Allan's Paperweights

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Vintage American Paperweights for Sale


The paperweights on this page are mostly from unidentified American glass companies.  I usually refer to them as Midwest US or Vintage American.  They may have been made in Indiana, Ohio, Pennsylvania, West Virginia, New Jersey, or even somewhere in Canada. 

For more information about American paperweights from this period take a look at the book  American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970).   For some great references on paperweights, check out my list of paperweight books for sale.

If you would like to purchase any of these paperweights, e-mail me at: aport@paperweights.com
 
 
5276 Very Early Francis Whittemore Miniature White Millefiori Flower with Leaf and Blue Bud on a Pink Ground Paperweight.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features a five petal white flower constructed from millefiori canes, a blue twist bud, and one green leaf and stem.  It is signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a powdery pink ground which penetrates the clear encasement at the edges.  This is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This paperweight is almost the same as the examples offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover).

Note on execution:  The pictures of the edge of the base show that Whittemore had not yet mastered the encasement of the pink ground.  He must have used a frit powder for the pink ground and you can see a splatter of the powder into the clear encasement.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 1/16" high.  This paperweight has a very low profile.  The bottom is ground concave.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There is a flaw in the encasement process where the pink powder lifted into the clear encasement (see pictures).  This is not damage - rather it shows how every artist encounters challenges when learning a new medium.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
View of edge showing frit splatter
SOLD.

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Very Early Francis Whittemore Miniature White Millefiori Flower with Leaf and Blue Bud on a Pink Ground Paperweight
1312 Early Pairpoint Concentric Millefiori Paperweight with Heart Canes - CRACKED.  circa 1970 or earlier.  This is a concentric millefiori paperweight with three identical canes in the center, each with a blue and white heart cane in the center. The outer ring consists of eleven identical pastry mold canes, each with an eight armed cog in the center.  The design is placed over a transparent amber ground or flash layer.  Although the glass is clear on top, the amber base color gives it an overall appearance of color.  The canes are all close to the base.  And please make note that there is an internal fracture.  Although the execution is somewhat primitive, this is an interesting historical addition to your Pairpoint collection.  I suspect this is an early example of Bryden Pairpoint's early efforts to make millefiori paperweights.

NoteThis paperweight has an internal fracture and also a flat spot on the top. 

Note 2:  Please ignore the white areas, they are glare from the lights.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The last New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970.  It continues to operate at that location today, with new owners in 2015. 

Large Size:  2 11/16" diameter by just over 1 11/16" high.  The base is ground concave and has an amber flash or stain finish giving the entire paperweight an amber appearance. 
Condition:  Fair condition.  The paperweight has an internal fracture (crack) and the top was flattened at some point during the making.  There are some minor striations in the glass.
Signature:  Unsigned, but I guarantee that this is an early Pairpoint paperweight.  The millefiori canes in this paperweight have been verified as early Pairpoint canes.   

For extra pictures, click on the picture at the right and the following links: 

Large picture of the paperweight
Close-up view
Profile view
Side view
Base showing amber flash ground
View of crack
$85 postage paid in the US.  

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Early Pairpoint Concentric Millefiori Paperweight with Heart Canes
5530 Ed Rithner Eight Petal Teal Flower Paperweight.  circa 1940-1970.  An upright flower with eight teal green petals over a speckled green cushion ground.  Each petal has a white outline.  The cushion ground has four pleats with a carefully placed bubble between each pleat.  There is also a planned bubble in the center of the larger flower at the top.  A classic Rithner design. 

Ed Rithner worked in Wellsburg, West Virginia from 1908 to the 1970s or later.  You can read about Ed Rithner in Jean Melvin's book on American Glass Paperweights and their Makers .  All of Rithner's weights are unsigned. 

Large size:  3" diameter by 2 3/8" high.  The base is fire finished and then ground to a matte finish in the center to remove the pontil mark. 
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection.  There are some striations and a tiny bit of frit debris in the glass.
Signature:  Unsigned, but I guarantee this to be a paperweight by Ed Rithner from 1940 - 1970.  As is typical of Ed Rithner paperweights there are small bubbles in the design.  The bottom finish is typical of Rithner, with the remnants of the pontil mark ground out with a matte finish. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side View
Profile
Base
$115 postage paid in the US.

Click on the picture to see a larger image.

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Ed Rithner Eight Petal Teal Flower Paperweight
5349

Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight.  circa 1969.  This paperweight features a pink cyclamen flower and bud with two green leaves and stems.  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a translucent green ground.  There is an edition number "53" engraved on the base, but I was unable to determine the edition size.  A beautiful example.

This paperweight is shown in the Leo Kaplan Ltd. catalog on the 9/85 insert.  M210 is described as a "Pink cyclamen on translucent green ground $400".

