New Additions - Paperweights
for Sale
New Additions - Paperweights
for Sale
| 1844 | Peter McDougall (PMcD) Miniature Crown
Paperweight with multicolored twists. Attractive
miniature crown paperweight with a wonderful complex cane on
top. The crown is formed from 20 twist canes with alternating
colors, 10 white twist canes and 10 multi-colored twists made
from green, white and pink stringers. There is a dark ground
in the center of this paperweight. It is signed on the base
with a complex cane made from four separate letter canes forming the
signature PMcD.
Crown weights are considered by some to be the most exciting of all millefiori designs. They are extremely difficult to make. Peter McDougall did not make many of these miniature crowns. Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Miniature Size: Just over 1 13/6" diameter by just
over 1 9/16" high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$145 postage paid in the US. Added 1/23/2020 For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page Click on the picture to see a larger image. |
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| 3182 | Peter McDougall (PMcD) Miniature
Millefiori Paperweight. This paperweight consists
four concentric circles of millefiori around a central group of
millefiori canes. Although it is not a true concentric, it
gives the appearance of a concentric because the pattern is so
regular. The ground is black. It is signed in the design
with a complex cane made from four separate letter canes forming the
signature PMcD (as shown in the close-up). It also has a paper
label "PMcD Glass Studio LTD, Hand Made in Crieff Scotland."
This is often called a pressed weight because a mold is used to form the outside ribbing. The top is flattened. The ribbing gives the glass a real glittery appearance as you can see in the picture. Note: The picture does not do justice to this paperweight. Ignore the white areas, they are glare from the lights. Peter McDougall started his glass making career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Miniature Size: Just over 1 3/4" diameter by just
under 1 1/8" high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$49 postage paid in the US. Added 1/22/2020. For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 4733 | Colorful Small Antique Bohemian Concentric
Millefiori Paperweight. circa 1880-1920. Colorful
small antique Bohemian millefiori paperweight with a concentric
design of two rings of complex multi-colored millefiori around a
central red and white complex millefiori cane. The outer ring
alternates between several different complex canes, primarily blue
and white and green and white. The inner ring consists of
identical canes made up of white elements with a touch of red.
The outer glass encasement does not entirely cover the base, so
there is an irregular surface near the base. Wonderful complex
canes and a nice balance of colors. Note: Please ignore the white areas, they are glare from the lights. There is a debate as to where this paperweight was made. Some paperweight experts, including myself, believe that this paperweight was made by an unknown European maker, probably in the region along the Czech - German border, hence the label Bohemian. Others believe that the paperweight is of Chinese origin because the cane structure shares some similarities to known early 1930’s Chinese millefiori. The glass is good quality crystal and and the bottom finish is consistent other Bohemian paperweights. Small Size: 2 1/4" diameter by just under 1
1/16" high. The bottom is ground flat. Large
picture of the paperweight
Closeup view Profile view Side view Base showing incomplete encasement $79 postage paid in the US. Added 1/22/2020 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page .
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| 3652 | Large Parabelle Glass 1986 Spaced Millefiori
Paperweight with Top Facet. dated
1986.
This
early Parabelle Glass paperweight has a classical spaced
arrangement of nineteen different millefiori canes arranged over a
white lace ground. There is a wonderful variety of mostly
complex canes, including a pansy cane in the center, a white and
green rose cane, a white edelweiss cane, and others that I can't
name. The paperweight is signed with a "PB 1986" cane in the
design - although the cane was placed wrong side up. It also
has a silver label with two bells, "PARABELLE GLASS Rings True
HANDMADE IN USA" on the base. There is one large top facet
on this paperweight. A great paperweight. Note: Please ignore the white areas in the pictures caused by the light. Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon. High quality paperweights were made in small quantities from 1983 to 1998 when they retired. Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights. Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger. They also made some one of a kind paperweights. Doris passed away in 2013 and Gary followed in 2014. After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. Large
Size: Just over 3 3/16" diameter by just under 2"
high. The base is ground concave and the paperweight has a
single large top facet. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$345 postage paid in the US. Added 1/21/2020 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 1242 | Antique St. Louis Millefiori
Scramble Paperweight with Dancing Devil Cane. circa
1845-1860. This is a small antique St. Louis scramble
paperweight with an interesting variety of millefiori canes and
twists. Included is the center of a dancing devil cane, an
arrow cane, and several other complex canes. A small
paperweight with a lot going for it. Although many people collect scramble paperweights for their own merit, scrambles are also valuable tools for learning to identify the different colors and canes used by each factory. Note: Please ignore the white spots - they are glare caused by my light. Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766. The region was already home to several glassworks. Paperweight production started at St. Louis in 1845 and most likely continued until about 1860. Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small. Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955. They were not all signed or dated. The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953. After 1955, no additional weights were made at St. Louis until 1965. In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights. Finally, in 1970 they started producing annual limited edition paperweights. In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. Small Size: 2 3/16" diameter by just under 1 7/16"
high. The bottom is ground concave.
For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$495 postage paid in the US. Added 1/19/2020 For more information about antique paperweights see my Antique Paperweights Web Page. (dl-ant-sl) Click on the picture to see a larger image. |
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| 2739 | Peter McDougall (PMcD) Special 2009
Midyear Collection Amber Flower with Complex Canes Paperweight.
dated 2009. This paperweight features a delightful amber
flower with five amber petals and five green sepals surrounded by a
garland of five identical complex millefiori canes. The flower
has a great millefiori cane at its center. Peter describes the
ground as black, but it is actually a very dark blue. It is
signed on the base with Peter's complex signature and date cane
"PMcD 09" and also has a paper label "PMcD Glass Studio LTD,
Handmade in Crieff Scotland." A balanced design with great
color. This paperweight was one of the special annual editions made in only in 2009. It was designated Collection 2009 Midyear #11. Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Small Size: 2 1/8" diameter by 1 9/16" high.
The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 1/19/2020 For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 4725 | Charles Kaziun Jr. Miniature Tilted
Pedestal Spider Lily Paperweight with pink, peach, and white frit
ground. circa 1960-1980. This is a miniature
pedestal paperweight with a blue spider lily and four leaves on a
pink, peach, and white colored frit ground. The flower has a
red stripe on each petal and the stamen is made up of black, yellow,
and orange star shaped millefiori. The paperweight is tilted
at a 45 degree angle so it displays beautifully. Signed on the
bottom of the ground with a gold K.
This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. You can read about him in many books, including: Signature: Signed on the bottom of the ground with Kaziun's gold K. Condition: Excellent condition with no chips or cracks. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. Added 11/18/2019 For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. Click on the picture to see a larger image. |
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| 5027 | Faceted Harlequin Type Paperweight
with Five Icepick Bubbles - Possibly Unknown European or Scottish.
circa 1950 -1980. Most likely made at an unknown
European factory although there is a slight possibility that it was
made by a member of the Ysart family. This paperweight has a
large central bubble and four side bubbles pushed down to a
multi-colored frit ground. It is similar to the Harlequin
paperweights shown in Colin Mahoney's book on Paul Ysart
paperweights, but it not good enough to be called a Paul Ysart
Harlequin weight. There is a tight ring of twelve thumbprint
facets around the side near the base. The glass has a lot of
small bubbles. An interesting study paperweight. Note: My first inclination was to call this Bohemian or unknown European, but I could not find any close matches in the literature. Similarly, it shares some characteristics with the harlequin paperweights shown in Colin Mahoney's book Masterpieces: The Paperweights of Paul Ysart, but is not a good match there either. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland from Spain in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922. He worked on the production of Monart Art Glass. Paperweights were primarily an after hours activity. Paul made his first paperweight in the early 1930s. Production was interrupted by World War II and the Monart line was not restarted until 1946. In 1946 Salvadore and his sons Augustine and Vincent left Moncrieff and founded Ysart Brothers Glass. They produced glass wares under the Vasart label. Salvador Ysart died in 1955. Paul stayed at Moncrieff from until 1962, when he joined Caithness as a Training Officer. While at Caithness, he trained Peter Holmes, Colin Terris, and William Manson, among others. After he retired from Caithness in 1972, he continued to make paperweights initially under the Harland label and then the Highland Paperweights label until 1979. You can read more about Paul Ysart in the book by Colin Mahoney Masterpieces: The Paperweights of Paul Ysart. Large Size: 2 15/16" at the widest by 2 9/16"
high. The bottom is ground slightly concave. There are
twelve flat side facets For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$95 postage paid in the US. Added 1/17/2020 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 3506 | Antique Baccarat Miniature Single Clematis
with Millefiori Garland Paperweight. circa
1845-1860. Antique Baccarat miniature red/orange single
clematis with six ribbed petals, five leaves, and a stem. The
center of the flower is a complex millefiori cane with two rings of
white star shaped canes arranged around a red bulls-eye cane.
The clematis is surrounded by an outer garland of alternating ten
white and ten blue and white complex millefiori canes. The
white canes in the garland match the cane at the center of the
clematis flower. The blue and white canes have a ring of
arrowhead canes around a Baccarat star cane. The design is
placed over a clear ground and finished with a Baccarat star cut on
the base. The paperweight is unsigned but I guarantee that
this is a genuine Baccarat millefiori paperweight from the classic
period 1845-1860. A unique addition to any collection of
miniature paperweights. Great color. Note: The flower is noticeably off-center in this paperweight. Note on white glare: Please ignore the white areas, they are glare from the lights. According to Paul Dunlop in Baccarat Paperweights: two centuries of beauty, the single clematis is much rarer than the double clematis. Miniature Size: 1 15/16" diameter by just under 1
7/16" high. The bottom is ground slightly concave and is
finished with a Baccarat star. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$1,750 postage paid in the US. US sales only for this paperweight. Added 1/17/2020 For more information about Antique Paperweights, see my Antique Paperweights Web Page. (dl-ant-bac) Click on the picture to see a larger image. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
Baccarat continued to make paperweights after the classic period (1845-1860), but little is known about the extent of the product line or who made the paperweights. It is known that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights. Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making. These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him. The weights stopped appearing in the shop in 1934. New research of the Baccarat archives has identified the actual maker as Joseph Boyé (1877-1948). He is recorded as the maker of millefiori canes and millefiori paperweights during this period (1920-1934). Very little is known about Mr. Boyé, but there is enough similarity in the millefiori canes to suggest that he had access to the original molds or some of the original millefiori canes from the classic period. He later trained another glassworker, Georges Brocard, to make open concentric paperweights in 1946. Armed with this knowledge, Brocard was influential in the revival of paperweight making at Baccarat in the 1950s. Another glassworker, Louis Idoux (1882-1941), is recorded as making the Baccarat pansy paperweights during the 1920-1934 period. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. |
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| 3488 | Large Baccarat 1971 Spaced Millefiori on
Lace Paperweight. dated 1971. This wonderful
spaced millefiori paperweight from Baccarat contains an arrangement
of 19 complex millefiori canes on a lace or upset muslin
ground. The canes are intricate and very colorful. See
the close-up picture for more detail. It is signed with a
Baccarat logo etched twice on the base. The edition number 662
is engraved over one of the Baccarat logos and the date is also
engraved on the base. In addition, it has an illegible "B1971"
signature cane in the design. A large colorful example.
This design was produced in 1971. It is not listed as a limited edition, but the individual paperweights were numbered sequentially. This is number 662 in that series. There is an illegible signature cane "B 1971 in the design. The bottom has the acid etched Baccarat logo twice plus it is engraved with the year (1971) and the number (662). Note on white glare: Please ignore the white areas, they are glare from the lights. Baccarat started making modern millefiori paperweights in 1957. According to Paul Dunlop ( Baccarat Paperweights: Two Centuries of Beauty ), Baccarat started making the modern spaced millefiori paperweights on muslin or lace in 1958 and continued making undated examples until the limited editions were started in 1970. The exception is 1964 when special versions were produced for Baccarat's 200th anniversary. Large Size: Just over 3 1/8" diameter by 2 1/2"
high. The bottom is ground very slightly concave. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$375 postage paid in the US. Added 1/16/2020. For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page. Click on the picture to see a larger image. |
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| 5026 | Faceted Fountain Paperweight -
Probably Paul Ysart Harland Period. circa 1972
-1979. Most likely made by Paul Ysart, this
paperweight features a "fountain" of six yellow, blue, and white
twist canes joined in the center by a large bubble. The twist
canes curve up and out and then turn down to touch the opaque green
and white frit ground. Paul Ysart made most of his fountain
weights like this during his Harland period from 1972 to 1979.
While most Ysart fountain paperweights were unfaceted, this example
is faceted with six large flat side facets and a smaller flat top
facet. The faceting may have been added to remove
manufacturing flaws or later to remove damage. A very
interesting example. Note: Originally I thought this paperweight originated in Bohemia or Czechoslovakia based on Peter von Brackel's book Paperweights - Historicism - Art Nouveau - Art Deco 1842 to today (plates 52 & 53). However the experts on Ysart persuaded me that the correct attribution is to Paul Ysart. Colin Mahoney shows similar examples in his book Masterpieces: The Paperweights of Paul Ysart. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland from Spain in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922. He worked on the production of Monart Art Glass. Paperweights were primarily an after hours activity. Paul made his first paperweight in the early 1930s. Production was interrupted by World War II and the Monart line was not restarted until 1946. In 1946 Salvadore and his sons Augustine and Vincent left Moncrieff and founded Ysart Brothers Glass. They produced glass wares under the Vasart label. Salvador Ysart died in 1955. Paul stayed at Moncrieff from until 1962, when he joined Caithness as a Training Officer. While at Caithness, he trained Peter Holmes, Colin Terris, and William Manson, among others. After he retired from Caithness in 1972, he continued to make paperweights initially under the Harland label and then the Highland Paperweights label until 1979. You can read more about Paul Ysart in the book by Colin Mahoney Masterpieces: The Paperweights of Paul Ysart. Large Size: 2 9/16" at the widest by 2 7/16"
high. The bottom is ground flat. There are six flat
side facets and a flat top facet which may have been added to
remove manufacturing flaws or later to remove damage.
For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$175 postage paid in the US. Added 1/12/2020 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 1507 | Wonderful Antique
Clichy Miniature Concentric Millefiori Paperweight.
circa 1845-1860. This wonderful antique Clichy concentric
millefiori paperweight has a classic concentric millefiori
arrangement. Six smaller canes arranged around a larger
center rose cane on a clear ground. A nice assortment of
canes with a perfect Clichy pink and green rose in the
center. Note: There are several bubbles in the glass. The largest is 1/8" across. Refer to the pictures. Clichy paperweights are highly sought after by collectors for their complex canes and brilliant colors. Clichy paperweights with rose canes are especially desirable. The Clichy factory was founded at Billancourt near Paris in 1837. Shortly after that it moved to Clichy-la-Garenne, which gave the factory its best known name. They stayed in operation until about the 1870s. Miniature
size: Just
over 1 3/4" diameter by 1 5/16" high. The base is
ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$425 postage paid in the US. Added 1/12/2020 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 4530 | John Deacons J Glass Two Color Double
Poinsettia on Lace Paperweight. circa 1978-1983.
This paperweight features a delightful pink and lilac double
poinsettia with leaves and stem on a white lace ground. The
flower has a complex millefiori center. It is with a complex J
Glass "J" signature cane at the tip of the stem. A great
example of John Deacons work during the J Glass period. Note: Please ignore the white areas in the pictures caused by the light. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Strathearn Glass was formed in a reorganization of Vasart glass in 1963. John Deacons learned his craft at Strathearn Glass in Crieff, Scotland in 1967. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there for 10 years before leaving in 1978 to start his own glass studio. He has produced paperweights and other glass objects under a variety of labels, including J Glass, St. Kilda, and now under his own name. Some of the lines were produced simultaneously. J Glass was produced from 1978 to 1983. When John Deacons left Perthshire in 1978 to set up J Glass, Allan Scott and Harry McKay followed John to J Glass. They stayed at J Glass until it closed in March 1983. The St. Kilda line was produced from 1978 or 1979 through 1987. You can read about John Deacons in the book by Hall - Scottish Paperweights. Large Size: 2 7/8" diameter by 2 1/8" high.
The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$245 postage paid in the US. Added 1/11/2020 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 4904 | Daniel Salazar Lundberg Studios 1992 Rose
Vine Paperweight Perfume Bottle. dated 1992. This
elegant paperweight perfume bottle features six deep red roses with
dark green leaves on vines at the top of a gracefully shaped
bottle. The vines wrap around the lip of the bottle.
There is a ball stopper extending into the bottle. Signed and
dated on the edge near the base "Daniel Salazar 0714100 Lundberg
Studios 1992". A great three dimensional design that is hard
to find. Note: Please ignore the white areas in the pictures caused by the light. Daniel Salazar is one of the lead gaffers at Lundberg Studios in Davenport, California and is their primary paperweight designer and maker. He joined Lundberg in 1975. The studio was founded by James Lundberg in the early 1970s. Steven Lundberg joined shortly later. The first paperweights were made in 1972. In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California. James died in an accident in 1991. Steven left Lundberg Studios in 1997 and set up his own studio. He died from ALS in 2008. Each paperweight produced at Lundberg Studios is signed and dated by the studio and signed by the artist.
