robert Carlson 1984 Geode Style Paperweight.   dated 1984.  This paperweight features a colorful sphere with a red, white, and blue jasper exterior and a single angled facet revealing a textured amber colored interior.  There is a single large interior bubble plus other much smaller bubbles.  The design is encased in clear glass.  I call this a geode form for lack of a better name.  You can view this as an early predecessor of Philabaum's later faceted reptilian series of paperweights and perfumes, all featuring a facet revealing an intriguing interior design.  It is signed "Philabaum - Carlson 1984" on the small polished base.  An imaginative early collaborative paperweight by two giants of the glass art movement.

Thomas A. Philabaum (born 1947 Toledo, Ohio) studied ceramics at the Southern Illinois University (B.A. 1969) before switching to study glassblowing at the University of Wisconsin-Madison under Harvey Littleton.  While at Wisconsin, Tom also participated in Littleton's early experiments in studio glass art at the Toledo Museum of Art School.  After graduating from Wisconsin with a Masters of Arts (1973) in Glassblowing, Philabaum built his first glassblowing studio in 1975 in downtown Tucson, Arizona, and opened a gallery there in 1982.  He also has a MFA in ceramics from the University of Arizona (1983).  He has been a major contributor to the glass art movement and the leadership of the Glass Arts Society (GAS) which hosted its annual conference in Tucson twice, in 1983 and 1997.  Tom Philabaum is the recipient of many awards and his work can be found in many museums, private collections, and shops.  Tom officially retired from glassblowing in December, 2018, though he continues to paint and fuse glass.  In October, 2020, Tom and his wife Dabney sold the Philabaum Gallery to long-time Gallery Manager, Alison Harvey and her husband, Dylan Harvey.  The Gallery continues to be the only all-glass Gallery in Southern Arizona, displaying works from over 50 artists from across the country.

Robert Carlson (born 1952)  was educated at the City College of New York (1970-1073).  He was introduced to glass by his good friend Tom Philabaum in 1980 and studied at the Pilchuck Glass School with Flora Mace and Joey Kirkpatrick (1981) and Dan Daily (1982).  He partnered with Tom Philabaum for a short period from 1984 to 1986.  They produced collaborative works for exhibitions at the Galerie Angela Höllings, Hamelin, Germany (1985) and at Studio 828, Akron Ohio (1986).  Since 1987, he has been working on Bainbridge Island, Washington, where he lives with his wife Mary Fontaine-Carlson.  His focus is on larger sculptures with a painted surface.  In his words, "my sculptures had to be about more than just the glass and it’s inherent properties. Painting on glass has allowed me to transform this beautiful and seductive material into narrative sculptures that express the deep inner life that animates all human beings. The glass gives these sculptures form, but the paint gives them meaning."  Robert Carlson has held leadership positions in the Glass Arts Society (GAS) and the American Crafts Council.  He is the recipient of many awards and his work can be found in many museums, private collections, and shops.

Large size:   2 15/16" diameter by 2 5/8" high.  The base is polished flat. 
Signature:  Signed "Philabaum - Carlson 1984" on the small polished base.  
Condition:  Excellent condition with no cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Another view
Signature on base
Front view
Base
SOLD.                                            Added 6/16/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Tom Philabaum Robert Carlson 1984 Geode Style Paperweight
5694 Magnum Orrefors Eva Englund Arne Lindblom Nypronos Floral Paperweight.  circa 1974 - 1989.  This Orrefors (Sweden) paperweight is surface decorated with a hand painted European red rose flower nyponros (or sweet briar).  The flower is depicted with a bud, stem, and leaves.  There is also a single bud with stem and leaves on the backside.  The paperweight is formed from clear crystal and appears to be hollow in the center.  It was designed by the Swedish glass artist Eva Englund and hand painted by Arne Lindblom.  It is signed by both artists with a green signature below the rose "EE" over "AL".  It also has an "Orrefors Sweden" label on the side.  It is a warm and comfortable design.

Orrefors Glassworks was founded in 1898 in Swedish village Orrefors in Småland on the same site where iron works operations had been run since 1726.  In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware.  Glass now replaced the less profitable iron works operations.  In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks.  He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era.  In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal.  They also made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald in 1917.  Gate and Hald experimented with with figure engraving and with the new innovative graal glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist, resulting in major recognition at the Gothenburg Exhibition in 1923 and the Paris Exhibition in 1925.  In 1989, Orrefors and Kosta Boda merged to form Orrefors Kosta Boda AB.  Ownership changed again in 2005 with the purchase of the glassworks by the New Wave Group which decided to close the Orrefors glassworks in December 2012.  After that, all glass production was done under the KostaBoda brand label.

Eva Margareta Englund (1937 - 1998) was a designer and artist who worked in the Swedish glass industry from 1964-1990, after which she became an independent glass artist.  She studied ceramics before switching to glass after viewing a 1963 exhibition of the designer Ingeborg Lundin held at Orrefors glassworks.  In 1964 she was appointed as successor to Göran and Ann Wärff as artistic contributor to Pukeberg Glasbruk and in 1974 switched to Orrefors Glasbruk where she created drink ware as well as advanced artistic glassware. Her drink ware often includes decorative hand-painted floral and foliage designs, but the emphasis of her output lay in advanced Graal glass.

Arne Lindblom was a decorator working for Orrefors in the 1970s and 1980s, frequently decorating designs created by Eva Englund.  I have no additional information.

Very large size:  3 1/2" diameter by 2 1/2"high.  The base is polished with a concavity in the center.   
Condition:  Excellent condition.  Some scratches on the base.  Otherwise, no chips, cracks, or scratches found on inspection.
Signature:  Signed by both artists with a green signature below the rose "EE" over "AL".  It also has an "Orrefors Sweden" label on the side.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Backside
Label
Signature
Base
Profile
$45 postage paid in the US.                                                           Added 6/16/2022

For more information about paperweights from other countries, see my Paperweights from Other Countries Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Orrefors Eva Englund Arne Lindblom Nypronos Floral Paperweight
4977 Colorful Pauline Solven Cowdy Glass Spiral Paperweight from Newent, Gloucestershire.  circa 1978-2004.  This Cowdy Glass paperweight features a wonderful two color green spiral with a clear teardrop in the center.  The spiral is made from three dark and light green stringers.  Signed "Cowdy" on the fire finished base with no date.  A fun paperweight with precise execution.

Note:  Special thanks to a Facebook user who identified the maker of this paperweight as Pauline Solven at Cowdy Glass.

Note2:  The signature on this paperweight is hard to read.  I colored the signature with a washable marker to make it easier to see.
  
Cowdy Glass Workshops was founded by Pauline Solven and her husband Harry Cowdy in 1978.  It was located in Newent, Gloucestershire.  Pauline was the lead glass artist at Cowdy but also continued to work at her own studio her own studio, Ravenshill, which she founded in 1975.  Solven studied glass at the Royal College of Art, London, where a small furnace had been set up by Sam Herman, a former student of Harvey Littleton.  Herman eventually asked Solven to manage The Glasshouse, the first place in England where the public could watch glass artists at work in the studios.  Starting in 2004, Solven has worked exclusively in kiln-fused panels.  Her work can be found in many shops and museums including the Victoria and Albert Museum and the Corning Museum of Glass.  I do not know if she is still active. 

Size:  2 5/8" diameter by 2 1/2" high.  The base is fire finished.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.
Signature:  Signed "Cowdy" on the fire finished base.  The signature on this paperweight is hard to read.  I colored the signature with a washable marker to make it easier to see.  The pictures show the signature with the coloring and without the coloring.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature with coloring
Signature without coloring
Profile
Top view
Base
$49 postage paid in the US.                            Added 6/13/2022

For more information about paperweights by English makers, see my English Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Pauline Solven Cowdy Glass Spiral Paperweight from Newent, Gloucestershire
5913 Perthshire PP170 Small Daisy Shaped Millefiori Paperweight.  Circa 1997-2002.  This is a small pressed paperweight with a paneled millefiori pattern around a central signature cane.  There are six multi-colored twists and an outer ring of millefiori canes on a cobalt blue ground.  Each paneled section has a single millefiori cane between the twists.  The daisy shape has eight petals or scallops.  It is signed in the center with Perthshire's "P" signature cane.  It also has a Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  Great color and a crisp execution. 

The PP170 paperweight was also made in 1996, but with twelve petals.  From 1997-2002 it had eight petals. 

This is called a pressed weight because a mold is used to form the shape.  The top is flattened. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  2 3/16" diameter by just under 1 3/16" high. The base is ground concave. 
Condition:  Excellent original condition with no scratches, chips or cracks.  The label is slightly worn.
Signature:  It is signed in the center of the design with Perthshire's "P" signature cane.  It also has a Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Signature cane
Closeup
Profile
Label
Side view
Base
$85 postage paid in the US.                          Added 6/6/2022 

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire PP170 Small Daisy Shaped Millefiori Paperweight
4975 Miniature Murano Three Ring Millefiori Paperweight.   circa 1960-1980.  Colorful miniature millefiori paperweight from Murano with a red white and blue theme.  This paperweight has three rings of cogged millefiori around a nice center cane.  It is in excellent condition.  The paperweight is unsigned.  A fun item.

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Miniature size:  Just over 1 13/16" diameter by just under 1 1/2" high.  The base is polished flat.
Condition:   Excellent condition.  No chips, cracks or scratches found on inspection.  There are some small bubbles in the glass. 
Signature:  Unsigned but I guarantee that this paperweight was made on the island of Murano in Venice, Italy.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Profile
Base
$34 postage paid in the US.                                          Added 6/5/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature Murano Three Ring Millefiori Paperweight
5599 Perthshire 1982 PP49 Limited Edition Patterned Millefiori Paperweight with Complex Canes.  dated 1982.  This medium sized millefiori paperweight has a large complex center cane surrounded by four large complex canes and a closepacked carpet of many smaller pink canes.  Three pairs of large complex canes surround the center cluster.  The perimeter of the paperweight has a garland with three large half circles and three small half circles, each with a large complex cane in the center.  The design is placed over a translucent green ground.  It is signed with a Perthshire "P 1982" date / signature cane in the center of the base and also has its original worn paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  The PP49 design was issued in a limited edition only in 1982, with the edition size unknown.  A beautiful addition to any collection of Perthshire paperweights. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  Just over 2 5/8" diameter by 1 15/16" high.  The base is polished concave.
Signature:  This paperweight is signed with Perthshire's complex "P 1982" signature cane in the center of the base.  It also has its original worn paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.
Condition:  Excellent condition.  Some wear on the base, but no other cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane and label on base
Profile view
Side view
Base
$345 postage paid in the US.                                               Added 6/4/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire 1982 PP49 Limited Edition Patterned Millefiori Paperweight with Complex Canes
5561 Antique New England Glass Company (NEGC) Millefiori Scramble Paperweight with Rabbits.  circa 1860.  This is an antique New England Glass Company (NEGC) scramble or end of day paperweight.  It is filled with a wonderful assortment of colorful millefiori canes, twists, and other glass bits.  There are at least two different running rabbit canes, one visible from the top and the other visible from the bottom.  Excellent condition.  I believe this paperweight has been restored.  You will enjoy studying the variety of millefiori canes in it visible from both the top and the base.

This paperweight has a sticker on the base from the Selman Auction 44 (Fall  2009) Lot 96.  The previous owner paid $575 ($500 plus a 15% bidders premium) for this paperweight.  The catalog says there are two rabbit canes visible from the underside, but I could only find one.

Although many people collect scramble paperweights for their own merit, scrambles are also valuable tools for learning to identify the different colors and canes used by each factory. 

The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888You can read about paperweights from the New England Glass Company in the book by John Hawley.  The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC. 

Size:  Just under 2 7/8” diameter by 1 3/4” high.  The base is ground concave.  The profile is relatively flat.
Signature:  This paperweight is not signed, but I guarantee it to be an authentic antique New England Glass Company paperweight. 
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.  I believe this paperweight has been restored.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile
Side view showing one rabbit cane
View from base showing rabbit and Selman label
Closeups of two rabbit canes
Another view of base
$285 postage paid in the US.                                                Added 6/3/2022

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique New England Glass Company (NEGC) Millefiori Scramble Paperweight with Rabbits
1689 Peter McDougall Medium Crown Paperweight with Multicolored Twists.  Attractive crown paperweight with a wonderful complex cane on top.  The crown is formed from 20 twist canes with alternating colors, 10 white twist canes and 10 multi-colored twists made  from yellow, white and green stringers.  There is a dark ground in the center of this paperweight.  It is signed on the base with a complex cane made from four separate letter canes forming the signature "PMcD".  There is no paper label on this paperweight.

Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  Peter McDougall did not make many of these medium crowns.

Peter McDougall started his glass making career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s.  When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker.   Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale.  Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012.  The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future.

Medium Size:  Just over 2 3/8" diameter by 2 1/8" high.  The base is ground concave. 
Condition:  Excellent original condition with no scratches, chips or cracks.  There are some white spots around the signature cane - which I believe are from the powder used when polishing the base.  I did not try to remove this.
Signature:  Signed on the base with a complex cane made from four separate letter canes forming the signature "PMcD".  There is no paper label on this paperweight. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Closeup 
Side view
Signature cane
Base
$195 postage paid in the US.                            Added 6/1/2022

For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Peter McDougall Medium Crown Paperweight with Multicolored Twists
5894 Large Faceted Strathearn Spaced Millefiori on Lace Paperweight with Early Scottish Canes.  dated 1979.  This fine Strathearn spaced millefiori on lace paperweight features sixteen early Scottish millefiori canes that were originally made in the Moncrieff (Monart) or Vasart period.  The paperweight was made by either David Moir or Herbert Dreier and has a (distorted) Strathearn complex signature cane "S 79" on the base.  The paperweight is faceted with one large top facet and five side facets.  This would make a fantastic addition addition to any collection of Scottish paperweights.

According to David Moir, the millefiori canes in this paperweight are old Monart type canes that were brought with by the Ysarts when they left Moncrieff.  They were never used and kept out of the way until David Moir and Herbert Dreier were given permission to use them in 1979 by the management at Teachers Whiskey (who owned Strathearn).  Some of the individual canes might be attributed to Salvadore during the early Vasart period rather than Monart.    

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The factory was taken over by Stuart Glass in 1980 and renamed Stuart Strathearn Ltd.  After 1980, this factory ceased production of paperweights and stopped all production in 1992.  Stuart Crystal ceased all operations in 2001.

David Quintin Moir (born 1939) started as an apprentice at Vasart (Ysart Brothers Shore Road works) in 1954.  He stayed when the name was changed to Strathearn and left in 1980.  He often contributes to discussions of Scottish glass on Facebook.

Herbert Dreier (born 1942 to an Austrian coal-mining family) was originally destined to work in the mines, but he left to join a glass factory in Bärnbach, Austria where served a three year apprenticeship.  In 1960, he moved to Germany where he worked for Peill Butzler, Dren, Germany as a glass blower.  He and a friend responded to an advertisement for Caithness Glass and moved to Wick, Scotland, where he worked as a glass blower under Paul Ysart from 1963-65, later moving to Strathearn Glass as Master Craftsman.  He remained with Strathearn through the takeover by Stuart Crystal and had a number of positions with Stuart Crystal.  When Stuart ceased operation in 2001, he moved to Plowden & Thompson in Stourbridge as a Master Craftsman.  In a life-time devoted to the art of glassblowing, Herbert Dreier’s repertoire encompassed paperweights, lamp-bases, decorative bowls, vases and three-dimensional decorative pieces.

Size:   3” diameter by 2 3/16" high.  The base is polished flat.  The paperweight is faceted with one large top facet and five side facets.
Condition:  Excellent condition.  Minor wear on the base, but no other  scratches found on inspection.  No cracks or chips.
Signature:  Signed with a (distorted) Strathearn complex signature cane "S 79" on the base.  The millefiori canes in this paperweight were taken from a reserve dating from the Monart period (at Moncrieff) or early Vasart production. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Closeup
Top view
Base
Side view
$395 postage paid in the US.                                                 Added 5/25/2022    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Faceted Strathearn Spaced Millefiori on Lace Paperweight with Early Scottish Canes
4973 Scott Hartley Infinity Art Glass Abstract Blue and White Paperweight.  dated 2007.  This complex abstract paperweight has a swirling mesh blue and white design that spirals outward from the center.  The pattern is inside the glass with an outer clear encasement.  The shape is like an inverted cone with rounded edges.  It has a large diameter on top and a smaller diameter at the base.  Simple, yet defying an easy description.  A wonderful creation that resembles an unnamed sea form.  A great addition to any collection of abstract modern paperweights.

Special Thanks to Rick and Pam Pfliger, authors of The Signature Detective, for identifying the signature on this paperweight.

Scott Hartley founded Infinity Art Glass in 1999.  Five years later, he moved to his current studio location in Benton, Kansas.  The studio expanded again in 2018.  Scott is a biology graduate of Southwestern College in Kansas.  After teaching for a while, he decided he wanted more art in his life and focused on glass.  His creations range from small (paperweights) to large sculptural pieces costing thousands of dollars.  When I look at his designs, I see abstractions of life forms.  His work is displayed in galleries and shows across the country.

Large size:  3 13/16" diameter by 1 13/16" high..  The shape is large on top and small at the base.  The diameter of the flat base is 1 3/4".
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.
Signature:  Signed on the side just above the base "Scott Hartley ထ 07".  Note the infinity symbol before the date.  The signature is hard to read.  I had to add color (now removed) with a marker to get a half decent picture of it. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Profile
Signature
Signature with color added (now removed)
Another side view
Base
SOLD.                                            Added 5/17/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Scott Hartley Infinity Art Glass Abstract Blue and White Paperweight
5512 Baccarat 1975 Gridel Series Millefiori Black Monkey Limited Edition Paperweight.  dated 1975.  This modern millefiori paperweight features a large central black monkey silhouette on a white background surrounded by two concentric rings of picture canes (seventeen Gridel canes plus a signature / date cane).  The design is placed over a green carpet ground.  The paperweight is signed in the design with Baccarat's complex signature cane "B 1975".  It also has an acid etched Baccarat mark on the base along with the year (1975) and edition number (262).  This is the most popular of the Gridel series paperweight.

This design was released in 1975 in a limited edition of 350 pieces.  This is number 262 in that series.  There is a signature cane "B 1975" shown in the pictures.  The bottom has the acid etched Baccarat logo plus it is engraved with the year (1975) and the number (262). 

In 1846 Baccarat introduced the popular Gridel figures in their closepack millefiori paperweights.  It was named after Emil Gridel, the nephew of Jean-Baptiste Toussaint the general manager of Baccarat.  Toussaint saw Gridel making paper cutouts of animals and saw an opportunity to incorporate these silhouettes in millefiori paperweights.   From 1971 to 1979 Baccarat issued a modern Gridel series of millefiori paperweights based on eighteen Gridel figures.  Each paperweight has a large Gridel figure in the center with smaller versions of the other figures included in the design.  There are variations in orientation and color as well as the types of canes in each design and it is possible to amass a very large collection covering just this series.

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again.  In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide.  Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s.  Baccarat stopped making this type of fine glass paperweights in 2002.  You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Large Size:  3 1/8" diameter by just under 2 1/4" high.    The base is polished flat with an indent for the edition number.
Signature:  The paperweight is signed with Baccarat's complex signature cane "B 1975" in the design.  It also has an acid etched Baccarat mark on the base along with the the year (1975) and edition number (262). 
Condition:   Excellent condition.  There are some light scratches on the base, but no other chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane "B 1975"
Baccarat Logo, date, and edition number on base
Side view
Closeup
Another closeup
Profile
Base
$695 postage paid in the US.                                                                    Added 5/15/2022

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat 1975 Gridel Series Millefiori Black Monkey Limited Edition Paperweight
5911 Perthshire PP2 Medium Paneled Millefiori Paperweight.  circa 1978 - 2002.  This is a medium patterned millefiori paperweight with a center "P" signature cane surrounded by two rings of colorful millefiori and then 12 short radial twists.  Each panel has a 1-1-2-2 pattern of millefiori.  The ground is an opaque very dark purple (almost black).  This version of the PP2 has a signature cane and the base is hollow ground, dating it to 1978 or later.  It also has a worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.  An extra nice example with crisp setup and bright colors.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Medium Size:  2 1/2" diameter by 1 7/8" high. The base is hollow ground (ground concave). 
Signature:  Signed with a Perthshire "P" signature cane in the center of the design.  It also has a worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  The label is worn and dirty.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Label
Side view
Closeup
Profile
Base
$115 postage paid in the US.                                         Added 5/14/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire PP2 Medium Paneled Millefiori Paperweight
5358 Ronald E. Hansen Bird on a Branch Paperweight.  circa 1960 - 1970This paperweight features a three dimensional brown and yellow bird on a branch.  The branch has four green leaves.  The design is set over a transparent blue ground.  This paperweight is signed on the base "Ronald E. Hansen".  There are many tiny bubbles in the glass.  An important paperweight from this early paperweight maker. 

While this paperweight may seem unsophisticated by today's standards, it is the work of an important early paperweight maker.  This example has the full signature of Ronald E. Hansen.  According to Andrew Dohan in the Dictionary of Paperweight Signature Canes, Ronald Hansen used his full signature only on his best pieces. 

Ronald E. Hansen was born in Virginia, Minnesota in 1910.  He was first exposed to glass lampwork as a child when he was befriended by Bohemian glassworkers in a "hobo village" making glass ships.  He later worked as the director of the Neon Tube School in Detroit, Michigan.  With this exposure, he was aware of the artistic and technical aspects of glassworking.  He established his own studio in Mackinaw City, Michigan, mixed his own colors and glass, and created a variety of small glass paperweights, most of which are 2 1/2" in diameter.  He made paperweights from the late 1950s to 1971.  He was one of a number of glass artists in this paperweight making family.  His nephew, Eric Hansen, continues the art today.  You can read more about Ronald E. Hansen in the book American Glass Paperweights and their makers by Jean Melvin (1970 Revised edition) or the article by Nancy Alfano in the 2004 PCA Bulletin. 

Size:  2 7/16" diameter by 2" high.  The base is polished flat.
Signature : Signed "Ronald E. Hansen" in script on the base.
Condition :  Good condition.  As shown in the pictures, this paperweight has a 1/4" circular impact mark on the side.  It also has two very small (1/16") nicks just above the base.  There are also scratches on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature on base
Impact mark on side
Another view showing impact mark
Top view
Back view
Side view
Base
$135 postage paid in the US.                                      Added 5/13/2022

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image

Click on the picture to see a larger image
Ronald E. Hansen Bird on a Branch Paperweight
5374 Large Pairpoint Faceted Red Rose Paperweight.  circa 1970-1980.  This paperweight features a large red crimp rose made at Pairpoint Glass in Sagamore, Massachusetts.  The rose has 13 petals with a 4+4+3+2 pattern.  There are also eight variegated green leaves, four large and four skinny.    The design is placed over a semi-transparent dark blue ground.  It is faceted with one large top facet plus five smaller side facets.  The glass has a green tinge.  The paperweight is unsigned.  It is possible that this rose paperweight was made by Robbie Mason or one of the other glass artists who apprenticed with him.  A wonderful example of a modern Pairpoint rose paperweight.

Note on condition:  This paperweight has a faint 3/16" circular impact mark and a
faint 3/16" vertical scratch on the side near the top facet.  There is some wear on the base.  I found no other damage.  There are also small bubbles and a couple of white flecks in the glass from when it was made.  I believe it dates from the early period in Sagamore when they sometimes had white "stones" in the glass thrown off by the furnace pots.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners again.  It continues to operate at that location today (2022) although under new owners.

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020. 

Large Size:  2 13/16" diameter by 2 1/4" high.  The bottom is ground concave in the center. It is faceted with one top facet and five side facets. 
Condition:  Very good condition.  This paperweight has a faint 3/16" circular impact mark and a faint 3/16" vertical scratch on the side near the top facet.  There is some wear on the base.  I found no other damage.  There are also small bubbles and a couple of white flecks in the glass from when it was made.  I believe it dates from the early period in Sagamore when they sometimes had white "stones" in the glass thrown off by the furnace pots.
Signature:  Unsigned but I guarantee this paperweight to be made by Pairpoint Glass.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Base
Another side view
Faint circular impact mark (3/16")
Faint scratch (3/16")
$195 postage paid in the US.                        Added 5/12/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.                         (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Pairpoint Faceted Red Rose Paperweight
5385 Large Antique New England Glass Company (NEGC) Salmon Red Double Poinsettia Paperweight on a Blue and White Jasper Ground.  circa 1860 - 1888.  This is an antique New England Glass Company (NEGC) double poinsettia with a two rings of five salmon red petals arranged around an interesting complex millefiori center.  Well place bubbles give the appearance of dew drops.  There are also three well formed NEGC green leaves and a green stem.  The design is placed over wonderful blue and white jasper ground giving this paperweight a patriotic red, white, and blue theme.  Unlike many NEGC poinsettias, the flower is fairly well centered.  This paperweight will be a worthwhile addition to any collection of antique American paperweights.

The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888You can read about paperweights from the New England Glass Company in the book by John Hawley.  The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC.  

Large Size:  2 11/16" diameter by1 5/8" high.  The base is ground concave.  It has a relatively flat profile.
Condition:  Very good condition for its age with only minor scratches and a few very small nicks.  This may have been restored in the distant past.
Signature:  Unsigned but I guarantee this to be an authentic New England Glass Company antique paperweight.  Circa 1860 - 1888. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Side view
Close up
Base
$495 postage paid in the US.                                            Added 5/10/2022

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.
Click on the picture to see a larger image
Large Antique New England Glass Company (NEGC) Salmon Red Double Poinsettia Paperweight on a Blue and White Jasper Ground
5373 Baccarat 1972 Gridel Series Squirrel Concentric Millefiori Limited Edition Paperweight.  dated 1972.  This modern close concentric millefiori paperweight features a large white squirrel silhouette on a black background in the center surrounded by five rings of millefiori canes.  One ring contains all eighteen Gridel figures.  The white ground is a made up of latticinio twists.  The paperweight is signed with Baccarat's signature cane "B 1972" in the fourth ring from the center.  It also has two copies of the acid etched Baccarat mark on the base along with the year (1972) and edition number (336).  A beautiful paperweight with warm colors.