Note:  The highly reflective surface and high dome made this a difficult paperweight to photograph.  There are extra shadows and objects in the pictures that are not in the paperweight.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  Just under 2 7/16" diameter by 2" high. The bottom is ground flat.  The edition number "53" is engraved on the base. 
Signature:  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  This signature cane was used until about 1970.   
Condition:  Very good condition.  I found two tiny faint circular impact marks on the side (see picture).  Each was less than 1/16" across.  No chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane on back of leaf
Base with engraved "53"
Side view
Another view of base showing signature cane
Faint tiny impact marks - each < 1/16"
View through the base
$295 postage paid in the US. 

Click on the picture to see a larger image.

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Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight
5125 Large Antique Dorflinger Paneled Lily-Style Paperweight.  circa 1895-1920This paperweight has four sections or panels, each with a center stripe of pink or green flanked on both sides with a white border.  The panels are pleated with a large bubble and second smaller bubble between each pleat.  There is also a larger center bubble.  The pleats are created by pushing the top of the design down with a crimp.  When viewed from the bottom, the paperweight gives the the appearance of an umbrella with four white panels and four ribs.  The paperweight is confirmed to have been made at Dorflinger Glass.  An interesting paperweight worthy of further study.

This style of paperweight is referred to as a lily paperweight.  It is similar to the pleated umbrella-style paperweights and paperweight inkwells made at Whitall Tatum in Millville, NJ (circa 1900-1912).  The Millville umbrella designs usually have more pleats, typically eight, but four paneled examples also exist.  The umbrella shaped weights were originally modeled to resemble the wild tiger lily of Southern New Jersey.

Special thanks to a Dorflinger collector who confirmed the Dorflinger attribution and drew my attention to a group of similar paperweights found in the Dorflinger Glass Museum in White Mills, PA. 

C. Dorflinger & Sons Glass Company was founded by Christian Dorflinger in White Mills, PA in 1865.  Paperweight stoppers for bottles were made by Nicholas and Francois Lutz at Dorflinger during the period 1866-1870.  Lily style paperweights and other large paperweights, some with foil lettering and dates, were made by other glass workers at Dorflinger from 1895 to 1920.  Recent research at the Dorflinger Glass Museum has located a catalog including references to paperweights.  Most of the credit for the later styles of paperweights has been given to Tobias N. Hagberg and Ernst Von Dohln, although other Dorflinger workers also tried their hand.  None of the paperweights is dated later than 1915.  Christian Dorflinger died in 1915 and the business closed in 1921.

Large Size :  3 1/4” diameter by 2 1/2" high.  The base is ground slightly concave.
Signature :  Unsigned, but I will guarantee that this was made at the Dorflinger Glass Company during the period 1895-1920. 
Condition :  Very good condition with some minor wear on the base and a few faint scratches on the body.  There is some debris in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture of the paperweight
View of base showing umbrella and ribs
Profile view
Side view
Another view of base
$195 postage paid in the US.                            Description updated 5/24/2020.    

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Antique Dorflinger Paneled Lily-Style Paperweight
5277
Very Early Francis Whittemore Miniature Yellow Lampwork Flower with Pink Ground Paperweight.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features a six petal yellow flower with two green leaves and a stem.  It is signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a pink ground.  It is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This lampwork flower paperweight is similar to the millefiori type examples with the same frit ground offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover). 

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 5/16" diameter by 1 3/16" high.  This paperweight has a very low profile.  The base is polished concave.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
$195 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Very Early Francis Whittemore Miniature Yellow Lampwork Flower with Pink Ground Paperweight
1172 Vintage Ravenna Style Five Petal Lily Flower Paperweight. circa 1880-1940.  This paperweight features a five petal red lily flower with a multi-colored frit ground.  The ground has six pleats.  There is a carefully placed bubble in the center.

This style is associated with the Ravenna Glass factory in Northeastern Ohio.  It is  called an icepick flower design because an icepick type tool is pushed down through the color to create a stem for the flower and also to create the pleats in the ground. 

Although the style is associated with Ravenna, I cannot be sure when or where this paperweight was made.  Most likely it was made in the first half of the 19th century. 

This style of paperweight was first documented in the article on Ravenna Glass by H. M. Lyon February 1940 issue of Hobbies Magazine (see pages 51-53).  The article has black and white pictures of four paperweights of this style.  There is also two similar paperweights in the Bergstrom-Mahler Museum, one of which was acquired in 1941.  See No. 438 and 656 in Glass Paperweights of the Bergstrom-Mahler Museum by Geraldine J. Casper.

Size:  2 3/4" diameter by 2 1/4" high.  Unsigned.  circa 1880-1940. 
Excellent condition with some minor surface scratches.  No chips or cracks.   The base is finished with a frosted finish. 

$95 postage paid in the US. 