Large Size: 3" diameter by 5 5/8" tall
with the stopper. It is 4 3/16" tall without the
stopper. The bottom is ground concave with a remnant of
pontil mark in the center. For extra pictures, click on the picture at the right and the following links: Large picture of perfume bottle$395 postage paid in the US. Added 1/11/2020 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 3038 | Large David and Jon Trabucco Pink and
Turquoise Bouquet Paperweight with Engraved Exterior. dated
1989. This paperweight consists of two large pink flowers with
four buds and a bunch of smaller turquoise flowers. There are
also green stems and leaves. The paperweight is frosted with a
clear top facet. There are four engravings in the frosted
exterior. It is signed on the base "Trabucco 1989 DJ".
There is also a "T" signature cane on the underside of a leaf.
A great paperweight. Twin brothers David and Jon Trabucco learned glass working under the direction of their father, the accomplished glass artist Victor Trabucco. When they first started out, David made the floral setups and Jon did the encasement and cutting, but over time they both became involved in all aspects of paperweight production. They are now accomplished glass artists in their own right and continue to work with Victor at the large Trabucco Glass Studio in Clarence, NY. Large Size: Just under 2 15/16" diameter by
just over 2" high. The base is ground slightly
concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 postage paid in the US. Added 1/9/2020 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 3542 | Large 1974 Baccarat Limited Edition
Strawberries Paperweight. dated 1974. Popular
design with three ripe red strawberries, leaves, stems, and a white
strawberry flower arranged over a transparent blue ground. It
is signed with a Baccarat signature cane "B 1974" and also signed
again on the bottom with two etched Baccarat logos. A
wonderful paperweight.
This is a hard to find Baccarat paperweight. The design was produced only in 1974 in a limited edition of 240 paperweights. This is number 217 in that series. There is a signature cane "B 1974" shown in the pictures. The bottom has the etched Baccarat logo twice plus it is engraved with the year (1974), the number (217) and the size of the series (240). Note: Please ignore the white areas, they are glare from the light. Large Size: Just under 2 7/8" diameter by just over 1
15/16" high. The bottom is ground concave.
You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 Postage paid in the US. Added 1/9/2020. For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page. Click on the picture to see a larger image. |
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| 2637 | Magnum 1975 Baccarat Limited Edition
Grapes Paperweight. dated 1975. Classical design
with a lampwork cluster of dark purple grapes with leaves and
tendrils over an opaque white milk glass ground. It is signed
with a Baccarat signature cane "B 1975" and also signed again on the
bottom with the Baccarat logo. A magnificent
paperweight.
This is a hard to find Baccarat paperweight. The design was produced only in 1975 in a limited edition of 260 paperweights. This is number 164 in that series. There is a signature cane "B 1975" shown in the pictures. The bottom has the Baccarat logo plus it is engraved with the year (1975), the number (164) and the size of the series (260). It is unusual to find a Baccarat paperweight with a white opaque ground as they produced very few designs with this choice of ground. It works perfectly with the dark purple grape cluster. Baccarat currently suggests a retail price of $2,461 for this paperweight, but my price is much lower. Very Large Size: Just over 3 1/16" diameter by 2 3/16"
high. The bottom is ground concave.
You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 Postage paid in the US (Price reduction from $595) on 1/6/2020. For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page. Click on the picture to see a larger image. |
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| 5164 | Super Magnum Glass Eye Studio 2002
Underwater Scene Paperweight. Dated 2002.
This is a huge underwater scene paperweight filled with
abstract bits of sea life. Interesting design of objects
wrapped around a center core, like a hill rising from the sea
bottom. There is an engraved signature on the base "Glass Eye
Studio 2002". Note: Please ignore the white areas, they are glare from the lights. Glass Eye Studio was founded in 1978 in Seattle, Washington. Managed by Dale Leman, GES is a production glass company that produces a range of glass products. Most paperweights are signed with the acid etched initials GES, although some are signed with the engraved Glass Eye Studio signature or even a signature cane. Each GES glass product includes some ash from the 1980 eruption of the nearby Mount St. Helens volcano. Huge Size: Just under 4" diameter by just under 3
3/4" high. The bottom ground flat. The paperweight
weighs three pounds (48 ounces). For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$245 postage paid in the US. Added 1/6/2020 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5049 | Mike Hunter Twists Glass 2018 Closepack
Millefiori Paperweight with Complex Canes, Roses, and Silhouettes.
dated 2018. This wonderful paperweight is a close packed
design with an amazing variety of complex millefiori canes and three
silhouette canes. The silhouette canes are a sheep, moth, and
swallow. There are also at least eight rose canes (two white,
two gold, two red, and two lilac). There is also a magnificent
pansy cane surrounded by a ring of hearts. And many other
wonderful canes. In addition the design is set in a stave
basket pulled to the bottom and has a translucent blue ground.
Mike Hunter's "MH" signature cane is near the edge of the
design. It is also signed on the base with an engraved
signature "M Hunter Twists 18 1 of 1" and has the Twists Glass clear
plastic label. An amazing paperweight. Note: All of Michael Hunter's paperweights are unique and not replicated. This paperweight and all others are signed 1 of 1. As Mike says, “One Of One Means One Only!" Please ignore the white areas, they are glare from the lights. Michael James Hunter is one of the United Kingdom’s foremost glass artists. He has over 40 years of experience, starting as an apprentice at age 16 at Wedgwood Glass (1974-1986). He has worked at the Welsh Royal Crystal Company in Rhayader, Wales (1986-1989) as glass master and Chair and at the Lindan Mill Glass Studio in Selkirk, Scotland (1989-1998) as a production manager. In 1998 he established his own studio Twists Glass in Selkirk, Scotland with his wife Susan Hunter as his partner and business manager. He made his first ventures into paperweights in 2004. All his works of art are unique and are not replicated. They are signed 1 of 1. Michael often says that his training as apprentice at Wedgwood taught him the foundations of glass work, he self-taught everything else. He has demonstrated that he is the master of many glass techniques including Vetro a Fili, Vetro a Retortoli (Filigree), Reticello, Latticinio, Incalmo, Merletto, Murrine, Pate de Verre, Cameo, Graal, Incalmo and torch work. Michael Hunter is the recipient of many awards for his excellence in design and execution and his work can be found in many museum collections. Large Size: 2 7/8" diameter by just over 2"
high. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 1/5/2020 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 1234 | Chinese Cube Aquarium 1930s Paperweight
with Sitting Buddha Figure. circa 1930. This
is a Chinese invention. It is intended to be placed in
an aquarium along with the rocks and plants. This cube shaped
paperweight features a painted sitting Buddha figure sitting on a
mound of green grass or moss. The cube has beveled
edges. Approximately cube shaped, but it is higher than it is
deep or wide. Novelty items like this started appearing in the
US in the 1930s and some were sold at the 1939 World's Fair. A
fun collectible. Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France. Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces. The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered. The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston &Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made. The results are interesting and sometimes confused with the originals by inexperienced collectors. The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939. Smith was aware that at least one of the paperweights shown in his book was Chinese. Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939. In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin. As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA". Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement. Most likely the earliest Chinese paperweights were made prior to 1930. The Chinese makers often combined design features found in paperweights from different makers. For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights. The original Baccarat pansy paperweights never had a latticinio ground. They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. In general, Chinese paperweights from the
1930s have a light weight glass mixture that is high in soda and
has a greenish tinge. The glass also has a soft almost oily
feel. Frequently they have bubbles or debris in the glass.
And because of their age, many of these have minor scratches or
other surface defects. Chinese paperweights made in the
1970s and later usually have better quality glass and are free
of debris. Size: Just under 1 5/16" wide by 1 1/4" deep by just
under 1 1/2" high. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 1/5/2020 For more paperweights from China, see my Chinese Paperweights Web Page. Click on the picture to see a larger image. |
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| 5154 | Large Josh Simpson Inhabited Planet
Paperweight with Red Spaceship. dated 1993. The
basic theme of the inhabited planet series is that a new planet has
been discovered with interesting features inviting
exploration. There is a dark, almost black, ocean
with interesting blue and red structures rising above the
surface. Some structures, possibly man made, require further
exploration. There is a red ribbon shaped spaceship on its
way to investigate. Signed on
the base "Simpson 1993" and the number "12-92". This is a work of astonishing depth and intricate
beauty. Note on white glare: Please ignore the white areas, they are glare from the lights. Josh Simpson has been making magical glass objects including paperweights for over 40 years. He has long had a fascination with space exploration and is married to Astronaut Cady Coleman. He is a graduate of Hamilton College and has his own glass studio in Shelburne Falls, Massachusetts. He focuses on creating objects with a range of color, form, contrast, iridescence, tessellating patterns and complexity. There is a great book Josh Simpson: Glass Artist by Andrew Chaikin. I recommend it highly. Large Size: Just under 3" diameter by just over 2
11/16" high. The base is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$195 postage paid in the US. Added 1/5/2020 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 2736 | Spectacular Peter McDougall (PMcD) Special
2009 Midyear Collection Butterfly on Lace Paperweight. dated
2009. This paperweight features a lampwork butterfly with
stretched millefiori wings surrounded by a garland of
identical complex millefiori canes. The design is set on a
lace ground. It is signed on the base with Peter's complex
signature and date cane "PMcD 09" and also has a worn paper label
"PMcD Glass Studio LTD, Handmade in Crieff Scotland." A well
balanced design with great color. This paperweight was one of the special annual editions made in only in 2009. It was designated Collection 2009 Midyear #8. Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Large Size: Just over 2 15/16" diameter by 2"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. I have one more of this design in stock. Please contact me if interested. Added 1/4/2020 For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 4990 | Antique Baccarat 1848 Small Spaced
Millefiori Paperweight with Six Gridel Canes on a lace or muslin
ground. dated 1848. Antique Baccarat spaced
millefiori paperweight with fourteen complex millefiori canes,
including six Gridel figures and a B1848 signature cane. The
six Gridel figures are the rooster, dog, lovebirds, hunter, goat and
deer. The design is placed on a white lace ground with bits of
colored filigree. The paperweight is signed and dated with a
"B1848" cane in the design. This is a truly wonderful
paperweight to own. According to Paul Dunlop in the Dictionary of Glass Paperweights, the first Gridel cane to appear was the lovebirds cane, which appeared in some 1846 paperweights. The others appeared in 1847 or later. The only known dated antique Baccarat closepack weights are 1846, 1847,1848, 1849, 1853, and 1858. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
Baccarat continued to make paperweights after the classic period (1845-1860), but little is known about the extent of the product line or who made the paperweights. It is known that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights. Popular lore attributes 1920-1934 Baccarat paperweights to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making. These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him. The weights stopped appearing in the shop in 1934. New research of the Baccarat archives has identified the actual maker as Joseph Boyé (1877-1948). He is recorded as the maker of millefiori canes and millefiori paperweights during this period (1920-1934). Very little is known about Mr. Boyé, but there is enough similarity in the millefiori canes to suggest that he had access to the original molds or some of the original millefiori canes from the classic period. He later trained another glassworker, Georges Brocard, to make open concentric paperweights in 1946. Armed with this knowledge, Brocard was influential in the revival of paperweight making at Baccarat in the 1950s. Another glassworker, Louis Idoux (1882-1941), is recorded as making the Baccarat pansy paperweights during the 1920-1934 period. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Small Size: Just over 2 1/2" diameter by just over 1
3/4" high. The bottom is ground slightly concave.. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$1,850 postage paid in the US. US sales only for this paperweight. Added 1/4/2020 For more information about Antique Paperweights, see my Antique Paperweights Web Page. (dl-ant-bac) Click on the picture to see a larger image. |
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| 5197 | Perthshire PP3 Miniature Concentric Millefiori
Paperweight. circa 1969-1973. This is an
early Perthshire miniature concentric millefiori paperweight with
three rings of millefiori canes around a single center cane.
The ground is an opaque dark purple (almost black). This
version of the PP3 has a fire finished base and is not signed.
A extra nice example with crisp setup and bright colors. Note: The PP3 design was made from 1969 to 1973 and then again starting in 1983. The earlier version had a fire finished base and was not signed. When production resumed in 1983, the PP3 was signed with a central signature cane and had a hollow ground base. Note on white glare: Please ignore the white areas, they are glare from the lights. Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Miniature Size: 1 3/4" diameter by 1
1/4" high. The base is fire finished. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$49 postage paid in the US. Added 12/19/2019 For more information about Perthshire Paperweights, see my Perthshire Web Page. Click on the picture to see a larger image. |
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| 4697 | Charles Kaziun Jr. Miniature Three Color Rope Roses Nosegay
Bouquet Paperweight. circa 1960-1980. This
miniature paperweight has a nosegay or bouquet with red, blue, and
yellow pink roses along with three dark green leaves and a dark
green stem. There is a center patch of aventurine. The
design is placed on a transparent cobalt blue ground. Signed
on the bottom of the ground with a gold K. A special
paperweight by this talented artist.
Note: There are some tiny bubbles in the glass. Please examine the pictures carefully. Ignore the white areas, they are glare from the lights. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. You can read about him in many books, including: Signature: Signed on the bottom of the ground with Kaziun's gold K. Condition: Excellent condition with no scratches, chips, or cracks. There is a tiny bit of wear on the edge of the base. There are some tiny bubbles in the glass. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 postage paid in the US. Added 11/11/2019 For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. Click on the picture to see a larger image. |
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| 3328 | Whitefriars 1977 Elizabeth II Silver Jubilee Millefiori
Paperweight. dated 1977. This paperweight
has a double trefoil design commemorating the twenty-fifth
anniversary of the accession of Queen Elizabeth II on February 6,
1952. It is one of a series of paperweights produced by
Whitefriars to celebrate the Royal Jubilee. The double trefoil
consists of two interlaced three lobed garlands, one pink and one
white. There are four special complex mosaic millefiori
canes. In the very center is a large crown cane. In
addition, there is a 1952 date cane, a 1977 date cane, and a special
EiiR cypher cane (for Elizabeth II Regina). This paperweight
is faceted with six side facets and one top facet. It is
signed with a Whitefriars signature cane (white monk) at
approximately the 12 o'clock position on the pink garland.
Typical heavy Whitefriars lead crystal. Note: This paperweight has one slight scratch mark on the top facet and several small bubbles in the glass. Because of these flaws, it is offered at a reduced price. Modern Whitefriars paperweights are prized by collectors for their high quality glass and millefiori designs. The limited edition paperweights with mosaic canes are especially sought after. The name Whitefriars Glass dates from sometime in the 1600s. The original site had been occupied by a community of Carmelite monks known as White Friars, hence the name taken by the glass company. Some sources state that at least a portion of the company operated under the name of James Powell and Sons from 1834 to 1962. Other sources state that the Whitefriars name was used from 1680 to 1980. Limited production of millefiori paperweights and other millefiori items started some time in the 1930s and first appeared in the 1938 catalog. Millefiori items were made using English full lead crystal (33% lead oxide). It is difficult to associate specific paperweights with this production. After 1945, they made colored glass and bubble design paperweights until the modern millefiori production started about 1951. Even then relatively few designs were produced until the 1970s. In 1980, Whitefriars glass went out of business. After Whitefriars Glass was liquidated, Caithness Glass purchased the rights to the name and produced paperweights under the Whitefriars name for awhile. For a long time, collectors believed that English paperweights and inkwells dated 1848 and similar undated items were made by Whitefriars. The dates, however, are false dates and have been traced to production at Arculus and Walsh-Walsh in the 1920s and 1930s. Most paperweights referred to as old Whitefriars or antique Whitefriars were, in fact, made by other factories such as Richardson, Arculus, Walsh-Walsh,or one of the unidentified Old English factories. When the maker can not be identified, it is best to call them Old English paperweights and not associate them with Whitefriars. Large Size: 3 3/16" diameter by 1 7/8" tall.
It is faceted with one top facet and six side facets. The
bottom is ground concave with the millefiori set close to the base
(typical of Whitefriars weights). For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 11/11/2019. For more information about Whitefriars and other paperweights from England,see my English Paperweights Web Page. Click on the picture to see a larger image. |
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| 2369 | Peter McDougall (PMcD) Small Concentric Millefiori
Paperweight. This small paperweight consists of a four
concentric circles of millefiori around a central millefiori
cane. The ground is black. It is signed on the bottom
with a complex cane made from four separate letter canes forming the
signature PMcD. It also has a paper label "PMcD Glass Studio
LTD, Hand Made in Crieff Scotland." A wonderful bright
paperweight that just stands out.
Note: The picture does not do justice to this paperweight. Please ignore the white areas, they are glare from the lights. Peter McDougall started his glass making career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Small Size: Almost a miniature. 2 1/16"
diameter by 1 7/16" high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 11/11/2019. For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 5128 | Large Murano Scramble Paperweight. circa
1970. This fun scramble paperweight is filled with light blue
twist canes placed over a ground of white lace or upset
muslin. The blue twists have gold aventurine edges.
Unsigned. Note: Please ignore the white areas, they are glare from the lights. This paperweight has a faint scratch on the top of the dome. I also found a tiny (1/8") area on the side that appears to be debris in the glass. It cannot be felt and is not a bruise or pinprick. See the pictures for a closeup. Although many people collect scramble paperweights for their own merit, scrambles are also valuable tools for learning to identify the different colors and canes used by each factory. This paperweight was made on the island of Murano in Venice, Italy. Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s. More recently, paperweight making was revived in the 1930s and again in the 1960s. Large Size: 3" diameter by just under 2 11/16"
high. The base is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$65 postage paid in the US. Added 11/11/2019 For more information about Murano paperweights, see my Murano Paperweights Web Page . Click on the picture to see a larger image. |
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| 4720 | Charles Kaziun Jr. Miniature Tilted Pedestal Spider Lily
Paperweight with cobalt blue aventurine ground. circa
1960-1980. This is a miniature pedestal paperweight with a
pink spider lily and four leaves on a cobalt blue aventurine
ground. There is a yellow and orange millefiori stamen in the
center. The paperweight is tilted at a 45 degree angle so it
displays beautifully. Signed on the bottom of the cobalt blue
aventurine ground with a gold K.