Note on condition:  The dome of this paperweight is in excellent condition.  I found only one tiny pinprick on the side right next to the base.  However the base has more than a normal amount of wear / scratches.  This wear is confined to the base.

This design was released in 1971 and continued into 1972 in a limited edition of 1,200 pieces.  This is number 336 in that series.  There is a signature cane "B 1972" shown in the pictures.  The base has two copies of the acid etched Baccarat logo plus it is engraved with the year (1972) and the edition number (336). 

In 1846 Baccarat introduced the popular Gridel figures in their closepack millefiori paperweights.  It was named after Emil Gridel, the nephew of Jean-Baptiste Toussaint the general manager of Baccarat.  Toussaint saw Gridel making paper cutouts of animals and saw an opportunity to incorporate these silhouettes in millefiori paperweights.   From 1971 to 1979 Baccarat issued a modern Gridel series of millefiori paperweights based on eighteen Gridel figures.  Each paperweight has a large Gridel figure in the center with smaller versions of the other seventeen Gridel figures included in the design.  Some designs include all eighteen Gridel canes in smaller canes.  There are variations in orientation and color as well as the types of canes in each design and it is possible to amass a very large collection covering just this series.  

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again.  In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide.  Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s.  Baccarat stopped making this type of fine glass paperweights in 2002.  You can read more about the Baccarat paperweights in the book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Very large size:  Just under 3 1/8" diameter by just over 2 1/8" high.    The base is polished flat.
Signature:  The paperweight is signed with Baccarat's complex signature cane "B 1972" in the design.  It also has two acid etched Baccarat marks on the base along with the the year (1972) and edition number (336). 
Condition:   The dome of this paperweight is in excellent condition.  I found only one tiny pinprick on the side right next to the base.  However the base has more than a normal amount of wear / scratches.  This wear is confined to the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
Signature on base - Baccarat logo plus edition number (336) and year (with scratches)
Wide view showing both Baccarat logos, one with engraved edition number and year
Signature cane "B 1972"
Side view
$395 postage paid in the US.                                     Added 5/10/2022

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat 1972 Gridel Series Squirrel Concentric Millefiori Limited Edition Paperweight
5362 Robert Banford Blue Clematis with Buds and Dragonfly Paperweight.  circa 1980.  This compound paperweight features a wonderful large dragonfly hovering above a striped blue clematis.  The clematis has a yellow center and two buds in various states of opening.  There are many green leaves and a stem.  The design is set in clear crystal with an opaque white ground at the base of the paperweight.  The paperweight is compound with the two levels above the ground layer.  The flower floats in the middle layer and the dragonfly hovers above the flower.  The paperweight is signed with Bob Banford's “B” signature cane at the tip of the stem.  A very desirable addition to any collection of contemporary American paperweights.

Note:  The bright light used to take the pictures exaggerate the refractive lines where the layers of glass are joined.  This is normal in compound paperweights that use high quality glass.

Note 2:  There is a 3/16" flaw near the base of this of the paperweight.  I'm not sure what caused this.  It is not a chip or crack.

Robert Banford worked in Hammonton, NJ.  He started making paperweights in 1971 along with his father, Ray Banford.  Bob continued to make paperweights until 2006.  Bob and Ray did not date their paperweights, but it is sometimes possible to get an idea of when a paperweight was made by the progression of styles and the type of glass used.  Bob Banford used a signature cane with a red "B" and a blue surround.  Ray Banford used a different signature cane with a black B.  Ray passed away in 2003.

Large size:  2 3/4" diameter by just over 2 5/16" high.  The white base is polished flat.
Signature:  Signed with Robert Banford's signature "B" cane at the tip of the stem.
Condition:  Very good condition.  There is some wear on the base.  I found one faint (1/16") scratch on the side.  And a small indent or tool mark also on the side.  There is also a 3/16" flaw near the base of this of the paperweight.  It is not a chip or crack.  There are some bubbles in the glass.  No other flaws found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature cane
Another closeup
Side view
Flaw near base (3/16")
Base
$345 postage paid in the US.                                            Added 5/9/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Banford Blue Clematis with Buds and Dragonfly Paperweight
5615 Perthshire Annual Collection 1982B Limited Edition Flamingo Paperweight with Certificate.  dated 1982.  This paperweight features a pink flamingo standing on one leg in a blue pond with two water lilies and two cat tails.  There is a translucent blue and green ground.  The paperweight has a single top facet.  It is signed with a complex "P 1982" signature cane in the center of the base.  It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base and comes with its original (somewhat wrinkled) certificate stating that this is edition number 26 in a limited edition of 300 paperweights (of which only 184 were made).  An unusual design from Perthshire.. 

Perthshire made this paperweight as one of their Annual Collection designs for 1982.  This means the design was made only that one year and never again.  There were eight Annual Collection designs in 1982, designated A through H.  This design is designated 1982B.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  Just under 2 5/8" diameter by 1 11/16" high.  The base is ground concave.  Faceted with one large top facet.
Signature:  This paperweight is signed with a complex "P 1982" signature cane in the center of the base.  It also has its original worn Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base and comes with its original (somewhat wrinkled) certificate stating that this is edition number 26 in a limited edition of 300 paperweights (of which only 184 were made).   
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.  There are some bubble in the ground. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane and and label on base
Certificate
Side view
Base
Profile
Signature cane
$295 postage paid in the US.                                               Added 5/8/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1982B Limited Edition Flamingo Paperweight with Certificate
5949 Large Ed Rithner Multi-Colored Candy Cane Millefiori Paperweight.  circa 1940-1970.  A wonderful example of a relatively rare style of paperweight.  The millefiori canes are striped lengthwise and are placed over a transparent turquoise  ground.  The canes are various colors of red, blue, green, and white. A classic Rithner design.

Ed Rithner worked in Wellsburg, West Virginia from 1908 to the 1970s or later.  You can read about Ed Rithner in Jean Melvin's book on American Glass Paperweights and their Makers .  All of Rithner's weights are unsigned.

Large Size:  Just under 3 1/16" diameter by 1 7/8" high.  The base is fire finished and then ground to a matte finish in the center to remove the pontil mark. The profile is relatively flat.
Condition:   Excellent condition.  No chips, cracks, or scratches found on inspection, but I could have some faint scratches due to the bubbles and striations in the glass.
Signature:  Unsigned, but I guarantee this to be a paperweight by Ed Rithner from 1940 - 1970.  As is typical of Ed Rithner paperweights there are small bubbles in the design.  The bottom finish is typical of Rithner, with the remnants of the pontil mark ground out with a frosted finish.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Top view
Side view
Base with ground out center
$110 postage paid in the US.                                                    Added 5/8/2022 

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Ed Rithner Multi-Colored Candy Cane Millefiori Paperweight
5639 Large Fratelli Toso Murano Block Shaped Millefiori Paperweight with Handle.  circa 1960-1979.  Colorful Fratelli Toso millefiori paperweight with a knob or handle on top.  The green inner core has a variety of cogged millefiori canes on the surface of the green layer.  A controlled pattern of bubbles surrounds the inner core.  This paperweight has a worn Fratelli Toso silver foil label with a conjoined "ft" and "MADE IN ITALY MURANO GLASS".  The center of the green core is hollow and the paperweight has an irregular 5/8" by 1 1/2" hole in the base.  The knob on the top is a fun addition.

The technique used to produce the inner core with millefiori canes on the surface is sometimes called a cane roll-up.  The Murano firms of Fratelli Toso and Barovier & Toso produced objects with this technique. 

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Fratelli Toso was started in 1854 by six brothers - Angelo Toso, Giovanni Toso, Ferdinando Toso, Carlo Toso, Gregorio Toso and Liberato Toso.  They were joined by Ermanno Toso in 1924 who became artistic director.  The Fratelli Toso company is well known for its use of colorful murrines and millefiori, particularly during the 1950's and earlier.  In 1979, the company suffered a harsh economic crisis, forcing the owners to divide it into Antica Vetreria Fratelli Toso and Fratelli Toso International.  In 1981, Fratelli Toso International filed for bankruptcy and closed its doors for good.  Antica Vetreria Fratelli Toso, led by Arnoldo Toso, continued to operate. 

Size:  2 9/16" square at the widest.  The base is 2 1/8" square.  4 5/8" high including the knob.  The base is polished flat with a beveled edge. The center of the green core is hollow and the paperweight has an irregular 5/8" by 1 1/2" hole in the base.
Condition:   Very good condition. Some small scratches.  One nick on the side of the knob.  No cracks.
Signature:  Signed with a worn Fratelli Toso silver foil label with a conjoined "ft" and "MADE IN ITALY MURANO GLASS". 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Label
Another view
Base - note hole
Another view with label
Still another view
$59 postage paid in the US.                            Added 5/5/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Fratelli Toso Murano Block Shaped Millefiori Paperweight with Handle
5662 Caithness 1983 Colin Terris Sea Dance Paperweightissued in 1983.  This paperweight represents a turbulent sea, or as the certificate states, "five silvery dancers perform amidst the swirling fronds of the sea bed".  The ground color is an orange/gold layer over a dark green.  There are five large bubbles to represent the dancers and a few smaller bubbles, so maybe there is some literary license taken in the description.  There is also a ring of smaller bubbles surrounding the design.  And one large center bubble.  It is etched on the base "Caithness SEADANCE Scotland".  There is also an engraved registration number H103099".  It comes with its original certificate.  A fun design.

The Sea Dance design is listed and designated CT-337 on page 55 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1983 by Colin Terris.  It was released in an unlimited edition. The original issue price in the US was $85.00.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Large size:  3 1/16" diameter by 2 3/4" high.  The base is polished flat.
Condition:  Excellent condition.  With the exception of some faint scratches on the base, no other chips, cracks, or scratches found on inspection.
Signature:  This paperweight etched on the base "Caithness SEADANCE Scotland".  There is also an engraved registration number H103099".  It comes with its original certificate.

For extra pictures, click on the picture at the right and the following links:

Large picture
Another view
Certificate
Etched signature and engraved registration number on base
Closeup
Side view
Top view
Base
$59 postage paid in the US.                                     Added 4/30/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Caithness 1983 Colin Terris Sea Dance Paperweight
865 Josh Simpson Miniature Inhabited Planet Paperweight with Presentation Box and Pamphlet.  dated 1998.  This is a miniature inhabited planet paperweight along with its original presentation box and small three fold pamphlet.  The basic theme of the inhabited planet series is that a new planet has been discovered with interesting features inviting exploration.  There are interesting multi-colored structures rising above the surface.  Some structures, possibly man made, require further exploration.  There is a blue, yellow, and green twisted ribbon shaped spaceship investigating the terrain below.  Elsewhere on the planet you can see a trail of bubbles the spaceship has left behind as it explored.  This paperweight is signed "JS98" on its flat base.  This planet has all sorts of terrain including suggestions of vegetation, water, and volcanic activity.  It comes with a small pamphlet and its original presentation box.  A fun item.

Josh Simpson has been making magical glass objects including paperweights for over 40 years.  He has long had a fascination with space exploration and is married to Astronaut Cady Coleman.  He is a graduate of Hamilton College and has his own glass studio in Shelburne Falls, Massachusetts.  He focuses on creating objects with a range of color, form, contrast, iridescence, tessellating patterns and complexity. 

There is a great book Josh Simpson: Glass Artist by Andrew Chaikin.  I recommend it highly.

Size:  1 7/8" diameter by 1 13/16" high.  The base is polished flat.  The pamphlet is 2 3/4" by 2 3/4" and unfolds to a single two sided sheet 8 1/4" by 2 3/4".
Signature:   Signed "JS98" on the base.
Condition:  Excellent condition.  There is minor wear on the base, but no other cracks, chips, or scratches found on inspection.  There are a few tiny bubbles in the glass near the surface which are not damage. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup showing spaceship
Signature on base
Cover of pamphlet
Trail of bubbles
Another view
Paperweight with box and pamphlet
Base
Box
SOLD.                                                                Added 4/29/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Josh Simpson Miniature Inhabited Planet Paperweight with Presentation Box and Pamphlet
5916 Randy Strong 2003 Abstract Flat Top Iridescent Millefiori Paperweight.   dated 2003.  Contemporary abstract millefiori style paperweight created by Randy Strong of Berkeley, California. The paperweight has an unusual shape with the a large top and small base.  It has white and pink millefiori and an outer "garland" of white latticinio twists.  Iridescent pieces of blue and copper color fill in the empty spaces.  There is also a controlled pattern of tiny bubbles in the clear glass edge.  The underlying ground color is black.  It is signed "R. Strong 2003".  A fun paperweight with great color. 

Note:  This paperweight has an unusual shape with the flat top considerably larger then the base.  It is not a typical dome shaped object.   

Randy Strong has studied at the California College of Arts and Crafts, Oakland, CA and has a Bachelor of Fine Arts 1971 from the Osaka University of the Arts, Osaka, Japan.  He has been blowing glass and running his own studio in Northern California for over 40 years.  His work has been collected and displayed throughout the world in such places as The Corning Museum of Glass (New York), The Louvre, the Osaka Museum of Art, The San Francisco Museum of Art, The Ludwig Schaffrath Collection (Germany), The John D. Rockefeller Collection, the IBM Collection (USA) and at the American Crafts exhibitions at Baltimore, West Springfield and Rhinebeck.  

Size:  Just under 3" diameter at the top by 1 1/4" high.  The base has a diameter of 1".  The top has a flat profile.  The base is ground flat.
Condition:  Excellent condition.  No chips, cracks or scratches.   
Signature:  It is signed "R. Strong 2003" on the edge just above the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile view
Side view
Signature
Closeup
Base
$95 postage paid in the US.                                       Added 4/29/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Randy Strong 2003 Abstract Flat Top Iridescent Millefiori Paperweight
5638 Unusual Magnum Murano Paperweight with Floral Decoration on Blue Plaque.  circa 1960 - 1980.  This unusual paperweight features floral decoration painted in enamel on a blue plaque.  The painting is signed "M. Allin".  The paperweight does not have a label but I am certain it was made on the island of Murano in Venice. 

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Very large size:  3 3/16" diameter by 2 3/4" high.  The base has been polished flat.  This paperweight has a high profile typical of Murano paperweights.
Condition:   Very good condition.  I found a small scuffed area on the side and some light scratches on the base.  No chips or cracks.    
Signature:  Unsigned, but I guarantee that this paperweight was made on the island of Murano in Venice, Italy.     

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Signature
Profile
Base
Side view
$69 postage paid in the US.                            Added 4/28/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Unusual Magnum Murano Paperweight with Floral Decoration on Blue Plaque
5934 Perthshire Annual Collection 1981C Limited Edition Magnum Aquarium Paperweight.  dated 1981.  This magnum paperweight features a colorful assortment of sea life in a three dimensional display.  There is a green seahorse, a blue crab, a brown snail, and two fish amidst a large pink seaweed.  The design is placed on a grey sand ground.  It is signed with a complex "P 1981" signature cane in the center of the base.  It is also engraved with Peter McDougall's "PMcD" signature on the base.  It is faceted with one large top facet and 24 side facets in three rows.  This design was made in a 1981 limited edition of 350 paperweights of which 237 were actually made.  It comes with its original box.  A very large stunning paperweight from Perthshire. 

Perthshire made this paperweight as one of their Annual Collection designs for 1981.  This means the design was made only that one year and never again.  There were eight Annual Collection designs in 1981, designated A through H.  This design is designated 1981C.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Very large size:  3 3/8" diameter by 2 11/16" high.  The base is ground concave.  Faceted with one large top facet and 24 side facets in three rows.
Signature:  This paperweight is signed with a complex "P 1981" signature cane in the center of the base.  It is also engraved with Peter McDougall's "PMcD" signature on the base.  It comes with its original Perthshire box.  There is no label or certificate with this paperweight. 
Condition:  Excellent condition with no cracks, chips, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature cane and PMcD signature on base
Paperweight with box
Side view
Base
Top view
Another side view
Third side view
$395 postage paid in the US.                                               Added 4/28/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1981C Limited Edition Magnum Aquarium Paperweight
1398 Chinese Yellow Millefiori  Peacock Paperweight.  circa 1945 -1970.  This is a uniquely Chinese invention.  The paperweight is in the form of an upright peacock with its bright yellow plumage (train) on display.  The feathers have red feather eyes.  There is a molded neck and head on the lower surface.  Three red lines simulate a crest.  There are three types of millefiori used in the construction:  yellow feather canes, red eye canes, and a single large mosaic cane for the body.  We don't know exactly when these first appeared but they were found in the US during the 1960s, so I believe this is a post WWII product.  There is a single flat facet on the lower edge to allow the paperweight to stand upright.  A fun collectible.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Large Size:  3 5/16" at the widest by 3 1/8" high by just under 1 1/4" thick.  The back is ground flat.  The lower edge has been ground flat to allow the peacock to rest upright.
Signature: Signed with a "MADE IN CHINA" paper label on the back.
Condition:  Excellent condition.  There are a few minor scratches on the back, but no other scratches or chips found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side
Back
Label
Another view showing flat base
$59 postage paid in the US.                                                       Added 4/28/2022

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chinese Yellow Millefiori  Peacock Paperweight
2012 Chinese Miniature Orange Butterfly on Green Ground Paperweight.  circa 1940 - 1960.  This paperweight features an orange and yellow winged lampwork butterfly flying with wings extended over a green frit ground.  The butterfly body is light green with two well defined antennae.  The green ground gives the glass a greenish tinge, but it is mostly clear glass.  This paperweight is unsigned.

Note
:  Please ignore the white areas, they are glare from the lights.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston &Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Miniature size:  2" diameter by 1 5/8"  high.  The bottom is flat with remnants of the pontil scar.
Signature:  This paperweight is unsigned, but I guarantee it is from China and dates from the 1940 thru 1960.
Condition:  Good condition with no cracks or chips.  There are some slight surface scratches.  As is typical of Chinese paperweights from this period, the glass has some debris and bubbles.

For extra pictures, click on the picture at the right and the following links:

Large picture
Profile
Another view
Closeup
Base
$39 postage paid in the US.                                                       Added 4/28/2022

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chinese Miniature Orange Butterfly on Green Ground Paperweight
5684 Antique Magnum Belgian or Bohemian Frit Butterfly Paperweight.   circa 1880-1910.  This is a wonderful antique frit butterfly paperweight.  The large blue butterfly with colorful spots floats above a multicolored frit ground.  The maker of this paperweight is unknown.  It was likely made in an unidentified glass factory in Belgium, Bohemia or Northern Europe.

Note:   At first I thought this is a lampwork butterfly but it is almost completely flat and sits on a layer of "dirty" glass.  What looks like surface damage in the profile view is actually dirt on the surface of the inner layer of glass that the butterfly is resting on - the clear layer used to pick up the butterfly.

Frit refers to the powdered glass used to make the design.  The design is set up in frit in a metal die and then picked up with a gather of clear color.  The butterfly is almost completely flat with only the larger pieces of colored glass projecting below the plane of the butterfly.

Bohemian Glass
generally refers to the glass made in the regions that form the border area between the Czech Republic, Poland, and Germany.  Most of these areas are now parts of the western Czech Republic.
   

Very large size:  3 7/16" diameter by 2 5/16" high.  The base is ground flat.
Condition: Very good condition for its age.  The paperweight has a few faint scratches on the dome.  It has a lot of age on the base. It also has some small chips on the edge of the base.  What looks like surface damage in the profile view is actually dirt on the surface of the inner layer of glass that the butterfly is resting on.
Signature:  Unsigned, but I guarantee this is an antique paperweight from Bohemia or Belgium or Northern Europe.

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view - note how flat the butterfly is
Closeup
Top view
Profile - note dirt on inner layer - the clear layer used to pick up the butterfly
Base - chips at edge of base
Another view of base
$195 postage paid in the US.                                                                               Added 4/27/2022

For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page .                 (dl-boh-ant)

Click on the picture to see a larger image.
Click on the picture to see a larger image
Antique Magnum Belgian or Bohemian Frit Butterfly Paperweight
5930 Perthshire Millennium Special Limited Edition Paperweight with Box & Certificate.  dated 2000.  This paperweight is a special limited edition created to celebrate the Millennium.  It features a ruby and white six petaled flower in the center set on a yellow lace ground.  This is then surrounded by a ring of ruby and white millefiori canes.  The design is further surrounded by another ring of five picture canes and a special Millennium 2000 date cane placed on a white lace ground.  It is signed with a complex "P" signature cane in the base.  The paperweight is faceted with one large top facet and six side facets.  This paperweight was made in a limited edition of 500 paperweights.  It comes with its original certificate stating that it is edition 004 of the 500 paperweights and comes with its original box.  A beautiful addition to any collection of Perthshire paperweights. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  3" diameter by just over 1 7/8" high.  The base is polished concave.
Signature:  This paperweight is signed with a complex "P" signature cane in the center of the base.  It also has a special millennium date cane "2000" in the design.  It comes with its original certificate and box.
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Special date cane in design
Signature cane on base
Certificate
Box with certificate and paperweight
Top view
Side view
Base
$375 postage paid in the US.                                               Added 4/23/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Millennium Special Limited Edition Paperweight with Box & Certificate
3547 Baccarat 1987 Special Edition Double Trefoil Millefiori Paperweight.  dated 1987.  This modern millefiori paperweight features a double trefoil design with a concentric pattern in the center.  It has two interlaced three lobe garlands of amber and burgundy.  The concentric design has green and amber circles.  The design is placed on a pale yellow lace ground.  This was one of the special paperweights featured in Baccarat's 1987 annual brochure.  It was made in this color arrangement only in 1987.  It is signed with a Baccarat's complex "B 1987" signature / date cane in the design.  This paperweight is also signed on the base with an acid etched Baccarat mark along with the engraved year (1987) and edition number (64).  A fantastic paperweight.

Note:  After extensive research in the Baccarat archives, Paul Dunlop concluded that from 1986 to 1989, Baccarat made special editions of four designs using a different color scheme each year.  For example, the double trefoil was made in each of the four years, but with a different color scheme each year.  These designs were featured in the annual brochure for each year and were numbered sequentially.  Although the edition size was not known he estimated that about 200 of each design were made.

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.
  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again.  In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide.  Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s.  Baccarat stopped making this type of fine glass paperweights in 2002.  You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Large Size:  Just under 3 3/16" diameter by 2 3/8" high.  The base is polished flat.
Signature:  The paperweight is signed with Baccarat's complex signature cane "B 1987" in the design.  It also has an acid etched Baccarat mark on the base along with the engraved year (1987) and edition number (64). 
Condition:   Excellent condition.  With the exception of light wear on the base, no cracks, chips, or scratches were found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane "B 1987"
Baccarat logo, date, and edition number on base
Closeup
Profile
Side view
Base
$465 postage paid in the US.                                                         Added 4/22/2022.

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat 1987 Special Edition Double Trefoil Millefiori Paperweight
5897 John Deacons / William Manson, Sr. 2006 Strathearn Collection Flower & Double Torsade Paperweight.  dated 2006.  This limited edition paperweight consists of a large blue and white five petaled flower surrounded by a garland of five red roses and a second blue and green millefiori garland.  The flower has five green sepals and a yellow complex millefiori center.  The design is set on a translucent amber ground.  The paperweight is one of the Strathearn Collection collaborative series made by John Deacons and William Manson Sr.  It is signed on the base with John Deacons' "JD 2006" signature cane and William Manson's "WM" signature cane.  The JD 2006 cane also has a green thistle with two green shamrocks just below the JD.  It is also marked "S7 14/25".  A very attractive paperweight. 

In 2006, John Deacons and William Manson collaborated to make three sets of 12 paperweight designs or 36 designs in all.  They were called the Strathearn Collection. Each design was a limited edition of 25 paperweights.  Each weight was signed with the signature cane of both artists.  This paperweight is designated S7 14/25, meaning it is the seventh design in the Strathearn Collection and is #14 of the limited edition of 25 paperweights. 

John Deacons learned his craft at Strathearn Glass in Crieff, Scotland in 1967. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there for 10 years before leaving in 1978 to start his own glass studio. He has produced paperweights and other glass objects under a variety of labels, including J Glass, St. Kilda, and now under his own name. The St. Kilda line was produced from 1978 or 1979 through 1987.  You can read about John Deacons in the book by Hall - Scottish Paperweights.  Today John works with his son Craig at his own studio.

William Manson, Sr. started his glass working career at Caithness Glass at the age of 15 in the 1960s.  He apprenticed with Paul Ysart.  Manson left Caithness in 1971 to work at Ysart's Harland Glass and rejoined Caithness several years later in 1974.  He was at Caithness on and off between 1974 and 1997 when he left for good to form his own studio William Manson Paperweights.  His son, William David Manson, assisted him starting in 1992, taking it up as a career in 1996 (age 18) and continued until the market cooled in 2003-2004.  He is now in the process of setting up his own studio (in 2022).  For a brief period (2004-2006), William Manson, Sr. made collaborative paperweights with John Deacons. 

Large Size:  Just under 2 7/8" diameter by 2 3/16" high. The base is ground concave. 
Signature:  Signed with John Deacons' "JD 2006" signature cane and William Manson's "WM" signature cane.  The JD 2006 cane also has a green thistle between two green shamrocks just below the JD.  The paperweight is also marked "S7 14/25". 
Condition:  There is wear on the base.  Otherwise, it is in excellent condition with no scratches, chips or cracks. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Canes on Base
Signature with Edition number on Base
Side view
Base
$245 postage paid in the US.                                     Added 4/22/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
John Deacons / William Manson, Sr. 2006 Strathearn Collection Flower & Double Torsade Paperweight
5633 Pairpoint Concentric Millefiori Paperweight.  circa 1970-1974.  This is a concentric millefiori paperweight with two concentric rings of millefiori on a transparent green ground.  The millefiori canes are pale and transparent, making their details hard to see.  There are striations in the glass.  The paperweight is unsigned, but I guarantee it was made at Pairpoint Glass in Sagamore, Massachusetts.