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2184 Vintage Magnum Trumpet Flower Paperweight.  circa 1950.  Great magnum trumpet flower paperweight by unknown maker.  The design consists double layer of a rust colored trumpet flowers or icepick flowers over a green and white ground. There are nine flowers in all, each with a deliberate bubble in the center.  The top layer has five flowers and the bottom layer has four.  This has all the characteristics of a true whimsy, made in spare time by a glass worker.  I believe this was made in the midwest US around the middle of the 20th century.

It is hard to see the details in the picture because of the uniform color.  The glass has a green color.

This design is sometimes called an icepick flower design because an icepick type tool is pushed down through the frit later to create the stems for the flowers.  In this case, because the bubbles and stems are so large, the took would have been larger than an icepick. 

Very Large Size:  Just over  4" diameter by 3 1/2" high.  This paperweight weighs 3 pounds.  circa. 1950.
Very Good Condition:  There is a 1/8" chip on the very top (visible in the right picture just to the right of the central bubble).  No other chips, but there some minor scratches.  No impact marks.  The bottom is partially finished. 

$40 postage paid in the US.

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Click on the picture to see a larger image
4436 Magnum Tom Mosser Locomotive Scene with Boy and Dog Plaque Paperweight.   circa 1970.  This classic decorative plaque paperweight was made by Thomas Mosser at his Variety Glass Company in Cambridge Ohio.  The white enamel plaque is decorated with a printed decal image (ceramic transfer) of an old locomotive with a boy and dog in the foreground.  The receding background shows a large building and other smaller buildings.  It is signed with an "M" in the lower left corner of the scene.  The plaque rests on a red and white frit ground with a second red and white frit ground below.  A great example from this Cambridge Ohio maker.  This is a very large showy paperweight.

Note:  I've always assumed Mosser used stock images based on Currier and Ives prints or those of another illustrator.  I've been unable to identify the original artist.  A similar scene appears on a French Limoges porcelain decorative plate that illustrates a scene from England in 1837.     

Thomas Mosser (born 1927) learned to work with glass at the Cambridge Glass Company where his father Orie Mosser was the plant manager.  When Cambridge Glass closed in 1954, Tom decided to continue in the glass business and formed Variety Glass with the support of several experienced glass workers from Cambridge.  The first couple of locations failed due to fires, but eventually a stable operation emerged and produced a variety of products, including glassware for the pharmaceutical industry, medical supplies, and also collectible molded items such as novelty salts, jam dishes, toothpick holders, ashtrays, and miniature boot and shoes.  Tom also made paperweights to order as well as fixed designs for Shrine and Masonic lodges.  Many of his paperweights used ceramic transfers of well known paintings by other artists.  For more information, you can read about the Tom Mosser in the book American Glass Paperweights and Their Makers by Jean Melvin (revised 1970).  The Mosser family continues to operate a glass business in Cambridge Ohio.

Magnum Size:  3 3/4" diameter by 3 5/16" high.  The bottom is polished flat.  The base is irregular (not round) in shape.  It weighs 40 ounces and will be over three pounds when packaged for mailing.
Condition:  Good condition with a single 3/16" circular impact mark on the side.  There is considerable wear on the base, but no noticeable scratches elsewhere.    The glass has a slight green color.   
Signature: Signed "M" for Mosser in the design.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Impact mark on side
Second side view showing two layers of frit
Signature
$49 postage paid in the US.

Click on the picture to see a larger image.

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Magnum Tom Mosser Locomotive Scene with Boy and Dog Plaque Paperweight
3112 Magnum Antique Union Glass (Somerville, Massachusetts) Paperweight "GEORGE M FLINT". Circa 1900-1929.  This is a great Union Glass Company Paperweight featuring a garland of eight lampwork flowers and the name "GEORGE M FLINT" in the center.  There are four red flowers and four blue flowers, each with four petals, four light blue sepals, and a white dot in the center.  The letter "G" at the beginning of "GEORGE" is reversed.  In perfect condition.

Union Glass Company of Somerville, Massachusetts is the third of three related factories in the Boston area.  The first two were the Boston & Sandwich (B&S) Glass Company and the New England Glass Company (NEGC).  Both B&S and NEGC produced paperweights at the same time, both were founded by Deming Jarvis, and both declared bankruptcy in 1888.  Union Glass came a little later.  It operated from 1851 to 1929.  These name/date paperweights are made with lampwork flowers and letters and are not frit weights.  There are some nice articles in the literature including a lengthy article in the Paperweight Collectors Association 2004 Annual Bulletin.  There is also a short chapter in George Kulles' third book - Identifying Antique Paperweights - The Less Familiar.  Nicholas Lutz worked at Union Glass from 1895 to 1904 and his influence can be seen on the Union Glass flowers although most of these weights were made after Lutz's death.  There is some current speculation that Lutz had an apprentice who continued to work at Union Glass and was responsible for not only some of the better Union Glass examples, but also some of the fine lampwork paperweights attributed to Mount Washington Glass.