This design was Charles Kaziun's signature design and one of the most popular with collectors. This size and style was often referred to as a #1. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. You can read about him in many books, including: Signature: Signed on the bottom of the ground with Kaziun's gold K. Condition: Excellent condition with no chips or cracks. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. Added 11/11/2019 For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. Click on the picture to see a larger image. |
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| 3195 | Small Peter McDougall (PMcD) Scramble or End of Day
Millefiori Paperweight. This charming paperweight
consists of an end of day design over a translucent ruby
ground. It is one of Peter McDougall's earliest designs.
It is signed in the design with a complex cane made from four
separate letter canes forming the signature PMcD. It also has
a paper label "PMcD Glass Studio LTD, Handmade in Crieff Scotland"
on the base.
Note: The picture does not do justice to this paperweight. Ignore the white areas, they are glare from the lights. Although
many people collect scramble paperweights for their own merit, scrambles are
also valuable tools for learning to identify the different
colors and canes used by each factory. Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Small Size: Just under 2 1/8" diameter by 1 7/16"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 11/9/2019. For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 2904 | Modern St. Louis Sulphide Amour Paperweight with Certificate
and Box. dated 1979. This is a modern St.
Louis sulphide paperweight featuring a ceramic image of cupid set on
a opaque red ground and surrounded by a garland of lampwork flowers
with millefiori centers. The paperweight was issued in a
limited edition of 400 in 1979. It is faceted with a large top
facet and six side facets. It is signed on the bottom with a
millefiori signature "SL 1979" and retains its original foil
label. The paperweight comes with its original box and a
somewhat wrinkled certificate numbered 85. A great paperweight
with fantastic color.
The conceptual design for the paperweight was by Linda Pope-Selman. Gilbert Poillerat sculpted the model for the image of cupid. The sulphide bears the title AMOUR and the initials of the sculptor (GP). Sulphides are cast objects (animals,
flowers, people) made of a ceramic material that has properties
similar to the surrounding glass. They are normally white,
but are also sometimes colored or even painted. The
objects are cast in a mold that copied or made directly from a
medallion, coin or sculpture. The finest French sulphides
are cast in a mold made by a skilled artist. Often a
sulphide will have a silvery appearance due to a thin layer of
trapped bubbles between the glass and the sulphide itself. Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766. The region was already home to several glassworks. Paperweight production started at St. Louis in 1845 and most likely continued until about 1860. Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small. Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955. They were not all signed or dated. The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953. After 1955, no additional weights were made at St. Louis until 1965. In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights. Finally, in 1970 they started producing annual limited edition paperweights. Large Size: Just over 3" diameter by 1 5/8"
high. The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 postage paid in the US. Added 11/9/2019 For more information about paperweights made by the St. Louis factory, see my St. Louis Web Page . Click on the picture to see a larger image. |
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| 5176 | Early John Deacons Double Clematis Paperweight. undated,
circa 1990. This colorful paperweight features two five petal
clematis flowers, one pink and white and one dark blue, with white
millefiori centers and green foliage. The design is placed on
a light green frit ground. There is a "JD" signature cane near
the base of the stems. A great paperweight from this talented
artist. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Strathearn Glass was formed in a reorganization of Vasart glass in 1963. John Deacons trained at the Edinburgh College of Art and started his career at Strathearn Glass in Crieff, Scotland in 1967. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there for 10 years before leaving in 1978 to start his own glass studio. He has produced paperweights and other glass objects under a variety of labels, including J Glass, St. Kilda, and now under his own name. The St. Kilda line was produced from 1978 or 1979 through 1987. He now works with his son Craig Deacons in their studio in Crieff. You can read about John Deacons in the book by Hall - Scottish Paperweights. Medium Size: Just under 2 1/2" diameter by just
under 1 7/8" high. The base is fire finished. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight $95 postage paid in the US. Added 11/9/2019. For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 5163 | Rare Free State Glass 1996 Magnum Abstract Paperweight. dated
1996. This is a very large contemporary abstract paperweight
with a large controlled bubble and several smaller ones. The
iridescent colors progress in layers from light blue to dark blue to
black with some green and some white spots mixed in. There are
also some spots of gold leaf and gold dust. The paperweight is
signed on the base "Free State 1996". The style of this paperweight resembles the Robert Eickholt's Reptile Series, so named because the imagery resembles a reptilian skin. However we know of no connection between the Free State artists and Robert Eickholt. Free State Glass was founded in 1984 by Dick Rector and Jim Slough, both from Lawrence, Kansas. The studio was operated for thirty years in an historic 1869 building, the Turnhalle, in East Lawrence, Kansas. They made a variety of glass objects from paperweights to chandeliers. Unfortunately, the building was deemed unsafe and in need of significant improvements and repairs and the studio was closed in 2014. I was not able to learn anything more about the studio or its founders. Very Large Size: Just under 3 1/2" diameter by 3
1/2" high. The base is ground flat. This paperweight
weighs just over two pounds. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight SOLD.
Added 11/9/2019. For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 1980 | Peter McDougall (PMcD) Small Closepack Millefiori in a Basket
Paperweight. This paperweight has a closepacked
arrangement of millefiori arranged inside an outer garland of yellow
and blue canes. The blue canes in the outer garland form a
basket. The design is placed over a translucent rose colored
ground. It is signed in the design with with a complex cane
made from four separate letter canes forming the signature
PMcD. This early example does not have a paper label. A
colorful paperweight that stands out.
Note: Please ignore the white areas, they are glare from the lights. Peter McDougall called this a scramble but I think the closepack designation is more fitting. Peter McDougall started his glass making career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Small Size: Almost a miniature. Just over 2
1/8" diameter by just over 1 1/2" high. The base is ground
concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 11/9/2019. For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page . Click on the picture to see a larger image. |
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| 4200 | Large Antique Baccarat Double Trefoil Millefiori
Paperweight. Circa 1920-1934. Colorful
double trefoil millefiori paperweight with a clear ground. The
trefoils are constructed with blue and red complex canes in the
center hexagon shaped portion and outer loops of contrasting pink
and blue canes. This is a unique setup not found in classic
period paperweights from Baccarat. There is a complex
millefiori cane in the center of each loop and a circle of complex
millefiori canes in the center of the design with a single blue cane
in the center. As is typical of millefiori from this period, the
canes are very miniaturized and some are poorly executed. Most
likely made by Joseph Boyé (1877-1948). An interesting
example. Dramatic Price Reduction: Originally priced at $475, I have decided to relist this paperweight at $185 to see if there is any interest. Note: This was a difficult paperweight to photograph, but I did the best that I could. The pink canes don't show a lot of detail and there is some distortion in the glass. Baccarat continued to make paperweights after the classic period (1845-1860), but little is known about the extent of the product line or who made the paperweights. It is known that by 1910, the offering in the catalog had dwindled to pansy paperweights, simple open concentric paperweights, and rock paperweights. This double trefoil paperweight dates from the Dupont period of Baccarat production. Popular lore attributes this paperweight and others like it to a Mr. Dupont, who supposedly was the last worker at Baccarat to know the secrets of paperweight making. These paperweights were sold at a Baccarat retail shop in Paris. No collector or scholar ever met Mr. Dupont although at least one visited the Baccarat factory and asked to meet with him. The weights stopped appearing in the shop in 1934. New research of the Baccarat archives has identified the actual maker as Joseph Boyé (1877-1948). He is recorded as the maker of millefiori canes and millefiori paperweights during this period (1920-1934). Very little is known about Mr. Boyé, but there is enough similarity in the millefiori canes to suggest that he had access to the original molds or some of the original millefiori canes from the classic period. He later trained another glassworker, Georges Brocard, to make open concentric paperweights in 1946. Armed with this knowledge, Brocard was influential in the revival of paperweight making at Baccarat in the 1950s. Another glassworker, Louis Idoux (1882-1941), is recorded as making the Baccarat pansy paperweights during the 1920-1934 period. You can read more about the Baccarat paperweights and the Dupont connection in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Large Size: Just over 2 7/8" diameter by 2 1/8"
high. The bottom is ground concave. Unusually
high dome with the original Baccarat profile. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD For more information about Antique Paperweights, see my Antique Paperweights Web Page. (dl-ant-bac) Click on the picture to see a larger image. |
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| 5177 | Perthshire Annual Collection 1975C Limited Edition Millefiori
Circlets Paperweight.
made only in 1975. This large millefiori paperweight
consists of a complex millefiori center cluster surrounded by five
spaced complex clusters. The design is surrounded by a garland
of complex millefiori canes and placed on an opaque dark green
ground. It is signed in the center of the design with
Perthshire's "P" signature cane. This paperweight was made in
a limited edition of 400 paperweights of which all 400 were
made. There is no paper label on this paperweight and I do not
have the original certificate. A nice crisp design with great
color. Perthshire made this paperweight as one of their Annual Collection designs for 1975. This means the design was made only that one year and never again. There were five Annual Collection designs in 1975, designated A through E. The annual collection paperweights are the most desirable of the Perthshire line, with the exception of one of one items. Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price. The birth of Scottish paperweight making is
credited to the glass making family of Salvador Ysart, who moved
to Crieff, Scotland in 1922. They worked first at John
Moncrieff Ltd and made the earliest Scottish paperweights during
that period. In 1946 Salvadore and his sons Augustine and
Vincent founded Ysart Brothers Glass and produced glass wares
under the Vasart label. Salvador Ysart died in 1955.
The company name was later changed to Vasart Glass. Stuart
Drysdale was hired manage the business side of the enterprise in
1960. The company evolved into a new company Strathearn
owned by Teachers Whiskey. In 1967 Drysdale was sent a
magazine article on antique paperweights (Woman's Day, July
1965). This inspired him to try to produce weights
comparable to the French antiques. With this goal in mind,
he and several of the glass workers left Strathearn to found Perthshire
in 1968. Large Size: 2 7/8" diameter by 2" high. The
bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. Added 8/18/2019 For more information about Perthshire Paperweights, see my Perthshire Web Page. Click on the picture to see a larger image. |
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| 1312 | Early Pairpoint Concentric Millefiori Paperweight with Heart
Canes - CRACKED. circa 1970 or earlier. This is a
concentric millefiori paperweight with three identical canes in the
center, each with a blue and white heart cane in the center. The
outer ring consists of eleven identical pastry mold canes, each with
an eight armed cog in the center. The design is placed over a
transparent amber ground or flash layer. Although the glass is
clear on top, the amber base color gives it an overall appearance of
color. The canes are all close to the base. And please
make note that there is an internal fracture. Although the
execution is somewhat primitive, this is an interesting historical
addition to your Pairpoint collection. I suspect this is an
early example of Bryden Pairpoint's early efforts to make millefiori
paperweights. Note: This paperweight has an internal fracture and also a flat spot on the top. Note 2: Please ignore the white areas, they are glare from the lights. Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837. Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s. The original Pairpoint companies were located in New Bedford, Massachusetts. In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952. The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company. They leased production facilities in Spain. The last New Bedford factory burned down in 1965. In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970. It continues to operate at that location today, with new owners in 2015. Large Size: 2 11/16" diameter by just over 1 11/16"
high. The base is ground concave and has an amber flash or
stain finish giving the entire paperweight an amber
appearance. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$85 postage paid in the US. Added 8/17/2019 For more vintage American paperweights, see my Vintage American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5007 | Fantastic Large Cape Cod Glass Works Bill Burchfield Double
Signed 1994 Limited Edition Crown Paperweight.
Dated with Signature Cane Used in 1994. Colorful large crown
paperweight with Bill Burchfield's rose "WBC" signature cane on the
top. The design has twenty twist canes with alternating color
schemes. Each colored twist cane appears twice alternating
with variations of the white twist canes. Bill Burchfield
changed his signature cane each year and this paperweight is signed
on top with the rose signature cane used in 1994. It is also
signed on the base "W. Burchfield 14 of 20". A rare chance to
acquire a fantastic limited edition crown paperweight from this
outstanding artist. Note: Please ignore the white areas, they are glare from the lights. Crown weights are considered by some to be the most exciting of all millefiori designs. They are extremely difficult to make. The Cape Cod Glass Works was operated by William Clark Burchfield in Sagamore, Massachusetts from 1976 to 2000. It then continued briefly in Crossville, Tennessee until 2001. Bill Burchfield died in 2012. Bill's son Mark was also at the glass works until 1998. Bill started making paperweights at Pairpoint Glass in 1970. Large Size: 3 1/8” diameter by 2 1/2”
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 8/11/2019 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 3107 | Magnum Antique Baccarat Rock or Sand Dune Paperweight.
circa 1880. This paperweight consists of a sandy ground flecked with
green glass particles and mica. There are two large hills plus
one smaller hill in this example. This type is also sometimes
called a Sand Dune Paperweight. This is an extra large sized
example in very good condition.
According to Sibylle Jargstorf (Paperweights), Baccarat started making this type of weight in 1880. She advances the theory that Baccarat issued these weights in response to the reptile weights shown by Pantin at the 1878 Paris Exhibition. Some Baccarat rock weights contain reptiles or flowers, but almost all contain just rock motifs. Often these weights have incompatibility cracks throughout the weight, causing a glittery appearance which is part of the appeal. Note:
Please ignore the white areas, they are glare from the lights.
Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
Very Large Size: Just over 3 3/16" diameter by 2
5/16" high. The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight $145 postage paid in the US. Added 8/4/2019 For more information about antique paperweights see my Antique Paperweights Web Page. (dl-ant-bacc) Click on the picture to see a larger image. |
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| 5006 | Early Victor Trabucco Three Violets Paperweight. circa
1975-1980.
This paperweight consists of three violet flowers with stems and
leaves on a clear ground. It is an early Trabucco paperweight
and is signed with Victor's earliest "T" signature cane underside of
one of the leaves. There are some tiny striations (also called
sugaring) in the glass visible in the side view. An early
paperweight by this important paperweight artist.
Note: Please ignore the white areas, they are glare from the lights. Victor Trabucco's original career
was as a steelworker. He began working with glass in 1974
after seeing a flameworker make a sculpture. He knew this was
what he wanted to do for his life's work. Trabucco says that
“Glass is the ultimate challenge; it has properties of no other
material and offers the artist possibilities that are inspiring
for the creative process. His work is often inspired by nature,
capturing the beauty and motion of the subject and freezing a
moment in time. His work is in the collection of many major
museums. Victor set up his first studio in the basement of
his house and learned by experimentation. He now works
with his sons Jon and David in a large studio in Clarence,
NY. Size: Just over 2 5/8" diameter by 1 11/16"
high. The base is ground slightly concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 7/28/2019 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 4851 | Baccarat 1978 Gridel Series Millefiori Goat Limited Edition
Paperweight. dated 1978. This modern
millefiori paperweight features a large central black goat
silhouette on a white background surrounded by an unusual concentric
pattern of millefiori canes. The goat cane is surrounded by a
ring of white snowflake canes. The next ring consists of six
large square complex canes, each with four snowflake canes in the
center and an outer border of twelve red and white canes. The
outer two rings include the other seventeen Gridel figures and a
Baccarat signature / date cane interspersed with twelve more of the
red and white canes. The design is placed over an opaque amber
ground. The paperweight is signed in the design with
Baccarat's complex signature cane "B 1972". It also has an
acid etched Baccarat mark on the base along with the year (1978) and
edition number (153). Note: I have the entire modern Gridel series available for sale. Please let me know if you would like to purchase a different modern Gridel paperweight. Also, please ignore the white areas, they are glare from the lights. This design was released in 1978 in a limited edition of 350 pieces. This is number 153 in that series. There is a signature cane "B 1978" shown in the pictures. The bottom has the acid etched Baccarat logo plus it is engraved with the year (1978) and the number (153). In 1846 Baccarat introduced the popular Gridel figures in their closepack millefiori paperweights. It was named after Emil Gridel, the nephew of Jean-Baptiste Toussaint the general manager of Baccarat. Toussaint saw Gridel making paper cutouts of animals and saw an opportunity to incorporate these silhouettes in millefiori paperweights. From 1971 to 1979 Baccarat issued a modern Gridel series of millefiori paperweights based on eighteen Gridel figures. Each paperweight has a large Gridel figure in the center with smaller versions of the other figures included in the design. There are variations in orientation and color as well as the types of canes in each design and it is possible to amass a very large collection covering just this series. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again. In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide. Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s. Baccarat stopped making this type of fine glass paperweights in 2002. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Large Size: Just under 3 1/16" diameter by just
over 2 3/16" high. The base is ground
flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 7/26/2019. For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page Click on the picture to see a larger image. |
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| 3895 | Large St. Louis 1979 Faceted Tutankhamen Gold Mask and
Millefiori Garland Paperweight. dated 1979.