Note:  The colors in this paperweight made it difficult to take pictures.  It looks better in real life than shown in the pictures.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The last New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970.  It continues to operate at that location today (2019) although under new owners.

Size:  2 1/2" diameter by 1 13/16" high.  The bottom is unfinished with the pontil scar remaining.
Condition:  Very good condition with no cracks, chips, or scratches found on inspection.  There are striations in the glass.  Also, the millefiori canes are pale and transparent, making it difficult to see the details.
Signature:  Unsigned, but I guarantee it was made at Pairpoint Glass in Sagamore, Massachusetts.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Side view
Closeup
Base
$49 postage paid in the US.                                            Added 4/20/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Pairpoint Concentric Millefiori Paperweight
5538 Peter McDougall (PMcD) Miniature Crown Paperweight with Flower on Top.  Attractive miniature crown paperweight with a wonderful lilac colored five petal flower on top.  The flower has a millefiori cane in the center.  The paperweight is formed from 20 twist canes with alternating colors, 10 white twist canes and 10 multi-colored twists made  from turquoise, yellow, and white stringers.  These twist canes are pulled down to the center of the base.  There is a cobalt blue ground in the center of this paperweight.  It is signed on the base with a complex cane made from four separate letter canes forming the signature PMcD.  A wonderful paperweight from this talented glass artist.

Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  Peter McDougall did not make many of these miniature crowns with a flower on top. 

Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s.  When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker.   Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale.  Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012.  The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future.

Miniature Size:  Just over 2" diameter by just over 1 3/4" high.  The base is polished concave.
Condition:  Excellent condition with no scratches, chips or cracks. 
Signature:  Signed with a complex "PMcD" cane on the base.  The signature is tiny and can be hard to see without magnification.  There is no paper label on this PMcD paperweight. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Closeup
Side view
Signature cane on base
Base
Another view
Another view of base
$195 postage paid in the US.                            Added 4/16/2022

For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Peter McDougall (PMcD) Miniature Crown Paperweight with Flower on Top
5664 Large Caithness 1985 Limited Edition Flair US Collectors Club PaperweightThis paperweight features a single five petaled ruby colored flower rising from a transparent aquamarine ground.  The stem is surrounded by a controlled pattern of bubbles.  There is a large dew drop (bubble) in the center of the flower.  The paperweight was issued in 1985 in a limited edition of 500 paperweights for members of the US Caithness Collectors Club.  This paperweight is etched on the base "CAITHNESS SCOTLAND FLAIR US COLLECTORS PAPERWEIGHT" and is engraved "99/500".  It comes with its original certificate stating that it was designed by Colin Terris and that this is edition 99 of a limited edition of 500 paperweights.  A beautiful design.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Very large size:  3 1/8" diameter by 2 3/4" high.  The base is polished flat.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.
Signature:  This paperweight is etched on the base "CAITHNESS SCOTLAND FLAIR US COLLECTORS PAPERWEIGHT" and is engraved "99/500".  It comes with its original certificate stating that it was designed by Colin Terris and that this is edition 99 of a limited edition of 500 paperweights. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Certificate
Profile
Engraved "CAITHNESS SCOTLAND FLAIR US COLLECTORS PAPERWEIGHT" and 99/500 on base
Top view
Side view
$85 postage paid in the US.                                     Added 4/16/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Caithness 1985 Limited Edition Flair US Collectors Club Paperweight
5672 Magnum Whitefriars Pattern 9851 Blue Swirl Abstract Paperweight.   circa 1978-1980.  This paperweight has a distinctive swirl pattern created by picking up blue, green, white, and yellow colored glass stingers (rods).  There is a controlled bubble pattern all around the side.  Typical heavy Whitefriars lead crystal.  This is pattern 9851.  It has its original Whitefriars paper label on the top with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  A great addition to any collection of modern English paperweights.

Note:  The Whitefriars Paperweights Collectors Guide by Brian Slingsby and Judy Taylor refers to this style of abstract as "Bubble and Streaky", but I prefer to call them swirls.  Bubble and Streaky came in four styles and a variety of colors and were made in the 1978 to 1980 time frame.  

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The limited edition paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.

Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile.

For a long time, collectors believed that English paperweights and inkwells dated 1848 and similar undated items were made by Whitefriars.  The dates, however, are false dates and have been traced to production at Arculus and Walsh-Walsh in the 1920s and 1930s. Most paperweights referred to as old Whitefriars or antique Whitefriars were, in fact, made by other factories such as Richardson, Arculus, Walsh-Walsh,or one of the unidentified Old English factories.  When the maker can not be identified, it is best to call them Old English paperweights and not associate them with Whitefriars.

Very large size:  3 3/8" diameter by 2 1/2" tall.  The bottom is polished concave.  This paperweight is heavy and weighs just over two pounds.
Condition:  Excellent condition.  No chips, cracks or scratches. 
Signature:  It is signed with its original Whitefriars paper label on the top with a Whitefriars monk symbol and the text "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  

For extra pictures, click on the picture at the right and the following links:  

Large picture
Label
Top view
Base
Another view
Side view
SOLD.                                                                  Added 4/15/2022

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Whitefriars Pattern 9851 Blue Swirl Abstract Paperweight
1868 Rare 1930s Chinese Butterfly Paperweight.  circa 1930.  This paperweight features a red winged lampwork butterfly flying with wings extended over millefiori frit ground.  The wings are covered with multi-colored dots.  The butterfly body is light blue with two well defined antennae.  The frit ground consists of millefiori cane slices.  This paperweight is signed on the base with a scratch signature "CHINA".  A great example.

Note
:  Please ignore the white areas, they are glare from the lights.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston &Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Medium Size:  Just over 2 1/2" diameter by just under 1 3/4"  high.  The bottom is ground flat.
Signature:  This paperweight is signed on the base with a scratch signature "CHINA".
Condition:  Good condition with no cracks or big chips.  There are surface nicks and scratches on the body and age appropriate wear on the base.  As is typical of Chinese paperweights from this period, the glass has many tiny bubbles and one larger bubble over one wing.

For extra pictures, click on the picture at the right and the following links:

Large picture
Scratched signed "CHINA" signature
Profile
Side view
Closeup
Base
$49 postage paid in the US.                                                       Added 4/14/2022

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare 1930s Chinese Butterfly Paperweight
5342 Francis Whittemore Yellow Carolina Jessamine Flower with Leaves and Bud Paperweight.  circa 1970.  This paperweight features a Yellow Carolina Jessamine flower and bud with green leaves and stems.  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a shaded opaque purple ground.  There is an edition number "53" engraved on the base.  His typical edition size during this period was 100.  A beautiful example.

This paperweight is shown in the Leo Kaplan Ltd. catalog on the 9/85 insert.  M209 is described as a "Yellow Carolina Jessamine on shaded purple ground $450".

Note:  The highly reflective surface and high dome made this a difficult paperweight to photograph.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 15/16" high. The bottom is ground concave.  The edition number "53" is engraved on the base. 
Signature:  Signed on the underside of the ground with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  This signature cane was used until about 1970.   
Condition:  Excellent condition.  No chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane on underside of ground
Side view
Base
Base with engraved "53"
Another view of base showing signature cane and engraved "53"
$375 postage paid in the US.                                            Added 3/26/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Yellow Carolina Jessamine Flower with Leaves and Bud Paperweight
2230 Cape Cod Glass Works Bill Burchfield Crown Paperweight.   circa 1997.  Colorful crown paperweight with one of Bill Burchfield's complex signature canes on the top.  The design has 16 twist canes alternating between red, white, and blue twist canes and aventurine edged pink twist canes.  The design is topped with a great pink and white pastry mold cane with a complex signature cane in the center.   The signature cane is not as clear as one could wish, but the paperweight is definitely by Burchfield.  A rare chance to acquire a fantastic crown paperweight from this outstanding artist. 

The complex cane in the crown of this paperweight has the same design as the Burchfield-27 design in Andrew Dohan's book Dictionary of Paperweight Signature Canes.  It differs in the color scheme shown in the book and may have been an experimental design.  While Bill changed his signature cane each year, he used the Burchfield-27 cane and others in 1997.  Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  

The Cape Cod Glass Works was operated by William Clark Burchfield in Sagamore, Massachusetts from 1976 to 2000.  It then continued briefly in Crossville, Tennessee until 2001.  Bill Burchfield died in 2012.  Bill's son Mark was also at the glass works until 1998.  Bill started making paperweights at Pairpoint Glass in 1970.

Size:   Just over 2 3/8” diameter by 1 15/16” high.  The base is ground concave.   
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection. 
Signature:  This paperweight is signed on top with a variation of the Burchfield-27 signature cane.  The signature cane is not as clear as one could wish, but I guarantee this paperweight was made by Bill Burchfield at the Cape Cod Glass Works.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Side view
Closeup
Base
$225 postage paid in the US.                                                                  Added 3/25/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Cape Cod Glass Works Bill Burchfield Crown Paperweight
5424 Charles Kaziun Jr. Miniature Tilted Pedestal Lilac Spider Lily Paperweight with Aventurine Ground.  circa 1960-1980.  This is a miniature pedestal paperweight with a lilac spider lily and four green leaves on an opaque turquoise aventurine ground.  The flower has a six variegated red to lilac petals and the center is a complex millefiori cane made up of seven star shaped millefiori canes (six yellow and an orange center).  Each leaf is a double leaf - two leaves with a clear layer joining them so a bit of the ground shows through.  This makes it look like each leaf has an aventurine stripe down the center.  The ground is an opaque turquoise layer with sparkly copper aventurine sprinkled on top.  The correct color shows up best in the side views.  The paperweight is tilted at a 45 degree angle so it displays beautifully.  Signed on the underside of the ground with a gold K.

This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1.

Note:  My pictures don't accurately capture the color of the aventurine and show silver rather than the actual copper color.  Rest assured that the correct color is more copper than silver.  The correct color shows up best in the side views. 

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Miniature Size:  1 3/8" diameter by just under 1 15/16" high.  The pedestal base has a diameter of just under 1 11/16".
Signature:  Signed on the underside of the aventurine ground with Kaziun's gold K. 
Condition:  Excellent condition with no chips or cracks. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side View
Another side view
Gold foil K signature on underside of ground
Base
Another view
SOLD.                               Added 3/23/2022

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Miniature Tilted Pedestal Lilac Spider Lily Paperweight with Aventurine Ground
4436 Magnum Tom Mosser Locomotive Scene with Boy and Dog Plaque Paperweight.   circa 1970.  This classic decorative plaque paperweight was made by Thomas Mosser at his Variety Glass Company in Cambridge Ohio.  The white enamel plaque is decorated with a printed decal image (ceramic transfer) of an old locomotive with a boy and dog in the foreground.  The receding background shows a large building and other smaller buildings.  It is signed with an "M" in the lower left corner of the scene.  The plaque rests on a red and white frit ground with a second red and white frit ground below.  A great example from this Cambridge Ohio maker.  This is a very large showy paperweight.

Note:  I've always assumed Mosser used stock images based on Currier and Ives prints or those of another illustrator.  I've been unable to identify the original artist.  A similar scene appears on a French Limoges porcelain decorative plate that illustrates a scene from England in 1837.     

Thomas Mosser (born 1927) learned to work with glass at the Cambridge Glass Company where his father Orie Mosser was the plant manager.  When Cambridge Glass closed in 1954, Tom decided to continue in the glass business and formed Variety Glass with the support of several experienced glass workers from Cambridge.  The first couple of locations failed due to fires, but eventually a stable operation emerged and produced a variety of products, including glassware for the pharmaceutical industry, medical supplies, and also collectible molded items such as novelty salts, jam dishes, toothpick holders, ashtrays, and miniature boot and shoes.  Tom also made paperweights to order as well as fixed designs for Shrine and Masonic lodges.  Many of his paperweights used ceramic transfers of well known paintings by other artists.  For more information, you can read about the Tom Mosser in the book American Glass Paperweights and Their Makers by Jean Melvin (revised 1970).  The Mosser family continues to operate a glass business in Cambridge Ohio.

Magnum Size:  3 3/4" diameter by 3 5/16" high.  The bottom is polished flat.  The base is irregular (not round) in shape.  It weighs 40 ounces and will be over three pounds when packaged for mailing.
Condition:  Good condition with a single 3/16" circular impact mark on the side.  There is considerable wear on the base, but no noticeable scratches elsewhere.  The glass has a slight green color.   
Signature: Signed "M" for Mosser in the design.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Impact mark on side
Second side view showing two layers of frit
Signature
$49 postage paid in the US.                                             Added 3/23/2022

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Tom Mosser Locomotive Scene with Boy and Dog Plaque Paperweight
2767 Large Parabelle Glass 1989 Limited Edition Looped Millefiori Garland on Opaque Blue Ground Paperweight.  Dated 1989 This paperweight has a hexafoil six-looped garland of alternating pink pastry mold canes and white edelweiss canes.  There is a pastry type green cane in the center of each loop and another larger cane in the center of the design.  All of the canes are pressed into an opaque blue ground in the style of Clichy color ground paperweights.  The paperweight is signed with a "PB 1989" cane in the design and also has a very worn silver label with two bells, "PARABELLE GLASS Rings True HANDMADE IN USA" on the base.  This paperweight was issued in a limited edition of 75 paperweights, but there are no edition markings on the paperweight.  Please note the comment below about condition issues.  A wonderful paperweight with great color.

Note:  Please note that there are some manufacturing defects in this paperweight.  The ground color is uneven and there are some spots on the surface of the ground.  In addition there is a 1/8" scratch on the side of the paperweight.  Both problems are marked in one picture.  The paperweight displays well in spite of these flaws.  I am selling this paperweight at a very reduced price.  

Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon.  High quality paperweights were made in small quantities from 1983 to 1998 when they retired.  Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights.  Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger.  They also made some one of a kind paperweights.  Doris passed away in 2013 and Gary followed in 2014.  After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. 

Large Size:  Just under 2 7/8" diameter by 1 7/8" high.  The base is ground concave.  
Signature: Signed in the design with a signature cane "PB 1989".  This paperweight also has a very worn silver label on the base that has a drawing of two bells and the text "PARABELLE GLASS Rings True HANDMADE IN USA"  
Condition:  Good condition with some manufacturing defects.  There is a 1/8" scratch on the side as shown in one of the pictures and minor wear on the base.  The ground color is uneven and there are some defects in the surface of the ground.  No other cracks, chips, or scratches found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile view 
Worn label on base 
Signature cane
Base
Side view
Defects - flaw on ground and scratch
$265 postage paid in the US.                 Added 3/23/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Parabelle Glass 1989 Limited Edition Looped Millefiori Garland on Opaque Blue Ground Paperweight
5418 Rare Kosta Wärff Jewel 8 Abstract Footed Paperweight. Circa 1960s.  This is very nice Swedish Art Glass Paperweight designed by famous glass artist Göran Wärff for Kosta Boda.  It features a blue and amber marbrie type design on a clear disk of crystal with a "knob" on top.  Titled "Jewel 8", this version has a 1 1/2" diameter foot under the marbrie disk.  "Jewel" is a series of glass objects of different sizes and shapes all with the same blue marbrie design.  The series includes paperweights and vases.  It is signed on the base "Kosta Wärff Jewel 8".  A fascinating design. 

Note:  This was a difficult paperweight to photograph.  It is very striking and bold.

Kosta is one of the oldest glass companies in the world, founded in 1742.  Today, the company remains in operation having merged with glassworks in Boda and Åfors.  The company name is now Orrefors Kosta Boda AB. 

Göran and Ann Wärff studied industrial design at a Bauhaus influenced school in Ulm Germany.  They worked at the Pukeberg glassworks in Sweden and then in 1964 they joined Kosta Boda.   In 1968, Ann and Göran Wärff shared in the Lunning Prize.  Their work was a joint venture, and was occasionally signed Görann. They separated in 1972.  She then adopted the name Ann Wolff.  After 10 years of helping define a style with his innovative designs and processes at Kosta Boda, Göran took leave for Australia, then England, where he worked and taught. He returned to Kosta Boda in 1984.

Medium size:  Just over 2 1/2" diameter by 2 5/16" high.  The base is ground flat. 
Condition: Excellent condition.  Faint scratches on the base, but no other chips, cracks, or scratches found on inspection.
Signature:  Signed on the base "Kosta Wärff Jewel 8". 

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Profile
Signature on base
$95 postage paid in the US.                                           Added 3/22/2022

For more information about paperweights from other countries, see my Paperweights from Other Countries Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Kosta Wärff Jewel 8 Abstract Footed Paperweight
5909 Scott Bayless Lotton Studios Yellow Calla Lily Paperweight.  dated 2006.  This paperweight has three wonderful calla lilies with a dark green leaf between each lily.  A well balanced design.  Signed on side near the base "Scott Bayless 2006 Lotton Studios".  Truly a standout design, the one that made Scott Bayless famous. 

Scott Bayless began his career in art glass in 1996 after a visit to the Corning Glass Museum.  He began his arts training as a film student at Ithaca College in New York and continued at Columbia College in Chicago.  In May 1996 Scott was hired to work part time in Charles Lotton's shop.  He developed his skills and learned basic methods of working with hot glass.  On Thanksgiving Day of 1999 Scott created his first Calla Lily paperweight which changed his world.  Scott has since developed personalized techniques that make his original Calla Lily, Orchid, Rose, Columbine and Hibiscus floral designs beautiful and unique. 

Charles Lotton began experimenting with paperweight and vase production in a backyard shed in late 1970 in Lynwood, Illinois.  At the time he was a successful hair stylist, salon owner, and a collector of glass.  From the beginning, he was determined not to reproduce styles made previously.  He developed his own formulas for creating glass colors and pioneered the technique of surface decoration.  In 1971 he developed the King Tut design.  Since 1973 he has worked full time in glass production. 

Today Lotton Art Glass features the work of Charles Lotton, his sons David and Daniel, his grandson Robert Lagestee, and studio artist Scott Bayless.  They create hand blown, one of a kind works of fine glass art.  Included are blown vases, bowls, sculptures, paperweights, perfume bottles, lamps, pendant lighting as well as chandeliers.  The studio is located in Crete, Illinois.  David Lotton and his son Jeremiah Lotton also have their own studio David Lotton Glass Designs in Lowell, Indiana.

Large size:  Just under 2 3/4" diameter by just over 2 9/16" high.  The base is polished flat
Signature:  Signed on the side near the base "Scott Bayless 2006 Lotton Studios" 
Condition:  Very good condition.  There is faint rough area near the top (see picture).  No other damage found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature
Top view
Faint rough area on top
Another closeup
$165 postage paid in the US.                      Added 3/22/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Scott Bayless Lotton Studios Yellow Calla Lily Paperweight
4044 Sarah Rudin Maytum Studio Iridescent Translucent Pink Twist Paperweight.  dated 1988.  Shimmering iridescent and translucent pink twist paperweight made by Sarah Rudin at Maytum Studio.  It is signed on the base ""Maytum Studio 1988 Rudin ©".  It is a fun paperweight with great color. 

Brian Maytum had a studio in Boulder Colorado and made glass there since the early 1980s.  As of 2021, he had retired a few years ago.  Sarah Rudin worked at the Maytum Studio in the 1980s.  I have no other information on these two talented glass artists.

Large size:   2 7/8" diameter by 3" high.  The base is ground flat.
Signature:  Signed and dated on the base "Maytum Studio 1988 Rudin ©".
Condition:  Excellent condition.  There are some scratches on the base, but no other cracks, chips or scratches found on inspection.  There are some tiny bubbles in the pink color.

For extra pictures, click on the picture at the right and the following links:

Large picture
Profile
Top view
Signature on base
Side view
$75 postage paid in the US.                                            Added 3/18/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Sarah Rudin Maytum Studio Iridescent Translucent Pink Twist Paperweight
5624 Magnum St. Louis 1970 Faceted Red Double Clematis Paperweight.  dated 1970.  This paperweight features a wonderful red double clematis with twelve red petals in two layers,  an emerging bud, green sepals, leaves and stems.  There is a complex yellow St. Louis "SL 1970" signature / date cane in the center of the clematis.  The signature cane is rotated in its placement (almost upside down).  The design is placed over a opaque dark blue (almost black) ground.  The paperweight is faceted with one large top facet and six side facets.  St. Louis started producing annual limited editions in 1970.  This paperweight, the double clematis, was issued in a limited edition of 800 paperweights, 300 of which were reserved for the American market.  Of those reserved for American collectors, 150 were red and 150 were pistachio colored.  A wonderful paperweight. 

St. Louis started producing annual limited editions in 1970.  Only three designs were produced in 1970, this faceted double clematis, a large unfaceted dahlia, and a millefiori double overlay mushroom.  These paperweights appear in the the two books on St. Louis paperweights, The Art of the Paperweight - Saint Louis (First Edition (1981) and Second Edition (1995) by Gerard Ingold.

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.  In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. 

Very Large Size :  3 1/4" diameter by 2" high.  The bottom is ground concave.  It is faceted with one large top facet and six side facets.
Signature : Signed in the center of the flower with a St. Louis "SL 1970" yellow and white complex signature / date.  The cane is rotated in its placement (almost upside down).  
Condition :  Excellent condition with no cracks, chips, or scratches.  There are some striations in the glass.

For extra pictures, click on the picture at the right and the following links:

Large picture
St. Louis Signature / Date
Closeup
Profile
Side view
Base
$595 postage paid in the US.                                           Added 3/17/2022

For more information about paperweights made by the St. Louis factory, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum St. Louis 1970 Faceted Red Double Clematis Paperweight
5277 Very Early Francis Whittemore Miniature Yellow Lampwork Flower with Pink Ground Paperweight.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features a six petal yellow flower with two green leaves and a stem.  It is signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a pink ground.  It is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This lampwork flower paperweight is similar to the millefiori type examples with the same frit ground offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover). 

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 5/16" diameter by 1 3/16" high.  This paperweight has a very low profile.  The base is polished concave.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
$195 postage paid in the US.                                            Added 3/16/2022

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Very Early Francis Whittemore Miniature Yellow Lampwork Flower with Pink Ground Paperweight
5623 Large St. Louis 1980 Pansy on Lace Ground Limited Edition Paperweight with Fancy Cutting.  dated 1980.  This dramatic St. Louis paperweight has a large lampwork pansy with leaves and stem set on a lace ground.  The pansy has two dark blue upper petals, and three yellow lower petals.  In the center of the flower is a complex millefiori cane.  Each lower petal has three dark lines (crows feet) radiating from the central cane.  There is a large top facet and a fancy side cutting with 18 side cuts.  It is signed with a complex signature cane "SL 1980" on the base.  The paperweight was issued in a limited edition of 400 paperweights of which 250 were reserved for American collectors.  It comes with its original certificate saying it is copy number 111 of the 250 American copies.  A wonderful addition to any collection of St. Louis paperweights.

Note:  This paperweight was issued in a limited edition of 400 paperweights of which 250 were reserved for American collectors.  The original issue price in 1980 was $450.   

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.

Large Size:  3" diameter by 1 13/16" high.  The base is ground concave.  The paperweight is faceted with one large top facet and a fancy side cutting with 18 side cuts.
Signature:  Signed with a complex "SL 1980" signature cane on the base.  It comes with its original certificate.
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Signature cane
Side view
Certificate
Closeup
Another side view
Base
$395 postage paid in the US.                                                      Added 3/15/2022

For more information about paperweights made by the St. Louis glass factory in France, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large St. Louis 1980 Pansy on Lace Ground Limited Edition Paperweight with Fancy Cutting
5365 Large Ray Banford Red Rose with Buds Paperweight.  circa  1990.  This paperweight has a wonderful many petaled variegated red rose with two buds, many dark green leaves and three stems.  It is signed near the stem with Ray Banford's signature cane having a black "B" on a white background.  The design is set in clear glass with an opaque star cut white base layer.  A wonderful three dimensional design from this skilled artist.  

Ray Banford worked in Southampton, NJ.  He started making paperweights in 1971 along with his son, Bob Banford.  He continued to make paperweights until his death in 2003.  Bob and Ray did not date their paperweights.  Both father and son started using signature canes in 1975.  According to Andrew Dohan's Dictionary of Paperweight Signature Canes, "In the early years, Ray Banford used many different color combinations of a “B” signature cane."  The signature cane in this paperweight, a black “B” in a white background, was used from about 1980 until he died in 2003.  

Large size:  3" diameter by 2 1/4" high.  The base is convex with an opaque white layer and a star cut.     
Signature:  Signed near the stem with a Ray Banford signature cane having a black "B" on a white background.
Condition:  Excellent condition.  No chips, cracks, or scratches. The white base layer is slightly irregular.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane
Side view
Star cut white layer on base
Closeup 
Profile
Base
$450 postage paid in the US.                      Added 3/10/2022 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Ray Banford Red Rose with Buds Paperweight
5661 Caithness 1987 Colin Terris Pink Champagne Paperweightissued in 1987.  This whimsical paperweight is intended to remind us of a glass of bubbly pink champagne.  There is a wispy bubble covered pink center and an outer layer of clear bubbled glass.  And one large center bubble.  It is etched on the base "Caithness PINK CHAMPAGNE Scotland".  There is also a hard to read registration number which I think is H120776" or "11120776".   A fun design.

The PINK CHAMPAGNE design is listed and designated CT-550 on page 86 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1987 by Colin Terris.  It was released in an unlimited edition. The original issue price in the US was $69.50. 

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Large size:  3 1/8" diameter by 2 7/8" high.  The base is polished flat.
Condition:  Excellent condition.  With the exception of some faint scratches on the base, no other chips, cracks, or scratches found on inspection.
Signature:  This paperweight etched on the base "Caithness PINK CHAMPAGNE Scotland".  There is also a hard to read registration number which I think is H120776" or "11120776".