Very Large Size:  Just under 3 11/16" diameter by 2 5/16" high.   It weighs 2 pounds 2 ounces.  The bottom is ground flat with a clear finish. 
Signature: Unsigned, but I guarantee this to be an authentic Union Glass paperweight. 
Condition:  Excellent condition with no cracks or chips.  This paperweight has been professionally restored.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Base
Side view
$345 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image

Magnum Antique Union Glass (Somerville, Massachusetts) Paperweight "GEORGE M FLINT"
2257 Large Antique Dorflinger Red over White Petaled Lily-Style Paperweight.  circa 1895-1920This lily paperweight has four large red petals or panels, each with a red color over a white base.  The petals form a deep well in the center.  They are pleated with a large bubble and second smaller bubble between each pleat.  There is also a larger center bubble.  The petals are formed by pushing the top of the design down with a crimp.  The paperweight is confirmed to have been made at Dorflinger Glass.  An amazing large paperweight with considerable depth.

This style of paperweight is referred to as a lily paperweight.  It is similar to the pleated umbrella-style paperweights and paperweight inkwells made at Whitall Tatum in Millville, NJ (circa 1900-1912).  The Millville umbrella designs usually have more pleats, typically eight, but four paneled examples also exist.  The umbrella shaped weights were originally modeled to resemble the wild tiger lily of Southern New Jersey.

C. Dorflinger & Sons Glass Company was founded by Christian Dorflinger in White Mills, PA in 1865.  Paperweight stoppers for bottles were made by Nicholas and Francois Lutz at Dorflinger during the period 1866-1870.  Lily style paperweights and other large paperweights, some with foil lettering and dates, were made by other glass workers at Dorflinger from 1895 to 1920.  Recent research at the Dorflinger Glass Museum has located a catalog including references to paperweights.  Most of the credit for the later styles of paperweights has been given to Tobias N. Hagberg and Ernst Von Dohln, although other Dorflinger workers also tried their hand.  None of the paperweights is dated later than 1915.  Christian Dorflinger died in 1915 and the business closed in 1921.

Large Size :  3 5/`6” diameter by 3 3/4" high.  The base is ground flat.
Signature :  Unsigned, but I will guarantee that this was made at the Dorflinger Glass Company during the period 1895-1920. 
Condition :  Excellent condition with no cracks, chips, or scratches.  There are some bubbles in the glass that show in the pictures, but these are not damage.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Base
Side view
Another view of base
Another view
Top view
$395 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Antique Dorflinger Red over White Petaled Lily-Style Paperweight
4028 Magnum Gene Crabtree Icepick Flower Paperweightcirca 1970s.  This paperweight has four brown icepick flowers over a yellow cushion ground.  There is a large bubble in the center and between the flowers and also a pattern of smaller bubbles surrounding the design.  The base is fire finished and is signed with a pontil stamp on the base “Gene Crabtree”.    This paperweight probably dates from the early 1970s.  A very large showy paperweight with great color.

This design is sometimes called an icepick flower design because an icepick type tool is pushed down through the colored layer to create the stem for the flower.  The design is made by placing the brown frit (ground glass) in a metal template, then picking it up with a gather of clear glass.  An icepick like tool is then used to create a stem and center bubble in each petal.    

Eugene Crabtree who was one of the earliest glass workers at Wheaton Village in Millville, New Jersey.  He made paperweights at Wheaton Village starting in the 1960s and also worked at a number of other glass factories.   

Magnum Size:  3 9/16” diameter by 3 1/4” high.  The base is fire finished with a pontil signature stamp.  This paperweight weighs 34 ounces. 
Condition:  Excellent condition with no scratches, chips, or cracks found on inspection. 
Signature:  Signed on the base with a "Gene Crabtree" pontil stamp.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Profile
Pontil stamp on base
Closeup
Base
SOLD

Click on the picture to see a larger image.

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Magnum Gene Crabtree Icepick Flower Paperweight
4742 Antique Millville Style Magnum Rock of Ages Four Color Frit Paperweight.  circa 1900-1920.  This frit paperweight features a rare four color Rock of Ages motif with a turquoise cross on a rock in the middle of the water.  There is a brown or dark red vine growing on the cross.  The text "ROCK OF AGES" appears in blue and red above the cross.  The design is set in colored frit on an opaque white enamel ground.  The white ground color wraps around to the base and covers the base except for a clear circle in the center of the base where the pontil rod would have been.  This paperweight was probably made at the Whitall Tatum factory in Millville, New Jersey in the first quarter of the 19th century.  Some collectors believe that the clear circle on the base points to the Corning, NY area rather than Millville as the place of manufacture.  A great addition to any collection of antique American paperweights. 

Note: This is a very nice clean example but I did find a very faint small (1/8”) partial circular impact mark on careful inspection.  Please review the pictures.

Frit refers to the powdered glass used to make the design.  The design is set up in frit in a metal die and then picked up with a gather of the ground color.  When encased, there is sometimes a ridge or crease line between the solid (in this case white) base area and the clear encasement.  Some collectors refer to this as two piece construction.  This type of construction has been associated with Whitall Tatum and other factories in the Millville area.  There is no crease on this paperweight, but the encasement stops where the white ground color starts. 