This paperweight features a 24 karat gold death mask of the boy king
Pharaoh Tutankhamen is surrounded by a white, blue, red, and yellow
complex millefiori garland. The design is placed on an opaque
orange ground and faceted with six side facets and one large top
facet. The paperweight was issued in a limited edition of 300
paperweights. It is signed with a red and white complex
signature/date cane "SL 1979" on the base. The gold inclusion
was created from a medal by Arthus Bertrand Co., Paris. A
wonderful paperweight.
According to the two books on St. Louis paperweights, this design was issued with two different color grounds, orange and turquoise. There were 300 issued in each color. The original price in 1979 was $490. Examples sold at auction have sold for $720 and up. This paperweight is an example of the fourth type of paperweight made by St. Louis, namely the paperweight incorporates a gold inclusion. Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766. The region was already home to several glassworks. Paperweight production started at St. Louis in 1845 and most likely continued until about 1860. Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small. Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955. They were not all signed or dated. The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953. After 1955, no additional weights were made at St. Louis until 1965. In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights. Finally, in 1970 they started producing annual limited edition paperweights. In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. Very Large Size : Just under 3 1/8" diameter by 1
15/16" high. The bottom is ground concave. It is
faceted with six side facets and one large top facet. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 6/30/2019 For more information about paperweights made by the St. Louis factory, see my St. Louis Web Page . Click on the picture to see a larger image. |
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| 5148 | Rare Baccarat 1987 Faneuil Hall Sulphide Paperweight - Shreve,
Crump & Low Exclusive. This modern Baccarat
sulphide paperweight features a three dimensional image of the
Faneuil Hall in Boston, Massachusetts. The sulphide is an
accurate representation of the building as it stood in the 1898 time
frame. This sulphide paperweight does not appear in any of the
Baccarat catalog listings and appears to be a special offering
created exclusively for Shreve, Crump & Low possibly as part of
their "Museum Collection" exhibition or even the "Remembering
Boston" series in 1987. The May 17, 1987 Boston Globe
advertisement (see picture) offering this paperweight states
"Baccarat crystal … paperweight commemorating historic Boston ...
Exclusively at Shreve’s $245". The paperweight has a
translucent cobalt blue foot and is signed with the etched Baccarat
logo on the base. It is also faceted with one large top facet
and six side facets. Faneuil Hall is one of the most popular
locations in Boston to visit, shop, or have a meal. This is an
exceptional find for any collector of Baccarat paperweights or
Boston memorabilia. Sulphides are cast objects (animals, flowers, people) made of a ceramic material that has properties similar to the surrounding glass. They are normally white, but are also sometimes colored or even painted. The objects are cast in a mold that copied or made directly from a medallion, coin or sculpture. The finest French sulphides are cast in a mold made by a skilled artist. Sometimes a sulphide will have a silvery appearance due to a thin layer of trapped bubbles between the glass and the sulphide itself. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
New research of the Baccarat archives has identified the actual makers during the Dupont period as Joseph Boyé (1877-1948)and Louis Idoux (1882-1941). Boyé is recorded as the maker of millefiori canes and millefiori paperweights during this period (1920-1934). Very little is known about Mr. Boyé, but there is enough similarity in the millefiori canes to suggest that he had access to the original molds or some of the original millefiori canes from the classic period. He later trained another glassworker, Georges Brocard, to make open concentric paperweights in 1946. Armed with this knowledge, Brocard was influential in the revival of paperweight making at Baccarat in the 1950s. Louis Idoux is recorded as making the Baccarat pansy paperweights during the 1920-1934 period. In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again. In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide. Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s. Baccarat stopped making this type of fine glass paperweights in 2002. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Large Size: 2 3/4" diameter by 1 7/16" high.
The paperweight has a translucent cobalt blue foot and is faceted
with one large top facet and six side facets. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 postage paid in the US. Added 6/30/2019 For more information about sulphide paperweights, see my Sulphide Paperweights Web Page (dl-sul-bac) Click on the picture to see a larger image. |
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| 3225 | Large
Parabelle Glass 1989 Closepack Millefiori Paperweight. Dated
1989.
This
paperweight has a closepacked millefiori design with a wonderful
variety of millefiori canes placed over a translucent blue
ground. There are rose canes, silhouette canes, rose canes,
bell canes, and many complex canes in the setup. The
paperweight is signed with a "PB 1989" cane in the design and also
has a worn silver label with two bells, "PARABELLE GLASS Rings
True HANDMADE IN USA" on the base. A wonderful paperweight.
Note: Please ignore the white areas in the pictures caused by the light. Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon. High quality paperweights were made in small quantities from 1983 to 1998 when they retired. Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights. Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger. They also made some one of a kind paperweights. Doris passed away in 2013 and Gary followed in 2014. After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. Large
Size: 2 11/16" diameter by 2 1/16" high. The
base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 6/28/2019 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5140 | Peter Raos 2003 Vincent Van Gogh Series Summer in Arles
Millefiori Paperweight. dated 2003. This
paperweight features a impressionist interpretation of a wildflower
meadow created using hundreds of millefiori flowers with a blue
ground. It was made by Peter Raos in New Zealand. It is
signed on the side near the base "Peter Raos 2003 NZ". This is
a hard to find item. A wonderful paperweight. A similar paperweight is shown on Peter Raos website at $675 NZ or $453 US. Peter Raos works as a glass artist in Devonport, New Zealand since starting his studio in 1979. He is a graduate of the University of Auckland Elam School of Fine Arts and Design. Very Large Size: Just under 3 1/4” diameter by just
over 3 5/8" tall. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 6/28/2019 For more paperweights from other countries, see my Other Countries Web Page. Click on the picture to see a larger image. |
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| 4002 | Rare Milon Townsend 2007 Miniature Underwater Reef Scene
Paperweight. dated 2007. This wonderful
paperweight features a highly detailed underwater scene with three
dimensional life of all sorts reaching up from the bottom. A
whimsical piece. The scene resembles a face, doesn't it?
Signed with a hard to read "Milon" and a conjoined "TD" for Townsend
plus the 2007 date on the base. Miniature size at 1 13/16"
diameter by 1 1/8" high. This is a rare opportunity to own a piece
by this talented glass artist whose works can sell for thousands of
dollars. Milon Townsend has been working
with glass for more than 35 years, in flameworking, cold
working, and kiln casting. He is the author of numerous
books, videos, and articles on glass, art, and marketing.
He frequently presents at workshops, classes, and conferences
and his work is represented in many fine galleries, museums, and
private collections around the world. He is currently
listed as an instructor on the staff of the Corning Museum of
Glass. Miniature Size: 1 13/16" diameter by 1 1/8"
high The bottom is fire finished. For extra pictures, click on the picture at the right and the following links: Large pictureSOLD. Added 6/25/2019. For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 4900 | Perthshire PP48 Old Fashioned Paperweight Tumbler with
Concentric Millefiori Base. circa 1981 -
1994. This paperweight glass or tumbler was offered by
Perthshire from 1981-1982 and 1987-1994. I suspect that this
example dates from the later period (1987-1994). The
paperweight base has a concentric pattern of five rings of
millefiori canes surrounding a central complex "P" signature
cane. The millefiori pattern is set on a translucent blue
ground. This is a very nice example with brilliant glass and a
precision setup. Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price. There are three books on Perthshire Paperweights. If you collect Perthshire paperweights, you should have them in your library. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Large Size: 3 7/16" diameter at the top by 3 9/16"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$175 postage paid in the US. Added 6/16/2019. For more information about Perthshire Paperweights, see my Perthshire Web Page. Click on the picture to see a larger image. |
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| 968 | Fantastic Charles Kaziun Jr. Checkerboard (Chequer) Millefiori
Paperweight. circa 1960-1980. This is a fantastic
Charles Kaziun Jr. chequer millefiori paperweight with nine complex
millefiori canes spaced out and divided by a grid of gold aventurine
on a translucent dark burgundy turquoise ground. The central
cane is a wonderful complex rose cane. There is also a heart
cane and shamrock cane. One of the other canes has a shamrock
in the center. This paperweight is signed on be base with
Kaziun's gold "K". Kaziun chequer paperweights are hard to
find. This will make a wonderful addition to any collection of
Kaziun paperweights. A similar weight was in the Spring 2003 Selman catalog with a $1700 to $2000 estimate. I am offering this paperweight at the lower end of that estimate and will consider serious offers. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. Charles Kaziun Jr.'s son, Charles Kaziun III is also a paperweight maker and signs his weight with a silver "K" on the base. You can read about Charles Kaziun Jr. in many books, including: Small Size: 2 1/8" diameter by just over 1 7/16"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight $1,595 postage paid in the US. Added 6/16/2019 (dl-kaz-ca) For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. Click on the picture to see a larger image. |
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| 4798 | Large Antique St. Louis Millefiori Scramble
Paperweight. circa 1845-1860. This is
a fantastic large St. Louis scrambled millefiori paperweight.
It is just packed with a variety of millefiori canes and twists,
plus a patch of aventurine. The paperweight was professionally
restored and is in excellent condition. A colorful large
weight with a nice variety of canes. Although many people collect scramble paperweights for their own merit, scrambles are also valuable tools for learning to identify the different colors and canes used by each factory. Note: Please ignore the white spots - they are glare caused by my light. Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766. The region was already home to several glassworks. Paperweight production started at St. Louis in 1845 and most likely continued until about 1860. Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small. Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955. They were not all signed or dated. The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953. After 1955, no additional weights were made at St. Louis until 1965. In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights. Finally, in 1970 they started producing annual limited edition paperweights. In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. Very Large Size: 3 1/16" diameter by 2" high. The
bottom is ground concave. The profile is low, possible as
the result of another restoration in the past. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 5/26/2019 For more information about antique paperweights see my Antique Paperweights Web Page. (dl-ant-sl) Click on the picture to see a larger image. |
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| 3994 | Fantastic Cathy Richardson 2005 Starfish and Anemone Marble /
Paperweight with Stand. dated 2005. This
wonderful marble features a pink and white starfish surrounded by
groups of blue, yellow-orange, pink, and white anemone blooms.
The design is placed over a lush green ground. It is signed
"CKR 2005" on the base. The acrylic stand shown will be
included with this item. A wonderful example.
Cathy Richardson was born in
Washington D.C. and grew up in Falls Church, Virginia. She
was always interested in art and nature and learned to draw and
paint at a very early age. Her formal education was capped
with a Ph.D. in geology from Harvard, University. In the
1980s she returned to art and built a stained glass studio in
Iowa which she named "Nature's Image". In 1996, she
studied lampworking with Bandhu Scott Dunham at the Corning
School of Glass and in 1997 enrolled at Bowling Green State
University and learned to blow glass. In 2000 she again
studied lampworking at Corning School of Glass — this time with
Shane Fero and Fred Birkhill. Her early appreciation of
paperweights came from her mother who had a small collection of
paperweights. She and her husband moved one more time to
Winona, Minnesota in 1999 and she started a new studio named
Touchstone Glass, making paperweights and marbles. Her
earliest paperweights were made at the end of 2001 or early
2002. Cathy Richardson's earliest paperweights and marbles were starfish and coral reef designs and also torch-drawn "California style" paperweights. In 2004 she started to make more lampwork paperweights. Cathy still makes a combination of California style paperweights"and her more detailed lampwork designs. More recently she studied engraving and her latest works demonstrate an amazing ability to integrate traditional paperweights and an elaborate engraved surface. Touchstone Glass has grown into a family business, with Cathy's son, Colin Richardson, joining as a full-time glass artist in 2006, and Cathy's husband becoming one of the team when he retired from his University career. Colin now has his own studio in Minneapolis, MN. Medium Marble: 1.95" diameter. Large picture of the paperweightSOLD. Added 5/19/2019 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 1367 | Rare Large Vasart or Strathearn Close Packed Millefiori
Paperweight Dish. circa 1946-1969. This oblong
shaped dish features a close packed millefiori design in the
center. The ground is an opaque turquoise. The dish is
heavy with thick walls and a depressed center. I believe this
to be an early item, hence my attribution to Vasart. An
interesting historical addition to any collection of Scottish
paperweights, Ysart glass or millefiori collectibles.
Items like this were made by the many of the Scottish paperweight companies (Ysart Brothers, Vasart Glass, Strathearn Glass, or even Perthshire Paperweights). Some of the products made by Vasart were also sold with a Pirelli label. It is important to note that most dishes started off as paperweights. The maker found a defect or problem and rather than stop, turned it into a dish. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Strathearn Glass was formed in a reorganization of Vasart glass in 1963. The new company was owned by Teachers Whiskey. Large Size: Slightly oval shaped 5 9/16" at the
widest, 5 1/4” at the narrowest, by about 2” high. The
bottom is polished flat. For extra pictures, click on the picture at the right and the following links: Large picture $125 postage paid in the US. Added 5/12/2019 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 3965 | Early Rare Roger Gandelman 1990 Single Facet Abstract
Paperweight. dated 1990. Contemporary abstract
paperweight with gold leaf outer layer made by Roger
Gandelman. The paperweight features a cool cobalt blue center
covered by a layer of clear glass. The outer surface is
decorated with nicely balanced layers of gold leaf and gold
dust. An amazing paperweight from a relatively unknown
paperweight maker who is best known for his amazing art glass
perfume bottles. This paperweight is signed twice near the
base "R. Gandelman" (one signature is only partially legible) and
also dated 1990. It has a single angled facet or
window. An amazing piece. Roger Gandelman studied at University of Denver, Colorado, University of Hartford, Connecticut, Southern Connecticut University, and the Penland School of Crafts, North Carolina. While he was at Southern Connecticut University, he took a night class in glass blowing. Since then, he has been working in glass for about 30 years. While most paperweight workers are torch (or lamp) workers or millefiori specialists, Roger Gandelman is primarily a furnace worker although he does do some torch work. He builds his creations by working the hot glass and adding layers until the final creation is done. His work has been displayed in over 800 galleries and shops located around the work. It has been featured in many major glass museums including the Smithsonian Museum, the Hudson River Museum, Corning Museum Shop, Old State House Museum (Hartford, CT), Sandwich Glass Museum, New Bedford Glass Museum, and many others. Gandelman has also exhibited at an impressive number of Arts and Craft Shows across the country. He works alone in his studio West Rock Art Glass in Branford, CT. Size: 2 5/8" diameter by 3 3/16" high. There
is one angled facet. The base is ground flat with a matte
finish. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 5/5/2019 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5087 | Vintage Thuringia Lauscha Bohemia Paperweight with Name
Plaque "Karl Laur". Circa 1920-1939. Colorful
vintage paperweight with a central name plaque over a two layer frit
ground. There are four icepick flowers each with a bubble in
the center. The name on the plaque is Karl Laur. An
interesting example of a name weight that is popular with many some
collectors. The maker of this paperweight is unknown, except that it is believed to originate either in Thuringia (now part of Germany) or in the region along the Czech - German border, hence the label Bohemian. Similar paperweights have are on display in the museum in Lauscha and are identified as being from Thuringia. Some examples can be found in the book by von Brackel, Paperweights: Historicism - Art Nouveau - Art Deco - 1842 to Today See pages 220-221 in particular figure 510. Both paperweights in this figure may have been decorated by the same hand as this paperweight. Size: 2 1/3" diameter by 1 11/16" high. The base is
ground flat. There is a small circular remainder of the
pontil mark in the center. For extra pictures, click on the picture at the right and the following links: Large picture$75 postage paid in the US. Added 4/27/2019 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page . Click on the picture to see a larger image. |
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| 2914 | Paul Stankard 1991 Compound Cube Botanical Paperweight with
Pink and White Mountain Laurel Flowers, Berries, and Blue
Flowers. dated 1991. This paperweight features a
natural arrangement of flowers and berries in a free floating setup
inside a clear cube format. There are two white mountain
laurel flowers, two pink mountain laurel flowers, four blue flowers,
two berries, and assorted buds and foliage. This compound
arrangement is placed over a clear ground. It is signed signed
"Paul J. Stankard C36 '91" near the base. A wonderful example
of one of Paul Stankard's more advanced pieces.
The mountain laurel flower has been the subject of many of Paul Stankard's design studies, progressing from simple arrangements to more complex three dimensional arrangements like this one. Examples appear in almost every book about Paul Stankard. This paperweight is almost identical to M483 (priced at $4,500) in the Leo Kaplan paperweight catalog supplement published in September 1992. Other examples of the cube form botanical appear in books published 1990 and later. Paul Joseph Stankard is considered to be the father of modern glass paperweights. He has a degree in Scientific Glassblowing from the Salem Vocational Technical Institute (now Salem Community College) in Salem, New Jersey and worked for ten years as a glassblower making scientific instruments for various chemical laboratories before turning his attention to creating glass art. He made his first paperweights in 1968 focusing on a realistic replication of nature. Today he is one of the premier lampwork artists and has shared his knowledge with many other fine glass artists. Paul's studio is in Mantua, NJ. His work is on display at over 60 museums worldwide and there are several excellent books on this artist. Large Size: It is not a perfect cube, roughly
2.58” x 2.61” x 3.15” tall. The base is ground
concave. There are four rubber bumpers placed on the base to
protect it. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 4/22/2019. For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 4959 | Magnum Baccarat 1994 Pink Tulip "Tulipe jaspée" Limited Edition
Paperweight. dated 1994. This modern lampwork
paperweight features a three dimensional pink tulip with stem and
three leaves on an opaque green ground. The base is an opaque
white. This paperweight was made in a limited edition of 100
paperweights, of which this is number 14. The paperweight is
signed with Baccarat's complex signature cane "B 1994" placed near
the end of the stem. It also has an acid etched Baccarat mark
on the base along with the the edition size (100) and edition number
(14). This design was produced only in 1994 in a limited edition of 100 paperweights. This is number 14 in that series. There is a signature cane "B 1994 " shown in the pictures. The bottom has the acid etched Baccarat logo plus it is engraved with the year (1994) and the number (14). Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again. In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide. Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s. Baccarat stopped making this type of fine glass paperweights in 2002. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Very Large Size: 3 1/4" diameter by 2 1/4"
high. The opaque white base is ground
flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 4/17/2019. For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page Click on the picture to see a larger image. |
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| 664 | Antique New England Glass Company (NEGC) Millefiori Scramble
Paperweight. c. 1860. This is a wonderful antique New
England Glass Company (NEGC) scramble or end of day
paperweight. It is filled with an especially nice
assortment of complex canes and twists in a variety of colors.