For extra pictures, click on the picture at the right and the following links:

Large picture
Another view
Etched signature on base
Registration number
Top view
Base
$49 postage paid in the US.                                     Added 3/8/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Caithness 1987 Colin Terris Pink Champagne Paperweight
4042 Kris Heaton Neo Art Glass Iridescent Silver Heart Paperweight with Butterfly.  circa 2000.  Magical design featuring a free form iridescent silver heart and metal butterfly butterfly.  The spotted surface creates the impression a floating leaf where the butterfly has come to rest.  It is signed on the base with a foil label "Neo Art Glass By K. Heaton" and is also engraved "K Heaton".

Kris Heaton (born 1977) is a glass artist from Blackpool, Lancashire, England.  He started working in glass at age sixteen as an apprentice to John Ditchfield, (Glasform).  Under John’s tuition, Kris developed the skills required to become an independent master glassblower in his own right. His work allows free expression to sculpt molton glass into visual art forms.  He now works in his own studio, Neo Art Glass, in Blackpool.

Large Size:   3 7/8" long by 2 3/4" wide by 1 3/16" thick.  The metal butterfly is about 3/4" by 3/4".  The base is ground concave.
Condition:  Excellent condition.  No chips, cracks or scratches found on inspection. 
Signature:  Signed on the base with a foil label "Neo Art Glass By K. Heaton" and is also engraved "K Heaton".   

For extra pictures, click on the picture at the right and the following links:  

Large picture
Backside
Closeup of butterfly
Signature
Another view
And one more view
$45 postage paid in the US.                                           Added 3/5/2022

For more information about other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Kris Heaton Neo Art Glass Iridescent Silver Heart Paperweight with Butterfly
3739 Robert Banford Red Clematis with Buds and Bee Faceted Paperweight with Fancy Base Cutting.  circa  1990.  This paperweight features a wonderful red clematis with a yellow center and three companion buds in various states of opening.  A delightful detailed bee hovers over the flower.  There are many green leaves and a stem.  The design is in clear crystal with a powder blue ground at the base of the paperweight.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  The paperweight is signed with Bob Banford's “B” signature cane at the tip of the stem.  The cutting is by Ed Poore.  A very desirable addition to any collection of contemporary American paperweights.

Robert Banford worked in Hammonton, NJ.  He started making paperweights in 1971 along with his father, Ray Banford.  Bob continued to make paperweights until 2006.  Bob and Ray did not date their paperweights, but it is sometimes possible to get an idea of when a paperweight was made by the progression of styles and the type of glass used.  Bob Banford used a signature cane with a red "B" and a blue surround.  Ray Banford used a different signature cane with a black B.  Ray passed away in 2003.

Large size:  Just under 3 1/16" diameter by just over 2 1/8" high.  The bottom is ground concave.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  
Signature:  Signed with Robert Banford's signature "B" cane at the tip of the stem.  The cutting is by Ed Poore.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature cane
Closeup from the side
Side view
Base
$850 postage paid in the US.                     US Sales only, no international shipping.   Delivery will require a signature.                Added 3/4/2021 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Banford Red Clematis with Buds and Bee Faceted Paperweight with Fancy Base Cutting
5621 Miniature Strathearn Eight Pointed Star Concentric Millefiori Paperweight with Opaque Turquoise Ground.  circa 1963-1968.  This miniature paperweight features a three ring concentric millefiori design and is finished as a eight pointed star.  The ground is an opaque turquoise.  The star points give the glass a glittery appearance.  This paperweight has a Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base.  A great addition to any collection of Scottish glass. 
 
This is called a pressed weight because a mold is used to form the shape.  The top is flattened.  The star points give the glass a real glittery appearance as you can see in the pictures. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.

Miniature size:   2” diameter by 1 3/16” high.  The base is fire polished. 
Condition:  Excellent condition.  No damage found on inspection.   
Signature:  This paperweight has a Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Profile
Base
Label
$59 postage paid in the US.                                                 Added 3/4/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature Strathearn Eight Pointed Star Concentric Millefiori Paperweight with Opaque Turquoise Ground
5648 Magnum Selkirk 1988 Limited Edition Abstract Calypso Paperweight with Certificate.  dated 1988.  This paperweight has a colorful abstract design reminiscent of a twirling calypso dancer kicking up dust on the ground.  It is number 51 out of a limited edition of 500 paperweights.  It is signed in script on the base "SELKIRK GLASS SCOTLAND CALYPSO 51/500 1988" and comes with its original certificate.  A fantastic item from Selkirk Glass.

Selkirk Glass founded in 1977 by Peter Holmes and Ron Hutchinson.  Peter apprenticed under Paul Ysart at Caithness from 1963 and continued at Caithness until 1977.  Ron Hutchinson, a graduate of Edinburgh University, was also at Caithness.  Selkirk produced a wide range of paperweight styles including abstract, lampwork and millefiori paperweights.  The company was located in Selkirk, Scotland in the Borders Region.  At some point they were purchased by Edinburgh Crystal and remained in operation until 2006.

Very large size:  3 5/16" diameter by 2 3/16" high. The bottom is ground concave.  Magnum sized, it weighs 28 ounces.
Signature:  It is signed in script on the base "SELKIRK GLASS SCOTLAND CALYPSO 51/500 1988" and comes with its original certificate.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Signature on base
Certificate
Side view
Profile
Base
$125 postage paid in the US.                                            Added 2/20/2022

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Selkirk 1988 Limited Edition Abstract Calypso Paperweight with Certificate
5530 Ed Rithner Eight Petal Teal Flower Paperweight.  circa 1940-1970.  An upright flower with eight teal green petals over a speckled green cushion ground.  Each petal has a white outline.  The cushion ground has four pleats with a carefully placed bubble between each pleat.  There is also a planned bubble in the center of the larger flower at the top.  A classic Rithner design. 

Ed Rithner worked in Wellsburg, West Virginia from 1908 to the 1970s or later.  You can read about Ed Rithner in Jean Melvin's book on American Glass Paperweights and their Makers .  All of Rithner's weights are unsigned. 

Large size:  3" diameter by 2 3/8" high.  The base is fire finished and then ground to a matte finish in the center to remove the pontil mark. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.  There are some striations and a tiny bit of frit debris in the glass.
Signature:  Unsigned, but I guarantee this to be a paperweight by Ed Rithner from 1940 - 1970.  As is typical of Ed Rithner paperweights there are small bubbles in the design.  The bottom finish is typical of Rithner, with the remnants of the pontil mark ground out with a matte finish. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side View
Profile
Base
$115 postage paid in the US.                                          Added 2/18/2022

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Ed Rithner Eight Petal Teal Flower Paperweight
5637 Medium Murano Spaced Millefiori on Twists Paperweight - Probably by Fratelli Toso.   circa 1960s - 1970s.  This paperweight is a good example of a Murano spaced millefiori paperweight with a twist ground.  There are three large bright colored millefiori canes near the surface of the paperweight.  The underlying ground is made up of an assortment of colored twists and white latticino twists.  Bright and colorful.  A fun paperweight.

Note:  This is sometimes called a scrambled millefiori paperweight, but that would be technically incorrect because the millefiori slices are all placed on top of the twist ground rather than mixed throughout. 

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Medium size:   2 7/16" diameter by 2 1/4" high.  The base is polished  flat. 
Condition:   Very good condition with no cracks or chips, but it does have an abraded area on the side.  There are many bubbles in the glass.
Signature:  This paperweight is unsigned, but I believe the maker was the firm of Fratelli Toso.  I guarantee that this paperweight was made on the island of Murano in Venice, Italy. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Closeup
Another view
Base
Abrasions on side
$39 postage paid in the US.                                         Added 2/17/2022

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Medium Murano Spaced Millefiori on Twists Paperweight - Probably by Fratelli Toso
4837
Whitefriars 1978 Christmas Millefiori Paperweight - The Journey to Bethlehem.   dated 1978.  This is a hard to find Whitefriars Christmas paperweight featuring a millefiori mosaic of the Mary and Joseph on their journey to Bethlehem guided by the Star of Bethlehem shining above them.  Mary is depicted riding a donkey with Joseph leading the way on foot.  There is a light blue carpet ground of complex millefiori canes surrounding the mosaic and also a two ring millefiori garland of complex canes on the outside.  It is signed in the design with a Whitefriars signature cane having a white monk and the year 1978.  It also has a worn Whitefriars paper label with a white silhouette of a monk and the text  "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND".  This paperweight was issued in a limited edition of 1,000 paperweights of which only 610 were sold, including 102 to the United States.  A marvelous paperweight. 

The Whitefriars Christmas paperweights were limited editions made in 1975 through 1980, each with a different Christmas theme.   The central pictorial mosaic cane was created by Ray Annenburg.  Ray started working at Whitefriars in 1953 and became their chief cane maker in 1972.

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.  Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for a while. 

Large size:  3 1/16" diameter by 1 7/8" high.  The base is ground concave. Faceted with one top facet and five side facets.
Condition:  Excellent condition.  No chips, cracks or scratches found on inspection. The paper label is worn.
Signature:  Signed in cane with a Whitefriars 1978 cane and also has a worn Whitefriars paper label "WHITEFRIARS FULL LEAD CRYSTAL MADE IN ENGLAND". 

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Signature Cane
Profile
View from the back
Label
Base
Side view with paper label
$395 postage paid in the US.                                           Added 2/16/2022

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Whitefriars 1978 Christmas Millefiori Paperweight - The Journey to Bethlehem
4325 Perthshire Annual Collection 1978C Limited Edition Bluebell Faceted Paperweight.  circa 1978.  This paperweight features three Scottish bluebell blossoms on a stem with green leaves.  The design is set on a clear ground.  It has one convex top facet, sixteen convex side facets in two rows, and a star-cut base.  It is signed with a complex "P" signature cane near the base of the stem.  This design was made in a 1978 limited edition of 350 paperweights of which all were made.  A nice crisp design that glitters.

Perthshire made this paperweight as one of their Annual Collection designs for 1978.  This means the design was made only that one year and never again.  There were six Annual Collection designs in 1978, designated A through F.  This design is designated 1978C.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Small size:  2 1/4" diameter by 1 11/16" high.  The base is finished with a fancy star-cutting.  The paperweight is faceted with one convex top facet and sixteen convex side facets in two rows.
Signature:  This paperweight is signed with a complex "P" signature cane near the base of the stem.  It does not have a paper label.
Condition:  Excellent condition with no cracks, chips, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Signature cane near the stem
Base with star cut
Profile
$275 postage paid in the US.                                               Added 2/14/2022

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1978C Limited Edition Bluebell Faceted Paperweight
5011 Perthshire PP20 Medium Millefiori Swirl Paperweight.  circa 1971-1975.  This medium swirl weight is hard to find.  It was made only for five years, from 1971 to 1975.  The design has a complex center cane and multicolored spiral threads extending outward and wrapped around to the bottom.  The design is set on a clear ground.   The view of the bottom shows how the spiral threads wrap around to the base.  An interesting early paperweight from Perthshire.

Note:  Some literature refer to the strands as seaweed and calls this and the larger PP21 a Seaweed weight rather than a Swirl weight.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  Just under 2 9/16" diameter by just over 1 13/16" high.  The base is polished slightly concave.
Signature: Unsigned, but I guarantee that this is an authentic Perthshire PP20 paperweight from 1971-1975. 
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.  Some roughness on the base from when it was made.  There are bubbles and some striations in the glass.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Top view
Side view
Base
$85 postage paid in the US.                                Added 2/12/2022   

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire PP20 Medium Millefiori Swirl Paperweight
2128 Rare Large Chinese White Paperweight with Squirrel Eating Grapes.  circa 1930.  This large Chinese white paperweight has a colored painting of squirrel sitting upright and eating a luscious bunch of grapes.  The painting is created on a white enamel base and then encased in glass.  The style dates from the 1930s and is almost an antique. 

This paperweight is a form of Chinese folk art although it was most likely inspired by frit weights from Southern New Jersey.  I believe the Chinese were given examples of Millville frit weights to duplicate.  Since they were already experienced in painting on ceramics, they applied their own unique interpretation to paperweights using a white enamel disk as the base and incorporating familiar themes already found in Chinese art. 

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.

Large size:   Just over 2 11/16" diameter by 1 7/8" high.  The base is finished base.   
Signature:   Unsigned but I guarantee that this paperweight is from China and dates from about 1930. 
Condition:  Very good condition.  The surface has a few indentations  and faint scratches, but is mostly smooth.  No chips or cracks.  As is often typical in this type of Chinese paperweight, the quality of the glass is low and there is debris in the glass.  The glass has a soft almost oily feel and has a slight greenish tinge.  There are some tiny bubbles in the glass. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Another picture
$195 postage paid in the US.                                                Added 2/11/2022

For more information about paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Large Chinese White Paperweight with Squirrel Eating Grapes
4309 Large Iridized Royal Brierley Studio (Isle of Wight Studio Glass) Paperweight.  1988-1991.  Wonderful patterned paperweight made at the Isle of Wight Studio Glass as part of their Royal Brierley Studio line.  It was designed by Elizabeth Harris.  I believe the pattern is either the Silk or Lace finish and it features an iridized metallic pattern on the surface with a brilliant blue core.  It is signed on the base with an acid etched "Royal Brierley Studio" - although the etch was applied in reverse.   

There is a lot of confusion on the web as to the origin of the Royal Brierley Studio glass line which was made by the Isle of Wight Studio Glass, Old Park, St Lawrence during the period 1985-2000.  The confusion is because of the existence of another company named Royal Brierley Crystal.

Isle of Wight Studio Glass was established in 1973 by one of the founders of the British Studio Glass Movement, Michael Harris (1933 – 1994).  Michael graduated from the Royal College of Art in 1959 and later became an RCA tutor, setting up hot glass facilities there in 1967.  The following year he founded Mdina Glass in Malta, remaining there until 1972, when he moved back to the UK.  In 1973, with his wife Elizabeth Harris, he founded Isle of Wight Studio Glass, in Old Park, St Lawrence where it continued until his premature death in 1994.  The glass studio continued to operate under the guidance of his son Timothy Harris until 2012.
 
It is worth mentioning that there is also a Royal Brierley Crystal which had a brief connection to the design activity that became Royal Brierley Studio line – but was not the same company.  Royal Brierley Crystal traced its origins to Smith & Williams Glass (founded 1846) and before that to Brierley Hill Glass Works (founded in 1740).  In the mid 1970s, Catherine Hough was the Artist in Residence for two years at Royal Brierley Crystal.  She was experimenting with enameling and electroplating on her blown objects.  Royal Brierley Crystal was interested in creating a newer product line of studio glass and Hough assisted in the establishment of a Studio at Royal Brierley Crystal.  Michael Harris was commissioned to design these pieces which had an iridized finish over red or blue (Loetz-like).  The Studio effort was short lived and ended about 1982, but some of the design ideas were continued by Michael Harris and Elizabeth Harris at the Isle of Wight Studio Glass.

Large Size:  3 1/16" diameter and just under 2 11/16" high.  The base is polished concave. 
Condition:  Excellent condition.  No damage found on inspection.  There is a slight dimple on the top and some tool marks on the surface.
Signature:  Signed on the base with an acid etched "Royal Brierley Studio" - although the etch was applied in reverse.  Please review the pictures as I show the etch in its reversed form and a mirror image that is more legible.

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Profile
Closeup
Etched signature on base
Signature and more legible mirror image of signature
Side view
Base

$125 postage paid in the US.                                                 Added 2/3/2022

For more information about paperweights from England, see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Iridized Royal Brierley Studio (Isle of Wight Studio Glass) Paperweight
4326 Magnum Joe St. Clair Pink and White Icepick Flower Paperweight.  circa 1960-1970.  This very large paperweight features five pink and white ice-pick flowers over a white frit ground.  As is typical of this style, there is a carefully placed bubble in the center of each flower and also a carefully placed bubble in the ground in between each flower.  It is hot stamped "JOE ST CLAIR" on the bottom.  A very flashy paperweight.

This style of flower is called an ice-pick flower because of the ice-pick like tool used to push each flower down to the ground to form a stem.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair (1909 - 1987) did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York. Joe retired (the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Bob St. Clair died in 1986.  Joe St. Clair died in 1987.  Ed St. Clair died in 1989 and the last brother,  Paul St. Clair died in 2000.

Very large size:  3 11/16" diameter by 2 9/16" high.  It weighs over 28 ounces and will be over two pounds when packaged.  The base is finished flat and hot stamped in the center with the signature. 
Condition:  Excellent Condition with no chips, cracks, or scratches found on inspection.
Signature:  Hot stamped JOE ST. CLAIR on the base.  This probably dates from the 1960s or 1970s, but may be earlier.  Joe St. Clair died in 1987. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature on base
Closeup
Side view
Profile
Base
$85 postage paid in the US.                           Added 12/26/2021

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Joe St. Clair Pink and White Icepick Flower Paperweight
2403 Magnum Parabelle Glass 1985 Concentric Millefiori Paperweight with Red and White Torsade.  Dated 1985 This paperweight has a four ring concentric millefiori pattern with a wonderful large red and white torsade on the outside.  The concentric rings consist of blue and rust-red colored millefiori canes.  The design is set on a clear ground.  The paperweight is signed with a "PB 1985" cane in the design.  A wonderful paperweight with great color.

Note:  Please ignore the white areas in the pictures caused by the light.

Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon.  High quality paperweights were made in small quantities from 1983 to 1998 when they retired.  Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights.  Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger.  They also made some one of a kind paperweights.  Doris passed away in 2013 and Gary followed in 2014. 

After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. 

Very large size:  3 3/16" diameter by just under 2 3/8" high.  The base is ground concave.  
Signature: Signed in the design with a signature cane "PB 1985". 
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature cane in design
Base
$495 postage paid in the US.                 Added 12/22/2021  

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Parabelle Glass 1985 Concentric Millefiori Paperweight with Red and White Torsade
1700 Magnum Chinese Copy of the Famous Clichy Millefiori Basket Paperweight - Heart Shaped.  Circa 2000.  This very large millefiori paperweight has a basket form with a heart shaped top.  The top is bulging with flowers arranged in a complex millefiori garland pattern on a moss ground.  The top is edged with a reddish orange and white torsade lip.  The sides of the basket are formed using green and white staves and the base also has a reddish orange and white torsade lip.  It was originally marketed on the QVC television network and was sold as a "lamp" with a lighted stand.  This copy does not have the stand.  A fun addition to any collection of glass paperweights. 

Note:  While the resemblance to the antique Clichy basket paperweight is unmistakable,  this paperweight is considerably larger than the original which was only 4 1/4" in diameter.  The original antique was oval shaped rather than heart shaped.  The original Clichy antique held the record for the most expensive paperweight ever sold.  It sold for $258,500 to a private collector at a Sotheby's auction in New York on June 26, 1990.  Unfortunately it was dropped and damaged beyond repair.  You can see the cover of the Sotheby's auction with a picture of the Clichy basket at this link:  Sotheby's Catalog

Very large size:  7 1/2" wide by 7" deep by 3 7/8" high.  The base is ground flat.  It weighs 102 ounces (six pounds six ounces) and will be approximately eight pounds when boxed for mailing.    
Signature:   Unsigned but I guarantee that this paperweight is from China and dates from about 2000.  It was originally marketed on the QVC television network and was sold as a "lamp" with a lighted stand.  There is no stand with this copy.
Condition:  Excellent condition.  I found no chips, cracks, or scratches on inspection.  It does have manufacturing flaws in the basket staves and the torsade forming the lip of the top and base (see side view).  There are a few small bubbles. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Closeup
Profile
Side view (note flaws in torsade and staves)
Base
Another side view
Upside down
Another view
$275 plus postage.           For this item, because of the weight (8 pounds packaged), the buyer will pay the postage.  US Sales only, no international shipping.                      Added 12/9/2021

For more information about paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Chinese Copy of the Famous Clichy Millefiori Basket Paperweight - Heart Shaped
5513 Magnum Rosenthal Studio-Linie Swirl Paperweight.  circa 1971 or later.  This very large and wonderful Rosenthal swirl paperweight features a swirl of white glass over a clear crystal ground.  It is acid etch marked on the base with the name Rosenthal, the crown and crossed swords logo, and Studio-Linie underneath.  A dramatic addition to any collection of glass paperweights.

Rosenthal was founded in 1879 as a family business. Originally the focus was porcelain manufacture and porcelain painting.  In 1960, the Rosenthal Studiohaus was opened in Nuremberg and in 1965 the name was changed briefly to Rosenthal Glas & Porzellan AG and then in 1960 to Rosenthal AG in 1969.  From 1997 to 2008, the Rosenthal AG owned most of the British-Irish Waterford Wedgwood Group.  The Studio-Linie mark was used from 1971 to at least 1995.  Since the Rosenthal mark on this paperweight does not identify the country of origin (normally Germany), it is possible that the paperweight was made at Waterford, but I have no evidence one way or the other.

Very large size:  4 5/15” diameter by 2 15/16” high.  The base is polished flat.  It weighs just under three pounds (47.1 ounces).
Condition:  Very good condition.  One tiny bruise (less than 1/8" across) found on the side next to the base when taking pictures. Not noticed in earlier inspections.  No other chips, cracks or scratches. A few tiny bubbles in the glass.
Signature:  Signed with an acid etch mark on the base with the name Rosenthal, the crown and crossed swords logo, and Studio-Linie underneath.   

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
Profile
Rosenthal Studio-Linie mark on base
Closeup
Upside down
Tiny bruise (<1/8") on side near base
Base
View from back
$95 postage paid in the US.                             11/6/2021  

For more paperweights from other countries, see my  Other Countries Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Rosenthal Studio-Linie Swirl Paperweight
3899 Robert Grablow Pedestal Crimp Red Rose Paperweight with Frosted Exterior.  circa 1990This wonderful variegated red crimp rose paperweight has fifteen petals in a 4+4+4+3 pattern plus four sepals.  The rose is placed floating on a clear ground in a pedestal base.  The exterior is frosted with one angled.  Although Grablow normally signed his paperweights, I do not see a signature on this one.  There are some striations or sugaring in the glass.  A wonderful example from this talented Millville, NJ artist.   

Crimp roses represent the ultimate challenge for paperweight makers.  You can read about the crimps and their use in making crimp roses in the book American Glass Paperweights and Their Makers by Jean Melvin (1970). 

Robert Grablow was a Millville, New Jersey artist best known for full size crimp roses made from the furnace tank.  He started making crimp roses in 1986 or so when he started as a volunteer at Wheaton Village and added a signature cane around 1991.  Although best known for his full size crimp roses, he also made lampworked miniature roses starting about 1967 time frame.  These early miniature roses were sold through the Arthur Gorham Paperweight Shoppe at Wheaton Village.

Size :  2 3/4" diameter by just over 3" high.  The exterior is frosted with one angled polished window to view the rose.
Signature : Unsigned, but I guarantee that this paperweight was made by Robert Grablow in Millville, NJ. 
Condition :  Very good to excellent condition.  There are a couple of tiny scuff marks on the frosted finish.  There are also some striations or sugaring in the glass (from when it was made).  Some wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Back
Base
Scuff mark on side
$265 postage paid in the US.                                          Added 11/3/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Grablow Pedestal Crimp Red Rose Paperweight with Frosted Exterior
5344 Large David and Jon Trabucco Faceted Yellow Flower Paperweight with Buds.  circa 1985-2000.  This paperweight consists of a large five petal yellow flower with two yellow buds and variegated leaves and stems on a clear ground.  The flower has a wonderful complex center composed multiple tubes, filaments and pads.  It is signed with a stretched "T" signature cane on the underside of a leaf.  The paperweight is faceted with a large top facet and six side facets.  A fabulous paperweight. 

Twin brothers David and Jon Trabucco learned glass working under the direction of their father, the accomplished glass artist Victor Trabucco.  When they first started out, David made the floral setups and Jon did the encasement and cutting, but over time they both became involved in all aspects of paperweight production. They are now accomplished glass artists in their own right.  They have their own studio and also continue to work with Victor at the large Trabucco Glass Studio in Clarence, NY.

Victor Trabucco's original career was as a steelworker.  He began working with glass in 1974 after seeing a flameworker make a sculpture. He knew this was what he wanted to do for his life's work. Trabucco says that “Glass is the ultimate challenge; it has properties of no other material and offers the artist possibilities that are inspiring for the creative process. His work is often inspired by nature, capturing the beauty and motion of the subject and freezing a moment in time. His work is in the collection of many major museums.  Victor set up his first studio in the basement of his house and learned by experimentation.  He now works with his sons Jon and David in a large studio in Clarence, NY.

Large Size:   2 7/8” diameter by 2 3/16” high.  The base is ground slightly concave.  The paperweight is faceted with a large top facet and six side facets.
Signature:  Signed with a stretched "T" signature cane on the back of a leaf.  No script signature.  I verified with Victor Trabucco that this is the work of David and Jon and is not Victor's own work. 
Condition:  Excellent condition with no scratches, chips or cracks.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Signature cane on back of leaf
View from back
Base
$575 postage paid in the US.                                           Added 11/1/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large David and Jon Trabucco Faceted Yellow Flower Paperweight with Buds
4285 Magnum Caithness 1977 Colin Terris Jubilee Moonflower Limited Edition Paperweightdated 1977.  This paperweight is one of  a group of four Caithness paperweights created to celebrate the silver jubilee of Queen Elizabeth II in 1977.  The large spherical Caithness paperweight features a celebratory fountain design with four large bubbles and a center spray.  There are nine smaller bubbles at a lower level.  The design is set over a clear ground.  This paperweight is engraved "EiiR 1952 - 1977" and the number 501.  It is number 501 in a limited edition of 3,000 paperweights.  It also has a worn Caithness label "CG HAND MADE IN SCOTLAND" with writing in blue ink on it.  A beautiful design.

The JUBILEE MOONFLOWER design is listed and designated CT-70 on page 18 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1977 by Colin Terris.  It was released in a limited edition of 3,000 paperweights, all of which were made.  This design was one of four paperweights in the HM Queen Elizabeth II Silver Jubilee Collection. 

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Very large size:  Just under 3 3/16" diameter by 2 11/16" high.  The base is polished flat.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  The label has writing on it. 
Signature:  This paperweight is engraved "EiiR 1952 - 1977" and the number 501.  Also has a worn Caithness label "CG HAND MADE IN SCOTLAND" with writing on it.