Whitall Tatum was one of the first glass factories in America.  Located in Millville, New Jersey, it was in operation from 1806 through 1938.  The factory in Millville was purchased by a series of companies and eventually shut down in 1999.  It is believed that Whitall Tatum workers were allowed to make paperweights from as early as 1860 until the practice was discouraged sometime after 1912. 

Some collectors believe that the clear circle on the base points to the Corning, NY area rather than Millville as the place of manufacture.  There is no documentary proof to support this, but a number of weights of this type (with the clear circle on the base) have been found in the Corning area. 

According to Newell's Old Glass Paperweights of Southern New Jersey , frit weights were made as early as 1863.  Newell identifies this style as a true American folk art and gives a history of paperweight making at Whitall Tatum and other South Jersey factories. 

Very large size:  3 11/16” diameter by 2 9/16” high.  The base is ground flat.  This paperweight weighs 34 ounces.
Condition:  Excellent condition.  This is a very nice clean example but I did find a very faint small (1/8”) partial circular impact mark on careful inspection.  Please review the pictures.  There is appropriate wear on the base. 
Signature:  Unsigned but I believe this paperweight was made at either Whitall Tatum in the Millville area of Southern New Jersey or in the Corning NY area.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
Faint 1/8" impact mark
$195 postage paid in the US.  

Click on the picture to see a larger image.

Click on the picture to see a larger image
Antique Millville Style Magnum Rock of Ages Four Color Frit Paperweight
5376 Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight.  circa 1965 - 1975.  This paperweight features an innovative presentation of a bunch of mistletoe and white berries with two three-dimensional pink bells.  Each bell has a Whittemore black on yellow "W" signature cane as a clapper.  The design is placed on a translucent blue ground.  It is part of a limited edition of 100 paperweights and is engraved "54" on the base.  I don't have the original limited edition certificate.  A beautiful example.

Note:  There is a small rough area on the edge of the base.  I don't think this is damage, but rather an area left unpolished when the paperweight was made.  Today's cameras pick up the smallest defect.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 15/16" high. The bottom is ground concave but a small area was left unpolished (see picture)
Signature:  Signed in the design with two Whittemore signature canes used as clappers for the bells.  Each signature cane is a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches.  There is, however, a small rough area on the edge of the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Canes used as clappers
Base
Side view
Rough area on edge of base and engraved edition number
$375 postage paid in the US.

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Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight
4015 Vintage Magnum Wheaton Village Blue Flower in Flowerpot Paperweight.  circa 1970s-1980s.  The paperweight features a five petal robins egg blue flower with a long stem and yellow and brown pleated flowerpot.  The design is rendered in frit (ground glass) over a clear crystal ground.  At the bottom, there is a pleated yellow and brown flowerpot.  There is a tiny bubble at the tip of each petal and a larger controlled bubble between each petal.  The paperweight is signed on the base with a pontil stamp "WHEATON VILLAGE" indicating it was made in normal production at The Glass Studio at Wheaton Village.  A pleasing design that is well executed.  Great color. 

This design is sometimes called an icepick flower design because an icepick type tool is pushed down through the colored layer to create the stem for the flower.  The design is made by placing the colored frit (ground glass) in a metal template, then picking it up with a gather of clear glass.  An icepick like tool is then used to create a stem and the bubbles in the design.  

Wheaton Village (now called the Wheaton Arts and Cultural Center or WheatonArts) was founded in 1968 in Millville, NJ.  It is non-profit arts education organization with a focus on the medium of glass.  The center's mission is to engage artists and audiences in an evolving exploration of creativity.  Many paperweight collectors and artists have visited Wheaton Village to participate in the biennial Paperweight Fest.  The village hosts a variety of crafts studios including a The Glass Studio.  It also houses the Museum of American Glass - a comprehensive collection of glass produced in America.  Over the years a number of volunteers and paid glass workers have produced paperweights at Wheaton Village.  Some of the names are Henry Davis, Kenyon Brown, Anthony “Tony” DePalma, and others.  When the work was production work for The Glass Studio, it usually had a superimposed WV or WHEATON VILLAGE pontil stamp.  Work that represented the artist's own effort would have additional initials to identify the artist.  

Magnum Size: 3 5/8" diameter by 3 1/2" high. The base is fire finished with a pontil signature stamp.  The paperweight weighs 37 ounces (2 pounds 5 ounces).
Condition:  Excellent condition with no scratches, chips, or cracks found on inspection. 
Signature:  Signed on the base with a "WHEATON VILLAGE" pontil stamp.  

For extra pictures, click on the picture at the right and the following links: 

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Top view
Side view
Pontil mark with "WHEATON VILLAGE" - hard to read
Closeup
Base
$95 postage paid in the US. 