A great example that has been professionally restored.
Although many people collect scramble paperweights for their own merit, scrambles are also valuable tools for learning to identify the different colors and canes used by each factory. The New England Glass Company (NEGC)
operated in Cambridge, Massachusetts from 1818 to 1888.
You can read about paperweights from the New England Glass
Company in the book by John Hawley. The Art of
the Paperweight - The Boston & Sandwich and New
England Glass Companies covers both B&S and
NEGC. Size: 2 1/2” diameter by 1 11/16” high.
The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 4/16/2019 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 4632 | Charles Kaziun Jr. Vogue Lady Gold Foil and Millefiori Micro
Miniature Faceted Paperweight. circa 1950-1980.
This paperweight features a gold foil silhouette referred to as the
"Vogue Lady" surrounded by a garland of six white millefiori canes
with green star centers. The Vogue Lady is more than a
silhouette, it is embossed to show details such as the hair, lips,
nose, and neck. The arrangement is placed over a translucent
amethyst ground. It is a true micro miniature paperweight,
almost button size, faceted with six side facets and a larger top
facet. It is signed with a gold foil K on the base. This
is an especially nice example with amazing detail.
This paperweight appears in photograph SI-30 on page 136 of the book Magic in the Glass - The Paperweight Artistry of Charles Kaziun, Jr. by Bernard A. Drabeck. Drabeck states that the gold foil is 24 karat gold. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. You can read about him in many books, including: Signature: This paperweight is signed with Kaziun's gold K on the bottom. Condition: Excellent condition with no chips or cracks. Execution: There is at least one tiny bubble in the glass, visible in the pictures at 9 o'clock.. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$395 postage paid in the US. Added 3/18/2019 (dl-kaz-ca) For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. Click on the picture to see a larger image. |
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| 5066 | Large Antique New England Glass Company (NEGC) Red Double
Poinsettia Paperweight on Double Latticinio Ground.
circa 1860 - 1888. This is an antique New England Glass
Company (NEGC) double poinsettia with a two rings of five red petals
arranged around an interesting millefiori center. There are
also three well formed NEGC leaves and a stem. The design is
placed over a perfect double swirl latticinio ground. Unlike
many NEGC poinsettias, the flower is fairly well centered, placed
maybe just slightly to the left. Four of the top petals in the
flower show tool or crimp marks, but are not cracked. This is
an unusual composition for NEGC and is a worthwhile addition to any
collection of antique American paperweights. This paperweight
has been professionally restored and is in perfect condition. Note on execution: Four of the top petals in the flower show tool or crimp marks, but are not cracked. The double swirl latticinio ground is perfect and there are only a few extra bubbles in the design. The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888. You can read about paperweights from the New England Glass Company in the book by John Hawley. The Art of the Paperweight - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC.
Large Size: Just over 3" diameter by just under 2"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$595 postage paid in the US. Added 3/17/2019 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 3065 | Antique Baccarat Dupont Period Miniature Concentric Millefiori
Paperweight. circa 1900-1932. This is a very nice
example of a Dupont period paperweight from Baccarat. The
middle (red) ring has great Baccarat star and arrow canes. The
inner ring has nice white stardust canes with blue whorls in the
center. There is a slight chance that this is from the classic
period, but the outer ring is less distinct which is why I think it
is Dupont. The design is off center. A very nice
example. Miniature Size: Just under 2 1/16” diameter by 1
1/2” high. Base is slightly concave. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. Added 3/4/2019. For more information about Antique Paperweights, see my Antique Paperweights Web Page. (dl-ant-bac) Click on the picture to see a larger image. |
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| 3920 | Daniel Salazar Lundberg Studios 2007 Dark Red Beta Fish
Paperweight. dated 2007. This wonderful
paperweight features a lampwork three-dimensional dark red beta fish
swimming over some green leaves. Underneath there is a large
brown coral with blue anemones and pink corals or other
growths. The beta fish has long white fins with gold
stripes. There is a trail of fine bubbles rising above the
fish. Below the coral is a light green translucent
ground. Signed and dated on the edge near the base "Daniel
Salazar Lundberg Studios 2007 102608". The paperweight also
has a lampwork "D.S." signature on the underside of the
ground. A great three dimensional design that is one of Daniel
Salazar's signature designs. Note: Please ignore the white areas in the pictures caused by the light. Daniel Salazar is one of the lead gaffers at Lundberg Studios in Davenport, California and is their primary paperweight designer and maker. He joined Lundberg in 1975. The studio was founded by James Lundberg in the early 1970s. Steven Lundberg joined shortly later. The first paperweights were made in 1972. In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California. James died in an accident in 1991. Steven left Lundberg Studios in 1997 and set up his own studio. He died from ALS in 2008. Each paperweight produced at Lundberg Studios is signed and dated by the studio and signed by the artist.
Large Size: Just over 3" diameter by
just under 2 5/8" high. The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. Added 11/25/2018 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 4696 | Charles Kaziun Jr. Blue Poinsettia on Red and White Jasper
Ground Paperweight. circa 1950. Charles Kaziun Jr. blue
poinsettia paperweight with eight blue petals and three green
sepals. The design is set on a red and white jasper
ground. Large by Kaziun standards, it is 2 9/16"
diameter. The paperweight is signed in the center of the
flower with a wonderful yellow signature cane with a center K
surrounded by six red hearts. Excellent condition. Note: Since adding this listing, I have learned from Alan Kaplan (of Antiques Roadshow and Leo Kaplan Antiques) that this is an early design from Charles Kaziun. Charles Kaziun Jr. was one of the most famous of the American paperweight artists. He is often credited with contributing to the rebirth of interest in paperweight making. He made paperweights from the 1940s until his death in 1992. His weights are usually signed with a gold K or a special millefiori cane containing a K. You can read about him in many books, including: Signature: This paperweight is signed Kaziun's complex signature cane in the design. Condition: Excellent condition with no chips or cracks or scratches found on inspection. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$495 postage paid in the US. Added 9/16/2018 For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page. (dl-kaz-ca) Click on the picture to see a larger image. |
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| 4595 | Large Ray Banford Pink Rose with Buds on Aventurine Ground
Paperweight. circa 1990. This paperweight
has a soft pink rose with two buds, leaves, and stem. The
design is placed on a glittery dark indigo aventurine ground.
It is signed near the stem with Ray Banford's black "B" signature
cane. A wonderful three dimensional design from this skilled
artist. Note: A similar paperweight with a white rose was in the most recent Selman auction (Auction 69, Lot 138) and sold for $780 including the bidders premium. Ray Banford worked in Southampton,
NJ. He started making paperweights in 1971 along with his
son, Bob Banford. He continued to make paperweights until
his death in 2003. Bob and Ray did not date their
paperweights. Both father and son started using signature
canes in 1975. Ray used the signature cane shown here, a
black “B” in a white background, from about 1980 until he died
in 2003. Large Size: 2 15/16" diameter by 2 3/8" high.
The bottom is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$545 postage paid in the US. Added 8/21/2018 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5060 | Large
Parabelle Glass 1990 Limited Edition Looped Millefiori Garland on
Opaque Blue Ground Paperweight. Dated
1990.
This
paperweight has a hexafoil six-looped garland of alternating pink
pastry mold canes and white edelweiss canes. There is a
pastry type green cane in the center of each loop and another
larger cane in the center of the design. All of the canes
are pressed into an opaque blue ground in the style of Clichy
color ground paperweights. The paperweight is signed with a
"PB 1990" cane in the design and also has a worn silver label with
two bells, "PARABELLE GLASS Rings True HANDMADE IN USA" on the
base. This paperweight was issued in a limited edition of 75
paperweights, but there are no edition markings on the
paperweight. A wonderful paperweight with great color. Note: Please ignore the white areas in the pictures caused by the light. Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon. High quality paperweights were made in small quantities from 1983 to 1998 when they retired. Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights. Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger. They also made some one of a kind paperweights. Doris passed away in 2013 and Gary followed in 2014. After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. Large
Size: Just under 2 7/8" diameter by 1 7/8" high.
The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$650 postage paid in the US. Added 7/30/2018 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 5058 | Dramatic Marcolin (Sweden) Sfumato Technique Owl Figural
Paperweight. circa 1961-1991. This
dramatic owl figural paperweight demonstrates the excellence of
Marcolin's use of the sfumato technique to create a smokey feathered
appearance. The upper figural owl portion is clear glass with a
round sfumato paperweight base. There is a slight reddish
tinge to the grey color of the sfumato. This paperweight
design was unique to Marcolin. It is unsigned but I guarantee
the attribution. A fantastic example. Please ignore the white areas, they are glare from the lights. Note: Please review the pictures. This paperweight has a large (3/4") scratch on the back next to base. FM Marcolin Art Crystal or FM
Marcolin Konstglas was founded Sweden in 1961 by two Italian
brothers, Josef and Benito Marcolin. They learned
their glass making skills on the island of Murano, Venice, and
later worked at Reijmyre before starting their own
company. FM stands for Färe-Marcolin. The
company went through several name changes as they moved from one
location to another, including "FM Konstglas, Eneryda", "FM Konstglas, Ronneby",
and then "FM
Konstglas / Marcolin". "Konstglas" is Swedish
for "Art Glass". The company changed its name to FM
Marcolin Art Crystal in 1983, and in 1988-89 changed again to
Marcolin Art Crystal. The Swedish factory closed in 1991,
and production was moved to Sardinia, Italy. The Marcolin
brothers left and went their separate ways, Benito moved back to
Sweden, while Josef moved to Austria and continued production
under the name Marcolin Art Crystal, which is still operating
today. The term Sfumato originated in
painting. Leonardo da Vinci described the technique as
blending colors, without the use of lines or borders "in the
manner of smoke". In glass, it is the use of a smokey
bubbled texture to create a soft feathered or quilted
appearance. Marcolin often used sfumato on bird
figurines. Large Size: The rounded base is 3 1/8"
diameter. The paperweight is 3" (80 mm) high. The bottom
ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$69 postage paid in the US. Added 7/15/2018 For more paperweights from other countries, see my Other Countries Web Page. Click on the picture to see a larger image. |
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| 4297 | Drew Ebelhare 1994 Pink and White Clichy Style Swirl
Paperweight "Pink Carousel". dated 1994. This is a
Clichy style swirl paperweight made up of thirteen pink and thirteen
white glass rods with a miniature light green complex millefiori
flower in the center. When viewed from the bottom, the image
is almost the same except that the swirl is reversed and there is a
Drew Ebelhare "E" signature cane in the center. It is also
signed on the bottom "Ebelhare 4-94". A vibrant colorful
paperweight. Note: This paperweight (or one just like it) appeared on the cover of an L.H. Selman promotional brochure featuring Drew Ebelhare's work. In describing the paperweight, Selman names it "Pink Carousel" and states "This pink and white pinwheel is in perfect balance with the light green complex floret which crowns its center." Please ignore the white areas, they are glare from the lights. Drew Ebelhare has been making glass paperweights since 1983, focusing on millefiori paperweights. Drew graduated from Florida State University in 1977 with a Bachelors Degree in technical theater and scene design. After graduating and working at the Alley Theater in Houston, he made a career change becoming one of the founding members of The Houston Glass Art Society. In 1981, Drew set up his first hot glass shop in Houston. He now works out a new studio in Cañon City, Colorado. His millefiori canes have evolved so he now produces his own unique style of floral millefiori canes, including Clichy style roses, camomiles, pansies, primroses, sunflowers and others. Paul Dunlop calls Drew the preeminent millefiori paperweight artist in the United States. In 2009 Drew started collaborating with lampwork artist Sue Fox. Sue started making beads, buttons, and doll house miniatures in 1994. Their wonderful collaborative works feature Sue's miniature lampwork surrounded by Drew's distinctive style of floral millefiori. Medium Size: Just under 2 5/8" diameter by 1 7/8"
high. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 6/16/2018 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 3980 | William Manson, Sr. Small 2007 Yellow and Black Striped Snake Desert
Ground Paperweight. dated 2007. This paperweight
features a yellow and black striped snake with brown spots coiled on
a green, orange, and aventurine sandy desert ground. The
paperweight is signed with William Manson's "WM" signature cane near
the snake. It is also signed on the base "William Manson, SNR
2007". A very attractive paperweight. Please ignore the white areas, they are glare from the lights. William Manson, Sr. started his glass working career at Caithness Glass at the age of 15 in the 1960s. He apprenticed with Paul Ysart. Manson left Caithness in 1971 to work at Ysart's Harland Glass and rejoined Caithness several years later in 1974. He was at Caithness on and off between 1974 and 1997 when he left for good to form his own studio William Manson Paperweights. His son William Manson, Jr. started making paperweights alongside his father starting in 1992. For a brief period (2004-2006), William Manson, Sr. made collaborative paperweights with John Deacons. Small Size: Just under 2 1/4" diameter by just over
1 11/16" high. The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$245 postage paid in the US. Added 6/16/2018 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 4591 | Antique St. Louis Concentric Millefiori
Paperweight. circa 1845-1860. This is
a small St. Louis concentric millefiori paperweight. It is
made up of a mix of wonderful complex and simple millefiori
canes. The outer ring has canes with the dominant color
alternating between red and white. The inner ring consists of
five larger blue and white complex canes with a lime green center
arranged around a lime green and white complex cane with a blue
center. All of this is set over a clear ground. A nice
colorful example.
Cristalleries de Saint Louis was founded in 1767 in Lorraine, which became part of France in 1766. The region was already home to several glassworks. Paperweight production started at St. Louis in 1845 and most likely continued until about 1860. Although the modern production of paperweights started in 1952, the output of millefiori and lampwork paperweights was small. Fewer than 400 lampwork and millefiori paperweights were made between 1952 and 1955. They were not all signed or dated. The most successful product of this early revival period was the Queen Elizabeth sulphide which was made to commemorate her coronation in 1953. After 1955, no additional weights were made at St. Louis until 1965. In 1965 the factory resumed production of lampwork and millefiori paperweights and then in 1967 they began a series of sulphide weights. Finally, in 1970 they started producing annual limited edition paperweights. In addition to the three types already mentioned, millefiori, lampwork, and sulphide paperweights, St. Louis also made a small number of designs with gold inclusions. Small Size: 2 1/16" diameter by 1 7/16" high. The
bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 5/28/2018 For more information about antique paperweights see my Antique Paperweights Web Page. (dl-ant-sl) Click on the picture to see a larger image. |
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| 4219 | Mystery Millefiori Scramble Paperweight with Character Canes
from Unknown Maker - possibly Antique. vintage or
antique. This is a mystery paperweight. At first glance, I
thought this might be a 1960s Murano scramble due to the glittery
aventurine and frit ground The weight is a scramble with
smudged canes placed over a frit ground. When viewed from the
bottom, there is a void in the frit where the pontil scar has been
ground off. When I look through the void I can see character canes
that are unfamiliar. There are at least six well defined mystery
canes. I was able to capture pictures of four of them, the others
are just as interesting. Large Size: 2 3/4" diameter by 1 7/8" high.
The base is flat with the center ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$145 postage paid in the US. Added 3/21/2018 For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page. Click on the picture to see a larger image. |
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| 4389 | Large Antique New England Glass Company (NEGC) Red Double
Poinsettia Paperweight with Bud on Double Latticinio Ground.
circa 1860 - 1888. This is an antique New England Glass
Company (NEGC) double poinsettia with a two rings of five red petals
arranged around an interesting lampwork center. There is a
crisp rose-type bud, three well formed NEGC leaves, and a
stem. The design is placed over a perfect double swirl
latticinio ground. As is typical of NEGC poinsettias, the
flower is placed leaning off to the left. Please review
the two notes below. Was this intended to be a rose rather
than a poinsettia? I don't know. An interesting addition
to any collection of antique American paperweights. Note on execution: The design is set unusually low in the paperweight with little glass under the latticinio. There is considerable wear on the base, so I don't think the base has been ground down. Also, many NEGC flowers and also millefiori paperweights, have extra bubbles in the design. This example is no exception with a medium bubble below the flower. Note - What shall I call thee: Some collectors have called this a rose rather than a double poinsettia. The bud in this weight shares some of the qualities found in the true rose weights but the blossom differs. The center swirl component differs also to the cane centers found in NEGC poinsettias. The New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888. You can read about paperweights from the New England Glass Company in the book by John Hawley. The Art of the Paperweight - The Boston & Sandwich and New England Glass Companies covers both B&S and NEGC.