For extra pictures, click on the picture at the right and the following links:

Large picture
Profile
Engraved EiiR 1952-1977 501 and label on base
Top view
Another view
Base
$65 postage paid in the US.                                     Added 10/29/2021

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Caithness 1977 Colin Terris Jubilee Moonflower Limited Edition Paperweight
469 Chinese Cube Shaped Single Crown Aquarium Paperweight.   circa 1940 or later.  This paperweight features a miniature crown paperweight inside a nearly cube shaped paperweight.  It is a uniquely Chinese invention.  It is intended to be placed  in an aquarium along with the rocks and plants.  The inner crown paperweight has an orange six petal flower on top of a sphere made from white filigree.  The flower has a yellow millefiori center.  The edges are beveled.  Novelty items like this started appearing in the US in the 1930s and some were sold at the 1939 World's Fair but I believe this is a later example because the glass is better quality.  A fun collectible.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston &Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Size:  1 1/4" by 1 1/4" by 1 7/16" high.  The edges are beveled.  The base has been polished flat but still has some voids.
Signature: Unsigned, but I guarantee this is a Chinese paperweight, made in the 1940s or later.  
Condition:  Very good condition.  Very little wear for its age.  The base has a couple of voids, but I believe that is how it was made and not damage.  The quality of the glass is relatively good when compared to earlier Chinese aquarium paperweights.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Base
Top view
Another view
$39 postage paid in the US.                                                       Added 9/5/2021

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chinese Cube Shaped Single Crown Aquarium Paperweight
4805 Perthshire Annual Collection 1989F Limited Edition Cherries Faceted Paperweight.  circa 1989.  This paperweight features five cherries with green leaves and stems on a clear ground.  The all over honeycomb faceting makes it appear as if there are many more cherries than just five.  It has a grid cut base and is engraved with a "P" signature on a facet near the base.  This design was made in a 1989 limited edition of 300 paperweights of which only 154 were made.  A nice crisp design with many reflections.

Perthshire made this paperweight as one of their Annual Collection designs for 1989.  This means the design was made only that one year and never again.  There were seven Annual Collection designs in 1989, designated A through G.  This design is designated 1989F.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items.

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  2 7/16" diameter by 1 1/2" high.  The base is fire finished and engraved with the letter "P".  The paperweight is faceted with one large top facet and five side facets.
Signature:  This paperweight is signed with an engraved "P" on the base.  It does not have a paper label.
Condition:  Excellent condition with no cracks, chips, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Grid cut on base
Side view
Signature on facet near base
Base
Another view of base
Another view
$395 postage paid in the US.                                               Added 9/4/2021

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1989F Limited Edition Cherries Faceted Paperweight
1693 Rare Chinese Scramble Paperweight with "MADE IN CHINA" Signature Canes.  circa 1930.  An entertaining addition from China.  Since this style was intended to be a copy of a French scramble or end of day weight from 1845-1860 (probably St. Louis or Clichy), it leaves you wondering why they chose to add the "MADE IN CHINA" canes at the bottom.  Perhaps it was a response to the US customs requirement that goods be marked with the country of origin in English starting about 1930.  Some importers complied by scratch signing the word CHINA on the bottom.  In any event, this is a rare and welcome addition to any collection of Chinese paperweights.  As with most Chinese paperweights, this paperweight has a light weight glass mixture that is high in soda and has a greenish tinge. The glass has a soft oily feel and there are some light scratches.  This example is especially colorful with a nice variety of twist cans and millefiori slices.

Special thanks to another collector who pointed out that the words are actually word canes rather than painted plaques.  The lettering goes all the way through the white background from top to bottom.  You can see the letters in reverse from the bottom.  This is in contrast to a painted plaque where the letters would be visible on only the top surface.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Small Size:   Just over 2 1/16” diameter by just over 1 1/16"  high.  The base is fire finished flat. 
Signature:  Signed "MADE IN CHINA" on three white signature canes in the design. 
Condition:  Very good condition for Chinese paperweights from this period.  Some light scratches, but no chips or cracks found on inspection.  The glass has a soft oily feel.  There are some bubbles in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature canes
Closeup
Profile
Base
Side view
Another side view
View of reverse side
$125 postage paid in the US.                                  Added 8/30/2021

For more information about paperweights from China, see my Chinese Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Chinese Scramble Paperweight with "MADE IN CHINA" Signature Canes
4281 Large Whitefriars Faceted Six Ring Red White & Blue Concentric Millefiori Paperweight.  dated 1975.  This paperweight has six concentric rings of red, white, and blue millefiori canes around a center cane with a star center.  The ground is clear crystal.  Typical heavy Whitefriars lead crystal.  The paperweight is faceted with a large top facet and five large side facets.  It has a Whitefriars signature cane with a white monk and the date 1975 in the outermost white ring (the fifth ring from the center) and also has a paper label used starting in 1970.  With its bold colors, this is a very nice addition to any collection of  millefiori paperweights.    

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.  Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile. 

Large size:  3 1/8" diameter by 1 7/8" high.  The base is ground concave.  Faceted with a total of one large top facet and five large side facets.
Condition:  Excellent condition.  No chips, cracks or scratches found on inspection.  There are some small bubbles in the glass.
Signature:  It has a Whitefriars signature cane with a white monk and the date 1975 in the outermost white ring and also has a Whitefriars paper label.

For extra pictures, click on the picture at the right and the following links:  

Large picture
Closeup
Another closeup from the side
Signature cane
Label
Top view
Side view
Base
View through the bottom
$295 postage paid in the US.                                           Added 8/29/2021

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Whitefriars Faceted Six Ring Red White & Blue Concentric Millefiori Paperweight
5382 Antique New England Glass Company (NEGC) Blown Glass Pear Paperweight - Good Condition.  circa 1860.  This is a wonderful antique New England Glass Company (NEGC) life-size blown pear placed on a round clear glass cookie.  The pear is hollow.  It is complete with blossom end up in the air and an intact stem resting on the clear cookie.  The coloration shades from a light red to a yellow-green.  Unlike most examples of this type, there is no crackling of the surface.  The paperweight displays beautifully with the sides or stem end displayed.  Please read the note below about condition.  If you don't already have one in your collection, this is a chance to acquire a NEGC blown pair at a bargain price.

Note on condition:  Unfortunately there is an area near the blossom end that has a loss of surface color and a strange white stripe where no color was applied.  There is some chipping near the blossom end.  And there is also a tiny nick in the area of deep red where some color is lost.  Finally, there is a fracture at the bottom of the pear visible only through the base. 

The most common NEGC blown fruit are apples and pears, although some collectors have seen other fruits.  It is not unusual to find pieces of these fruit in scramble paperweights, mixed in with millefiori and twist canes.  The shading of the colors on the exterior often leads to crackling and this flaw is found in varying degrees in many blown fruit paperweights.  Normally a NEGC hollow blown pear paperweight would be a $800 to $1,000 paperweight but this one is offered at a considerably reduced price to compensate for the flaws in condition.   

The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888You can read about paperweights from the New England Glass Company in the book by John Hawley.  The Art of the Paperweight  - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC or the newer book by John Hawley devoted just to NEGC, The Art of the Paperweight - The New England Glass Company.  

Size:  The pear itself is 2 1/2” diameter by 3 1/4” long.  Overall dimensions are 3 7/16" diameter by 2 9/16" high. 
Signature:  This paperweight is not signed, but I guarantee it to be an authentic antique New England Glass Company blown glass pear paperweight. 
Condition:  Good condition.  While there is no crackling, unfortunately there is an area near the blossom end that has a loss of surface color and a strange white stripe where no color was applied.  There is some chipping near the blossom end.  And there is also a tiny nick in the area of deep red where some color is lost.  Finally, there is a fracture at the bottom of the pear visible only through the base.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Base
Loss of color and stripe near blossom end
Another view
Stem end
Another view of blossom end
Fracture on base of pear visible through clear cookie
Another base view
$325 postage paid in the US.                                        Added 8/28/2021

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique New England Glass Company (NEGC) Blown Glass Pear Paperweight - Good Condition
2270 German or Bohemian Souvenir Paperweight with Ruby Stain Engraved Scene of Münster in Freiburg.   circa 1840-1910.  This is a large footed paperweight with an engraved image of the cathedral of Freiburg im Breisgau in southwest Germany.  There are initials after the title which I assume are those of the engraver. The engraving is done from the bottom which has a ruby stain.  The paperweight has a footed or pedestal base.  

The techniques used in this type of paperweight are attributed to the pioneering work with colored stains (sometimes incorrectly called flash overlays) by Friedrich Egermann (1774-1864) in North Bohemia.  Egermann discovered methods of applying metallic salts to glass to produce a colored stain.  Silver salts would produce a yellow stain, copper salts would produce a ruby stain, etc.  The application of this colored layer enabled many Bohemian (and also European) glass factories to engrave a variety of images as souvenirs of the prominent buildings and spas throughout Europe.  The style became known as spa paperweights.  Although the technique was enabled by Egermann's discoveries, it is not possible to attribute this paperweight to a specific factory, engraver, or country.  There is an excellent article this subject with many examples in the 2016 Annual Bulletin of the Paperweight Collectors Association "19th Century Engraved Bohemian Paperweights: Spas and Other Local Views" by Jim and Nancy Barton. 

Bohemian Glass
generally refers to the glass made in the regions that form the border area between the Czech Republic, Poland, and Germany.  Most of these areas are now parts of the western Czech Republic.
 
  

Size:  3 7/8" diameter by approximately 1 3/8" high. The foot has a diameter of 3 1/2".    
Condition: Very good condition for its age.  It has considerable wear on the base and some scratches.  There is some stray red color inside the glass.
Signature:  Unsigned, but I guarantee this is an antique paperweight from Bohemia or Germany.  

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
Base
Closeup
Profile
Another closeup
$135 postage paid in the US.                                                                               Added 8/27/2021

For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page .                 (dl-boh-ant)

Click on the picture to see a larger image.
Click on the picture to see a larger image
German or Bohemian Souvenir Paperweight with Ruby Stain Engraved Scene of Münster in Freiburg
2528 Antique Belgian or Bohemian Doorknob with Miniature Concentric Millefiori Paperweight Handle.   circa 1880-1910.  This is a wonderful antique doorknob with a concentric millefiori paperweight handle.  The handle has bright colors on a clear ground.  It has two concentric circles of canes around a complex center cane.  The outer ring alternates between larger complex blue and white canes and simpler red and white canes.  One red cane is missing.  The inner ring consists of six large identical white, pink, and yellow complex canes.  There is a complex green, pink, and yellow center cane.  The maker of this paperweight is unknown.  It has similarities to a group of paperweights believed to have originated at an unidentified glass factory in Belgium, Northern Europe, or even Bohemia.  The hardware portion is in good condition with a fixed spindle.  The design is well centered and a wonder to study. 

This paperweight has a strong similarity to a group of paperweights and doorknobs that are believed to have originated at an unidentified glass factory in Belgium or Northern EuropeBohemian Glass generally refers to the glass made in the regions that form the border area between the Czech Republic, Poland, and Germany.  Most of these areas are now parts of the western Czech Republic.   

Size:  The knob is 1 13/16" diameter by 2 3/16" long including the brass hardware, but not the spindle.  With the spindle, it is 4 13/16" long.   
Condition: Very good condition for its age.  The paperweight knob has a few scratches, but no cracks or chips.
Signature:  Unsigned, but I guarantee this is an antique paperweight doorknob from Bohemia or Belgium or Northern Europe.  

For extra pictures, click on the picture at the right and the following links:

Large picture
End view
Closeup
$235 postage paid in the US.                                                                               Added 8/26/2021

For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page .                 (dl-boh-ant)

Click on the picture to see a larger image.
Click on the picture to see a larger image
Antique Belgian or Bohemian Doorknob with Miniature Concentric Millefiori Paperweight Handle
4748 Miniature 1930s Chinese Millefiori Brushholder Paperweight - Aladdin's Lamp Shape.  c.1930-1940.  This is another uniquely Chinese invention, although one that adopted the use of millefiori found in paperweights from other countries.  This has also been described as a chopstick holder.  Novelty items like this started appearing in the US in the 1930s and some were sold at the 1939 World's Fair. I call this shape the Aladdin's lamp shape.  A fun collectible.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston &Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.

Size:  2 1/2” long by 1 1/2" tall by 1 7/16" deep.  The base is ground flat.
Signature:  Unsigned, but I guarantee that this is an authentic 1930s Chinese paperweight. 
Condition:  Very good condition with no cracks or chips.  Some very minor surface scratches.  There are striations in the glass.  As is typical of Chinese paperweights from this period, the glass has a slightly green tint and has some tiny bubbles and debris in it.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Other side
Base
$35 postage paid in the US.                                                       Added 8/20/2021

For more paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature 1930s Chinese Millefiori Brushholder Paperweight - Aladdin's Lamp Shape
5349 Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight.  circa 1969.  This paperweight features a pink cyclamen flower and bud with two green leaves and stems.  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a translucent green ground.  There is an edition number "53" engraved on the base, but I was unable to determine the edition size.  A beautiful example.

This paperweight is shown in the Leo Kaplan Ltd. catalog on the 9/85 insert.  M210 is described as a "Pink cyclamen on translucent green ground $400".

Note:  The highly reflective surface and high dome made this a difficult paperweight to photograph.  There are extra shadows and objects in the pictures that are not in the paperweight.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  Just under 2 7/16" diameter by 2" high. The bottom is ground flat.  The edition number "53" is engraved on the base. 
Signature:  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  This signature cane was used until about 1970.   
Condition:  Very good condition.  I found two tiny faint circular impact marks on the side (see picture).  Each was less than 1/16" across.  No chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane on back of leaf
Base with engraved "53"
Side view
Another view of base showing signature cane
Faint tiny impact marks - each < 1/16"
View through the base
$295 postage paid in the US.                                            Added 8/19/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight
1472 Unusual Miniature Chinese Mosaic Millefiori Paperweight with Rose Cane.  circa 1950-70.  Unusual Chinese millefiori with mosaic canes.  There are red and yellow star canes surrounded by leaf canes and a single rose cane.  I have no idea what the pattern is supposed to represent.  Very little is known about this style.  Other examples have a butterfly pattern and some have Chinese writing in the design.  The style is believed to be from 1950-1970. 

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights.  It is fun to collect all the variations. 

In general, Chinese paperweights from the earliest period (1930-1950) have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  This paperweight has a slightly better glass, but it is not crystal clear like modern paperweights.

Miniature Size:   1 13/16" diameter by 1 1/2" high. The bottom is ground flat.
Signature:   Unsigned but I guarantee that this is from China 1970 or earlier. 
Condition:  Good condition with no chips or cracks.  Some minor surface scratches.  The glass is poor quality and has striations and bubbles in it. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Rose cane
$39 postage paid in the US.                                  Added 8/17/2021 

For more information about paperweights from China, see my Chinese Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Unusual Chinese Mosaic Millefiori Paperweight with Rose Cane
4850 Magnum Baccarat 1975 Gridel Series Pheasant Concentric Millefiori Limited Edition Paperweight.  dated 1975.  This modern three ring concentric millefiori paperweight features a large white pheasant silhouette on a black background in the center.  This large center cane is surrounded by a circle of yellow millefiori canes.  The middle ring of canes has seventeen small Gridel canes plus a Baccarat "B 1975" signature / date cane.  The pheasant Gridel appears only in the center, not in the middle ring.  The design is set on a transparent blue ground.  In addition to the Baccarat signature / date cane, this paperweight has an acid etched Baccarat mark on the base along with the engraved year (1975) and engraved edition number (46).  This is a nice balanced design.  A beautiful addition to any collection of Baccarat paperweights.

This design was released in 1975 in a limited edition of 350 pieces.  This is number 46 in that series.  There is a signature / date cane "B 1975" shown in the pictures.  The base has an acid etched Baccarat logo plus it is engraved with the year (1975) and the edition number (46). 

In 1846 Baccarat introduced the popular Gridel figures in their closepack millefiori paperweights.  It was named after Emil Gridel, the nephew of Jean-Baptiste Toussaint the general manager of Baccarat.  Toussaint saw Gridel making paper cutouts of animals and saw an opportunity to incorporate these silhouettes in millefiori paperweights.   From 1971 to 1979 Baccarat issued a modern Gridel series of millefiori paperweights based on eighteen Gridel figures.  Each paperweight has a large Gridel figure in the center with smaller versions of the other figures included in the design.  There are variations in orientation and color as well as the types of canes in each design and it is possible to amass a very large collection covering just this series.

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  • 1845-1860 - Classic period
  • 1920-1934 - Dupont period
  • 1953-2002 - Modern period
This classification is definitely an over simplification.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).   Baccarat continued to make paperweights after the classic period, but little is known about the extent of the product line or who made the paperweights.  What is known is that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights.  Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making.  These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him.  The weights stopped appearing in the shop in 1934.

In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again.  In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide.  Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s.  Baccarat stopped making this type of fine glass paperweights in 2002.  You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall.

Very large size:  3 3/16" diameter by 2 3/8" high.  The base is ground flat.
Signature:  This paperweight is signed with Baccarat's complex signature / date cane "B 1975" in the design.  It also has an acid etched Baccarat mark on the base along with the engraved year (1975) and engraved edition number (46). 
Condition:   Very good condition.  There is a tiny circular fracture mark on the base next to the number "9" in "1975".  Perhaps this happened when the 1975 was engraved.  There are some other minor scratches on the base, but no other cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature cane "B 1975"
Signature on base with etched Baccarat  logo, engraved edition number "46", and engraved "1975"- note circular fracture next to "9"
Closeup
Profile
Side view
Base
$375 postage paid in the US.                                                                Added 8/14/2021                                      

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Baccarat 1975 Gridel Series Pheasant Concentric Millefiori Limited Edition Paperweight
5183 Josh Simpson Miniature Gravitron Planet Marble with Stand.  This a miniature (just under 2" diameter) Gravitron planet marble made by Josh Simpson.  Gravitrons evoke deep space phenomena such as black holes and the warping of space-time.  They represent planets that wander too near a black hole, where they are twisted and squashed by unfathomably intense gravity.  Josh captures the instant when these unfortunate planets have been almost consumed and all that remains is a memory and a puff of X-ray light.  Although clear glass, the controlled bubbles sometimes have an iridescent color.  Some of the bubbles have a speck of amber color, which is exaggerated by my lights.  An acrylic 2" tall by 1 1/2" by 1 5/16" dimple stand is included.  This example is unsigned.  

Josh Simpson has been making magical glass objects including paperweights for over 40 years.  He has long had a fascination with space exploration and is married to Astronaut Cady Coleman.  He is a graduate of Hamilton College and has his own glass studio in Shelburne Falls, Massachusetts.  He focuses on creating objects with a range of color, form, contrast, iridescence, tessellating patterns and complexity. 

There is a great book Josh Simpson: Glass Artist by Andrew Chaikin.  I recommend it highly.

Miniature Size:  1 15/16" diameter glass sphere.  The acrylic stand is 2" tall by 1 1/2" by 1 5/16".
Signature:   This example is unsigned, but I guarantee that it is a genuine Josh Simpson marble.
Condition:  The marble is in excellent condition with no chips, cracks, or scratches found on inspection.  A few of the bubbles are larger and have an amber cast.  It may be a second.  The acrylic stand is in very good condition with a few tiny scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Dimple stand
Closeup
Another closeup
Another view
And another view
Still another closeup
And one more closeup
$85 postage paid in the US.                                         Added 7/14/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Josh Simpson Miniature Gravitron Planet Marble with Stand
5017 Late Ysart Brothers or Early Vasart Paneled Millefiori Paperweight - Many Annealing Cracks.  circa 1952-1956.  This colorful paperweight consists of a paneled millefiori pattern with eight sections with 1 green +2 brown millefiori canes each separated by a red and blue twist cane.  There is a central cluster of two rings of canes, 15 blue and 5 orange canes, around a central cross cane.  The design is set on a clear ground.   The glass is slightly gray.   Unfortunately this paperweight is filled with many internal annealing fractures / cracks.  See the note below for more information on the cause.  An interesting historical addition to any collection of Scottish paperweights.

Note on annealing fractures / cracks:  According to David Moir, who was an apprentice at the Ysart Brothers Shore Road works in 1954, the glass works had a lot of annealing problems at the Shore Road factory because it was fired with poor quality coke.  It was difficult to maintain a level annealing temperature and sometimes would get too hot or too cold.  Temperature was judged by putting your arm inside the oven to feel the heat.  The problem was solved when George Dunlop (owner of Pirelli Glass in London) brought in fresh capital, equipment, and orders.  This included an electrically controlled second-hand kiln from Rolls Royce which was a vast improvement on the old one and had electric temperature gauges.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955.  Shortly later, George Dunlop, the owner of Pirelli Glass in London, brought in fresh capital, equipment, and orders.  Vincent Ysart and George Dunlop formed a new company in 1956, Vasart Glass Ltd.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The factory was taken over by Stuart Glass in 1980, and renamed Stuart Strathearn Ltd.  Production ceased in 1992.

Size:  Just under 3" diameter by 1 15/16" high.  The base is fire finished.  
Condition:  Poor condition.  The surface is free from defects but the paperweight is filled with many annealing cracks / fractures due to improper temperature control during the annealing process.
Signature:  Unsigned, but I guarantee this to be an Ysart Brothers or early Vasart paperweight from Scotland made prior to the installation of new annealing oven in the mid 1950s. 

For extra pictures, click on the picture at the right and the following links:

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Closeup
Profile
Base
Side View
$95 postage paid in the US.                                                      Added 7/14/2021

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Late Ysart Brothers or Early Vasart Paneled Millefiori Paperweight - Many Annealing Cracks
4747 Antique Paperweight Style Mystery Object - Probably a Cut Down Candle Holder.   circa 1900.  I don't know for sure what this was originally.  It is safe to assume the shape has been altered because it has no apparent use in its current form except as paperweight.  It has a cup at one end and the other end is faceted with a flat base.  The middle section has a paperweight form with ice pick flowers and small bubbles.  The faceted end has a five sided shape in the center with five sloping cuts away from that.  I'm certain it is an antique and that the cup end has not been modified.  The way the bubbles in the faceted end are towards the center suggests that the cup was originally the up side.  I've discussed this with other collectors and our best guess is that this was originally a candle holder for a fairly large candle which would fit the cup.  It is also likely that the original shape was supported by a five sided stem and larger base to provide stability.  If you look at pictures of older style candle holders or candlesticks you can find some with a round cup and faceted stem.  An interesting object - too good to throw in the trash.  I'm not asking much for it.

Note:  Although this object can be used in its current form as a candle holder, but caution you not to use it with a lighted candle.  It doesn't have the large base that would normally provide the necessary stability.

Size:  In its current form, it is 3" long, the cup has a diameter of 2".  The inner diameter of the cup is just over 1 1/2".  The base is flat in the center.  The original shape is unknown.
Signature: Unsigned, but I guarantee this is an antique object from an unidentified factory.
Condition:  Very good condition for its age although the shape has been modified.  No cracks or chips found on inspection.

For extra pictures, click on the picture at the right and the following links:

Large picture
Side view
View of the cup
Closeup of paperweight section
Faceting on base
View with cup down
$65 postage paid in the US.                                          Added 7/10/2021

For more information about antique paperweights see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique Paperweight Style Mystery Object - Probably a Cut Down Candle Holder
5278 Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features five small white millefiori flowers with blue star centers.  There is also a stem and two green leaves.  The design is placed on a powdery pink ground.  This paperweight is signed in the design with an early Whittemore signature cane, a black "W" on a yellow background.  This is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This paperweight is almost the same as the examples offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover).

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 1/8" high.  This paperweight has a very low profile.  The base is flat with a concave center.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There are many bubbles in the ground and a few striations in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view (out of focus)
$165 postage paid in the US.                                            Added 7/10/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

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Click on the picture to see a larger image
Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground
4712 Charles Kaziun Jr. Miniature Tilted Pedestal Spider Lily Paperweight with Opaque Red Ground.  circa 1960-1980.  This is a miniature pedestal paperweight with a turquoise and white spider lily and four leaves on a rich dark red ground.  The flower has a turquoise stripe on each petal and the stamen is a yellow millefiori cane.  Each leaf is a double leaf - two leaves with a clear layer joining them so a bit of the red ground shows through.  This makes it look like each leaf has a red stripe down the center.  The paperweight is tilted at a 45 degree angle so it displays beautifully.  Signed on the white underside of the red ground with a gold K. 

This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1. 

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Miniature Size:  Just over 1 5/16" diameter by just over 1 7/8" high.  The pedestal base has a diameter of just over 1 5/8".
Signature:  Signed on the white underside of the red ground with Kaziun's gold K. 
Condition:  Excellent condition with no chips or cracks. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side View
Another side view
Gold foil K signature on underside of ground
Another view of gold K through the base
Base
Another view
$245 postage paid in the US.                               New Price 6/25/2021

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Miniature Tilted Pedestal Spider Lily Paperweight with Opaque Red Ground
4721 Charles Kaziun Jr. Miniature Tilted Pedestal Light Blue Spider Lily Paperweight with Aventurine Ground.  circa 1960-1980.  This is a miniature pedestal paperweight with a light blue spider lily and four green leaves on an opaque aventurine ground.  The flower has a red stripe on each petal and the center is a complex millefiori cane made up of seven star shaped millefiori canes (three blue, three yellow, and a slightly orange center).  Each leaf is a double leaf - two leaves with a clear layer joining them so a bit of the ground shows through.  This makes it look like each leaf has an aventurine stripe down the center.  The aventurine ground is set on a brown base and a white under-layer.  The paperweight is tilted at a 45 degree angle so it displays beautifully.  Signed on the white underside of the ground with a gold K. 

This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1. 