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Vintage Magnum Wheaton Village Blue Flower in Flowerpot Paperweight
4393 Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight.  circa 2000.  This is a rare footed lush pink crimp rose paperweight made by Robbie Mason at Pairpoint Glass in Sagamore, Massachusetts.  It has 13 petals with a 4-4-3-2 pattern and 4 outer green leaves. It has a styled foot.  This is an unusual rose style for Pairpoint which is better known for their assembled roses with eight leaves (or four large leaves and four narrow sepals).  The attribution is based on comparison to signed examples made by Robbie Mason.  A wonderful and rare example of the best of modern Pairpoint production. 

Note:  Crimp roses from Pairpoint are rare.  More typically, the rose is fashioned from a frit pickup or assembled.  The leaves are identical to the large leaves in other Pairpoint rose paperweights.  Several experts have reviewed this example and agree with the attribution. 

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners several times. It continues to operate at that location today. 

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020.

Large Size:  Just under 2 7/8” diameter by just under 3” high.  The foot is 2 3/8" in diameter.  There is a remainder of a pontil mark in the center of the foot. 
Condition:  Excellent condition.  No damage found.
Signature:  Unsigned but I guarantee that this paperweight was made by Robbie Mason at Pairpoint Glass.

For extra pictures, click on the picture at the right and the following links: 

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Closeup
Profile
Top view
Base
$595 postage paid in the US. 

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Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight
4406 Francis Whittemore Blue Crimp Rose Upright Pedestal Paperweight.  circa 1970.  This upright pedestal paperweight features a magnificent blue crimp rose with fifteen variegated blue petals and four upturnedgreen sepals.  The petals are arranged in Whittemore's 4+4+4+3 crimp pattern.  It is signed on the underside of the rose with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is set on a clear ground and supported by a pedestal base.  A fantastic addition to any collection of glass paperweights.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, originally as a scientific glass maker and instructor in South Jersey.  He did not start making paperweights until 1962 when he set up a studio in Lansdale, Pennsylvania.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  1 15/16" diameter by 2 7/16" high.  The base of the pedestal has a 1 3/4" diameter.  The bottom is ground concave.
Signature:  Signed on the underside of the rose with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Signature cane viewed through base
Another view
Profile
Base
$545 postage paid in the US.

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Francis Whittemore Blue Crimp Rose Upright Pedestal Paperweight
5265 Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight.  circa 1971 - 1980.  This paperweight features two yellow pears along with three green leaves, and a seed pod.  It is signed in the design with a fancy Whittemore "W" compound signature cane.  The signature cane is a white "W" on a blue background surrounded by a ring of white stars.  The design is placed on a translucent green ground.  Whittemore revisited this theme several times during his career as a paperweight maker.  A beautiful example.

Note:  This was a difficult paperweight to photograph.  The highly reflective surface even picked up a reflection of my hand and my camera.  If you need more pictures please let me know.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed during the period that he was consulting at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Miniature size:  Just under 2 1/16" diameter by 1 11/16" high. The bottom is ground concave.
Signature:  Signed in the design with a Whittemore "W" complex signature cane.  The one used in this paperweight has a white W on a blue background surrounded by a ring of white stars.  It helps to date the paperweight to after 1971 when he started working with Baccarat. 
Condition:  Excellent condition.  No chips, cracks, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
Another view
$375 postage paid in the US. 

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Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight
2850 Unsigned Miniature Lampwork Flower Paperweight, possibly by Ronald Hansen.  undated.  This miniature paperweight features a six petal lampwork flower with leaves and stem.  The petals are yellow with orange stripes.  There are five variegated sepals and plus two leaves and a stem.  It has a low profile.  Nicely executed, it has an unusual amber ground placed over a white button base (see picture of the base).  Definitely the work of  a talented artist.  Possibly by Ronald Hansen.

Note:  The maker of paperweight is unknown, but it is possibly by Ronald Hansen who made paperweights from the late 1950s to 1971. 

Ronald E. Hansen was born in Virginia, Minnesota in 1910.  He was first exposed to glass lampwork as a child when he was befriended by Bohemian glassworkers in a "hobo village" making glass ships.  He later worked as the director of the Neon Tube School in Detroit, Michigan.  With this exposure, he was aware of the artistic and technical aspects of glassworking.  He established his own studio in Mackinaw City, Michigan, mixed his own colors and glass, and created a variety of small glass paperweights, most of which are 2 1/2" or less in diameter.  He made paperweights from the late 1950s to 1971.  He was one of a number of glass artists in this paperweight making family.  His nephew, Eric Hansen, continues the art today.  You can read more about Ronald E. Hansen in the book American Glass Paperweights and their makers by Jean Melvin (1970 Revised edition) or the article by Nancy Alfano in the 2004 PCA Bulletin.