Large Size: 2 11/16" diameter by just over 1 7/8"
high. The base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$495 postage paid in the US. Added 3/11/2018 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 4689 | Colorful Avondale Vertical Paperweight from Kilgetty near Tenby
SW Wales UK. This is fun item. A vertical
paperweight with three colorful green and blue spheres separated by
spacers of clear glass. It was made at Avondale Glass in
Kilgetty Wales (near Tenby). It is not signed. A fun
paperweight. Note: Special thanks to Cameron McBurnie who identified this as an Avondale product. Avondale glass is no longer in business although there is a small craft shop on the site where Avondale glass is sold and demonstrations are sometimes scheduled. Size: 2 1/16" diameter by 3 1/4" tall. The
base is finished flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$39 postage paid in the US. Added 1/28/2018 For more information about paperweights by English makers, see my English Paperweights Web Page . Click on the picture to see a larger image. |
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| 4963 | Rare Vasart / Lassman Checquer Pattern Millefiori Paperweight
Handle Bottle Opener. circa 1950s-1960s. This
bottle opener has a rare checquer pattern on the millefiori
handle. It is possibly unique. The firm of Lassman &
Co. designed and produced this bottle opener opener and a variety of
other useful objects during the 1950s and 1960s. The
attractive millefiori paperweight handle was made by the Ysart
family of Scotland under the Vasart label. The handle has a
checquer design with nine millefiori canes arranged in a square
surrounded by a latticinio square made up of four short twist
canes. There is a millefiori cane in the each corner of the
latticinio. The design is set on an amber colored opaque
ground. The chrome plated opener was made by Lassman and the
assembly was also done by them. The maker of this item was Lassman & Co. located in the Kilburn area of North London. Samuel Lassman purchased the paperweight handles from George Dunlop's Pirelli Glass in London. Pirelli obtained them from Vasart. Pirelli also took some assembled inventory back from Lassman and sold the barware items under the Pirelli label. Pirelli also included the line in their 1959 catalog. For more information, see my web page on Lassman & Co. or the article by Angela Bowey and Allan Port “Pirelli, Vasart and the Ysart Family” in the Paperweight Collectors Association Inc. Annual Bulletin 2015. A complete set of similar objects can be found at this link. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Size: 1 1/2" diameter. With the opener
hardware, it is 3 15/16" long. For extra pictures, click on the picture at the right and the following links: Large picture of the bottle opener$245 postage paid in the US. Added 1/26/2018 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 4871 | Perthshire PP15 Magnum Faceted Millefiori Paperweight
Inkwell. 1969 -1994. This is a magnum faceted
millefiori inkwell with a close packed arrangement of complex
millefiori canes in both the bottle bottom and the stopper, each
with a translucent blue ground. There is a complex "P"
signature cane in the stopper setup. It also has a Perthshire
paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND" on the
base. This bottle is faceted with two rows of facets.
Each row has four large oval facets and four slightly smaller oval
facets, for a total of sixteen facets. The stopper has a top
facet plus eight side facets, four large oval facets and four
smaller oval facets. A magnificent very large inkwell from
Perthshire that makes a statement. The PP15 was made from 1969 to 1994. There was some variation in size and features over the years. Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price. There are three books on Perthshire Paperweights. If you collect Perthshire paperweights, you should have them in your library. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Very Large Size: 6" high with the stopper by 3 3/4"
diameter. The stopper is just over 2 3/8" diameter by 2"
long. The base is ground concave. This bottle is
faceted with a total of sixteen side oval facets. The
stopper is faceted with a top facet plus eight oval side
facets. For extra pictures, click on the picture at the right and the following links: Large picture of the inkwell$475 postage paid in the US. Added 1/15/2018 For more information about Perthshire Paperweights, see my Perthshire Web Page. Click on the picture to see a larger image. |
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| 2640 | Large Baccarat 1975 Limited Edition Sea Horse
Paperweight. dated 1975. This is a limited
edition Baccarat Sea Horse Paperweight from 1975. The
paperweight has a wonderful yellow and brown lampwork sea horse in
the ocean depths wrapping its tail around a green underwater
plant. There are green, red and white colored rocks scattered
along the bottom on both sides of the sea horse. The
ground is a translucent turquoise color with bubbles added for an
underwater life scene effect. It is signed in the design with
a Baccarat signature cane "B 1975" and also signed on the bottom
with the Baccarat logo. Perfect execution and perfect
condition.
This is a hard to find Baccarat paperweight. This design was produced only in 1975 in a limited edition of 260 paperweights. This is number 148 in that series. There is a signature cane B 1975 shown in the pictures. The bottom has the acid etched Baccarat logo plus it is engraved with the year (1975), the number (148) and the size of the series (260). Please ignore the white areas in the picture caused by the light. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again. In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide. Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s. Baccarat stopped making this type of fine glass paperweights in 2002. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Large Size: 3" diameter by 2 1/4" high. Bottom
is ground slightly concave. Made by Baccarat in France in 1975. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSome sellers on eBay sell this for the full retail price of $2,563, but my price is much lower. $695 postage paid in the US. Added 11/12/2017 For more information about Baccarat paperweights, see my Baccarat Paperweights Web Page. Click on the picture to see a larger image. |
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| 2055 | Vintage Magnum Pinehurst NC Name Plaque
Paperweight possibly by Charles Degenhart. circa
1920 - 1940. This Pinehurst NC paperweight is in the style of
early Degenhart paperweights, with the name written in a fancy dark
green script on a white enamel plaque. The borders of the
plaque are decorated in dark green depicting tall and short
grass. At each corner of the plaque there is a small icepick
flower (resembling a red golf tee) pushed down to the brightly
colored frit ground below. I believe this paperweight is the
work of Charles Degenhart, the older of the two Degenhart
brothers. The town of Pinehurst, North Carolina is best known as the home of the Pinehurst Golf Resort, home of many prestigious golf competitions. I don't know if the paperweight was connected with the golf resort or just the town, but the motif of the name Pinehurst surrounded by tall grass and short grass suggests an association. Charles and John Degenhart started their careers in glass working in glass at the Dalzell, Gilmore & Leighton Company factory in Findlay, Ohio. Charles, born in 1882, started first and then John, born in 1884, started at the age of ten in 1894. In 1901, both joined Cambridge Glass in Cambridge, Ohio. The original paperweight production was an after hours activity at Cambridge Glass by Charles and his two sons in the 1920s. John also produced paperweights to help meet the demand. This was with the approval of the company. Of the two, Charles Degenhart was the more skilled artistically. John retired from Cambridge Glass in 1946 and opened the Crystal Art Glass Company shortly after that. Most of the early production was devoted to paperweights. The factory also produced pressed glass novelties in an incredible range of colors. After John died in 1964, his wife Elizabeth took over production. Prior to that, the paperweights were unsigned. There was also a close association with Zack Boyd and his son Bernard, both of whom worked at Crystal Arts. Today in Cambridge, the Boyd family continues to run Crystal Arts. For more information, you can read about the Degenharts in the books American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970) and Degenhart Glass and Paperweights by Gene Florence. The picture does not do justice to this paperweight. Ignore the white areas, they are glare from the lights. Magnum Size: 3 5/16" diameter by 2 1/2" high.
The bottom is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweightSOLD. Added 10/22/2017 For more information about paperweights made by Degenhart Glass in Cambridge, Ohio, see my Degenhart Web Page Click on the picture to see a larger image. |
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| 2020 | Vasart / Lassman Millefiori Paperweight Handle Bottle Opener
with Original Box. circa 1950s-1960s. The firm of
Lassman & Co. designed and produced this bottle opener opener
and a variety of other useful objects during the 1950s and
1960s. The attractive millefiori paperweight handle was made
by the Ysart family of Scotland under the Vasart label. The
handle has a concentric design on a rust colored ground that matches
the setup and canes of other Vasart paperweights. The chrome
plated opener was made by Lassman and the assembly was also done by
them. This item comes with its original box and celluloid
cover. The box is fabric lined (the original advertisements
said "silk lined") with elastics to hold the bottle opener in
place. A rare find for collectors of barware and Scottish
paperweights. The maker of this item was Lassman & Co. located in the Kilburn area of North London. Samuel Lassman purchased the paperweight handles from George Dunlop's Pirelli Glass in London. Pirelli obtained them from Vasart. Pirelli also took some assembled inventory back from Lassman and sold the barware items under the Pirelli label. Pirelli also included the line in their 1959 catalog. For more information, see my web page on Lassman & Co. or the article by Angela Bowey and Allan Port “Pirelli, Vasart and the Ysart Family” in the Paperweight Collectors Association Annual Bulletin 2015. A complete set of similar objects can be found at this link. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Size: Just over 1 1/2" diameter by just under 3
3/4" long. The box is just under 3" long by 2 11/16" wide by
2 9/16" high. For extra pictures, click on the picture at the right and the following links: Large picture of the bottle opener$345 postage paid in the US. Added 10/8/2017 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 3486 | Magnum Rare Antique 1890s Folk Art Lampwork Name Paperweight
"P. A. PREDLE". circa 1888-1912. This
"folk art" paperweight features a blue name plaque with the lampwork
name "P. A. PREDLE" in white capital lampwork letters bordered at
both ends by three lines forming a "crow's foot". Above and
below the name plaque are a total of seventeen colorful twist
canes. The construction has two levels with a frit lower level
as seen in the side views. The frit layer has five stems
pushed down to the base, each with a small bubble in the
center. There is an incompatibility crack at the edge of the
upper group of twists (shown in two pictures with arrows). Although this style of paperweight has been documented and is in a number of collections, the makers are not known with certainty. The total number of examples is small, probably less than 100 are known. Some paperweights of this style have two or three lines of text, others only a single line. The text may be a name, a place, or a date. There are different styles of lettering, of twist canes, and construction which suggests that several makers were involved. Some authors suggest that Ralph Barber his brother George Barber made some of them either in Millville or in Toledo. Some of the examples have names associated with Millville, or even have the word "Millville" in the design. Other examples have the word "Toledo". As a result, it has been suggested that workers at Libbey in Toledo made at least some of them. I have one with the name of a tavern owner in Corning. The long article by Stanley Kruger in the 2004 Annual Bulletin of the Paperweight Collectors Association (pages 18-32) is the most comprehensive article on the subject to date. Kruger documented 28 different paperweights of this style and includes pictures of 26 of them. Most museums have no examples. This example "PREDDLE" is not included in the article, but is very similar to what Kruger calls Midwest - Group 1. In the book Old Glass Paperweights of Southern New Jersey: An American Folk Art, Clarence A. Newell attributes a similar paperweight with the name "Kizzie Pepper" to Ralph Barber and devotes pages 71-73 discussing this and alternate attributions, such as Charles Pepper. We may never know who actually made these paperweights, but it is interesting to speculate. Very Large Size : Just over 3 5/8” diameter by just
over 2 78" high. The base is ground concave. The
base has considerable wear and remnants of the pontil mark.
Weighs just over two pounds. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$275 postage paid in the US. Added 9/23/2017. For more vintage American paperweights, see my Vintage American Paperweights Web Page. (dl-va-a) Click on the picture to see a larger
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| 4355 | William Manson Phoenix Limited Edition FP13 Paneled Millefiori
Paperweight. Dated 2003. This paperweight
has a paneled millefiori design with seven panels of 1-1-2-3
millefiori and an outer circle of millefiori on an opaque green
ground. The paperweight was issued in a limited edition of 75
paperweights of which this is number 25. It is signed and
numbered "PHOENIX 2003 25/75" on the base. Perfect
condition with certificate (#25/75) in the original (slightly torn)
Phoenix gift box. This is the domed example.
Phoenix Paperweights was a small company started by William Manson Sr. to engage three workers from Perthshire after Perthshire closed in January 2002. They only lasted a year and issued paperweights in 2002 and 2003 before closing in August 2003. Phoenix operated in the Manson works in Perth, Scotland. The glass workers were William Manson Sr., David McNichol (paperweight maker), Duncan Smith (lampworking), and Gordon Taylor (glass cutter). Some of the lampwork was also done by Rosette Fleming. The 2003 Phoenix catalog lists William Manson Paperweights as the distributor. Large Size: 2 7/8" diameter by just under 2" high. The
base is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$195 postage paid in the US. Added 9/15/2017. For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 4794 | Antique Bohemian Doorknob with Concentric
Millefiori Handle on clear ground. circa
1850-1900. This is an antique Bohemian doorknob with a
millefiori paperweight handle. The handle has two concentric
circles of complex canes around a complex two ring center star
cane. The entire design consists of complex canes, sometimes
complex canes inside complex canes. There is a large amber
cane that occurs in the very center and also five times in the inner
circle. Each cane has two rings of canes around a complex
cane. There is an outer ring of amber floret canes with white
centers. Inside is a ring of all white five pointed star canes
with outer rings of white. The center cane in this amber cane
is a complex cane made up of green and white star canes with a red
outer layer. Also in the inner circle are five large red and
white complex canes with star canes in the center and a red outer
layer. This same cane also occurs nine times in the outer row,
alternating with similar blue and white and green and white complex
canes. In all a complex design built from a variety of canes
with many star canes. The design is well centered, although
not perfectly and some canes are tipped or out of place. The
hardware portion is in good shape. There is no spindle.
Bohemian Glass generally refers to the glass made in the regions that form the border area between the Czech Republic, Poland, and Germany. Most of these areas are now parts of the western Czech Republic. Size: The knob is 1 13/16" diameter by 2 1/8"
high. No spindle. For extra pictures, click on the picture at the right and the following links: Large picture$275 postage paid in the US. Added 8/26/2017 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page . Click on the picture to see a larger image. |
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| 4950 | Baccarat 1970 President James Monroe Sulphide on Red
Ground. issued in 1970. This modern
sulphide paperweight features a three dimensional figure of
President James Monroe. The sulphide was modeled in 1955 by
Gilbert Poillerat and is signed on the edge of the sulphide with an
incised "G. POILLERAT 1955", but the paperweight was not issued
until 1970. The paperweight also has a "B" incised on the edge
of the sulphide and an acid etched Baccarat mark on the base.
This example has a red base with no cutting on the base. The
paperweight is faceted with one large top facet and six side facets
and is footed. As with most Baccarat sulphides of this period, this paperweight was made with an overlay and also different base treatments. According to Dunlop, this paperweight was issued with a transparent green overlay (415 made) and 2733 examples on a red base with various base cuts. James Monroe was the fifth president of the United States. He served from 1817 to 1825 (two terms). Sulphides are cast objects (animals, flowers, people) made of a ceramic material that has properties similar to the surrounding glass. They are normally white, but are also sometimes colored or even painted. The objects are cast in a mold that copied or made directly from a medallion, coin or sculpture. The finest French sulphides are cast in a mold made by a skilled artist. Sometimes a sulphide will have a silvery appearance due to a thin layer of trapped bubbles between the glass and the sulphide itself. Baccarat was founded in 1776 in Alsace-Lorraine with the name of Verrerie de Sainte Anne. The original location was near the town of Baccarat. Today the firm is known as Compagnie des Cristalleries de Baccarat. Most collectors refer to three periods of Baccarat paperweight production.
In 1952, Paul Jokelson approached Baccarat with the idea of making sulphide paperweights again. In 1953 Baccarat resumed paperweight production with a series of sulphide paperweights the first of which were the unsuccessful Eisenhower sulphide followed by the Queen Elizabeth coronation sulphide. Millefiori paperweight production was resumed in 1957 and lampwork paperweights were re-introduced in the early 1970s. Baccarat stopped making this type of fine glass paperweights in 2002. You can read more about the Baccarat paperweights in the new book Baccarat Paperweights - two centuries of beauty by Paul Dunlop or one of the older books on paperweights in general, such as The Encyclopedia of Glass Paperweights by Paul Hollister or World Paperweights by Robert Hall. Large Size: 2 13/16" diameter by just under 1 1/2"
high. The red transparent base is ground
flat. The paperweight is faceted with one large top facet
and six side facets and is footed. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$49 postage paid in the US. Added 8/13/2017. For more information about sulphide paperweights, see my Sulphide Paperweights Web Page Click on the picture to see a larger image. |
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| 3503 | Rare Allan Scott John Deacons J Glass Faceted
Garlanded Pansy Paperweight. circa
1978-1983. This paperweight features a delightful
white edged pansy and bud with stems and leaves surrounded by a
miniature garland of alternating green and blue complex millefiori
canes. There is also a complex millefiori cane in the center
of the pansy. It is signed in the garland with a J Glass "J"
signature cane and Allan Scott's "A" signature cane. Allan's
"A" cane has a black A on a white background and is surrounded by a
ring of white star canes with green backgrounds. The J Glass
"J" cane has a blue J on a white background and is surrounded by a
ring of blue canes. The paperweight is faceted with one top
facet and six side facets. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Strathearn Glass was formed in a reorganization of Vasart glass in 1963. John Deacons learned his craft at
Strathearn Glass in Crieff, Scotland in 1967. When Perthshire
was formed in 1968, he left Strathearn to move to Perthshire and
worked there for 10 years before leaving in 1978 to start his
own glass studio. He has produced paperweights and other glass
objects under a variety of labels, including J Glass, St. Kilda,
and now under his own name. Some of the lines were produced
simultaneously. J Glass was produced from 1978 to
1983. The St. Kilda line was produced from 1978 or 1979
through 1987. You can read about John Deacons in the book
by Hall - Scottish Paperweights. Allan Scott began his paperweight career as a lampworker apprentice with Perthshire Paperweights in 1975. When John Deacons left Perthshire in 1978 to set up J Glass, Allan Scott and Harry McKay followed John to J Glass. They stayed at J Glass until it closed in March 1983. After that, Allan Scott joined Caithness Glass, where he stayed until 2007. Medium Size: Just over 2 1/4" diameter by 1 1/2"
high. The bottom is ground concave. The paperweight is
faceted with one top facet and six side facets. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$195 postage paid in the US. Added 7/5/2017 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 3689 | Large Gentile Glass Paperweight Pen Holder.
circa 1950-1975. This paperweight pen holder features a
red, white, and yellow center core surrounded by a layer of
controlled bubbles. There are four receptacles for pens and
pencils. The paperweight is unsigned but is definitely a
product of Gentile Glass from Star City, WV. A fun
item.