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Miniature Size:  Just over 1 3/8" diameter by 1 15/16" high.  The pedestal base has a diameter of just over 1 5/8".
Signature:  Signed on the white underside of the aventurine ground with Kaziun's gold K. 
Condition:  Excellent condition with no chips or cracks. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side View
Another side view
Gold foil K signature on underside of ground
Another view of gold K through the base
Base
Another view
$245 postage paid in the US.                               New Price 6/25/2021

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Miniature Tilted Pedestal Spider Lily Paperweight with Aventurine Ground
2276 Vintage American "FROM A FRIEND" Frit Paperweight - Probably Made by Gentile Glass.  circa 1900-1974.  This frit paperweight features a "FROM A FRIEND" message in white frit with an outer wreath garland.  The design is placed over a multi-colored ground of larger glass chips.  A great gift item to raise a friend's spirits.  This example in unsigned but I suspect it was made at Gentile Glass in Star City, West Virginia based on the shape and bottom finish.  An identical example of the paperweight and the die used to produce the design are shown in American Glass Paperweights and Their Makers (1970) by Jean Melvin (see pages 69 - 71).  This is a great addition to any collection of American paperweights.

The Melvin book mentions that the motto weights like the "FROM A FRIEND" paperweight were popular items sold to distributors and gift shops throughout the US and Canada.  The dies were originally used by Peter Gentile when he worked at the Fry Factory in Rochester, NY and continued to be used by the Gentile factory once they started their own factory.

This style of paperweight was made by many glass companies throughout the glass producing areas of the midwestern US (Ohio, Indiana, West Virginia, or even New Jersey) in the first half of the 20th century and later.  Frit refers to the powdered glass used to make the design.  The design is set up in a metal die and then picked up with a gather of a ground color.  Sometimes the maker can be identified by researching the mold or die used to set up the design.  According to Newell's Old Glass Paperweights of Southern New Jersey , frit weights were made as early as 1863.  Newell identifies this style as a true folk art.

The original glass worker in the Gentile family was Peter Gentile, born in Naples, Italy in 1884.  He worked in Naples(Italy), Rochester (Pennsylvania), and Morgantown (West Virginia) before building his own factory in Star City (West Virginia) in 1947.  Originally the factory was a short-lived partnership (G. and F. Glass Co.) with John Funfrock, a mold maker.  His sons, Frankie, John and Joe Gentile helped him make paperweights in the off hours at the Guild Factory in Morgantown.  However, most paperweight production since WWII has been associated with Peter, John, or John's wife Gertrude Gentile.  Few weights were signed prior to 1963.  John Gentile passed away in 2006 and it is believed that Gentile Glass closed down after his death.  Most, if not all, paperweights produced from 1975 on were signed.  For more information, you can read about the Gentile Family in the book American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970).

Large Size:  3 5/16" diameter by 2 3/4" high.  The base is fire finished.
Signature :  Unsigned, but I believe this was made by Gentile Glass prior to 1975..
Condition :  Very good condition.  There are some faint scratches and scuff marks, but no significant damage.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Base
Side view
Closeup
$79 postage paid in the US.                         Added 6/24/2021

For more information about Gentile paperweights, see my Gentile Paperweights Web Page.    (dl-g-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Vintage American "FROM A FRIEND" Frit Paperweight - Probably Made by Gentile Glass
1377 Baccarat 1988 Four Row Open Concentric Millefiori Paperweight.   dated 1988.  This paperweight has an open concentric design with four rows of colorful millefiori around a central millefiori cane.  The design is placed over a clear ground.  It is signed with an etched Baccarat logo on the base.  It also has a Baccarat "B1988" signature / date cane in the outermost row.  A fantastic example of a modern open concentric from Baccarat.  

Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne.  The original location was near the town of Baccarat.  Today the firm is known as Compagnie des Cristalleries de Baccarat.  Most collectors refer to three periods of Baccarat paperweight production.

  •     1845-1860 - Classic period
  •     1900-1934 - Dupont period
  •     1953 - on - Modern period
This classification is definitely an over simplification as it is likely that Baccarat made some paperweights on and off through most of 19th century.  The best millefiori and lampwork paperweights were made during the classic period (1845-1860).  Pansy weights and rock weights continued in production until much later.  Some paperweights are identified as Dupont period and were made at the end of the 19th Century or early in the 20th century.

Baccarat started making modern millefiori paperweights in 1957.  According to Paul Dunlop ( Baccarat Paperweights:  Two Centuries of Beauty ), Baccarat started making the modern spaced millefiori paperweights on muslin or lace in 1958 and continued making undated examples until the limited editions were started in 1970.  The exception is 1964 when special versions were produced for Baccarat's 200th anniversary.

Size:  2 11/16” diameter by 2 1/16” high.  The base is polished flat.
Signature:  Made by Baccarat in France.  Signed on the base with an etched Baccarat logo.  It also has a Baccarat "B1988" signature / date cane in the outermost row.
Condition: Excellent condition.  No cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Baccarat "B1988" signature / date cane
Baccarat logo on the base
Base
Side view
Profile view
$285 postage paid in the US.                                         Added 6/19/2021

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat 1988 Four Row Open Concentric Millefiori Paperweight
5250 Perthshire Annual Collection 1975E Limited Edition Green Overlay Millefiori Paperweight Bottle with Original Box.  This is a tall bottle with a green flash overlay and a three ring concentric millefiori pattern base.  The concentric millefiori pattern consists of all complex millefiori canes.  There is a center complex cane that matches the single millefiori cane in the stopper.  The bottle has 24 side facets arranged in three rows.  The stopper has a matching green flash overlay with eight side facets arranged in two rows.  The stopper has a single complex millefiori cane which matches the center cane in the base.  This bottle is signed with a Perthshire "P1975" signature / date cane in the base.  It also has a Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the base and comes with its original fitted satin lined box.  This design was made with a green or blue overlay and offered in a limited edition of 350 bottles of which 347 were made.  I do not have the original certificate.  This is a great addition to any collection of paperweight related items.

Perthshire made this paperweight bottle as one of their Annual Collection designs for 1975.  This means the design was made only that one year and never again.  There were five Annual Collection designs in 1975, designated A through E.  This design is designated 1975E.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Large size:  Just under 3 1/8" diameter by just under 7 1/2" high with the stopper.  The bottle is 5 3/4" tall without the stopper.  The stopper is 1 9/16" diameter by 2 5/8" long.  The base is ground concave in the center.  The bottle has 24 side facets and the stopper has eight side facets.  The box is 8" long by just under 5 1/2" wide by 3 7/8" tall.
Signature:  This paperweight bottle has a Perthshire complex "P1975" signature / date cane in the base and a Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND".  It comes with its original satin lined fitted box.
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.  The box is in excellent condition. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup of concentric pattern
Closeup of stopper
Top of stopper
Signature cane and label
Base
Box
Box with bottle
Bottle with stopper
$395 postage paid in the US.                                                  Added 6/15/2021 

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1975E Limited Edition Green Overlay Millefiori Paperweight Bottle
345 Colorful Surface Decorated Hollow Paperweight - Unknown Maker.   This surface decorated paperweight is hollow blown rather than solid.  The colorful decorations are tactile and can be felt on the surface.  There is a hole in the base left over from the blowing process.  Signed KO on the base but the maker is unknown.  A fun paperweight.

The maker of this paperweight is unknown. 

Size:  Just over 2 7/8" diameter by just over 2" high.  The base has been polished concave.  The surface is a little irregular There is a hole in the base left from the blowing process.
Condition:  Good condition.  Some crackling of the surface.  A few minor scratches.
Signature:  Signed KO on the base but the maker is unknown.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Base
Side view
Profile
Possible signature (KO)
$44 postage paid in the US.                                       Added 6/13/2021 

For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Surface Decorated Hollow Paperweight - Unknown Maker
778 Miniature Art Glass Carpet Ground Millefiori Paperweight - Unknown Maker.   This art glass miniature millefiori paperweight consists of identical red, white, and pink cogged millefiori, although it looks like there may be some filler pieces added to complete the carpet.  The maker is unknown.   

The maker of this paperweight is unknown. 

Very small size:  2" diameter by 1 1/4" high.  The base has been polished flat.
Condition:  Very good condition  with no chips or cracks.  Minor scratches on the base.  One tool mark on the side.
Signature:  The maker of this paperweight is unknown.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Base
Side view
Profile
$59 postage paid in the US.                                       Added 6/12/2021 

For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature Art Glass Carpet Ground Millefiori Paperweight - Unknown Maker
1749 Small Degenhart Name Paperweight Knob - probably from a Gearshift.  circa 1930-40.  This is a Degenhart paperweight personalized with the owner's name "M.A.Archuleta"written on a white plaque.  It has the typical Degenhart construction with the plaque outlined in blue and with four little colored icepick flowers placed at the edge of the plaque.  This one has two red flowers and two yellow flowers.  There is a colorful frit layer at the same level as the plaque.  This paperweight has a glass stub on the base and was most likely broken off from the metal fitting of a Degenhart gearshift.  It has sufficient wear / scratches to indicate that it was actually used as a gearshift knob. 

Charles and John Degenhart patented the design for a glass gearshift knob on August 20, 1929.  The glass paperweight would be mounted on a threaded metal fitting.  Some examples have the patent date on the fitting "PAT. 8-20-29" on the side of the metal fitting.  Knobs with a location are rarer than those with just a name.

Note:  The glass in this paperweight is clear but it shows a pink tint in the pictures.  Maybe the glass is sensitive to the type of lighting used, similar to the way Alexandrite or Neodymium Glass change color, but the behavior is different.  Probably it is picking up the pink in the frit layer.

Charles and John Degenhart started their careers in glass working in glass at the Dalzell, Gilmore & Leighton Company factory in Findlay, Ohio.  Charles, born in 1882, started first and then John, born in 1884, started at the age of ten in 1894.  In 1901, both joined Cambridge Glass in Cambridge, Ohio.  The original paperweight production was an after hours activity at Cambridge Glass by Charles and his two sons in the 1920s.  John also produced paperweights to help meet the demand.  This was with the approval of the company. Of the two, Charles Degenhart was the more skilled artistically.

John retired from Cambridge Glass in 1946 and opened the Crystal Art Glass Company shortly after that. Most of the early production was devoted to paperweights. The factory also produced pressed glass novelties in an incredible range of colors. After John died in 1964, his wife Elizabeth took over production. Prior to that, the paperweights were unsigned. There was also a close association with Zack Boyd and his son Bernard, both of whom worked at Crystal Arts. Today in Cambridge, the Boyd family continues to run Crystal Arts.

Size:  2" diameter by 1 1/2" high.  The base has a glass stub.
Condition:  Good condition with no chips or cracks other than the broken stub.  It has many scratches indicating that it was actually used as a gearshift knob. 
Signature:  Unsigned but I guarantee that this is a genuine Degenhart paperweight.

For extra pictures, click on the picture at the right and the following links:

Large picture
Profile
Closeup
Side view
Base 

$45 postage paid in the US.                                                                   Added 6/11/2021 

For more information about paperweights made by Degenhart Glass in Cambridge, Ohio, see my Degenhart Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Small Degenhart Name Paperweight Knob - probably from a Gearshift
3437 Large Colorful Strathearn Paneled Millefiori Paperweight.  circa 1963-1968.  This very attractive paperweight consists of a paneled millefiori pattern with nine panels of 1 (white) + 2 (yellow) + 2 (pink) millefiori patterns each separated by a white latticinio twist cane.  There is a central ring of seven dark green  millefiori canes and then a center orange millefiori cane.  The canes are early Scottish millefiori canes on a translucent blue ground.  This is a great addition to any collection of Scottish paperweights. Great color.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The company is no longer in existence.

Size:   3 1/16” diameter by 2 5/16” high.  The base is fire polished. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection other than minor wear on the base. 
Signature:  Unsigned, but I guarantee this to be a Strathearn paperweight from Scotland. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
Side view
$125 postage paid in the US.                                                 Added 5/29/2021    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Colorful Strathearn Paneled Millefiori Paperweight
5259 Set of St. Louis Paperweight Style Letter Seals Limited Edition with Original Box and Certificates.  dated 1974.  This is pair of St. Louis paperweight style letter seals, one red with a white stripe and one blue with a white stripe.  The bases are flat and blank, ready to be engraved to create your own custom letter seals.  Each handle is hollow blown with white pinstripe twists.  These letter seals were issued in 1974 in limited editions of 500 of each color and were sold individually and in boxed sets.  This set comes with its original (although distressed) St. Louis presentation box and original certificates.  Each seal is signed on the top of the base with an etched signature "1974 S. LOUIS France".  A great addition to any collection of modern French paperweights.    

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.

Size:  Each letter seal is 4 5/16" tall.  The blue seal has a base diameter of just under 1 1/2".  The red is slightly thinner with a base diameter of 1 7/16".  The base of each seal is flat. 
Signature:  Each letter seal is signed and dated with an etched signature "1974 S. LOUIS France".
Condition:  Excellent condition.  No flaws found on either seal.  The box is distressed as shown in the pictures.

For extra pictures, click on the picture at the right and the following links:

Large picture
With box and certificates
Certificates
Etched signatures
Another view
Box
Another view of box
Bases
$185 postage paid in the US.                                        Added 5/28/2021 

For more information about paperweights made by the St. Louis glass factory in France, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Set of St. Louis Paperweight Style Letter Seals Limited Edition with Original Box and Certificates
2850 Unsigned Miniature Lampwork Flower Paperweight, possibly by Ronald Hansen.  undated.  This miniature paperweight features a six petal lampwork flower with leaves and stem.  The petals are yellow with orange stripes.  There are five variegated sepals and plus two leaves and a stem.  It has a low profile.  Nicely executed, it has an unusual amber ground placed over a white button base (see picture of the base).  Definitely the work of  a talented artist.  Possibly by Ronald Hansen.

Note:  The maker of paperweight is unknown, but it is possibly by Ronald Hansen who made paperweights from the late 1950s to 1971. 

Ronald E. Hansen was born in Virginia, Minnesota in 1910.  He was first exposed to glass lampwork as a child when he was befriended by Bohemian glassworkers in a "hobo village" making glass ships.  He later worked as the director of the Neon Tube School in Detroit, Michigan.  With this exposure, he was aware of the artistic and technical aspects of glassworking.  He established his own studio in Mackinaw City, Michigan, mixed his own colors and glass, and created a variety of small glass paperweights, most of which are 2 1/2" or less in diameter.  He made paperweights from the late 1950s to 1971.  He was one of a number of glass artists in this paperweight making family.  His nephew, Eric Hansen, continues the art today.  You can read more about Ronald E. Hansen in the book American Glass Paperweights and their makers by Jean Melvin (1970 Revised edition) or the article by Nancy Alfano in the 2004 PCA Bulletin.

Very small size:  Low profile, 1 15/16" diameter by just over 1" high.  The base is ground flat with a frosted finish.
Signature:   Unsigned.  I believe this paperweight was made by Ronald Hansen, but have been unable to confirm this ID. 
Condition:  Very good condition with a few faint scratches or scuffed areas. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Base
Profile
Side view
$85 postage paid in the US.                                       Added 5/17/2021

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Unsigned Miniature Lampwork Flower Paperweight, possibly by Ronald Hansen
4382 Robert Banford Blue Double Clematis with Buds Double Overlay Faceted Paperweight with Fancy Base Cutting.  circa  1987.  This paperweight features a wonderful dark blue double clematis with a yellow center and two companion buds, one open and the other still closed.  It is has many green leaves and a stem.  The design is set on a clear ground and encased with a brilliant red and white double overlay.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  The paperweight is signed with Bob Banfords “B” signature cane at the tip of the stem.  I believe this is part of Bob Banford's 1987 Collection and the cutting is by Ed Poore.  A very desirable addition to any collection of contemporary American paperweights. 

Note on condition:  There is a 1/8" nick or tool mark just above the fancy cutting.  It is barely visible, but I mention this for completeness and provide a much magnified picture.  No other flaws found on inspection.

Robert Banford worked in Hammonton, NJ.  He started making paperweights in 1971 along with his father, Ray Banford.  Bob continued to make paperweights until 2006.  Bob and Ray did not date their paperweights, but it is sometimes possible to get an idea of when a paperweight was made by the progression of styles and the type of glass used.  Bob Banford used a signature cane with a red "B" and a blue surround.  Ray Banford used a different signature cane with a black B.  Ray passed away in 2003.

Size:  2 15/16" diameter by just over 2 1/8" high.  The bottom is ground slightly concave.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  
Signature:  Signed with Robert Banford's signature "B" cane at the tip of the stem.  I believe this is part of Bob Banford's 1987 Collection and the cutting is by Ed Poore.
Condition:  Very good condition.  There is a 1/8" nick or tool mark just above the fancy cutting.  It is barely visible, but I mention this for completeness and provide a much magnified picture.  No other flaws found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature cane
View from the base showing fancy cutting
Tool mark or nick (1/8")
Side view
Base
$950 postage paid in the US.                     US Sales only, no international shipping.  Delivery will require a signature.                Added 5/13/2021 

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Banford Blue Double Clematis with Buds Double Overlay Faceted Paperweight with Fancy Base Cutting
3794 Colorful Magnum Rollin Karg Three Sided Paperweight.  circa 1983 to 2000.  This is an interesting three sided sculptural paperweight with inner folds.  Primarily blue, most of the surface has colored spots of pinks, reds, and browns.  One side has an area that is dichroic. It is signed "KARG" on the side near the base.  Extra large.  A fun paperweight. 

Rollin Karg spent the first part of his career as an industrial engineer, photographer, potter and woodworker before becoming a full time glass artist in 1983.  He studied hot glass at Emporia State University (Kansas) and built his first glassblowing furnace there.  Today he owns a studio and gallery in Kechi, Kansas. 

Very large size:  Three sided shape.  3 1/2" at the widest by 2 13/16" tall.  The base is ground flat. 
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.
Signature:  Engraved "KARG" on the side near the base. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Profile
Signature
Base
Another view
$79 postage paid in the US.                                                         Added 4/21/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Magnum Rollin Karg Three Sided Paperweight
4583 Large St. Louis 1976 Bicentennial George Washington on Horseback Gold Inclusion Paperweight.   dated 1976.  This paperweight features a gold foil inclusion of General George Washington on his horse surrounded by thirteen millefiori stars, one of which is a complex St. Louis signature / date cane "SL 1976".  The design is placed on an opaque blue ground and is faceted with one large top facet and five side facets.  Sculpted into the ground below the horse's feet are the dates "1776 - 1976".  In addition to the signature cane, the paperweight has its original "CRISTAL SAINT LOUIS FRANCE" foil label and comes with its original certificate of authenticity.  This paperweight is number 133 out of a limited edition of 650 paperweights.  A wonderful paperweight in perfect condition. 

According to the two books on St. Louis paperweights, this is the first modern St. Louis paperweight to have gold inclusions.  It was created for the US Bicentennial in 1976 and considered a special accomplishment.  The inclusion / medal was created from a drawing by Remy Hetreau of Arthus Bertrand Co., Paris.  One of the paperweights was given to President and Mrs. Ford as a symbol of Franco-American friendship.  Two versions of this design were created, 250 regular and 400 with a double overlay, for a total of 650 copies.  All copies were limited to US distribution.  

Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766.  The region was already home to several glassworks.  Paperweight production started at St. Louis in 1845 and most likely continued until about 1860.  Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small.  Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955.  They were not all signed or dated.  The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953.  After 1955, no additional weights were made at St. Louis until 1965.  In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights.  Finally, in 1970 they started producing annual limited edition paperweights.  In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. 

Large Size :  Just under 3 1/8" diameter by 2 1/16" high.  The bottom is ground concave.  It is faceted with one large top facet and five side facets.
Signature : Signed in the design with a complex signature / date cane "SL 1976".  It also has has its original "CRISTAL SAINT LOUIS FRANCE" foil label and comes with its original certificate of authenticity. 
Condition :  Excellent condition with no cracks, chips, or scratches.  The original collector noted the price paid at Wheaton Village in December 1975 on the reverse side of the certificate ($310).

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature / Date cane
Label
Closeup of 1776-1976 date
Certificate
Side view
Base
$295 postage paid in the US.                                                                           Added 4/21/2021

For more information about paperweights made by the St. Louis factory, see my St. Louis Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large St. Louis 1976 Bicentennial George Washington on Horseback Garland Paperweight
4040 Large Strathearn Eight Pointed Star Paneled Millefiori Paperweight with Opaque Orange Ground.  circa 1963-1968.  This paperweight is finished as a eight pointed star.  The star points give the glass a glittery appearance.  It features a paneled millefiori design with seven panels of 1+1+2 millefiori patterns each separated by a white latticinio twist cane.  There is a central ring of six millefiori canes and then a center millefiori cane.  The canes are early Scottish millefiori canes on an opaque orange ground.  A great addition to any collection of Scottish glass. 
 
This is called a pressed weight because a mold is used to form the shape.  The top is flattened.  The star points give the glass a real glittery appearance as you can see in the pictures. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.

Size:   2 3/4” diameter by 1 3/16” high.  The base is fire polished. 
Condition:  Excellent condition.  No damage found on inspection.   
Signature:  Unsigned but I guarantee this is a Strathearn paperweight made in Scotland.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Profile
Base
$85 postage paid in the US.                                                 Added 4/19/2021

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Strathearn Eight Pointed Star Paneled Millefiori Paperweight with Opaque Orange Ground
4039 Joe Rice Magnum Multicolored Ribbon Crimp Paperweight.   circa 1987-2010.  Multi-colored stylized crimp flower in the unique St. Clair style.  I refer to this style as a rainbow ribbon crimp weight.  It has has eight pleats or crimps with a carefully placed bubble between each.  The design is off center in the paperweight.  A showy paperweight with great color.  Very collectible. 

Similar examples are shown American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970) and the St. Clair Collectors Guide by Bonnie Pruitt.  They were made by members of the St. Clair family and also by Joe Rice.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair (1909 - 1987) did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York.  Joe retired (the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  Sometime later, the new owners of the original factory sold the factory back to Joe.  For a while, there were two St. Clair factories, one owned by Joe and the other owned by Bob St. Clair.

Joe Rice,a third generation glassblower in the St. Clair family, is the grandson of John "Pop" St. Clair, Sr.  and nephew of a nephew of Joe St. Clair and the other brothers mentioned above.  His mother Jane Rice was Joe St. Clair's sister.  Joe Rice began working at the family glass factory in 1962 at the age of twelve.  He worked with his uncles Joe, Ed, Bob, and Paul after school hours and during the summer months.  When the estate of Bob St. Clair was ready for public auction in October 1987, Joe Rice was able to purchase the property along with needed supplies and equipment.  He reopened the factory as the The House of Glass.  His uncles Ed and Paul were there to help guide him along his path to success.  The House of Glass continues to operate in Elwood, Indiana.

Very large size:  Just under 3 7/8" diameter by 2 3/8" high.  The bottom is fire finished and hot stamped with the signature.  The paperweight weighs 29 ounces. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  The design, however, is off center in the paperweight.
Signature:  Hot stamped "JOE RICE" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature on base
Side View
Base
Another View
$59 postage paid in the US.                       Added 4/18/2021

For more information about paperweights made by the St. Clair family, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Joe Rice Magnum Multicolored Ribbon Crimp Paperweight
4038 Colorful Murano Figural Bird Paperweight - Made From Twist Canes.   circa 1960s - 1970s.  This paperweight is a good example of a Murano figural paperweight.  The bird is formed from seven colored twist canes and seven alternating white latticinio twist canes with eyes and beak added.  The pink, green, blue, and yellow colored twist canes have aventurine edges.  Bright and colorful.  A fun paperweight.

Note:  Although this paperweight is beautifully made, there is some debris in the glass and there is some roughness at the end of the tail feathers - left by the tools used to snip the glass.   

This paperweight was made on the island of Murano in Venice, Italy.  Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s.  More recently, paperweight making was revived in the 1930s and again in the 1960s.

Size:   Just under 3" long (beak to tail) by diameter by 1 3/4" wide.  The small base is polished flat. 
Condition:   Excellent condition with no cracks,  chips, or scratches.  There is some debris in the glass and there is some roughness at the end of the tail feathers - left by the tools used to snip the glass.
Signature:  This paperweight is unsigned, but I guarantee that this paperweight was made on the island of Murano in Venice, Italy. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Other side
Closeup
Back
Top view
Base
Another closeup
Rough area on tail feathers left by tools
$85 postage paid in the US.                                         Added 4/17/2021 

For more information about Murano paperweights, see my Murano Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Murano Figural Bird Paperweight - Made From Twist Canes
4623 Perthshire Annual Collection 1979C Limited Edition Miniature Overlay Paperweight.  This paperweight features an upright six petaled red flower and leaves within a double overlay of blue over white.  It has one top facet and eight side facets.  The flower is very three dimensional and should be viewed from the side.  The base is finished with a grid cut.  It is signed with a complex "P" signature cane in the center of the flower.  This design is a limited edition of 400 paperweights, of which only 351 were made.  Although Perthshire called this a miniature, it is actually larger with a diameter of just under 2 5/16".  There is no paper label on this example.  A nice crisp design with great color.

Note on condition:  This paperweight has a 1/4" scratch on the overlay between two side facets below the widest point.  I am offering it at a greatly reduced price.

Perthshire made this paperweight as one of their Annual Collection designs for 1979.  This means the design was made only that one year and never again.  There were seven Annual Collection designs in 1979, designated A through G.  The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items. 

Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price.  There are three books on Perthshire Paperweights.  If you collect Perthshire paperweights, you should have them in your library. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968.

Size:  Just under 2 5/16" diameter by just over 1 9/16" high.  The base is ground concave and finished with a grid cut. 
Signature:  This paperweight has a Perthshire complex "P" signature cane in the center of the flower.  It does not have a paper label.
Condition:  Very good condition although it has a 1/4" scratch on the overlay between two side facets below the widest point.  No other cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Scratch on side
Base with grid cut finish
$195 postage paid in the US.                                                  Added 4/16/2021 

For more information about Perthshire Paperweights, see my Perthshire Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Perthshire Annual Collection 1979C Limited Edition Miniature Overlay Paperweight
4022 Large Blue Iridescent Abstract Paperweight with Gecko Pontil Stamp by Unknown Maker.  dated 1999.  This is a large mystery abstract iridescent blue paperweight made by an unknown maker.  The signature is legible with the date 99 but I have not been able to identify the maker.  The pontil stamp is a long tailed lizard or gecko or something similar.  Not much I can say about the design - it is a blue abstract blob.  A mystery for future study.