Very small size:  Low profile, 1 15/16" diameter by just over 1" high.  The base is ground flat with a frosted finish.
Signature:   Unsigned.  I believe this paperweight was made by Ronald Hansen, but have been unable to confirm this ID. 
Condition:  Very good condition with a few faint scratches or scuffed areas. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Base
Profile
Side view
$85 postage paid in the US.

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Unsigned Miniature Lampwork Flower Paperweight, possibly by Ronald Hansen
2276 Vintage American "FROM A FRIEND" Frit Paperweight - Probably Made by Gentile Glass.  circa 1900-1974.  This frit paperweight features a "FROM A FRIEND" message in white frit with an outer wreath garland.  The design is placed over a multi-colored ground of larger glass chips.  A great gift item to raise a friend's spirits.  This example in unsigned but I suspect it was made at Gentile Glass in Star City, West Virginia based on the shape and bottom finish.  An identical example of the paperweight and the die used to produce the design are shown in American Glass Paperweights and Their Makers (1970) by Jean Melvin (see pages 69 - 71).  This is a great addition to any collection of American paperweights.

The Melvin book mentions that the motto weights like the "FROM A FRIEND" paperweight were popular items sold to distributors and gift shops throughout the US and Canada.  The dies were originally used by Peter Gentile when he worked at the Fry Factory in Rochester, NY and continued to be used by the Gentile factory once they started their own factory.

This style of paperweight was made by many glass companies throughout the glass producing areas of the midwestern US (Ohio, Indiana, West Virginia, or even New Jersey) in the first half of the 20th century and later.  Frit refers to the powdered glass used to make the design.  The design is set up in a metal die and then picked up with a gather of a ground color.  Sometimes the maker can be identified by researching the mold or die used to set up the design.  According to Newell's Old Glass Paperweights of Southern New Jersey , frit weights were made as early as 1863.  Newell identifies this style as a true folk art.

The original glass worker in the Gentile family was Peter Gentile, born in Naples, Italy in 1884.  He worked in Naples(Italy), Rochester (Pennsylvania), and Morgantown (West Virginia) before building his own factory in Star City (West Virginia) in 1947.  Originally the factory was a short-lived partnership (G. and F. Glass Co.) with John Funfrock, a mold maker.  His sons, Frankie, John and Joe Gentile helped him make paperweights in the off hours at the Guild Factory in Morgantown.  However, most paperweight production since WWII has been associated with Peter, John, or John's wife Gertrude Gentile.  Few weights were signed prior to 1963.  John Gentile passed away in 2006 and it is believed that Gentile Glass closed down after his death.  Most, if not all, paperweights produced from 1975 on were signed.  For more information, you can read about the Gentile Family in the book American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970).

Large Size:  3 5/16" diameter by 2 3/4" high.  The base is fire finished.
Signature :  Unsigned, but I believe this was made by Gentile Glass prior to 1975..
Condition :  Very good condition.  There are some faint scratches and scuff marks, but no significant damage.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Base
Side view
Closeup
$79 postage paid in the US.

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Vintage American "FROM A FRIEND" Frit Paperweight - Probably Made by Gentile Glass
5278 Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features five small white millefiori flowers with blue star centers.  There is also a stem and two green leaves.  The design is placed on a powdery pink ground.  This paperweight is signed in the design with an early Whittemore signature cane, a black "W" on a yellow background.  This is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This paperweight is almost the same as the examples offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover).

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 1/8" high.  This paperweight has a very low profile.  The base is flat with a concave center.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There are many bubbles in the ground and a few striations in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view (out of focus)
$165 postage paid in the US.

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Click on the picture to see a larger image
Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground
5342 Francis Whittemore Yellow Carolina Jessamine Flower with Leaves and Bud Paperweight.  circa 1970.  This paperweight features a Yellow Carolina Jessamine flower and bud with green leaves and stems.  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a shaded opaque purple ground.  There is an edition number "53" engraved on the base.  His typical edition size during this period was 100.  A beautiful example.

This paperweight is shown in the Leo Kaplan Ltd. catalog on the 9/85 insert.  M209 is described as a "Yellow Carolina Jessamine on shaded purple ground $450".

Note:  The highly reflective surface and high dome made this a difficult paperweight to photograph.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 15/16" high. The bottom is ground concave.  The edition number "53" is engraved on the base. 
Signature:  Signed on the underside of the ground with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  This signature cane was used until about 1970.   
Condition:  Excellent condition.  No chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane on underside of ground
Side view
Base
Base with engraved "53"
Another view of base showing signature cane and engraved "53"
$375 postage paid in the US.

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Francis Whittemore Yellow Carolina Jessamine Flower with Leaves and Bud Paperweight
5949 Large Ed Rithner Multi-Colored Candy Cane Millefiori Paperweight.  circa 1940-1970.  A wonderful example of a relatively rare style of paperweight.  The millefiori canes are striped lengthwise and are placed over a transparent turquoise  ground.  The canes are various colors of red, blue, green, and white. A classic Rithner design.