The original glass worker in the Gentile family was Peter Gentile, born in Naples, Italy in 1884. He worked in Naples(Italy), Rochester (Pennsylvania), and Morgantown (West Virginia) before building his own factory in Star City (West Virginia) in 1947. His sons, Frankie, John and Joe Gentile helped him make paperweights in the off hours at the Guild Factory in Morgantown. However, most paperweight production since WWII has been associated with Peter, John, or John's wife Gertrude Gentile. Few weights were signed prior to1963. It is believed that Gentile Glass remained in production until 2006. Most, if not all, paperweights produced from 1975 on were signed. For more information, you can read about the Gentiles in the book American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970). Large Size: 3 1/8" diameter by 3 3/8" high.
The center of the base is ground. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$49 postage paid in the US. Added 6/11/2017 For more information about Gentile paperweights, see my Gentile Paperweights Web Page. Click on the picture to see a larger image. |
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| 2859 | Rare Antique Bohemian Engraved Paperweight of Pope Pius IX,
probably by the Friedrich Egermann Glassworks. Circa
1846-1880. Interesting antique paperweight with a profile of
Pope Pius IX engraved deeply in the base through the amber stain
ground. The image of Pope Pius is engraved with considerable
detail and skill. The glass is a heavy lead crystal with a
thin amber stain on the base. Unfortunately, the paperweight
has extensive wear on the base. Probably made by the Friedrich
Egermann glassworks. A rare paperweight. Pope Pius IX, born Giovanni Maria Mastai-Ferretti, reigned as Pope from 16 June 1846 to his death in 1878. He was the longest-reigning elected pope in the history of the Catholic Church, serving for over 31 years. Bohemian Glass generally refers to the glass made in the regions that form the border area between the Czech Republic, Poland, and Germany. Most of these areas are now parts of the western Czech Republic. Friedrich Egermann (1777-1864) of Haida (now Nový Bor in the Czech Republic) is credited with developing the process used to create yellow/amber and red/ruby stains. These stains, sometimes called flash layers, are thin layers of transparent glass much thinner than the overlay process used by other glassworks. The amber stain is created by coating the surface of the glass with a silver salt made into a paste and firing the glass. The ruby stain uses a copper salt. The process is sometimes repeated more than once. In his second book, Classic Paperweights from Silesia / Bohemia, von Brackel argues that the Egermann Glassworks is the likely source of this type of paperweight. Large Size: 3 1/16" diameter by 1 3/4" high. The
base is concave with an amber stain. The image of the pope
is engraved into the base. For extra pictures, click on the picture at the right and the following links: Large picture$165 postage paid in the US. Added 6/10/2017 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page . Click on the picture to see a larger image. |
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| 2254 | Antique Thuringia Lauscha Bohemia Millefiori Paperweight
with Name Plaque "Hauptm. Karl". Circa 1870 -
1940. Colorful antique paperweight with colorful millefiori
canes arranged around a central name plaque. The name "Hauptm.
Karl" is probably an abbreviation of "Hauptmann Karl", meaning
Captain Karl or leader Karl. The complex millefiori canes
repeat in alternating patterns to make up the design with 26 canes
in all. The pattern is arranged over a multicolored frit
ground. There are some wonderful complex canes in this
paperweight. An interesting example of a type of weight that
is becoming more in demand as collectors learn more about the
various Bohemian factories and eastern Germany factories. This
is a relatively rare item. The maker of this paperweight is unknown, except that it is believed to originate in the region along the Czech - German border, hence the label Bohemian. Similar paperweights have are on display in the museum in Lauscha and are identified as being from Lauscha in Thuringia. The area was part of Bohemia prior to WWI. Similar examples can be found in the book by von Brackel, Paperweights: Historicism - Art Nouveau - Art Deco - 1842 to Today See pages 90-95 and figure 507 on page 221. Large Size: 2 3/4" diameter by 1 11/16" high. The
base is ground flat with a matte finish. There is a
depression remaining from the pontil mark in the center. For extra pictures, click on the picture at the right and the following links: Large picture$195 postage paid in the US. Added 6/6/2017 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page . Click on the picture to see a larger image. |
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| 3176 | Peter McDougall Karen Maxwell Limited Edition 2011
Christmas Paperweight. circa 2011. Attractive
limited edition Christmas paperweight featuring a three dimensional
bouquet of a Poinsettia, Christmas Rose, and Holly with stems,
berries, and leaves. The bouquet was made by Karen Maxwell and
is set on a clear ground with a dramatic star cut base.
The paperweight is faceted with a top facet and six side
facets. It is signed at the base of the bouquet with a complex
cane made from four separate letter canes forming the signature
PMcD. It also has a paper label "PMcD Glass Studio LTD, Hand
Made in Crieff Scotland." It also comes with its original
laminated certificate stating that it is Number 15 out of a limited
edition of 40 paperweights. The paperweight is also marked
15/40 on the side near base.
Peter McDougall issued a Christmas paperweight each year. I have most of these in stock. Please contact me if you are looking for a different year. Peter McDougall started his glassmaking career as an apprentice at Strathearn Glass in Crieff, Scotland back in the 1960s. When Perthshire was formed in 1968, he left Strathearn to move to Perthshire and worked there in many positions, eventually becoming Manager and Chief Glassmaker. Perthshire Paperweights closed early in 2002 after the death of the owner Neil Drysdale. Peter McDougall then made high quality glass paperweights at his own glass studio, PMcD Glass Studio Ltd. in Crieff, Scotland from 2002 until early 2012. The studio is now closed but Peter plans to continue to make a limited number of paperweights in the future. Karen Maxwell did the lampwork for this paperweight. She previously worked at Perthshire Paperweights and is identified as the lampwork artist on several Peter McDougall paperweights. I was unable to learn anything more about her background. Small Size: 2 1/4" diameter by just over 1
3/4" high. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$450 postage paid in the US. Added 4/9/2017 $450 postage paid in the US. This one is SOLD, but I have another identical paperweight for sale. Please inquire if interested and I will post pictures. For more information about paperweights made by Peter McDougall, see my Peter McDougall Web Page Click on the picture to see a larger image. |
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| 4216 | Antique Meisenthal France (Alsace Lorraine)
Five Bubble Pedestal Paperweight Chalice. circa 1870 -
1914. Antique paperweight chalice with a five bubble
paperweight stem and a glued bowl. Each bubble is made by
piercing the multicolored frit layer and leaving a stem. There
are four outside bubbles and one larger central bubble. In
this example the bowl was made separately and the base of the bowl
was ground flat, cut with a star pattern, and then glued to the
stem. There is a gold enamel or paint covering the joint
between the bowl and the stem. The paperweight stem has two
collars. This is a rare item.
Note: The bowl is not as deep as what would be expected for a wine glass. It is possible that it has been cut down or that the intended purpose was different (e.g., a candle holder). At first I thought the glued construction was unusual, but von Brackel discusses multiple examples of two part paperweights glued together from this region (France, Germany, Bavaria) in his book Paperweights: Historicism - Art Nouveau - Art Deco - 1842 to Today. See pages 202-205. Meisenthal is in north-eastern France (originally part of Alsace Lorraine). The village is famous for the Centre International d’Art Verrier (CIAV; international center for studio glass). Glass has been produced in Meisenthal since the early 18th century, and since the 19th century Christmas decorations from Meisenthal were famous – some say they were invented there. Large Size: The bowl is 2 13/16” in diameter, the
paperweight stem is 1 7/8” diameter, and the foot is 3 ¾” in
diameter. The entire chalice is 5 7/8” high. For extra pictures, click on the picture at the right and the following links: Large picture$195 postage paid in the US. Added 2/18/2017 For more information about antique paperweights, see my Antique Paperweights Web Page . Click on the picture to see a larger image. |
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| 2692 | Perthshire Annual Collection 1977B Limited Edition
Damson Plums Paperweight. circa 1977. This
paperweight features three rich purple colored plums with green
stems and leaves on a clear ground. It is faceted with a
complex faceting of one large top facet and 16 side facets (eight
large and eight smaller facets). The base is ground concave
and finished with a grid cut pattern that Perthshire calls a
strawberry cut. It is signed with a small engraved "P" on a
tiny extra facet near the base. The "P" is engraved in reverse
so it displays correctly when viewed from the top. It also has
a Perthshire paper label "PERTHSHIRE PAPERWEIGHTS CRIEFF SCOTLAND"
on the base. It comes with its original box and original
certificate identifying this as #108 out of a limited edition of 500
weights.
Perthshire made this paperweight as one of their Annual Collection for 1977. This means the design was made only that one year and never again. The edition size for this paperweight was 500 weights, but only 315 were made, thus making this one of the rarer Perthshire paperweights. Each year's Annual Collection designs were lettered to indicated this special status. In 1977, there were six Annual Collection designs, designated 1977A through 1977F. Perthshire was a small company in Crieff, Scotland that was devoted to the creation of quality glass paperweights. They stopped production in January 2002 after more than 30 years of production. Their paperweights were consistently high in quality and yet remained reasonable in price. There are three books on Perthshire Paperweights. If you collect Perthshire paperweights, you should have them in your library. The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. In 1946 Salvadore and his sons Augustine and Vincent founded Ysart Brothers Glass and produced glass wares under the Vasart label. Salvador Ysart died in 1955 The company name was later changed to Vasart Glass. Stuart Drysdale was hired manage the business side of the enterprise in 1960. The company evolved into a new company Strathearn owned by Teachers Whiskey. In 1967 Drysdale was sent a magazine article on antique paperweights (Woman's Day, July 1965). The inspired him to try to produce weights comparable to the French antiques. With this goal in mind, he and several of the glass workers left Strathearn to found Perthshire in 1968. Small Size : Just under 2 1/8" diameter by 1 7/16"
high. Perthshire calls it a miniature but it is slightly
larger than a true miniature. It is faceted with one large
top facet and 16 side facets (eight large and eight smaller
facets). There is an extra tiny facet near the base where
the "P" signature is engraved in reverse. The base is ground
concave and finished with a strawberry (grid) cut. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$245 postage paid in the US. Added 1/4/2017. For more information about Perthshire Paperweights, see my Perthshire Web Page. Click on the picture to see a larger image. |
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| 1035 | Old Chinese Two Color Fantasy Flower Paperweight
with Leaves and Bud - Copy of Baccarat Antique.
Circa
1930. This is a copy of a French Baccarat 12 petal
fantasy flower paperweight with bud made in the classic period from
1845-1860. The two color flower has a complex millefiori
center cane, five leaves, and a stem. The ground is
clear. The style dates from the 1920s or 1930s and is almost
an antique.
Note: In this example the flower separated slightly from the stem during the stem during encasement. Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France. Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces. The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered. The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made. The results are interesting and sometimes confused with the originals by inexperienced collectors. The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939. Smith was aware that at least one of the paperweights shown in his book was Chinese. Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939. In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin. As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA". Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement. Most likely the earliest Chinese paperweights were made prior to 1930. The Chinese makers often combined design features found in paperweights from different makers. For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights. The original Baccarat pansy paperweights never had a latticinio ground. They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass. And because of their age, many of these have minor scratches or other surface defects. Size: 2 11/16" diameter by
2" high. The bottom is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$39 postage paid in the US. Added 12/10/2016 For more information about paperweights from China, see my Chinese Paperweights Web Page. Click on the picture to see a larger image. |
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| 4650 | Early Debbie Tarsitano Three Tier Red Flower with
Buds Paperweight. undated circa 1978 -
1980. This paperweight features a three layer red flower with
upright yellow stamens. The flower with two buds and striped
green leaves are placed on a curved stem that follows the curvature
of the paperweight. The ground is clear glass. The
petals sparkle with gold aventurine - although it was hard to
capture this in the pictures. Signed at the base of the stem
with the conjoined "DT" Tarsitano signature cane used by both Delmo
and Debbie Tarsitano from about 1978 to 1980. A fantastic
paperweight.
Please ignore the glare from the lights. I had difficulty photographing this paperweight because of the high dome. Debbie Tarsitano has been making wonderful paperweights since 1972, when she and her father Delmo Tarsitano set up a glass studio to explore a shared obsession with glass. While developing her glass artwork, Debbie earned a Bachelor of Fine Arts and an Associate Degree in Journalism from Hofstra University, Long Island, NY. Her work has evolved from simple floral paperweights in the 1970s to contemporary sculptural expressions. The results are powerful, fresh images encased in glass. Her florals are outstanding. A formally trained painter, her passions lie in creating work that goes beyond traditional glass, building a bridge to the greater world of art. She has collaborated with many internationally known glass artists, including Roland (Max) Erlacher, Ed Poore, Dino Rosin, Jiri Harcuba, and others. Debbie and Delmo Tarsitano shared the same signature cane, feeling that their work was individual and distinctive and collectors would have no difficulty distinguishing between their art. Although they did not date their work, the signature cane changed over time and provided approximate dates for the works. The cane in this paperweight was used from about 1978 until 1980. See Andrew Dohan's Dictionary of Paperweight Signature Canes for more information on the Tarsitano signature canes. Size: 2 9/16" diameter by 2 3/16""
high. The base is ground concave. Very high
dome. I had difficulty photographing this paperweight
because of the high dome. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$595 postage paid in the US. Added 12/5/2016 For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page. Click on the picture to see a larger image. |
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| 825 | Magnum Alex Stelzer Libbey Glass Name Floral
Paperweight "E. BROWN". Circa 1915. This is a desirable
Libbey Glass Name Weight. Four icepick flowers around a
central icepick flower. There is a central bubble in each
flower. The name “E. BROWN” is formed of tiny bits of clear
glass. The glass is grayish as is typical of Toledo folk
weights.
This style of paperweight is attributed to Alex Stelzer, a Czechoslovakian immigrant glass worker, who worked at Libbey Glass in Toledo Ohio from 1907 to 1948. It is a folk weights made by the glass worker in his free time and often given away. Stelzer had a friendship with Arthur Gorham, a well known paperweight collector and dealer who sold paperweights in his shop in Millville New Jersey. The Stelzer name is spelled in some places as Steltzer. The only printed reference I would find on Alex Stelzer was in the 1970 edition of Jean Melvin's American Glass Paperweights and their Makers. Very Large Size: 3 1/2" diameter by 3 1/8"
high. The bottom is ground flat with a matte finish. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$145 postage paid in the US. Price reduced (was $195) 11/29/2016. For more vintage American paperweights, see my Vintage American Paperweights Web Page. Click on the picture to see a larger image. |
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| 585 | Large Antique Footed Millville Umbrella
Paperweight. circa 1860-1910 . This style of old
paperweight is associated with Millville. Examples date from
as early as 1860 and continued to be made until about 1912.
Many, if not all, were made at the Whitall Tatum factory in
Millville. The design consists of a white mushroom shape with
a center bubble. Additional colored bits of glass are added
and melted into the top. The top is of the mushroom is pushed
down with a crimp to form an umbrella shape with ribs or
pleats. This is a large showy example.
The umbrella shaped weights were originally modeled to resemble the wild tiger lily of Southern New Jersey. You can read about umbrella weights from Millville in the book Old Glass Paperweights of Southern New Jersey: An American Folk Art by Clarence A. Newell . It is not possible to identify the exact maker, but John Ruhlander, Emil Stanger, Marcus Kuntz, and Horace Rhubarth, and Ralph Barber are all known to have made weights of this style. Sometimes the style is also used as part of an inkwell or other object. Large Size : Just under 3 1/3" diameter by 3 3/5"
high. The diameter of the foot is 3". The bottom is
finished although there is some remnant of the pontil mark.
For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$495 postage paid in the US. Price reduced (was $645) 11/29/2016. For more vintage American paperweights, see my Vintage American Paperweights Web Page. Click on the picture to see a larger image. |
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| 2228 | Antique New England Glass Company Sulphide
Paperweight of Lajos Kossuth. circa 1851. Antique
Sulphide paperweight featuring Lajos Kossuth, former
Governor-President of Hungary. It is inscribed on the back
"EX-GOVERNOR OF HUNGARY SET AT LIBERTY BY THE PEOPLE OF THE UNITED
STATES OF AMERICA 1851".