The maker of this paperweight is unknown. 

Large Size:  2 7/8" diameter by 2 13/16" high.  The base is fire finished with a pontil stamp.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.
Signature:  Signed and dated but I do not recognize the name.  There is also a pontil stamp with a long tailed lizard or gecko or something similar.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Base with signature
Top view
Profile
Another view
Another view of signature and pontil stamp
And a third view of signature and pontil stamp
$49 postage paid in the US.                                       Added 4/14/2021 

For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Blue Iridescent Abstract Paperweight with Gecko Pontil Stamp by Unknown Maker
4032 Colorful Guernsey Island Studio Paperweight with Silverplate Base by Sileda Ltd.  dated 1986This colorful glass paperweight was most likely made by the Guernsey Island Studio (also known as Guernsey Glass).  The Sheffield silverplate base was added by Sileda Ltd. (Wales) and has the silver marks indicating Sileda was the maker of the base and it was made in 1986.  There are several discussions on the Internet about this type of paperweight and I was able garner the basic facts about the makers and the date (see below).  The silver plate has been lost some of its silver layer and the underlying copper is visible.  There is a felt cover in the center base.  I did not remove the felt to see if there was a Guernsey mark on the glass.  This is an odd item, but it will make a good conversation piece.   

Guernsey Island Studio (also known as Guernsey Glass) was located at the Oatlands Craft Centre, St Sampson, Guernsey, Channel Islands.  It was founded about 1980 with advice and assistance from Michael Harris of the Isle of Wight Studio Glass. They made small souvenir pieces, such as vases, animal figures, and paperweights and often marked them on the base with the trademark Guernsey mark, which was three lions passant on a shield.  They closed sometime in the 1990s. 

Sileda Ltd was founded in Cefn-y-bedd Wales UK about 1980.  They were a small silver company that registered their punches at the Sheffield Assay Office from 1980 to 2000.  The makers mark is "SL" with a small indent between the two letters.  In addition to any other silver work they may have done, they were known for sourcing (purchasing) glass objects such as paperweights and vases from UK glass studios and adding silver enhancements or decorations to the glass objects.  For paperweights, the enhancement was a silverplate base, for vases it was often a silver collar.  In many cases, collectors could identify the original source of the glass object.  

Size:  2 3/4" diameter by 1 15/16" high.  The base is covered with a silverplate covering and a felt cover in the center.  I did not remove the felt to see if the Guernsey mark is under the felt.
Condition:  Excellent condition with no chips or cracks or noticeable scratches.  The silver plate has been lost some of its silver layer and the underlying copper is visible.   
Signature:  Signed with Sileda Ltd.'s silver mark on the base.  The mark is on a raised area which is 3/16" across.  The mark consists of the Sileda "SL" registered mark as registered at the Sheffield Assay Office and below that the three tiny punches: Sheffield Tudor Rose (for the Assay office in Sheffield), Britannia quality mark (which is meaningless for silver plate), and a script M, establishes the date as 1986.  There is a felt cover in the center base.  I did not remove the felt to see if there was a Guernsey mark on the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Top view
Base
Closeup of base to show raised area with marks
Composite of three attempts to show the Sileda mark
$65 postage paid in the US.                                                                        Added 4/3/2021 

For more information about paperweights by English makers, see my English Paperweights Web Page .

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Guernsey Island Studio Paperweight with Silverplate Base by Sileda Ltd
4034 Medium Colorful Strathearn Close Packed Millefiori Paperweight.  circa 1963-1968.  This is a very attractive and colorful Strathearn close packed millefiori paperweight.  The design is placed over an opaque pink- beige ground.  A nice addition to any collection of Scottish paperweights.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The company is no longer in existence.

Medium size:   Just over 2 3/8” diameter by 2 1/16” high.  The base is fire polished and ground concave in the center. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.  There are some small bubbles in the glass.
Signature:  Unsigned, but I guarantee this to be a Strathearn paperweight from Scotland. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile
Base
Side view
$89 postage paid in the US.                                                 Added 3/27/2021    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Medium Colorful Strathearn Close Packed Millefiori Paperweight
4031 Large Maude and Bob 1976 Blue Icepick Flower Candle Holder Paperweight.  dated 1976.  This large candle holder paperweight features five light blue icepick flowers over an dark blue ground.  As is typical of the St. Clair style, there is a carefully placed bubble in the center of each flower and also a carefully placed bubble in the ground in between each flower.  There is a ribbed handle on one side.  It is hot stamped on the base "MAUDE AND BOB ST CLAIR 1976".  Maude and Bob St. Clair produced paperweights under their own label for less than fifteen years.  A great addition to any collection of St. Clair items. 

This style of flower is called an ice-pick flower because of the icepick like tool used to push each flower down to the ground to form a stem.

Note:  In the pictures, the handle shows a yellow color.  This is a reflection from something in my work area.  The handle of the candle holder is clear colorless glass. 

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair (1909 - 1987) did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York. Joe retired (the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Bob St. Clair died in 1986.  Joe St. Clair died in 1987.  Ed St. Clair died in 1989 and the last brother,  Paul St. Clair died in 2000.

Robert (Bob) St. Clair was born May 18, 1919 and passed away in 1986.  He is known to have used two signatures from 1971 to 1986.  Most of the time he included his wife and used the stamp "MAUDE AND BOB ST. CLAIR", often with a date with raised lettering.  Less frequently, he used the stamp "BOB ST. CLAIR" with no date.  This stamp, with only BOB, can be found with either raised or indented lettering.

Size:  The center paperweight portion is just under 3" diameter.  With the handle and the cup for the candle it is 4 1/16" wide by just under 3" deep by 3 1/16" high.  The base is finished flat and hot stamped in the center with the signature. 
Condition:  Excellent condition with no chips, cracks, or scratches found on inspection.
Signature:  Hot stamped on the base "MAUDE AND BOB ST. CLAIR 1976". 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Other side
Signature on base
Closeup
Profile
Side away from handle
Base
$85 postage paid in the US.                           Added 3/26/2021

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Maude and Bob 1976 Blue Icepick Flower Candle Holder Paperweight
4746 Chris Sherwin Art Glass Black-Capped Chickadee Paperweight.  dated 2017.  This black-capped chickadee paperweight is a wonderful example of Chris Sherwin's recent work.  The figural paperweight was created for a meeting of the Founders Chapter of the National American Glass Club.  It is signed on the base "Sherwin Art Glass 2017".

The black-capped chickadee is the state bird of Massachusetts and of Maine in the United States, and the provincial bird of New Brunswick in Canada.

Chris Sherwin has worked in glass for 25 years, specializing in designs inspired by nature.  Almost all of his work involves some aspect of torchwork decoration applied to the surface or encased torchwork creations.  He makes his own glass and canes in his environmentally conscious hydro-powered studio.  Chris studied glassblowing at Southern Connecticut State University and apprenticed at Simon Pearce.  He also spent seven years at Orient & Flume Art Glass, an internationally renowned glass studio in Chico, CA known for their iridescent vases, intricate paperweights, and torchwork designs.  At O&F he was able to create designs of his own and collaborative pieces that earned him a separate section in the O&F retail showroom. He opened his own studio in Bellows Falls, VT in 2005 and makes a variety of paperweights, vessels, animal sculptures, seasonal themed and other objects. 

Size:  3 7/8" long by 1 7/8" wide by just under 3 1/16" high.  The base is ground flat.
Signature: Signed on the base "Sherwin Art Glass 2017". 
Condition:  Excellent condition.  No cracks, chips or scratches. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Other side
Base with signature
Another view
Front
$85 postage paid in the US.                                                                 Added 3/24/2021    

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chris Sherwin Art Glass Black-Capped Chickadee Paperweight
1851 Rare Large Vasart or Strathearn Paneled Millefiori Paperweight Pin Dish.  circa 1946-1969.  This pin dish features a paneled millefiori design with seven panels with a 1-2 cane pattern separated by colored twists over an orange ground.  There is a ring of pink canes with blue centers in the center of the design.  The dish is heavy with thick walls and a depressed center.  An interesting historical addition to any collection of Scottish paperweights, Ysart glass or millefiori collectibles. 

Items like this were made by the many of the Scottish paperweight companies (Ysart Brothers, Vasart Glass, Strathearn Glass, or even Perthshire Paperweights).  Some of the products made by Vasart were also sold with a Pirelli label.  It is important to note that most pin dishes started off as a paperweight.  The maker found a defect or problem and rather than stop, turned it into a pin dish.

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart GlassStrathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.

Large Size:  3 7/8” diameter by 1 5/8” high.  The center well is 2 13/16" diameter.  The base is fire polished and the pontil mark is ground down. 
Condition:  Very good condition.  I found two small scratches on the side, plus some scratches from wear on the base.  No chips or cracks.
Signature:  Unsigned, but I guarantee this is an early Scottish pin dish made by Vasart or possibly later by Strathearn. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Base
Side view
$125 postage paid in the US.                 Added 3/20/2021

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Large Vasart or Strathearn Paneled Millefiori Paperweight Pin Dish
4027 Magnum Joe St. Clair Greentown Colors Icepick Flower Paperweight.  circa 1960-1970.  This very large paperweight features five beige and white ice-pick flowers over an amber ground.  As is typical of this style, there is a carefully placed bubble in the center of each flower and also a carefully placed bubble in the ground in between each flower.  There is a layer of controlled bubbles surrounding the design.  This paperweight comes with the original two by four inch Joe St. Clair information insert.  It is hot stamped "JOE ST CLAIR" on the bottom.  A very flashy paperweight.

This style of flower is called an ice-pick flower because of the ice-pick like tool used to push each flower down to the ground to form a stem.

Note:  In the 1960s the St. Clairs started making replicas of pressed items previously associated with the Indiana Tumbler and Goblet Company in Greentown, Indiana.  These items were made in the Greentown colors of brown, amber, and caramel and often included fragments of glass dug up at the Greentown site.  The colors came to be known as Greentown colors.

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair (1909 - 1987) did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through Georg Jensen on Fifth Avenue in New York. Joe retired (the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  About the same time, Bob St. Clair and his wife Maude opened a new factory in Elwood.  Paul St. Clair retired from General Motors and joined Bob, along with Ed St. Clair and a nephew, Joe Rice.  Sometime later after Bob opened his factory, the new owners of the original factory sold the factory back to Joe.  So, for a while, there were two St. Clair Glass factories.  Bob St. Clair died in 1986.  Joe St. Clair died in 1987.  Ed St. Clair died in 1989 and the last brother,  Paul St. Clair died in 2000.

Very Large Size:  Just under 3 1/4" diameter by just under 3 1/2" high.  It weighs just under two pounds.  The base is finished flat and hot stamped in the center with the signature. 
Condition:  Excellent Condition with no chips, cracks, or scratches found on inspection.
Signature:  Hot stamped JOE ST. CLAIR on the base.  This probably dates from the 1960s or 1970s, but may be earlier.  Joe St. Clair died in 1987. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Joe St. Clair information insert
Signature on base
Closeup
Top view
Profile
Base
$125 postage paid in the US.                           Added 3/20/2021

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Joe St. Clair Greentown Colors Icepick Flower Paperweight
5223 D'Albret 1975 Double Overlay Sulphide Paperweight of Charles Lindbergh.  dated 1975.  This modern sulphide paperweight features a large three dimensional figure of the Charles Augustus Lindbergh.  The sulphide figure was designed by Gilbert Poillerat.  It has a light blue and white overlay with a clear glass ground and a fancy cut cog edged footed base.  This paperweight is faceted with one large top facet and six side facets.   Only 170 copies were made with an overlay.  It is signed on the front edge of the sulphide "C A LINDBERGH GP 75".  It is also etch signed in the center of the base "CR. D'ALBRET - FRANCE".  The paperweight comes with its original Paul Jokelson blue box marked "CHARLES A. LINDBERGH by G. POILLERAT CRISTAL D'ALBRET FRANCE P.J."  A great addition to any collection of historical sulphides. 

This paperweight was made in two formats for a total of 570 paperweights, including 170 blue and white overlays and 400 non-overlays.  All of the non-overlay paperweights had a cobalt blue ground.

Charles Augustus Lindbergh was an American aviator, military officer, author, inventor, and activist. At the age of 25 in 1927, he went from obscurity as a U.S. Air Mail pilot to instantaneous world fame by making a nonstop flight from New York City to Paris. (from Wikipedia)

Sulphides are cast objects (animals, flowers, people) made of a ceramic material that has properties similar to the surrounding glass.  They are normally white, but are also sometimes colored or even painted.  The objects are cast in a mold that copied or made directly from a medallion, coin or sculpture.  The finest French sulphides are cast in a mold made by a skilled artist.  Sometimes a sulphide will have a silvery appearance due to a thin layer of trapped bubbles between the glass and the sulphide itself. 

Cristalleries et Verreries de Vianne was founded in 1918 with the reorganization and reestablishment of a glassworks in the town of Vianne, France following World War I.  The company specialized in making lighting fixtures when they were approached in 1967 by Paul Jokelson with a proposal to make sulphide paperweights.  They accepted Jokelson's proposal and successfully made a variety of sulphide paperweights under the label Cristal d'Albret.  Jokelson was the US distributor for most, if not all, of these products.

Large Size:  3 1/8" diameter by just under 1 15/16" high.  The clear base has a fancy cut with a concavity in the center.  The paperweight is faceted with one large top facet and six side facets and is footed. 
Signature:  The paperweight is signed with an acid etched "CR. D'ALBRET - FRANCE" in the center of the base.  The sulphide is marked "C A LINDBERGH GP 75".  The paperweight comes with its original Paul Jokelson blue box marked "CHARLES A. LINDBERGH by G. POILLERAT CRISTAL D'ALBRET FRANCE P.J."  
Condition:   Excellent condition.  No chips, cracks, scratches or other flaws found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
D'Albret mark on base
"C A LINDBERGH GP 75" incised on sulphide
Box with paperweight
Box
Side view
Another side view
$145 postage paid in the US.                         Added 3/4/2021

For more information about sulphide paperweights, see my Sulphide Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
D'Albret 1975 Double Overlay Sulphide Paperweight of Charles Lindbergh
4312 Early Large Caithness Peter Holmes Cascade - Rainbow Two Layer Fountain Paperweight.  circa 1975.  This large egg shaped Caithness paperweight features a wonderful two layer fountain design with a rainbow of colors.  The fountains "cascade" down to a black ground dusted with grey frit.  It is etched on the base "Caithness CASCADE Scotland".  There is also a two color  "CG" signature cane on the base.  The glass has a grayish tinge.  A beautiful paperweight with great color.

Note on condition:  There is extensive scratching on the base including some rough areas on the edge of the base.  I have rated the condition Good rather than Very Good because this is an abnormal amount of wear for a contemporary paperweight.  The body of the paperweight is great and I found no chips, cracks or scratches on the body.

The CASCADE - RAINBOW design is listed and designated CT-32 on page 11 of the Charlton Standard Catalog of Caithness Paperweights.  It was designed in 1974 by Peter Holmes.  The Charlton Standard Catalog lists two versions of CASCADE, CT-31 on page 10 with silver fountains and CASCADE - RAINBOW, CT-32 on page 11 with the rainbow of colors.  Both started production in 1974, originally with a Peter Holmes "PH" signature cane and finished production with a Caithness Glass "CG" signature cane.  It is possible the switch to "CG" was the result of Holmes planning to depart Caithness which happened in 1977.  The paperweight offered here is clearly the Rainbow version. 

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Peter Holmes started his glass working career at Caithness Glass (Scotland) in 1963 as an apprentice to Paul Ysart.  He continued at Caithness until 1977, when he and Ron Hutchinson left Caithness to start Selkirk Glass.  Peter left Selkirk in 2002 to start Scottish Borders Art Glass with his son, Andrew, at Galalaw, Hawick. 

Very large size:  2 13/16" diameter by 4" high.  The base is ground flat. 
Condition:  Good condition.  There is extensive scratching on the base including some rough areas on the edge of the base.  I have rated the condition Good rather than Very Good because this is an abnormal amount of wear for a contemporary paperweight.  The body of the paperweight is great and I found no chips, cracks or scratches on the body. 
Signature:  It is signed with an acid etch on the base "Caithness CASCADE Scotland".  There is also a two color  "CG" signature cane on the base, indicating it was made in 1975 or later.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base (shows extensive scratching on base)
Signature cane
Profile
Another view
Base
SOLD.                                     Added 2/28/2021   

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Large Caithness Peter Holmes Cascade - Rainbow Two Layer Fountain Paperweight
5185

Large Joe St. Clair Icepick Flower Teapot Ring Holder Paperweight.  circa 1960 - 1980.  This teapot shaped figural paperweight is intended for use as a ring holder and is a very popular design.  It has five light blue icepick flowers  over a white chipped glass ground.  As is typical of this style, there is a carefully placed bubble in the center of each flower and also a carefully placed bubble in the ground in between each pair of flowers.  It is hot stamped "JOE ST CLAIR" on the bottom.  A very flashy figural paperweight.

This style of flower is called an icepick flower because of the ice-pick like tool used to push each flower down to the ground to form a stem. 

The St. Clair line (as far as paperweights are concerned) started with John "Pop" St. Clair, Sr. who worked at the George MacBeth Glass Works in Elwood from around 1903 to 1938.  Local natural gas production faltered in 1938 and the St. Clairs began to develop their ideas for a new business of their own.  Joe St. Clair (1909 - 1987) did the original experimentation and the business was formally started in 1941 in Elwood, Indiana.  John, Sr. and the brothers John, Jr., Joe, Ed and Bob all participated, while another brother, Paul, did not at first.  By 1944 St. Clair paperweights were being sold through the Georg Jensen Shop on Fifth Avenue in New York.  Joe retired (the first time) in 1971 and sold the factory to new owners in Elwood, Indiana.  Sometime later, the new owners of the original factory sold the factory back to Joe.  For a while, there were two St. Clair factories, one owned by Joe and the other owned by Bob St. Clair.

Size:  4 7/8" wide by 4" high.  The center paperweight portion is 2 1/2" in diameter. The bottom is finished flat and hot stamped in the center with the signature. 
Condition:  Excellent Condition with no chips or cracks.  No scratches found on inspection.
Signature:  Hot stamped "JOE ST. CLAIR" on the bottom.  This probably dates from the 1960s or 1970s, but may be earlier.  Joe St. Clair died in 1987. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup of icepick flowers
Signature on base
Another view
End view
Base
$59 postage paid in the US.                                       Added 2/24/2021

For more information about paperweights made by the St. Clair factory, see my St. Clair Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Joe St. Clair Icepick Flower Teapot Ring Holder Paperweight
842 Magnum 1930s Chinese Scrambled Millefiori Paperweight.  circa 1930.  This is an extra large example of a 1930s scrambled millefiori paperweight from China filled with a nice assortment of millefiori canes and twist canes.  This style was intended to be a copy of a French scramble or end of day weight from 1845-1860 (probably St. Louis or Clichy), but it will not fool today's collectors.  This example is scratch signed "CHINA" on the base.  As with most Chinese paperweights of this period, this paperweight has a light weight glass mixture that is high in soda and has a greenish tinge.  The glass has a soft oily feel and there are many light scratches and scuff marks.  There are also striations (sugaring) in the glass.  An unusually large example worthy of any collection of Chinese paperweights.

Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France.  Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces.  The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered.  The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made.  The results are interesting and sometimes confused with the originals by inexperienced collectors.  The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939.  Smith was aware that at least one of the paperweights shown in his book was Chinese.  Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939.

In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin.  As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA".  Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement.  Most likely the earliest Chinese paperweights were made prior to 1930.

The Chinese makers often combined design features found in paperweights from different makers.  For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights.  The original Baccarat pansy paperweights never had a latticinio ground.  They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. 

In general, Chinese paperweights from the 1930s have a light weight glass mixture that is high in soda and has a greenish tinge.  The glass also has a soft almost oily feel.  Frequently they have bubbles or debris in the glass.  And because of their age, many of these have minor scratches or other surface defects.  Chinese paperweights made in the 1970s and later usually have better quality glass and are free of debris. 

Very large size:   Just under 3 7/16” diameter by 2 7/16"  high.  The base is rough, fire finished, and ground concave in the center.  A remnant of the pontil scar remains in the center.
Signature:  Scratch signed "CHINA" on the base.  
Condition:  Good condition.  It has many surface scratches and scuffs.  No cracks or chips.  Striations in the glass.  The quality of the glass is poor with some debris - as is typical of early Chinese paperweights. The glass has a greenish tinge and it has a soft oily feel.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature
Closeup
Profile
Base
Side view
Another view
$125 postage paid in the US.                                  Added 2/23/2021

For more information about paperweights from China, see my Chinese Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum 1930s Chinese Scrambled Millefiori Paperweight
4026 Miniature Strathearn Eight Pointed Star Concentric Millefiori Paperweight with Opaque Lime Green Ground.  circa 1963-1968.  This miniature paperweight features a three ring concentric millefiori design and is finished as a eight pointed star.  The ground is an opaque lime green.  The star points give the glass a glittery appearance.  This paperweight has a worn Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base.  A great addition to any collection of Scottish glass. 
 
This is called a pressed weight because a mold is used to form the shape.  The top is flattened.  The star points give the glass a real glittery appearance as you can see in the pictures. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.

Miniature size:   2 1/16” diameter by 1 1/8” high.  The base is fire polished. 
Condition:  Excellent condition.  No damage found on inspection.   
Signature:  This paperweight has a worn Strathearn paper label with a leaping salmon and "STRATHEARN HAND MADE IN SCOTLAND" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Profile
Base with label
Another view
$59 postage paid in the US.                                                 Added 2/22/2020

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Miniature Strathearn Eight Pointed Star Concentric Millefiori Paperweight with Opaque Lime Green Ground
2836 Selkirk 1996 Stylized Blue Flower Paperweight.  dated 1996.  This paperweight has an stylized or abstract blue floral design with five trumpet shaped petals and a green center.  Each of the trumpet shapes has an elongated bubble in the center.  The design is placed over a translucent blue ground.  It is signed in script on the base "SELKIRK GLASS SCOTLAND 1996".  It also has a worn paper label "SELKIRK GLASS HANDMADE IN SCOTLAND".  A colorful  example from Selkirk Glass.

Selkirk Glass founded in 1977 by Peter Holmes and Ron Hutchinson.  Peter apprenticed under Paul Ysart at Caithness from 1963 and continued at Caithness until 1977.  Ron Hutchinson was also at Caithness.  Selkirk produced a wide range of paperweight styles including abstract, lampwork and millefiori paperweights.  The company was located in Selkirk, Scotland in the Borders Region.  At some point they were purchased by Edinburgh Crystal and remained in operation until 2006. .

Peter Holmes started his glass working career at Caithness Glass (Scotland) in 1963 as an apprentice to Paul Ysart.  He continued at Caithness until 1977, when he and Ron Hutchinson left Caithness to start Selkirk Glass.  Peter left Selkirk in 2002 to start Scottish Borders Art Glass with his son, Andrew, at Galalaw, Hawick. 

Large size:  2 13/16" diameter by 2 5/8" high. The bottom is ground concave. 
Signature:  It is signed in script on the base "SELKIRK GLASS SCOTLAND 1996".  It also has a worn paper label "SELKIRK GLASS HANDMADE IN SCOTLAND".
Condition:  Excellent condition with some wear on the base and one faint scuff or scratch (less than 1/8" long) on the side.  No other scratches, cracks or chips found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Top view
Label
Profile
Base with Signature and Label
Base
Scuff (less than 1/8") on side
$95 postage paid in the US.                                            Added 2/18/2021

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Selkirk 1996 Stylized Blue Flower Paperweight
3436 Robert Townsend Translucent Veiled Yellow Abstract Faceted Paperweight.  circa 1980s or later.  This distinctive paperweight with three top facets has an abstract multi-layered veiled design of transparent pale yellow and clear colored glass.  The veiling technique allows the glass to react to light and create a fluid, airy effect.  It is signed on the base "Robert Townsend", but it is possible that I am reading the signature incorrectly.  I show the signature as it appears and then darkened to make it easier to read.  An interesting paperweight that shows considerable skill.

This paperweight has a translucent design was difficult to photograph.  It has "veil" effect created by using a metallic powder in the glass.  The veiling technique was first developed by Dominic Labino in the early 1970s.  Later it was used by Harvey Littleton (1980), Ed Nesteruk (1982), Michael O'Keefe (1984), Robert Eickholt, Gilbert C. Johnson, and others. 

The paperweight is signed Robert Townsend, but I have been unable to learn anything about the artist.  It is professionally executed and finished.  I purchased the paperweight as part of a Massachusetts collection of quality paperweights.

Size:  Just over 2 7/8" diameter by just over 2 5/8" high.  The base is polished flat. 
Signature: Signed "Robert Townsend" on the base.  The signature was difficult to photograph, so I show the signature as it appears and then darkened to make it easier to read.   
Condition:  Excellent condition with no cracks or chips.  Some wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Top view
Signature and a darkened version
Base
SOLD.                                                     Added 2/15/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Townsend Translucent Veiled Yellow Abstract Faceted Paperweight
5265 Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight.  circa 1971 - 1980.  This paperweight features two yellow pears along with three green leaves, and a seed pod.  It is signed in the design with a fancy Whittemore "W" compound signature cane.  The signature cane is a white "W" on a blue background surrounded by a ring of white stars.  The design is placed on a translucent green ground.  Whittemore revisited this theme several times during his career as a paperweight maker.  A beautiful example.