Ed Rithner worked in Wellsburg, West Virginia from 1908 to the 1970s or later.  You can read about Ed Rithner in Jean Melvin's book on American Glass Paperweights and their Makers .  All of Rithner's weights are unsigned.

Large Size:  Just under 3 1/16" diameter by 1 7/8" high.  The base is fire finished and then ground to a matte finish in the center to remove the pontil mark. The profile is relatively flat.
Condition:   Excellent condition.  No chips, cracks, or scratches found on inspection, but I could have some faint scratches due to the bubbles and striations in the glass.
Signature:  Unsigned, but I guarantee this to be a paperweight by Ed Rithner from 1940 - 1970.  As is typical of Ed Rithner paperweights there are small bubbles in the design.  The bottom finish is typical of Rithner, with the remnants of the pontil mark ground out with a frosted finish.

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Top view
Side view
Base with ground out center
$110 postage paid in the US.

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Large Ed Rithner Multi-Colored Candy Cane Millefiori Paperweight
5374 Large Pairpoint Faceted Red Rose Paperweight.  circa 1970-1980.  This paperweight features a large red crimp rose made at Pairpoint Glass in Sagamore, Massachusetts.  The rose has 13 petals with a 4+4+3+2 pattern.  There are also eight variegated green leaves, four large and four skinny.    The design is placed over a semi-transparent dark blue ground.  It is faceted with one large top facet plus five smaller side facets.  The glass has a green tinge.  The paperweight is unsigned.  It is possible that this rose paperweight was made by Robbie Mason or one of the other glass artists who apprenticed with him.  A wonderful example of a modern Pairpoint rose paperweight.

Note on condition:  This paperweight has a faint 3/16" circular impact mark and a
faint 3/16" vertical scratch on the side near the top facet.  There is some wear on the base.  I found no other damage.  There are also small bubbles and a couple of white flecks in the glass from when it was made.  I believe it dates from the early period in Sagamore when they sometimes had white "stones" in the glass thrown off by the furnace pots.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners again.  It continues to operate at that location today (2022) although under new owners.

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020. 

Large Size:  2 13/16" diameter by 2 1/4" high.  The bottom is ground concave in the center. It is faceted with one top facet and five side facets. 
Condition:  Very good condition.  This paperweight has a faint 3/16" circular impact mark and a faint 3/16" vertical scratch on the side near the top facet.  There is some wear on the base.  I found no other damage.  There are also small bubbles and a couple of white flecks in the glass from when it was made.  I believe it dates from the early period in Sagamore when they sometimes had white "stones" in the glass thrown off by the furnace pots.
Signature:  Unsigned but I guarantee this paperweight to be made by Pairpoint Glass.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Base
Another side view
Faint circular impact mark (3/16")
Faint scratch (3/16")
$195 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Pairpoint Faceted Red Rose Paperweight
5358 Ronald E. Hansen Bird on a Branch Paperweight.  circa 1960 - 1970This paperweight features a three dimensional brown and yellow bird on a branch.  The branch has four green leaves.  The design is set over a transparent blue ground.  This paperweight is signed on the base "Ronald E. Hansen".  There are many tiny bubbles in the glass.  An important paperweight from this early paperweight maker. 

While this paperweight may seem unsophisticated by today's standards, it is the work of an important early paperweight maker.  This example has the full signature of Ronald E. Hansen.  According to Andrew Dohan in the Dictionary of Paperweight Signature Canes, Ronald Hansen used his full signature only on his best pieces. 

Ronald E. Hansen was born in Virginia, Minnesota in 1910.  He was first exposed to glass lampwork as a child when he was befriended by Bohemian glassworkers in a "hobo village" making glass ships.  He later worked as the director of the Neon Tube School in Detroit, Michigan.  With this exposure, he was aware of the artistic and technical aspects of glassworking.  He established his own studio in Mackinaw City, Michigan, mixed his own colors and glass, and created a variety of small glass paperweights, most of which are 2 1/2" in diameter.  He made paperweights from the late 1950s to 1971.  He was one of a number of glass artists in this paperweight making family.  His nephew, Eric Hansen, continues the art today.  You can read more about Ronald E. Hansen in the book American Glass Paperweights and their makers by Jean Melvin (1970 Revised edition) or the article by Nancy Alfano in the 2004 PCA Bulletin. 

Size:  2 7/16" diameter by 2" high.  The base is polished flat.
Signature : Signed "Ronald E. Hansen" in script on the base.
Condition :  Good condition.  As shown in the pictures, this paperweight has a 1/4" circular impact mark on the side.  It also has two very small (1/16") nicks just above the base.  There are also scratches on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature on base
Impact mark on side
Another view showing impact mark
Top view
Back view
Side view
Base
$135 postage paid in the US.

Click on the picture to see a larger image

Click on the picture to see a larger image
Ronald E. Hansen Bird on a Branch Paperweight






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