Kossuth was a political reformer who fought for liberty for Hungary and held the office of Governor-President from April 14 to August 11, 1849. He was appointed to this position after the declaration of Hungarian independence from the Hapsburg Monarchy. He was widely honored during his lifetime as a freedom fighter and advocate of democracy in Europe. He demanded parliamentary government for Hungary and constitutional government for the rest of Austria. After abdicating the post of Governor-President he was effectively under house arrest until he was allowed to leave the Ottoman Empire in September 1851 on the American frigate Mississippi. He then toured Britain and the United States in a futile effort to get support for his cause. He won favor in New England and souvenirs and other commemorative items were created to celebrate his visit. This paperweight was probably one of the commemorative objects created around the time of his visit. Some authors suggest the inscription refers to US support of his cause. Instead, I think it may refer to his rescue from house arrest by the US. New England Glass Company (NEGC) operated in Cambridge, Massachusetts from 1818 to 1888. You can read about paperweights from the New England Glass Company in the book by Hawley, The Art of the Paperweight - The Boston & Sandwich and New England Glass Companies . Most texts attribute this paperweight to the New England Glass Factory. It is believed that this paperweight may have been made for the 1851 Great Exhibition at the Crystal Palace in London. However, the attribution is subject to challenge and the precise origin of this sulphide paperweight remains elusive. The Bergstrom Mahler Museum has an identical paperweight which they attribute to Clichy. Hawley attributes this to NEGC in his 1997 book The Art of the Paperweight - The Boston & Sandwich and New England Glass Companies . However, in his latest 2011 book on NEGC, he states that no firm evidence exists for this attribution, except that the specific gravity and fluorescence match that of NEGC. Hollister discusses this paperweight in his Encyclopedia of Glass Paperweights and also states that their is no firm evidence tying the paperweight to NEGC or any other factory. My own opinion is that the glass quality is more typical of NEGC than the French factories. It may have originated in Europe or at another American factory. Ignore the glare from the lights. It was difficult to photograph this paperweight. The sulphide is white. Size: 2 9/16" diameter by 1 11/16" high. The
base is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$295 postage paid in the US. 11/28/2016 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 2409 | Antique Clichy Faceted Concentric Millefiori
Paperweight with 11 roses. circa 1845-1860. This
wonderful antique Clichy concentric millefiori paperweight has a
classic arrangement of three concentric rings of complex millefiori
around a blue pastry mold cane. The inner ring has eleven
green and white roses. The second ring consists of fifteen
pink pastry mold canes. The outer ring has an
alternating pattern of 24 canes with six purple pastry mold canes
and 18 pink and green canes. The 18 pink and green complex
canes resemble the color of pink and green roses. In all,
there are 51 millefiori canes over a clear ground. The canes
are intricate and very colorful. See the close-up picture for
more detail. There are six side facets and a top facet.
A fantastic paperweight.
Clichy paperweights are highly sought after by collectors for their complex canes and brilliant colors. Clichy paperweights with rose canes are especially desirable. The Clichy factory was founded at Billancourt near Paris in 1837. Shortly after that it moved to Clichy-la-Garenne, which gave the factory its best known name. They stayed in operation until about the 1870s. Size: 2 5/8" diameter by 1 3/4" high. The base
is ground concave. There are six side facets and a top
facet. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$995 postage paid in the US. Price reduced (was $1,295) 11/27/2016 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 4388 | Large Antique Clichy Faceted Concentric Millefiori
Paperweight. circa 1845-1860. This wonderful
antique Clichy concentric millefiori paperweight has a classic
arrangement of three concentric rings of complex millefiori around a
blue pastry mold cane. The inner ring has nine Clichy eight
lobed edelweiss florets. The second ring consists of fifteen
purple eight lobed florets. The outer ring has an alternating
pattern of 24 pastry mold canes with six green pastry mold canes and
18 pink pastry mold canes. In all, there are 49 millefiori
canes over a clear ground. The canes are intricate and very
colorful. See the close-up picture for more detail.
There are six side facets and a top facet. A fantastic
paperweight.
Clichy paperweights are highly sought after by collectors for their complex canes and brilliant colors. Clichy paperweights with rose canes are especially desirable. The Clichy factory was founded at Billancourt near Paris in 1837. Shortly after that it moved to Clichy-la-Garenne, which gave the factory its best known name. They stayed in operation until about the 1870s. Large Size: 2 5/8" diameter by just under 1 3/4"
high. The base is ground concave. There are six side
facets and a large top facet. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$950 postage paid in the US. Added 8/21/2016 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 2038 | Large Antique Czech / Bohemian Faceted Masaryk Picture
Paperweight. c.1900-1937. Large faceted
paperweight with a picture to Tomáš Garrigue Masaryk, the first
president of Czechoslovakia. The picture is placed on a
sulphide frame that rests on a multi-colored cushion of glass
bits. The frame has ornamental features on each side of the
picture. The name "T. G. Masaryk" is at the base under the
picture, although the initials are obscured by a bubble at the base
of the frame. The paperweight has one large window facet and a
fancy four part facet at the top. The paperweight was made in
Northern Bohemia during the period 1900 to 1930. The glass is
heavy crystal and weighs just over 26 ounces. An important
paperweight of historical significance.
Masaryk was the president of Czechoslovakia from 1918 to 1935. He died in 1937 at the age of 87. The picture was taken earlier in his life. Most likely this paperweight was produced during his presidency or possibly at the time of his death. It is also possible that it was produced earlier in his life when he was a political activist advocating for the creation of an independent Czechoslovakia. Von Brackel discusses this style of paperweight in his book Paperweights - Historicism - Art Nouveau - Art Deco . He shows several examples on pages 102 to 195 with a range of values up to $480. Unfortunately, the picture in this paperweight is flawed by a defect and bubble covering part of the face. The price has been reduced to reflect this flaw. Large Size: Just over 3" diameter by 3 3/4" high.
The bottom is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$95 postage paid in the US. Added 7/20/2016 For more information about Bohemian paperweights, see my Bohemian Paperweights Web Page . Click on the picture to see a larger image. |
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| 2496 | Rare Chinese Copy of a NEGC Faceted Millefiori Nosegay
Paperweight.
circa
1930. This is an almost antique Chinese copy of a New England
Glass Company (NEGC) Posy Paperweight made circa 1860. It has
the fancy NEGC quatrefoil faceting and setup. The millefiori
nosegay consists of three red, white, and yellow complex millefiori
canes with four green leaves and a stem. All this surrounded
by two garlands of complex millefiori, one made up pink and blue
flowers, the other made pink and white flowers with green
centers. This great setup is on top of a latticinio swirl
ground. There are twelve side facets (four large and eight
smaller) plus the four part top facet with a notch between
each. This is a fantastic addition to any collection of
antique paperweights. In some ways, the execution of this
example is better than the original NEGC, since NEGC examples usual
have tipped or cracked canes and the posy is often smudged.
Chinese Paperweights were made in the late 1920s and throughout the 1930s as an attempt to duplicate 19th Century antique weights made in the United States and France. Because they are almost 100 years old, they are very collectible and every collector should own a few of these as study pieces. The history of the early Chinese paperweights is mostly anecdotal as no written records have been discovered. The story is that an American dealer sent examples of paperweights made by the New England Glass Company (NEGC), Boston & Sandwich Glass Company (B&S), Millville makers, and French factories to a Chinese factory and requested copies be made. The results are interesting and sometimes confused with the originals by inexperienced collectors. The earliest pictures of these paperweights appeared in the book American Glass Paperweights by Francis Edgar Smith published in 1939. Smith was aware that at least one of the paperweights shown in his book was Chinese. Since Smith was not an expert collector, this indicates that there was some general knowledge that these were Chinese prior to 1939. In the United States, the Tariff Act of 1930 required that every imported item must be conspicuously and indelibly marked in English with its country of origin. As a result, many of these Chinese paperweights are scratch signed on the bottom "CHINA". Many are also not signed, suggesting that either they were imported prior to 1930 or the importer ignored the requirement. Most likely the earliest Chinese paperweights were made prior to 1930. The Chinese makers often combined design features found in paperweights from different makers. For example they copied the latticinio grounds used by New England Glass Company and used them with copies of Baccarat Pansy weights. The original Baccarat pansy paperweights never had a latticinio ground. They copied the pedestal rose from Millville and then used the pedestal bottom with other weights. It is fun to collect all the variations. In general, Chinese paperweights from this period have a light weight glass mixture that is high in soda and has a greenish tinge. The glass also has a soft almost oily feel. Frequently they have bubbles or debris in the glass. And because of their age, many of these have minor scratches or other surface defects. Large Size: Just under 3" diameter by 2" high.
The bottom is ground concave. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$225 postage paid in the US. Added 7/20/2016 For more information about paperweights from China, see my Chinese Paperweights Web Page. Click on the picture to see a larger image. |
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Paul Ysart Signed Red Flower with Seven Leaves and
Stem in Millefiori Garland Paperweight. circa
1946-1972. Large red flower with seven leaves and a stem
placed in the center of a colorful millefiori garland. There
is a millefiori cane in the center of the flower. The leaves
and flower are striped and variegated. The ground is a
translucent brown or amber color. This paperweight is signed
with Paul Ysart's "PY" cane near the stem. It dates from the
postwar period and is from his postwar Moncrieff period or his
Caithness period (1962-1972).
The birth of Scottish paperweight making is credited to the glass making family of Salvador Ysart, who moved to Crieff, Scotland from Spain in 1922. They worked first at John Moncrieff Ltd and made the earliest Scottish paperweights during that period. Paul Ysart (1904-1991), originally Pablo Moreno Isart, was apprenticed to his father as a glass worker at Moncrieff in 1922. He worked on the production of Monart Art Glass. Paperweights were primarily an after hours activity. Paul made his first paperweight in the early 1930s. Production was interrupted by World War II and the Monart line was not restarted until 1946. In 1946 Salvadore and his sons Augustine and Vincent left Moncrieff and founded Ysart Brothers Glass. They produced glass wares under the Vasart label. Salvador Ysart died in 1955. Paul stayed at Moncrieff from until 1962, when he joined Caithness as a Training Officer. While at Caithness, he trained Peter Holmes, Colin Terris, and William Manson, among others. After he retired from Caithness in 1972, he continued to make paperweights initially under the Harland label and then the Highland Paperweights label until 1979. You can read more about Paul Ysart in the book by Colin Mahoney Masterpieces: The Paperweights of Paul Ysart. Large Size: Just under 3" diameter by 2 1/16"
high. The base is ground flat. . For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$950 postage paid in the US. Added 4/26/2016 For more information about paperweights made by Scottish makers, see my Scottish Paperweights Web Page Click on the picture to see a larger image. |
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| 2263 | Vasart / Lassman Millefiori Paperweight Bar Set. circa
1950s-1960s.
The firm of Lassman & Co designed and produced this bar set
during the 1950s and 1960s. The millefiori paperweight handles were
made by the Ysart family of Scotland under the Vasart label.
The millefiori paperweight handles each have a concentric design
that matches the setup and canes of other Vasart paperweights.
Note: The case is in very poor condition. This set is priced only slightly above the price of the individual pieces. The maker of this item was Lassman & Co. located in the Kilburn area of North London. Samuel Lassman purchased the paperweight handles from George Dunlop's Pirelli Glass in London. Pirelli obtained them from Vasart. Pirelli also took some assembled inventory back from Lassman and sold the barware items under the Pirelli label. Pirelli also included the line in their 1959 catalog. There are very few complete sets known to exist with the case. A smaller set is shown on page 157 of the book on Ysart Glass published by Volo (the section on Vasart was written by Frank Andrews). There is also a display of another smaller set in the museum in Perth which attributes this to Vasart Art Glass. For more information, see the article by Angela Bowey and Allan Port “Pirelli, Vasart and the Ysart Family” in the Paperweight Collectors Association Inc. Annual Bulletin 2015. I will include a copy of the article with the purchase of this bar set. For more information, see my web page on Lassman & Co . The six piece set is complete with the original "leatherette" carrying case. It includes the following pieces:
Condition: The case is in very poor condition. The case is losing its cover and the inside lining has some stains (both on the back and below some of the pieces). The case also has tarnished / pitted brass hardware. Some of the bar pieces show signs of wear and use. The worst of the defects is the can opener which has some chrome and metal loss at the tip and the corkscrew has a defect on the thread. Signature: The word "ENGLAND" appears on the metal part of the can opener and corkscrew. Each cup of the Double Jigger Measure and the the cork of the Two Piece Pourer are marked "MADE IN ENGLAND". The bottle opener, spoon, and case are unmarked. $995 postage paid in the US. Added 4/2/2016. Click on the picture or this link to see more details on this set. |
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| 1616 | Huge Murano Magnum Close Packed Concentric
Millefiori Paperweight or Doorstop. circa 1930-70. This
is an unusually large Murano millefiori paperweight. The
millefiori canes are arranged in six concentric circles around the
center cane. There is an interesting variety of millefiori
canes. The glass is slightly yellow. The canes are
smudged on one side as shown in the pictures. Really
big. It is 4 5/8" diameter by 3 5/8" high and weighs 4 pounds
4 oz. A magnificent paperweight that will make an
impression on your guests.
This paperweight was made on the island of Murano in Venice, Italy. Venetian glass making dates back centuries and the Venetians are given credit for the earliest millefiori canes and paperweights in 1840s. More recently, paperweight making was revived in the 1930s and again in the 1960s. Huge Size: 4 5/8" diameter by 3 5/8"
high. The base is polished flat. It weighs 4 pounds 4
oz. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$225 postage paid in the US. Added 2/22/2016 For more information about Murano paperweights, see my Murano Paperweights Web Page . Click on the picture to see a larger image. |
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| 1770 | Antique German Paperweight with Picture of Student
in Fraternity Uniform. circa 1870-1915. This is an
antique paperweight with a photograph or painting of a young man in
a military type uniform. The image is on a white enamel plaque
and is either a painting or a hand colored photograph. The
enamel plaque is placed in the center of a spatter or frit
ground. An interesting and rare type of paperweight. The
paperweight was most likely made in Germany or Silesia. A
great addition to any collection of antique European
paperweights.
Note: There is a fracture surrounding the image that is caused by incompatibilities between the plaque and the surrounding glass. This type of fracture is, unfortunately, fairly common in plaque weights of that period. After considerable research, I have concluded that the uniform is probably one used by a German or Austrian university student fraternity or student association. Members of these student associations surrounded themselves with the symbols of their fraternities. The uniforms are quite commonly depicted on German steins and other "studentica" of the period. For more information, see http://stein-collectors.org/library/articles/Student/studentica.html Size: 2 1/2” diameter by 1 3/4” high. The
bottom is fire finished with remnants of the pontil mark. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$265 postage paid in the US. Added 2/3/2016 For more information about Antique Paperweights, see my Antique Paperweights Web Page. Click on the picture to see a larger image. |
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| 4359 | Large Murano Close Concentric Millefiori
Paperweight. circa 1970. This paperweight
has a concentric pattern of millefiori arranged in three concentric
circle around a central millefiori cane. There is an outer
ring of blue and white canes, a middle ring of orange canes, and an
inner ring of white canes. This close packed design is over a
white frit ground. A attractive paperweight that displays
beautifully.
Large Size: 3 1/8" diameter by 2 1/2"
high. The base is ground flat. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$49 postage paid in the US. Added 11/15/2015 For more information about Murano paperweights, see my Murano Paperweights Web Page . Click on the picture to see a larger image. |
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| 3813 | Magnum St. Clair Crimp Paperweight. c.1970-2000.
Multi-colored
stylized flower in the unique St. Clair style. This style of
crimp weight is very collectible. This one has eight pleats or
crimps with carefully placed bubbles between each. There is
also an extra large central bubble. A huge very showy
paperweight with great color.
Shown in both the Melvin book listed above (with a sulphide) and in the Bonnie Pruitt St. Clair Collectors Guide (without a sulphide). Magnum Size: Just under 4" diameter by 2 1/4"
high. The bottom is fire finished and hot stamped with the
signature. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$65 postage paid in the US. Added 5/27/2015 For more information about paperweights made by the St. Clair family, see my St. Clair Paperweights Web Page . Click on the picture to see a larger image. |
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Magnum Antique Union Glass (Somerville, Massachusetts)
Paperweight "MINNIE". Circa 1900-1929. This is a
fantastic Union Glass Company Paperweight featuring a garland of
Lutz style four and five petal flowers with leaves and the name
"MINNIE" in the center. Each flower has gold aventurine in the
center for accent. The lettering is set off by two red white
and blue colored stripes.
Union Glass of Somerville, Massachusetts is the third of three related factories in the Boston area. The first two were the Boston & Sandwich (B&S) Glass Company and the New England Glass Company (NEGC). Both B&S and NEGC produced paperweights at the same time, both were founded by Deming Jarvis, and both declared bankruptcy in 1888. Union Glass came a little later. It operated from 1851 to 1929. These name/date paperweights are made with lampwork flowers and letters and are not frit weights. There are some nice articles in the literature including a lengthy article in the Paperweight Collectors Association 2004 Annual. There is also a short chapter in George Kulles' third book - Identifying Antique Paperweights - The Less Familiar . Nicholas Lutz worked at Union Glass from 1895 to 1904 and his influence can be seen on the Union Glass flowers although most of these weights were made after Lutz's death. There is some current speculation that Lutz had an apprentice who continued to work at Union Glass and was responsible for not only some of the better Union Glass examples, but also some of the fine lampwork paperweights attributed to Mount Washington Glass. Very Large Size: Just under 3 3/4" diameter by just
over 2 3/4" high. It weighs over 2 1/2 pounds.
The bottom is ground flat with a matte finish. For extra pictures, click on the picture at the right and the following links: Large picture of the paperweight$775 postage paid in the US. Added 5/4/2014 For more vintage American paperweights, see my Vintage American Paperweights Web Page. Click on the picture to see a larger image. |
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Revised 1/23/2020 EI