Note:  This was a difficult paperweight to photograph.  The highly reflective surface even picked up a reflection of my hand and my camera.  If you need more pictures please let me know.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed during the period that he was consulting at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Miniature size:  Just under 2 1/16" diameter by 1 11/16" high. The bottom is ground concave.
Signature:  Signed in the design with a Whittemore "W" complex signature cane.  The one used in this paperweight has a white W on a blue background surrounded by a ring of white stars.  It helps to date the paperweight to after 1971 when he started working with Baccarat. 
Condition:  Excellent condition.  No chips, cracks, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
Another view
$375 postage paid in the US.                                            Added 2/14/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight
2843 Edinburgh Crystal Caithness 1986 Double Trefoil "Ring of Roses"Millefiori Paperweight.  circa 1986.  This is a rare example made by Caithness Glass for Edinburgh Crystal.  It features a double trefoil design titled "Ring of Roses" with green and pink millefiori and an Edinburgh "E" signature cane in the center.  The design is placed over a dark purple almost opaque ground.   

Note:  Most Edinburgh paperweights were also signed with an acid etch or sandblasted signature - this example is not.  It is possible that this is an early prototype or even a second.  

The Ring of Roses design is shown in the 1986 Edinburgh Crystal Paperweights catalog as an unlimited issue paperweight.  The 1986 catalog showed eight unlimited designs and twelve limited edition paperweights.

Edinburgh Crystal originated as a glassworks in Scotland at Leith in 1664.  The company had a long history as a glassworks, merging with and acquiring other companies, eventually becoming part of  Webb Glass after World War I, although they retained the name Edinburgh and Leith Glassworks until 1955.  In 1955, the name was changed to Edinburgh Crystal Glass Co.  Edinburgh never made glass paperweights.  Paperweights were made for Edinburgh by Caithness Glass in 1985 and 1986.  Later production appears to have been outsourced to other countries.  In 2004 Edinburgh Crystal purchased Caithness Glass out of receivership.  Finances did not work out and Edinburgh ceased to exist in 2006 with Dartington Crystal acquiring some of the remaining assets.

Caithness Glass was founded by Robin Sinclair in Wick in north eastern Scotland in 1961.  The factory did not start making paperweights until 1962 when Paul Ysart joined Caithness.  Colin Terris joined Caithness in 1968 and started the modern line of paperweights in 1969.  A second factory was opened in Oban in 1969 and the Perth factory opened in 1979.  In 1980, Caithness purchased the Whitefriars name and designs.  More recently Caithness recently went through a number of changes of ownership.  After going into receivership in 2004, it was purchased by Edinburgh Crystal, but went into receivership again in 2006.  Finally, it was bought out of receivership by Dartington Crystal.  The factories in Wick, Oban and Perth all closed and were replaced by a smaller operation and visitors' center in Crieff.

Large Size:  2 7/8" diameter by just under 2 3/16" high.  The base is ground flat.
Condition:  Good to Very Good condition.  There is considerable wear and scratches on the base.  There is also one 3/4" long scratch on the side next to the base - shown in the picture of the base.  No other damage or scratches were found on the dome. 
Signature:  It is signed with an Edinburgh "E" signature cane in the center of the design.  The signature cane has a flaw on one side - bubbles in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Scratch (3/4") on side next to base
Signature cane
Profile
Closeup
Side view
$75 postage paid in the US.                                         Added 2/7/2021 

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Edinburgh Crystal Caithness 1986 Double Trefoil "Ring of Roses"Millefiori Paperweight
4856 Baccarat 1976 Gridel Series Magnum Millefiori White Monkey Limited Edition Paperweight.  dated 1976.  This modern millefiori paperweight features a large central Gridel white monkey silhouette on a black background surrounded by a ring of white canes.  The white monkey cane is set in the center of a paneled pattern with six panels of blue and green millefiori and surrounded by a ring of identical green canes.  The panels are divided by rays of smaller Gridel canes plus Baccarat's complex signature / date cane "B 1976".  Each ray contains three Gridel canes, with the exception of one ray which contains two Gridel canes plus the signature / date cane.  The design is set on a translucent white ground.  This design was released in 1976 in a limited edition of 350 pieces.  This is number 186 in that edition.  This paperweight is also signed on the base with an acid etched Baccarat mark along with the year (1976) and edition number (186).  A fantastic paperweight. 

In 1846 Baccarat introduced the popular Gridel figures in their closepack millefiori paperweights.  It was named after Emil Gridel, the nephew of Jean-Baptiste Toussaint the general manager of Baccarat.  Toussaint saw Gridel making paper cutouts of animals and saw an opportunity to incorporate these silhouettes in millefiori paperweights.   From 1971 to 1979 Baccarat issued a modern Gridel series of millefiori paperweights based on eighteen Gridel figures.  Each paperweight has a large Gridel figure in the center with smaller versions of the other figures included in the design.  There are variations in orientation and color as well as the types of canes in each design and it is possible to amass a very large collection covering just this series.

Very Large Size:  Just under 3 7/16" diameter by just under 2 5/16" high.  The base is ground flat.
Signature:  The paperweight is signed with Baccarat's complex signature cane "B 1976" in the design.  It also has one acid etched Baccarat mark on the base along with the year (1976) and edition number (186). 
Condition:   Excellent condition.  There is some minor wear on the base, but no other cracks, chips, or scratches found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Baccarat logo, date, and edition number on base
Signature cane "B 1976"
Side view
Base
$395 postage paid in the US.                                                         Added 1/30/2021.

For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Baccarat 1976 Gridel Series Magnum Millefiori White Monkey Limited Edition Paperweight
5376 Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight.  circa 1965 - 1975.  This paperweight features an innovative presentation of a bunch of mistletoe and white berries with two three-dimensional pink bells.  Each bell has a Whittemore black on yellow "W" signature cane as a clapper.  The design is placed on a translucent blue ground.  It is part of a limited edition of 100 paperweights and is engraved "54" on the base.  I don't have the original limited edition certificate.  A beautiful example.

Note:  There is a small rough area on the edge of the base.  I don't think this is damage, but rather an area left unpolished when the paperweight was made.  Today's cameras pick up the smallest defect.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 15/16" high. The bottom is ground concave but a small area was left unpolished (see picture)
Signature:  Signed in the design with two Whittemore signature canes used as clappers for the bells.  Each signature cane is a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches.  There is, however, a small rough area on the edge of the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Canes used as clappers
Base
Side view
Rough area on edge of base and engraved edition number
$375 postage paid in the US.                                               Added 1/27/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.     (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight
5383 Rare Harold J. Hacker Snake Paperweight.   circa 1966 - 1980.  This wonderful Harold Hacker lampwork snake paperweight.  The long brown snake with two white eyes and a long slender tongue has a yellow stripe down its back.  It blends perfectly with the copper colored frit ground.  It is engraved "HJH" on the base.  A very similar example is shown on page 172 of Melvin's book American Glass Paperweights and their Makers (Revised 1970).  A desirable example of Hacker's work.

Harold James Hacker (1906 - 1989) was born in Weston, West Virginia and, at the age of thirteen, took a job at the Weston Glass Plant.  Later he worked at the West Virginia Specialty Glass Company and learned some of the rudiments of blowing glass.  In 1936 he moved to California and worked at the Technical Glass Company in Los Angeles.  After service in the armed services during world war II, he obtained a concession at the Knott's Berry Farm making miniature glass objects, built on a hobby of lampworking that started back in West Virginia.  In 1966 Hacker and a friend from West Virginia, A. F. Carpenter, started experimenting with glass paperweights at a small studio near Hacker's home in Buena Park, CA.  In the beginning they made more traditional lampwork floral arrangements and millefiori paperweights, but then focused on lampwork snakes, reptiles, turtles, and other animals.  Their output was low and, even with two helpers, never exceeded 200 paperweights a year.  All were signed with variations of Hacker's signature, "Hacker", "Harold Hacker", "Harold J Hacker", or just the initials "HJH".  It is not possible to specifically identify which lampwork animals were made by A. F. Carpenter, but it is believed that Carpenter was the better lampwork artist and Hacker did some of the simpler designs.  Hacker also did the encasement.  Their work was considered good enough to earn an entry in  Dunlop's Dictionary of Glass Paperweights.  Both men are included in Jean Melvin's book American Glass Paperweights and their Makers (revised edition 1970) and Hacker has a page in Larry Selman's All About Paperweights.  Harold Hacker wrote an article "The Art of Paperweights" for the 1968 Annual Bulletin of the Paperweight Collectors' Association. 

Size:  2 3/4" diameter by 1 1/16" high.  The base is ground flat.  Note the low profile.
Condition:  Very good condition.  There are some scuff marks on the widest part of the paperweight.  No other chips, cracks, or scratches found on inspection.
Signature:  Engraved "HJH" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base
View of back
Side view
Another view
Profile
$165 postage paid in the US.                          Added 1/22/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Harold J. Hacker Snake Paperweight
600 Early Mark Matthews 1981 Experimental Spiral Paperweight.  dated 1981.  This is an early Mark Matthews Translucent Swirl Paperweight.  It features a precise gold swirl applied to a dark brown or dark red surface.  It was made in 1981 before Mark started his studio in 1985, so it may have been made during his student days.  I have labeled this as an experimental piece because there are many surface "flaws".  These flaws don't appear to be damage but rather the result of an unfinished or experimental process.  Marble collectors are familiar with this amazing artist but he made relatively few paperweights.  His focus is spheres and some of them sell for thousands of dollars.  This is a chance to own an early Mark Matthews work.

Mark Matthews started working in glass in 1974 while he was still an undergraduate at glorious Kent State University and continued his studies at Ohio University, receiving an MFA.  Since 1985 he as worked full time in glass as an independent glass artist with his studio located within the Sauder Village in Archbold, Ohio.  Matthews has become internationally recognized for his mastery of the glass sphere.  His stated goal is to explore the ways radically different designs and techniques can be used within a well-defined category such as spheres.  Mark Matthews work has been published in many books and is held in museums such as the Victoria & Albert Museum in London, England, the Corning Museum of Glass in New York, the Toledo Museum of Art in Ohio and the National Museum of American Art, Smithsonian Institution, Washington, D.C.   

Large Size:  Just under 3 1/16" diameter by 2 7/16" high.  The base is unfinished with a broken pontil scar. 
Signature: It is signed in script on the base "Mark Matthews 1981".
Condition:  Good condition.  There are many surface flaws and this appears to be an experimental piece or prototype.  No cracks or chips.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature on base
Closeup
Top view
Side view
Another view
$395 postage paid in the US.                                          Added 1/17/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Mark Matthews 1981 Experimental Spiral Paperweight
4646 Magnum Victor Trabucco Pink Clematis Paperweight with Buds on Trellis.  dated 1983.  This Victor Trabucco paperweight consists of a large pink clematis with two buds and leaves and stems on a white trellis.  The clematis flower has five textured petals with dark bushy stamens in the center.  One bud is about to open.  There are ten veined leaves.  The design is set on a clear ground.  It is signed on the side near the base "Trabucco 1983".  There is also a "VT" signature cane on the underside of a leaf.  A beautiful paperweight. 

Victor Trabucco's original career was as a steelworker.  He began working with glass in 1974 after seeing a flameworker make a sculpture. He knew this was what he wanted to do for his life's work. Trabucco says that “Glass is the ultimate challenge; it has properties of no other material and offers the artist possibilities that are inspiring for the creative process. His work is often inspired by nature, capturing the beauty and motion of the subject and freezing a moment in time. His work is in the collection of many major museums.  Victor set up his first studio in the basement of his house and learned by experimentation.  He now works with his sons Jon and David in a large studio in Clarence, NY. 

Very Large Size:   Just over 3 1/8" diameter by 2 1/2" high.  The base is ground concave. 
Signature:  Signed "Trabucco 1983" on the side near the base. There is also a "VT" signature cane on the underside of a leaf. 
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.  One tiny imperfection found on the side that appears to be a speck of dirt in the glass. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature on side near base
Signature cane on underside of leaf - signature is also visible
Another side view
$675 postage paid in the US.                                                                        Added 1/5/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Victor Trabucco Pink Clematis Paperweight with Buds on Trellis
4566 Large Whitefriars Early Faceted Six Ring Concentric Millefiori Paperweight.  dated 1970.  This paperweight has six concentric rings of canes (blue, white, turquoise, dark blue, red, and white) around a larger center cane with a star center.  The ground is clear crystal.  Typical heavy Whitefriars lead crystal.  The paperweight is faceted with a large top facet and five large side facets.  It has a Whitefriars signature cane with a white monk and the date 1970 in the outermost white ring and also has an early paper label used from the mid 1950s into the early 1970s.  With its bold colors, this is a very nice addition to any collection of  millefiori paperweights.    

Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The paperweights with mosaic canes are especially sought after.  The name Whitefriars Glass dates from sometime in the 1600s.  The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company.  Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962.  Other sources state that the Whitefriars name was used from 1680 to 1980.  Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog.  Millefiori items were made using English full lead crystal (33% lead oxide).  It is difficult to associate specific paperweights with this production.  After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951.  Even then relatively few designs were produced until the 1970s.  In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile. 

Large Size:  Just over 3" diameter by 1 7/8" high.  The base is ground concave.  Faceted with a total of one large top facet and five large side facets.
Condition:  Excellent condition.  No chips, cracks or scratches found on inspection.  There are some small bubbles in the glass.
Signature:  It has a Whitefriars signature cane with a white monk and the date 1970 in the outermost white ring and also has an early paper label used from the mid 1950s into the early 1970s.

For extra pictures, click on the picture at the right and the following links:  

Large picture
Closeup
Profile
Signature cane
Label
Side view - shows small bubble
Base
Side with label
$275 postage paid in the US.                                           Added 1/4/2021

For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Whitefriars Early Faceted Six Ring Concentric Millefiori Paperweight
5102 Large Antique Clichy Spaced Concentric Millefiori Paperweight with 25 canes including a Green and Pink Rose.  circa 1845-1860.  This wonderful antique Clichy spaced millefiori paperweight contains an arrangement of 25 millefiori canes on lace ground.  There are three rings with 12 canes in the outer ring, six in the middle ring and six in the inner ring plus a wonderful large green and pink rose cane in the center.  The canes are intricate and very colorful.  See the close-up picture for more detail.  A fantastic paperweight.

Clichy paperweights are highly sought after by collectors for their complex canes and brilliant colors.  The Clichy factory was founded at Billancourt near Paris in 1837.  Shortly after that it moved to Clichy-la-Garenne, which gave the factory its best known name.  They stayed in operation until about the 1870s. 

Large Size:  Just over 3 1/16" diameter by 2 1/8" high.  The base is ground concave. 
Condition:  Very good condition.  No cracks, chips or scratches found on inspection.  The profile is slightly flat and not completely smooth, resulting in a tiny bit of distortion.
Signature:  Unsigned but I guarantee this to be an authentic antique Clichy paperweight.   

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Profile view
Another closeup
Side view
Base
Still another closeup
And another
$995 postage paid in the US.                US Sales only, no international shipping.  Delivery will require a signature.                        Added 12/26/2020

For more information about Antique Paperweights, see my Antique Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Antique Clichy Spaced Concentric Millefiori Paperweight with 25 canes including a Green and Pink Rose
4393 Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight.  circa 2000.  This is a rare footed lush pink crimp rose paperweight made by Robbie Mason at Pairpoint Glass in Sagamore, Massachusetts.  It has 13 petals with a 4-4-3-2 pattern and 4 outer green leaves. It has a styled foot.  This is an unusual rose style for Pairpoint which is better known for their assembled roses with eight leaves (or four large leaves and four narrow sepals).  The attribution is based on comparison to signed examples made by Robbie Mason.  A wonderful and rare example of the best of modern Pairpoint production. 

Note:  Crimp roses from Pairpoint are rare.  More typically, the rose is fashioned from a frit pickup or assembled.  The leaves are identical to the large leaves in other Pairpoint rose paperweights.  Several experts have reviewed this example and agree with the attribution. 

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners several times. It continues to operate at that location today. 

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020.

Large Size:  Just under 2 7/8” diameter by just under 3” high.  The foot is 2 3/8" in diameter.  There is a remainder of a pontil mark in the center of the foot. 
Condition:  Excellent condition.  No damage found.
Signature:  Unsigned but I guarantee that this paperweight was made by Robbie Mason at Pairpoint Glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Top view
Base
$595 postage paid in the US.                                          Added 12/24/2020

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.       (dl-ca-va)

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight
5428 Rare 1974 Strathearn Faceted Upright Red Flower Paperweight with Original Box.  dated 1974.  This is a rare Strathearn faceted five petal upright red flower with three leaves and a stem.  There is a translucent red ground.  It is designated PSF62 in the catalog on Scotland's Glass and is part of the second series of upright flower.  It has a polished flat base.  The paperweight is faceted with a small top facet and eight side facets (four large and four smaller below).  There is a paper label "STRATHEARN HAND MADE IN SCOTLAND" and Strathearn's "S 74" signature cane on the base.  It comes with its original satin lined blue Strathearn Glass box.  A great addition to any collection of Scottish paperweights. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The company is no longer in existence.

Large Size:  2 5/16” diameter by 3 1/2” high.  It has a polished flat base.  The paperweight is faceted with a small top facet and eight side facets (four large and four smaller below).  The box is 6 1/2" long by 4" wide by 3" high.
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  The box is also in very good shape with only a bit of tarnish on the brass fittings.
Signature:  This paperweight has a paper label "STRATHEARN HAND MADE IN SCOTLAND" and Strathearn's "S 74" signature cane on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Paperweight with box
Signature cane and label
Base
Profile
Box
Another view
$175 postage paid in the US.                                                                           Added 11/30/2020

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare 1974 Strathearn Faceted Upright Red Flower Paperweight with Original Box
5294 Medium Colorful Strathearn Paneled Millefiori Paperweight.  circa 1963-1968.  This attractive paperweight consists of a paneled millefiori pattern with eleven sections of 1orange +1 green +2 tiny blue millefiori patterns each separated by a white latticinio twist cane.  The blue canes are visible only from the side.  There is a central ring of eight millefiori canes and then a center millefiori cane.  The canes are early Scottish millefiori canes on a transparent brown ground.   This is a great example.   A nice addition to any collection of Scottish paperweights. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.  The company is no longer in existence.

Medium Size:   2 9/16” diameter by 1 3/4” high.  Bottom is fire polished. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection other than mild wear on the base. 
Signature:  Unsigned, but I guarantee this to be a Strathearn paperweight from Scotland. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
Side view
$85 postage paid in the US.                                                 Added 11/21/2020    

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Medium Colorful Strathearn Paneled Millefiori Paperweight
4742 Antique Millville Style Magnum Rock of Ages Four Color Frit Paperweight.  circa 1900-1920.  This frit paperweight features a rare four color Rock of Ages motif with a turquoise cross on a rock in the middle of the water.  There is a brown or dark red vine growing on the cross.  The text "ROCK OF AGES" appears in blue and red above the cross.  The design is set in colored frit on an opaque white enamel ground.  The white ground color wraps around to the base and covers the base except for a clear circle in the center of the base where the pontil rod would have been.  This paperweight was probably made at the Whitall Tatum factory in Millville, New Jersey in the first quarter of the 19th century.  Some collectors believe that the clear circle on the base points to the Corning, NY area rather than Millville as the place of manufacture.  A great addition to any collection of antique American paperweights. 

Note: This is a very nice clean example but I did find a very faint small (1/8”) partial circular impact mark on careful inspection.  Please review the pictures.

Frit refers to the powdered glass used to make the design.  The design is set up in frit in a metal die and then picked up with a gather of the ground color.  When encased, there is sometimes a ridge or crease line between the solid (in this case white) base area and the clear encasement.  Some collectors refer to this as two piece construction.  This type of construction has been associated with Whitall Tatum and other factories in the Millville area.  There is no crease on this paperweight, but the encasement stops where the white ground color starts. 

Whitall Tatum was one of the first glass factories in America.  Located in Millville, New Jersey, it was in operation from 1806 through 1938.  The factory in Millville was purchased by a series of companies and eventually shut down in 1999.  It is believed that Whitall Tatum workers were allowed to make paperweights from as early as 1860 until the practice was discouraged sometime after 1912. 

Some collectors believe that the clear circle on the base points to the Corning, NY area rather than Millville as the place of manufacture.  There is no documentary proof to support this, but a number of weights of this type (with the clear circle on the base) have been found in the Corning area. 

According to Newell's Old Glass Paperweights of Southern New Jersey , frit weights were made as early as 1863.  Newell identifies this style as a true American folk art and gives a history of paperweight making at Whitall Tatum and other South Jersey factories. 

Very large size:  3 11/16” diameter by 2 9/16” high.  The base is ground flat.  This paperweight weighs 34 ounces.
Condition:  Excellent condition.  This is a very nice clean example but I did find a very faint small (1/8”) partial circular impact mark on careful inspection.  Please review the pictures.  There is appropriate wear on the base. 
Signature:  Unsigned but I believe this paperweight was made at either Whitall Tatum in the Millville area of Southern New Jersey or in the Corning NY area.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Faint 1/8" impact mark
$195 postage paid in the US.                                       Added 11/11/2020

For more vintage American paperweights, see my Vintage American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique Millville Style Magnum Rock of Ages Four Color Frit Paperweight
5283 Antique Clichy Spaced Concentric Millefiori on Lace Paperweight with Rose.  circa 1845-1860.  This antique Clichy spaced concentric millefiori paperweight has a two concentric rings of complex millefiori around a central red pastry mold cane.  There is a wonderful large green and pink Clichy rose in the inner ring.  There are 19 canes in all, all placed on an upset muslin or lace ground.  The canes are intricate and very colorful.  See the close-up picture for more detail.  A especially nice antique Clichy paperweight. 

Clichy paperweights are highly sought after by collectors for their complex canes and brilliant colors.  Clichy paperweights with rose canes are especially desirable.  The Clichy factory was founded at Billancourt near Paris in 1837.  Shortly after that it moved to Clichy-la-Garenne, which gave the factory its best known name.  They stayed in operation until about the 1870s.  

Small Size:  2 1/4" diameter by just over 1 5/8" high.  The base is ground slightly concave. 
Condition:  Excellent condition.  There is wear on the base but no other chips, cracks, or scratches were found on inspection.  This paperweight has probably been restored in the past.
Signature:  Unsigned but I guarantee this to be an authentic antique Clichy paperweight. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Another closeup
$1,125 postage paid in the US.                       US Sales only, no international shipping.  Delivery will require a signature.                        Added 10/25/2020 

For more information about Antique Paperweights, see my Antique Paperweights Web Page. 

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Antique Clichy Spaced Concentric Millefiori on Lace Paperweight with Rose
4699 Charles Kaziun Jr. Miniature Blue and White Convolvus (Morning Glory) with Bud and Bee on Dark Red Ground.  circa 1960-1980.  This is a graceful three-dimensional blue and white Convolvus (or Morning Glory) flower with a bud, four leaves, and stem.  There is a miniature gold foil bee on one of the leaves.  The ground is a very dark red (almost black).  The red layer is slightly transparent but it is backed with an opaque white layer which makes the ground overall opaque.  The paperweight is signed on the white underside of the ground with a gold foil K.  This is a very attractive addition to any collection of Kaziun paperweights. 

This design was one of Charles Kaziun's signature designs.  There are variations with and without the gold bee.  

Note:  The mirror like dark ground made this paperweight very difficult to photograph.  Please ignore the reflections from the lights and from my camera and lens.   

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Small Size:  2 1/8" diameter by 1 5/8" high.  The base is ground concave.
Signature:  Signed on the white underside of the dark red ground with Kaziun's gold K. 
Condition:  Excellent condition with no chips or cracks or scratches. 

For extra pictures, click on the picture at the right and the following links: 

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Closeup
Gold foil K signature on underside of ground
Base
SOLD.                               Added 10/15/2020

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.          (dl-kaz-ca) 

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Charles Kaziun Jr. Miniature Blue and White Convolvus (Morning Glory) with Bud and Bee on Dark Red Ground
5292 Large Strathearn Paneled Millefiori Paperweight with Transparent Green Ground.  circa 1963-1968.  This very attractive paperweight consists of a paneled millefiori pattern with ten sections each with one small and one large millefiori cane and separated by a white latticinio twist cane.  There is a central ring of eight millefiori canes and then a center millefiori cane.  There are a two stray small bubbles over the center cane.  The canes are early Scottish millefiori canes on a transparent green ground.   This is a very nice example.  A great addition to any collection of Scottish paperweights. 

The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922.  They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period.  In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label.  Salvador Ysart died in 1955  The company name was later changed to Vasart Glass.  Strathearn Glass was formed in a reorganization of Vasart glass in 1963.  The new company was owned by Teachers Whiskey.

Large Size:   Just under 3 1/8” diameter by 2 1/16” high.  The base is fire polished. 
Condition:  Excellent condition.  Some wear on the base, but no other chips, cracks, or scratches. 
Signature:  Unsigned, but I guarantee this to be a Strathearn paperweight from Scotland. 

For extra pictures, click on the picture at the right and the following links: 

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Closeup
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Base
Side view
$120 postage paid in the US.                                                 Added 10/14/2020

For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Strathearn Paneled Millefiori Paperweight with Transparent Green Ground
3070 Special Peter McDougall Medium Ribbed Millefiori Paperweight Made For 2011 PCA Convention.  This ribbed millefiori paperweight has a paneled millefiori pattern with set in red, white, and blue.  It was made as a table favor for the 2011 Paperweight Collectors Association convention in Washington, DC.  There are seven panels, each with a 1-2 pattern of red, white and blue millefiori separated by red, white and blue twists.  There is a special convention complex cane in the center "WDC 2011".  The ground is a opaque black.  It is scratch signed PCA on the back and also has a paper label "PMcD Glass Studio LTD, Hand Made in Crieff Scotland." 

This is called a pressed weight because a mold is used to form the shape.  The top is flattened. 

Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s.  When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker.   Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale.  Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012.  The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future.

Medium Size:  Just over 2 1/2" diameter by 1 1/4" high.  The base is ground concave.
Condition:  Outstanding condition with no scratches, chips or cracks. 
Signature:  Signed with a special "WDC 2011" complex cane in the design and it also has a paper label "PMcD Glass Studio LTD, Hand Made in Crieff Scotland." 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile View
Peter McDougall label and PCA designation
Base
$195 postage paid in the US.